Showing posts with label Bollywood Actors. Show all posts
Showing posts with label Bollywood Actors. Show all posts

Wednesday 21 March 2018

The Charismatic Child Stars Of Bollywood


There were many charismatic child artists of screen who captured our attention with their charm, smiles and infectious personalities. Their performances have brought so much joy into our lives, we  still remember them even they have grown old or died.The early years of Hindi cinema saw some of the super stars of later years playing as child stars. 
Meena Kumari as Child Artist
Madhubala as Child Artist
Baby Nanda

Leading heroines of Golden Era such as Nargis ,Meena Kumari, Madhubala, Nanda started their career as child artist but they became stars only after becoming heroines in films.Neetu Singh also started as Child artist and she became a child star with the release of Do Kaliyan in 1968. Before that she appeared in Suraj(1966) and Dus Lakh (1966).Some of the other  known films as child artist were Waris(1969).Ghar Ghar Ki Kahani(1970) and Pavitra Paapi (1970)
Song from Do Kaliyan 1968
There were many artists who became big stars when they were child but were not clicked when they grew old to become Hero or Heroine the only exception was Neetu Singh from Baby sonia.
Daisy and Honey Irani



Honey Irani



The Irani sisters, Daisy Irani and Honey Irani, became household names and the films, which had both these sisters, fetched the biggest openings.  These two sisters were enjoying the star status in that era.Stories were re written to include them in the film or their roles were increased in the film.

                             Scene from Ek Hi Rasta (1956) - Daisy Irani & Ashok Kumar


Their most important films of that era were Bandish ,Jaagte Raho,Bhai Bhai Naya Daur.Chirag Kahan Roshni Kahan,Bombay Ka Chor.Hum Panchi Ek Dal KeMusafirSaharaQuedi No. 9211Duniya Na ManeDo UstadDhool Ka PhoolSoorat Aur Seerat and Chandi Ki Diwar.
Song from Masoom 1960

Another equally popular child star was Baby Tabassum who first faced the camera at the age of three as a child actor with Mera Suhaag (1947), Manjhdhar (1947),Nargis (1947) and Bari Behen (1949). Later in Deedar (1951), directed by Nitin Bose, she played the childhood role of Nargis; the hit song Bachpan Ke Din Bhula Na Dena sung by Lata Mangeshkar was picturised on her.Also in the same year, she appeared in another important film Baiju Bawra (1951) directed by Vijay Bhatt, where she appeared in the childhood role of Meena Kumari
Baby Tabassum with Dev Anand

This song from Sangram is Picturized on child Shashi Kapoor and Baby Tabassum
Song from Sangram 1950
Baby Naaz and master Rattan were another two child artists who came to limelight after Raj Kapoor's Boot Polish. Baby Naaz  worked with leading directors in outstanding films. These included Hrishikesh Mukherjee’s Musafir, Bimal Roy’s Devdas, K A Abbas’ Munna and the Nargis-Balraj Sahni starrer, Lajwanti.
Baby Naaz


Song from Boot Polish

Master Rattan Kumar  became the most-sought-after child-actor in India in the 1950s after his initial success in 1952. After the popular Indian movie Jagriti(1954), Ratan Kumar migrated to Pakistan in 1956, with his family, and remade the movie into Bedari (1957).Some of his famous films were Afsana,Baiju Bawra and Angarey.


Song from Jagriti(1954)

Another Child star emerged in 1962 with the release of Main Chup Rahungi,Some of his known films were Sehra(1963),Mujhe Jeene Do (1963),Sant Gyaneshwar (1964) and Purnima(1965)
Song from Main Chup Rahungi  1962

Another child star emerged in late 60s was Jr Mrhmood.He became a household name after the release of Brahmchari.Remember the hilarious dance act on 'Hum kaale hain toh kya hua dilwale hain...' from the movie 'Brahmachari'? He ruled millions of hearts and received a lot of accolades from the industry. Interestingly, the name Junior Mehmood was given to him by Mehmood.Some of his important films were Do Raste (1969),Bachpan(1970) ,Ghar Ghar Ki Kahani (1970),Aan Milo Sajna (1971)and Caravan (1971)

Song from Brahamchari 1968

The Child Star of the 70s was Master Raju.With Gulzar's Parichay in 1972 he came into limelight,the same year he appeared in Bawarchi.After that in  Yash Chopra's Daag: A Poem of Love (1973) , Basu Chatterjee's Chitchor (1976) and Gulzar's Kitaab (1977) he became the most sought after child artist of Bollywood. He won the National Film Award for Best Child Artist for his role in Chitchor (1976).Over the years he has acted in around 200 films .

