Monday 10 July 2017

Jewish People in Bollywood


With the recent visit of Prime Minister Narendra Modi to Israel,the idea of Jewish contribution to Bollywood came in my mind. The Jewish contributed to Indian films in different ways: as actors – Sulochana, the first female superstar; Rose, a popular starlet; Pramila, the first Miss India; Nadira, the “quintessential vamp” who starred in several films of Raj Kapoor, writers (Joseph David Penkar, who was also a lyricist and playwright, wrote India’s first talkie, Alam Ara), publicist (Bunny Reuben).The person born on 50s,to 70s are familar with the Character artist David,Nadira and Sulochna 
Jewish people's contribution in Indian cinema started from the era of silent films to the end of the 20th century. The Jewish were active in Bollywood during the period – the ’30s and the ’40s – when anti-Semitism was at its peak in other parts of the world.

When Indian cinema began, it was taboo for Hindu and Islamic women to appear on screen, so initially female roles were played by men, the Jewish community inIndia was more liberal and progressive and they were prepared to take these role[s]. The fact that they had lighter skin made them all the more suited for celluloid.Initially the cinema was silent so it was easy for the jewish ladies to play the female lead as the language was not a barrier to them.They coldn't speak Hindi or Urdu.

During the silent era, most of India’s film stars were Jewish. But barring a few, they could not continue with their successful careers once the talkies were introduced as they were incapable of delivering dialogues in Hindi because of their Anglicised upbringing.
While in the early days of Hollywood the Jewish influence was behind the camera, in India it was front-and-center onscreen, but there were some important exemptions to this. Foremost of these is the scriptwriter David Joseph Penkar, who wrote the first talkie in India cinema, “Alam Ara” in 1931 that established the template Indian film was to follow.

The first family of Indian Cinema: Romila, Pramila, and Rose

Romila  Despite the stigma attached to being an actress, Romila entered the film industry. She was discovered by the ‘Shakespeare of Urdu’, the Parsi Theatre playwright Agha Hashra Kashmiri, who was best known for his play Yahudi ki Ladki, which was later adapted to screen. Romila acted in many popular films like Our Darling DaughtersRimjhim, Do Baaten, Sawan-Aya-Re, Cycle WaliChabuk Wali and Duniya Diwani.




Ms. Pramila, Born Esther Victoria Abraham ,the first Miss India 1947,was the sister of Romila. She entered the world of show business after leaving her conservative Jewish home in Calcutta at the age of 17. Her first job was to keep cinema audiences quiet during the 15 minutes it took to change the reel in the single projector of silent films. She made a name for herself in many films as an actress, stunt woman and India's first female producer. Pramila never shied away from controversy - her song CholiKiAndar caused a fervor with censors long before MadhuriDixit’sCholiKePeeche did.She married to an Indian Muslim with them they had a son who also acted in stage and TV,His name is Hyder Ali who was also seen in Nukkad the popular T V Serial.






Rose Musleah was the cousin of Romila and Pramila.She was  as the ‘dancing actress’ of silent cinema whose movies dealt with conflicts between tradition and individual choice, the more popular of them being KasautiIt’s True, and When Love Was Sin and Sin Was Virtue

.

The first female superstar was the Jewish actress Sulochana (aka Ruby Myers), and she and other Jewish stars had a formative impact on the development of Indian cinema.In her heyday she was the highest paid actresses of her times, when she was pairing with, 'DinshawBillimoria' in 'Imperial Studios' films. In 1930, Sulochana made headlines when filmgoers saw her do a protracted kissing scene in the film “Hamara Hindustan." In mid 1930 she opened 'RubiPics', a film production House.
Among her popular films were Typist Girl (1926), Balidaan (1927) and Wildcat of Bombay (1927) where she essayed eight roles including a gardener, a policeman, a Hyderabadi gentleman, a street urchin, a banana seller and a European blonde!In 1953, she acted in her third Anarkali, but this time in a supporting role as Salim's mother. She received the Dada SahebPhalke Award in 1973 for her lifetime contribution to Indian cinema.She died in 1983.