Song from Kitaab 1977

Sarika started her film career as a child actor at the age of 4.Her most notable and popular appearance as a child artist was in the year 1967 in the musical superhit Hamraaz, where she was seen as the daughter of Vimi named baby/saarika. She appeared in many children's movies. Later, her most known films as child star were Satyakam,(1969),Jyoti,Balak both in 1969, Devi in 1970 and Haar Jeet(1972).She moved on to films with Rajshri Productions Geet Gaata Chal with Sachin, with whom she starred in many Hindi and Marathi films.

Song from Balak 1969

In the 80s with Masoom of Shekher Kapoor emerged two Child Stars Urmila Matondkar and  Jugal Hansraj both of them later actedas hero and heroine after growing up.Urmila Matondkar came with hit movies like Rangeela as heroine opposite Aamir Khan 


Song from Masoom 1983

Today's hero Kunal Khemu started as child star from the film Ham Hain Rahi Pyar Ke followed by Raja Hindustani and Zakhm for which he won National Award as Child Artist.Another child star made it big is Ayesha Kapoor who played Rani Mukharjee's child role in Black and also Munni of Bajrangi Bhaijan played by Harshaali Malhotra became popular among the people.

Another Little Star Twinkled in Bollywood was Harsheel in Tare Zameen Par.These little Stars have been mesmerizing the audience since the beginning of Bollywood Films and will forever be shining. 



Sunday 18 March 2018

Shashi Kapoor-The Great Romantic Hero


Shashi Kapoor’s real romance with wife Kendal, an English actor, remains one of Bollywood’d most enduring love stories.He was considered a great romantic hero next to Dev Anand. Though his brother Shammi Kapoor too considered as a great romantic hero of the 60s but he was one of the first leading men in Bollywood to romance his leading ladies in spectacular backdrops like Shimla and Kashmir.
 Some of his most popular romantic songs were shot at marvelous locations which sprung to life with his stellar performances and unmatched charm.The first film which made him the successful romantic hero image was Jab Jab Phool Khile starring Nanda. Following that they worked together in many films.

Though he did the grinning, romantic-hero parts very well, he showed an unexpected flair for comedy, and had a reassuring integrity in serious, dramatic scenes, he could seem a bit one-dimensional in commercial films. 
He was also the first actor to work in Western films, starring in several Merchant Ivory productions, a company run by Ismail Merchant and James Ivory; the outings included The Householder (1963), Shakespeare Wallah (1965), Bombay Talkie (1970) and Heat and Dust (1982) in which he co-starred with his wife Jennifer Kendal, The Deceivers (1988) and Side Streets (1998).

 He set up Prithvi Theatre, he also set up his own production house, Film Valas, which produced critically acclaimed films such as Junoon (1978), Kalyug (1981), 36 Chowringhee Lane (1981), Vijeta (1982) and Utsav (1984), much later, in 1991 he directed his first Hindi film, a fantasy titled Ajooba which had his co-star Bachchan and nephew Rishi Kapoor in the lead. Kapoor was awarded Padma Bhushan in 2011 and the Dadasaheb Phalke award in 2015.
He died on December 4, 2017  at the age of 79 .He is survived by two sons, Kunal and Karan, and a daughter, Sanjana, who takes care of the Prithvi Theatre.

Some of his great romantic Songs
Song from Jab Jab Phool Khile 1965



Song from  Neend Hamari Khwab Tumhare 1966



Song from Dil Ne Pukara  1967



Song from Haseena Maan Jayegi  1968



Song from Kanyadaan 1968



Song from Pyar Ka Mausam 1969



Song from Sharmilee 1971



Song from Chor Machaye Shor 1974


Song from Fakira 1976









 