Ramala Devi was born as Rachel Cohen. She is known for her work on Hit film Khazanchi (1941) where she appeared in the famous cycling song Saawan Ke Nazaare Hain. ,one of her famous movies was Hum Bhi Insaan Hain (1948) with Dev Anand and .Jhooti Kasmen (1948). And as was the fashion with famous film stars of the time, she endorsed Lux soap in the 1940s.
Song from Hum Bhi Insaan Hai (1948)



Indian actress Nadira, born: Florence EzekielNadira was born to a Baghdadi Jewish family. She was introduced to the film industry by Sardar Begum, wife of film director Mehboob Khan, in the film Aan.She did a bold scene in the movie.

In 1955, she played a rich socialite named Maya in Shree 420. She played pivotal roles in a number of films such as "Dil Apna Aur Preet Parai", Hanste ZakhmAmar Akbar Anthony and Pakeezah. She was often cast as a temptress or vamp, and played opposite the chaste heroines then favoured by the Bollywood film industry.She was well paid for her efforts and was one of the first Indian actresses to own a Rolls-Royce.She won a Filmfare Award for Best Supporting Actress, her role as Julie's mother Margaret, 'Maggie', in the 1975 film Julie. During the 1980s and 1990s, she entered a new phase of her career, playing elderly women as a supporting actress. Her last role was in the film Josh (2000).She died at the age of 73 at the Bhatia Hospital atTardeoMumbai,



Song from Boot Polish 1953
David Abraham Cheulkar (1908 - 1981), popularly known as David was a Jewish-Indian Hindi-language film actor, who started his film career with 1941 film NayaSansar and went on to act in over 110 films. He was a member of Mumbai's Bene Israel community.With the help of his close friend Mr. Nayampalli, a veteran character actor, he managed to land himself his first role in a movie. The movie was Zambo (1937) it was being produced and directed by Mohan Bhavnani .Beside Character actor   David is best known for his portrayal of "John Chacha" in the 1954 hit and Filmfare Award for Best Film winner and Palme d'Ornominee, Boot Polish, directed by Prakash Arora, for which he won the 1955 Filmfare Best Supporting Actor Award.The song "Nanhe Munne Bachche" from the film, picturized with him became a memorable song of that era.David was one of the best and the well-known anchor, compere and the host of the prominent award shows and other functions,He hosted many Filmfare Awards in the early years of Filmfare Awards.Some of his memorable films were  Anupama (1966),Ek Phool Do Maali (1969),Abhimaan (1973),Chupke Chupke (1975), Gol Maal (1979) and Khubsoorat (1980).He was awarded the Padma Shri award in 1969 by Government of India,He died on 28 December 1981 in Toronto, Ontario, Canada of a heart attack at the age of 73.





Pearl Padamsee was a distinguished actress of theatre and films.She was born the daughter of a Christian father and an Indian Jewish mother. She added a new dimension to Indian theatre in general and Mumbai in particular, and presented the audience with many a notable actor and play. Her Rise and Fall of Arturo Ui is considered a milestone in Indian theatre. She emerged as a prominent face of crossover cinema and worked in many national and international film projects, in both Hindi and English, in a film career spanning over four decades.Some of her prominent hindi films are   Khatta MeethaJunoon (1978 film)Baaton Baaton Mein, Her daughter  Raell Padamsee, who runs her own theatre company in Mumbai.



VijuPenkar, President, Maharashtra State Body-Building Association, tried a one time stint to get into show business.He made his debute in 1987 film TARZAN AND COBRA.He was also seen in Zulm Ki Hukumat (1992),Shatranj (1993),Waqt Hamara Hai (1993) and Mohra (1994)





Ben Kingsley is one of the most honored actors in Britain.He is half Jewish born to a jewish mother,He played the role of Gandhi in Richard Attenborough.s Gandhi.
A Scene from Gandhi 1982






Song from Gumnaam
DANCE DIRECTOR HERMAN, he worked on many films including the popular Chalti Ka Naam Gaadi. He also choreographed a great number of movies in the 60's featuring Shammi Kapoor starting from Dil Deke Dekho , Janwar , Teesri Manzil,.Brahmachari,and many more.Among his favorites is Jaan Pehechan Ho from the hit film Gumnaam,It was shot in a disco and features Laxmi ChhayaThe choreography was by Herman Benjamin.

Beside Herman his brother who was popularly  known as Baba Herman in the Film Industry worked with his brother Hermanji. He worked in most of Hermanji's films as a lead dancer and later he too became a choreographer. Herman Benjamin passed away on 13th September 1968 early morning at 4 am and was just 37 years old.




David Joseph Penkar  was a prolific playwright, screenwriter, director, and lyricist.He wrote the first talkie in India cinema, “Alam Ara” in 1931 He also wrote and directed in Gujarati, Hindi, Marathi, and Urdu while being fluent in Hebrew and English. Like many other members of the Bene Israel community, he lived in the cosmopolitan environment of Bombay without losing either his Jewish or Indian roots.





Ezra Mir was an Indian film-maker, known for his documentary films.His Jewish birth name was Edwyn Meyers. After working originally as a stage actor, he moved to New York in 1924 and started working in film, first as an actor and then later as an editor. During this period he also made his first short film, The Symbolesque (1929).
Returning to India, Mir began directing films based on Hindi theatre. He made his first full length film in this genre, Noorjehan, for the Imperial Film Company in 1931, and subsequently Zarina and other films for the Sagar Movietone. He made a number of films for Madan Theatre Studios in the 1930s, and his most well-known work, Rickshawala, was produced by Ranjit Movietone. He then set up his own studio, Everest Pictures, in 1939.
Mir was appointed Chief Producer of the Ministry of Information's Films Division in 1956; under his management, the Division was highly prolific, releasing newsreels at the rate of one per week as well as over 100 documentary films per year. He was awarded the Padma Shri in 1970.He died on 7 March 1993, in Mumbai.




Bunny Rueben (1926-2007).One of the most prominent film-journalists,publicist, cine-personality-biographers and film-historians of India was a Bene Israel.He also produced a film and was the Director of Publicity to the most famous film-makers of India.He started his film-journalistic career in the 1940s with his contributions to the film-weekly Movie Times.He later joined India’s foremost film-magazine Filmfare, a publication of The Times of India Group.After that he joined Star & Style film Magazine.He rose to become its editor in 1969 and continued to work in that capacity until 1974. In 1975, Reuben became the founding-editor of the magazine Cine-Blitz, and within a year brought its circulation to 100,000, at par with other established magazines of the day. 

 In 1990, Reuben was honoured with the Twentieth Century Cine-goers Award for “excellence in film-journalism,” and in 1994 the Sahyog Foundation Award for the Best Film Journalist was conferred upon him.

Friday 7 July 2017

The Sangeet-Maartand ANIL BISWAS


On 103rd Birth Anniversary,here is my tribute to this great Composer of Bollywood.Anil Biswas is said to have influenced a number of singers of the day.  He had the biggest influence of MukeshTalat Mahmood, and Lata Mangeshkar.In fact he gave break to Talat and Mukesh.He made his debute as a music director with "Dharam ki Devi" (1935).  From 1934 until 1936, he was involved in 11 films. He reached the height of his career with the success of "Kismet" (1943).  This film broke all records and ran in the theatres longer than any film in history.  
In 1936 he moved to Sagar Movietone.  During this period he worked in several capacities.  Sometimes he was a composer, an assistant music director, a singer and occasionally music director.  During this period he worked on a number of films.  However it was the popularity of the Mehboob Khan film "Jagirdar" (1937), which proved that he could turn out hit songs.  He stayed with Sagar Movietone until 1939
From 1942 to 1947 he worked for Bombay Talkies.During this period he gave many hit fils few of them were Kismet(1943),Jwar Bhatta" (1944) and "Milan" (1946).During the 1950's, he served as the music director for a number of films.  Some notable films of his were "Abhimaan" (1957) and "Pardesi" (1957).The last film he did was "Chhoti Chhoti Baatein" (1965)
He was associated with All India Radio, and to a lesser extent Doordarshan (government run TV).  From 1963 to 1965 he was the director of AIR's National Orchestra.  In 1965 he became the Chief Producer of Sugam Sangeet.  With a two year break when he was the Vice Chancellor of Jawaharlal Nehru University, he served with AIR (Delhi) from 1963 to 1975.  He did the music for Door Darshan's "Hum Log" (1984), "Baisakhi" and "Phir Wohi Talaash".He has also worked on numerous documentaries with the Films Division.  He won the "Sangeet Natak Akademi Award" in 1986.
He died in Delhi on May 31, 2003.
Here is my Tribute to this Great Music Director