Monday 12 March 2018

The Trio of DEV ANAND,DILIP KUMAR and RAJ KAPOOR in 1960s


Raj KapoorDilip Kumar and Dev Anand combined to formed the trilogy of the Indian cinema in the 1950’s and 60’s.All the three started their career as Hero before Independence. In the 1950s all of them were in the peak of their career.Each had their own brand value and distinct persona and loyal following. ..
The decade of 1960s was unique for Bollywood in many ways.With the emergence of Shammi Kapoor, Rajender kumar, Sunil Dutt,and, Dharmendra the position of this trio became shaky.Out of the three only Dev Anand gave the tough competition to them
Dilip Kumar
He started his career with Jwar Bhata(1944).In 1949, he co-starred with Raj Kapoor in the film Andaz, which went to become a major success and made him a star. Tragic roles in popular films such as Deedar (1951) and Devdas (1955) earned him the title of “tragedy king”.He gave one hit after another in the 50s. His greatest hit film Mughal e Azam released in 1960,after that came another hit Ganga Jamuna in 1961.In the next 8 years only 5 films of his were released none of the film except Ram Aur Shyam in 1967 did well in the Box Office.In the 1970s, 1980s, and early 1990s, Dilip Kumar acted in fewer films. Newer actors had taken the spotlight. In the 70s also he worked as hero in 7 films out of them Gopi released in 1970 was a hit,rest of the films were average on the Box office.His notable films in the 1980s and early 90s included Kranti (1982), Shakti (1982), Karma (1986) and Saudagar (1991) which were very successful at the box office.
Song from Andaz 1949



Song from Dard 1952



Song from Madhumati 1958



Raj Kapoor
At age eleven, he appeared in films for the first time, in the 1935 film Inquilab. Raj Kapoor’s big break, however, came when he played the hero’s role in Neel Kamal (1947) by Kidar Sharma.In 1948, at the age of twenty-four, he established his own studio, R. K. Films, and became the youngest film director of his time. His first movie as a director Aag (Fire) (1948) was an immediate success.
During the 50s he acted in more than 25 films as Hero and gave many hits.But in the 60s he gave only 2 hits Jis Desh Mein Ganga Nehti Hai(1960) and Sangam in 1964.
In the 70s he acted in 8 films not as hero except Mera Naam Joker.After the box office failure of his ambitious 1970 film, Mera Naam Joker he appeared along with his father Prithviraj Kapoor in Kal Aaj Aur Kal in 1971 directed by his son Randhir Kapoor.His last film appearances was in Vakil Babu (1982) where he appeared opposite his brother Shashi Kapoor

Song from Awara 1951

Song from Shree 420 (1955)



Song from Mera Naam Joker 1970



Dev Anand
He a break as an actor by Prabhat Talkies to star in their Hum Ek Hain (1946). His first success came with Ziddi (1948).In the 50s he appeared in more than 25 films and gave many hits every year.Some of these films are Baazi(1951),Jaal(1952),Taxi Driver(1954),Munim ji(1955),CID (1956),Nau Do Gyarah(1957),Solva Saal (1958) and Love Marriage(1959).
Song from Jaal 1951
In the 60s he appeared in more than 20 films and still giving hit films every year.In the 1960 he gave 2 super hit films Kaala Bazar and bombai ka Babu.In the next year (1961)out of 4 films released his 3 films were super hit(Maya,Jab Pyar Kisi Se Hota Hai and Hum Dono).Some of the other hits of Dev Anand in the 60s are Asli Naqli(1962),Tere Ghar Ke Samne(1963).Guide(1965),Jewel Thief(1967),Mahal(1969).In the 70s he appeared in 19 films and gave his career's super hit film Johny Mera Naam in 1970.Other hit films were Tere Mere Sapne(1971),Hare Rama Hare Krishna(1971),Amir Garib (1974) and Des Pardes (1978).
Song from Munimji 1955



Song from Guide 1965


Thursday 18 January 2018

K L Sehgal-The Ultimate Zenith of the Singing Voices of Bollywood


K L Sehgal – the divine, the inimitable, the ultimate zenith of the singing voices. He came on right in the beginning of the age of talking cinema in India, and departed all too soon. This year, it is seventy years that he left this mortal existence. And to wit – no other singer since then, has ever been able to match his singing abilities, nor has been able to achieve the quality and the depth / breadth of renditions.  He was a class unto himself, with none other besides him.
Many singers tried to imitate Saigal’s style, tone and tenor. If Talat Mahmood’s first song ‘Sab din ek samaan nahin thha..’ reminds us of Saigal, so does Mukesh’s ‘Dil jalta hai to jalne de..’. C.H. Atma sounds like Saigal in ‘Preetam aan milo..’, Surrender in ‘Aawaaz de kahan hai..’ and Kishore Kumar in ‘Jagmag jagmag karta nikla chaand punam ka pyara..’ could not resist trying a Saigal style. The young Rafi virtually requested to Naushad to allow him to sing with Saigal the last lines of ‘Mere sapno ki Rani..’.
He appeared in 36 full length feature films (28 Hindi + 7 Bangla + 1 Tamil). The stature of his persona, and the standing of the production houses, has ensured that majority of the body of his work is available today in public domain. There are a few films in the period 1932 to 1935 – namely ‘Mohabbat Ke Aansoo’ (1932), ‘Subah Ka Sitaara’ (1932), ‘Zinda Laash’ (1932), ‘Daaku Mansoor’ (1934), ‘Rooplekha’ (1934), ‘Pooran Bhagat’ (1933), ‘Raajrani Meera’ (1933), ‘Yahudi Ki Ladki’ (1933), and ‘Kaarwaan e Hayaat’ (1935), which seem to have been lost forever. Of these nine films the first five have been erased, with even no music / songs / records traceable. A few songs of the remaining four films is the priceless legacy that has survived to attest a substantive existence of these films.
Sehgal was born in Jammu(11 April 1904), where his father Amarchand Saigal was a tehsildar at the court of the Raja of Jammu and Kashmir. Saigal dropped out of school and started earning money by working as a railway timekeeper. Later, he worked as a typewriter salesman for the Remington Typewriter Company, which allowed him to tour several parts of India.
Once on his travel to Lahore  he befriended Mehrchand Jain (who later went on to start the Assam Soap Factory in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends when they both moved to Calcutta and had many a mehfil-e-mushaira. In those days Saigal was a budding singer and Mehrchand encouraged him to pursue his talent. His passion for singing continued and became more intense with the passage of time. 
In Calcutta he was introduced to R. C. Boral. who liked his talent of singing and acting. Those days all actors used to sing their own songs.Soon Sehgal was hired by B. N. Sircar's Calcutta-based film studio New Theatres on a contract of Rs. 200 per month. There he came into contact with contemporaries like Pankaj MullickK. C. Dey and Pahari Sanyal.
The first film in which Sehgal had a role was the film Mohabbat Ke Ansu, followed by Subah Ka Sitara and Zinda Lash, all released in 1932. However, these films did not do very well. Sehgal used the name Saigal Kashmiri for his first three films and used his own name Kundan Lal Sehgal (K. L. Sehgal) from Yahudi Ki Ladki (1933).In 1933, four bhajans sung by Saigal for the film Puran Bhagat created a sensation throughout India.
In 1935,he played the role that would come to define his acting career: that of the drunken title character in Devdas, based on Sarat Chandra Chattopadhyay's novel of the same name and directed by P.C. Barua. His songs in the film Devdas (1935), "Balam Aaye Baso Moray Man Mein" and "Dukh Ke Ab Din Beetat Naahi", became popular throughout the country.
His association with New Theatres continued to bear fruit in the successful films Didi (Bengali), President (Hindi) in 1937, Desher Mati(Bengali), Dharti Mata (Hindi) in 1938, Saathi (Bengali), Street Singer (Hindi) in 1938, Dushman (1939), Jiban Maran (1939) and Zindagi in 1940, with Sehgal in the lead. In Street Singer, Sehgal rendered the song "Babul Mora Naihar Chhooto Jaye" live in front of the camera, even though playback was becoming the preferred method of singing songs in films.
In December 1941, Saigal moved to Mumbai to work with Ranjit Movietone. Here he acted and sang in a number of successful films. Bhukt Surdas (1942) and Tansen (1943) were hits during this period. The latter film is still remembered for Saigal's performance of the song "Diya Jalao" in Raga Deepak; in the same movie, he also sang "Sapta Suran" and "Tin .. Gaa-o Saba Guni Jan". In 1944, he returned to New Theatres to complete My Sister. This film contained the songs "Do Naina Matware" and "Ae Qatib-e-Taqdeer Mujhe Itna Bata De".
In 1945 his film Tadbeer with Suraiya released which was a hit.Its song Mein Panchhi Azad was a huge hit.When Suraiyya got a chance to act with Saigal in Parwana, she was so overawed that she could not sing even one duet with him. In a career of fifteen years, Saigal acted in 36 feature films – 28 in Hindi, seven in Bengali, and one in Tamil. In addition, he acted in a short comedy Hindi film, Dulari Bibi (three reels), released in 1933.
 Sehgal died in his ancestral city of Jalandhar on 18 January 1947, at the age of 42. However, before his death, he was able to churn out three more hits under the baton of Naushad Ali for the film Shahjehan (1946). These are "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana (1947) was his last film, released after his death, in which he sang under the baton of Khawaja Khurshid Anwar. The four songs which Saigal sang in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", and "Kahin ulajh na jaana"
.Sehgal's distinctive singing was revered and idolised by the first generation of post-independence Hindi Film playback singers, including Lata MangeshkarKishore KumarMohammad Rafi, and MukeshLata Mangeshkar and Kishore Kumar have even gone on record in an interview that they consider Kundan Lal Saigal to be their music Guru.  
However, the appeal of Saigal’s songs is eternal and enduring. The freshness of his songs is undiminished by time. Music lovers would cling to his memory for all time to come.