Song from Taraana 1951


Song from Arzoo (1950)


Song from Pehli Nazar (1945)


Song from Aaram (1951)


Song from Naaz (1954)


Song from Chhoti Chhoti Baatein (1965)




Thursday 6 July 2017

CHETAN ANAND-A Progressive Thinker


 Chetan Anand’s Neecha Nagar was the first Indian film that was selected in any International film festival.Neecha Nagar had to compete with many amazing films that year(1946) like Roberto Rossellini’s Rome, Open City (Italy), David Lean’s Brief Encounter (UK), and Billy Wilder’s The Lost Weekend (USA). It won the hearts of critics and viewers alike and emerged as a winner for the category. Despite of Producing and Directing many great films like Taxi Driver,Haqeekat,Heer Ranjha,Akhri Khat,Hanste Zakhm he remained the most underrated Director
Chetan Anand was Born on 3 Jan, 1921 in Gurdaspur, Punjab, Chetan’s formative years were nourished by the teachings of the Vedanta in a Gurukul before he went to Government College, Lahore, and then onwards to Cambridge.In 1944, he shrugged off a motionless stability and plunged into the chaotic ecstasy of motion pictures.
In 1946, Chetan Anand became a big name with Neecha Nagar
He was a progressive thinker,he kept company with literary and political radicals such as Khwaja Ahmed Abbas, Sahir, Kaifi Azmi Bhishm Sahni and Sardar Jaffri.He along with his younger brother Dev Anand started Navketan in 1949.
After the success of Taxi Driver (1955) , Chetan moved away from Navketan to establish his own banner Himalay Films and make his own kind of films.In 1957 he directed two movies Arpan and Anjali, in which he played lead roles too. He went on to act in Kala BazarKinare-KinareAmanKanch Aur Heera and Hindustan Ki Kasam, which he directed too.
In 1964 he emerged as a great Director, it was to a standing ovation for, depicting the Chinese invasion of 1962, in one of the best war films ever made  – Haqeeqat (1964).
In 1966 he came out with another memorable film Aakhri Khat,This film was about a 15-month-old child without any star cast,though Rajesh Khanna was in it but that time he was a strugler.The film was very well apreciated by the critics,His another masterpiece was Heer Ranjha in 1970.first and onlly movie in verses with no dilogues,it was the poetic imagination of Kaifi Azmi and  Chetan Anand’s skill as a director 
After separating from his wife, Uma Anand, whom he married in 1943,he had a long-term relationship with the actress Priya Rajvansh.who was his heroine in almost all the films he directed after starting his own film company..He had a relationship with her till his death On 6th July 1997.
Today on his 20th death anniversary I present few of his films immortal songs.

Pt Ravi Shankar was introduced in films as Music Composer in Neecha Nagar,this song was picturised on Kamini Kaushal
Song from Neecha Nagar 1946


Song from Afsar 1950


Song from Taxi Driver (1954)


Song from Funtoosh (1956)

Song picturised on Chetan Anand
Song from Kinare Kinare (1963)


Song from Haqeeqat (1964)


Song from Heer Raanjha (1970)


Song from Hanste Zakhm (1973)


Song from Jaaneman (1976)


Song from Kudrat (1981)

Tuesday 4 July 2017

Ghazal in Golden Era of Bollywood (Part-2)


Ghazal has been an integral part of Bollywood music,The filmi-ghazal is a genre of filmi based on ghazal poetry in Hindi or Urdu. It’s a unique combination of poetry, melody and singing.In the 1940s ,50s, and 60s Hindi film industry attracted many well known poets and writers of Hindi/Urdu. Initialy  Ghazals were very similar to other Hindustani light classical forms such as the dadra or, thumri.later on the ghazal usually had a form which is not too dissimilar to many film songs. Some of the high quality ghazals like Ujdi Hui Hai Ishq Ki Duniya Tere Bagair,zinda hoon iss tarah ki gham-e-zindagi nahintumhaare bulaane ko jee chaahta hairehne laga hai dil mein andhera tere baghair are still remembered today.

 I am starting the Part-2 with a rare song composed by Nisaar Bazmi for the film KHOJ (1953).The song is ‘aaye thhe thhodi der ko betaab kar gaye’, sung by Ashima Bannerji. The song is written by Hasrat Jaipuri.sung by Ashima Bannerji
Song from Khoj 1953 

There is this great song by talat mahmood Meri Yaad Mein na Tum Aansoo Bahana from the film Madhosh 1951


Song from Madhosh 1951

Talat Mahmood gave us some of the immortal Film Ghazal,one of such was Aye mere dil kahin aur chal  from Daag 1952,picturised on Dilip Kumar,another is Hum Dard Ke Maron Ka


Song from Daag 1952,


This is a rare ghazal picturised on Dev Anand in 1953 film Humsafar,This song is a duet which is sung by Talat Mehmood and Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Ali Akbar Khan.

Song from Hamsafar 1953

Laayi hayaat aaye qazaa,This song from “Shabaab” (1954) is sung by Rafi. Shakeel Badayuni is the lyricist. Music is composed by Naushad.

Song from“Shabaab” (1954)



 This song is sung by Talat Mehmood, Madhukar Rajasthani is the lyricist. Music is composed by Snehal Bhatkar. This song was picturised on Talat Mehmood himself.since the video is not available only audio is available.This song is from “Deewaali Ki Raat”(1956)

Song from Deewaali Ki Raat”(1956)


Tang aa chuke hain kashmakash-e-zindagi se hum is a recitation rather than a song, perfectly rendered by Rafi. in Pyaasa 1957

Song from Pyaasa 1957

 a beautiful Ghazal by Lata Mangeshkar from the film Sadhna written by Sahir Ludhiyanvi

Song from Sadhna 1958


Tujhe Kya Sunaun Mein Dilruba a beautiful ghazal sung by Md Rafi written by Mazrooh sultanpuri for the film Akhari Dao 1958

Song from Akhari Dao 1958


This song is from the film Mein nashe mein hoon 1959. It is presented as a Mujra song. sung by Usha Mangeshkar This is a gazal by Ghalib, which was undoubtedly one of the popular gazals for film makers. This gazal was featured in 3 films. First it was used in Deccan Queen-1936, then in Mirza Ghalib-54 and finally in Main nashe mein hoon-59. 

Song from Mein nashe mein hoon 1959. 


Here is one ghazal by Asha Bhonsle composed by Madan Mohan, Saba se yeh keh do ke kaliyaan bichhaye, from Bank ManagerOne of the most beautiful love songs sung by a woman on stage.