Song from Yahudi Ki Ladki’ (1933)



Song from Devdas (1935)




Song from Street Singer (1938



Song from Zindagi (1940)




Song from Zindagi (1940)




Song from Tansen (1943)




Song from My Sister (1944)



Song from Shahjehan (1946)



Song from Shahjehan (1946)




Monday 8 January 2018

Nanda- One of the highest paid actresses of her time.


Nanda, who has done some unforgettable work in Bollywood and has given films like like Hum Dono, ‘Dhool Ka Phool’, ‘Dulhan’, ‘Bhabhi’, ‘Jab Jab Phool Khile’, ‘Gumnaam’, ‘Shor’, ‘Parineeta’, and ‘Prem Rog’ was one of the highest paid actresses of her time. She was the second highest paid Hindi actress along-with Nutan from 1960-1965 and second highest paid Hindi actress in 1966-1969 along-with Nutan and Waheeda 
She was born on 8th Jan1939 at Kolhapur. Maharashtra.She was eight years old when her father died.She became a child actress, helping her family by working in films.She made her debut with Mandir in 1948.she was a child actor from 1948 to 1956. She was first recognized as "Baby Nanda". In the films like MandirJagguAngaarey, and Jagriti.

It was  the renowned film producer-director V. Shantaram who was her maternal uncle gave Nanda a big break by casting her in a successful brother-sister saga; Toofan Aur Diya (1956).She played supporting roles initially,  She received her first Filmfare Award nomination as Best Supporting Actress for Bhabhi(1957). She played second lead in Dhool Ka Phoo and was in Kala Bazar as Dev Anand'sister.

She became a lead heroine with the 1959 film Chhoti Behen,The movie was a big hit, making her a star.She then played lead roles, such as one of Dev Anand's heroines in Hum Dono (1961) and Teen Deviyan. Both films were acclaimed as hits. 

She was the heroine in B.R. Chopra's Kanoon (1960), She signed eight films with Shashi Kapoor at a time when he was yet to become successful in Hindi Cinema. Their earlier two films  Char Diwari (1961) and Mehndi Lagi Mere Haath (1962) were flop but she continued to work with him till Jab Jab Phool Khile (1965) released.The film was a hit,she played a westernised role for the first time and it helped her image.They became a successful screen pair.They gave many hit films like Mohabbat Isko Kahete Hain (1965),Neend Hamari Khwab Tumhare (1966), Raja Saab (1969) and Rootha Na Karo (1970).

The year 1965 was lucky year for her,she gave hit films like Gumnam and Teen Deviyan beside  Jab Jab Phool Khile.
She signed with new leading man Rajesh Khanna in the songless suspense thriller Ittefaq (1969), for which she received a Filmfare nomination as Best Actress and which became successful at the box office. After Khanna became a super-star, he signed two more films with her; the thriller The Train (1970) and the comedy Joroo Ka Ghulam (1972) which became hits. Jeetendra, too, had some hit films with her such as Parivar and Dharti Kahe Pukar Ke, with Sanjay Khan, she had a hit in Beti and Abhilasha

She did a small role in Manoj Kumar's Shor (1972), Nanda did a few more critically acclaimed films such as Chhalia (1973) and Naya Nasha (1974), which flopped, and she then stopped acting. In 1982, she came back with three successful films, all coincidentally having her play Padmini Kolhapure's mother in Ahista AhistaMazdoor and Raj Kapoor's Prem Rog. Then she permanently retired.In 1992, a middle-aged Nanda became engaged to director Manmohan Desai at the urging of Rehman. But he died before they get married.
Nanda remained un married till she died.She died in Mumbai on 25 March 2014 at her Versova residence, aged 75, following a heart attack.


Song from Toofan Aur Diya 1956





Song from Bhabhi (1957)





Song from Chhoti Bahen (1959)




Song from Usne Kaha Tha (1960)



Song from Aanchal (1960)



Song from Nartakee 1963 



Song from Gumnaam (1965)



Song from Teen Devian (1965)



Song from Jab Jab Phool Khile (1965)



Song from Dharti Kahe Pukarke (1969)



Song from The Train 1970



Song from Woh Din Yaad Karo (1971)




Song from Shor (1972)