Song from Bank Manager 1959



Jalte hain jiske liye,this is one of my favorite Film Ghazal by Talat Mahmood from Sujata 1959,picturised on Sunil Dutt 

Song from Sujata 1959









Sunday 2 July 2017

Ghazal in Golden Era of Bollywood (Part-1)


Ghazal has been an integral part of Bollywood music,The filmi-ghazal is a genre of filmi based on ghazal poetry in Hindi or Urdu. It’s a unique combination of poetry, melody and singing.In the 1940s ,50s, and 60s Hindi film industry attracted many well known poets and writers of Hindi/Urdu. Initialy  Ghazals were very similar to other Hindustani light classical forms such as the dadra or, thumri.later on the ghazal usually had a form which is not too dissimilar to many film songs. Some of the high quality ghazals like Ujdi Hui Hai Ishq Ki Duniya Tere Bagair,zinda hoon iss tarah ki gham-e-zindagi nahintumhaare bulaane ko jee chaahta hairehne laga hai dil mein andhera tere baghair are still remembered today.
I am starting with a ghazal Duniya e aarzoo ko mita kar chale gaye from the film Barsaat Ki Ek Raat
released in 1948 sung by Munawwar Sultana, Music was given by Ghulam Haider.It is said that Munawwar Sultana received musical training from Ghulam Haider in the 1930s when he was composing non-filmy songs for Jien-o-Phone record company. However, music director Pandit Amarnath gave her chance to sing in her first two Hindi/Urdu films – ‘Albeli’ (1945) and ‘Dhamki’ (1945).Readers should not confused with this singer Munnawar Sultana with the actress Munnawar sultana,both were different.The singer Munawwar Sultana (08/11/1924 – 20/05/1995) was a radio singer in Punjabi and Urdu songs on All India Radio, Lahore in the 40s.After the partition she remained in Pakistan,During her pre-independent filmy career, she sang about 20 songs.
Song from Barsaat Ki Ek Raat 1948  

The next Ghazal in my list is Ujdi Hui Hai Ishq Ki Duniya Tere Bagair from the film Refugee (1948) 
sung by Sulochana Kadam and written by Pt Faani, Music by – Ajit Merchant.This is a rare song

Song from Refugee 1948

Here I am presenting a rare Ghazal by Hemant Kumar under the Music Direction of Kamal Dasgupta in a film Manmaani(1947)

Song from Manmaani 1947

I am presenting here a ghazal ‘guroor-o-naaz se ghesu ka bal khaana nahin achchaa’ written by Aarzoo Lucknowi for the film PARAKH (1944).Only the audio clip is available but it is apparent that Kaushalya has sung this ghazal on herself.

Song from Parakh 1944

When we talk about Ghazal how can we not say about Ghalib.Over a period of years, many of his Ghazals became famous and were used in several films and were sung privately by many well known singers.Ghalib’s one particular Ghazal “Dil E Nadaan,tujhe hua kya hain ” is perhaps one of the most popular Ghazals used in films.This Ghazal was sung by many singers in different Hindi films so far,I am taking from the film Apna Desh(1949) Sung by Pushpa Hans music was given by Purushottam.Today's generation may be unknown of Pushpa hans but  old timer Punjabi readers will recall this name with Nostalgia.

Song from Apna Desh 1949

Here I am posting the same Ghazal in the voice of Talat Mahmood and Suraiya from the film Mirza Ghalib 1954



Song from  Mirza Ghalib(1954)

Momin Khan ‘Momin’ (1800-1851) was one of the prominent Urdu poets in the Mughal court during early 1800s. He  was the contemporary and a close friend of Mirza Ghalib.One of his most famous ghazals by which Momin Khan ‘Momin’ is known worldwide is ‘wo jo hum mein tum mein karaar thha tumhen yaad ho ke na yaad ho’. This ghazal has been rendered by many famous singers as well as upcoming singers.This ghazal was also sung in the film ‘Shikaayat’ (1948) by Kalyani, Manik Dadarkar ( aka Manik Varma) and Chorus. I have selected one sung  in a soulful voice by Begum Akhtar.

Tumhe yaad ho ke na yaad ho by Begum Akhtar

When we are discussing the !940s ghazals ,how can we forget this immortal Ghazal of Mukesh Ji from the film Aag 1948 zinda hoon iss tarah ki gham-e-zindagi nahin



Song from Aag 1948

Mazrooh Sultanpuri was a great Urdu poet who gave us many immemorable Ghazals in hindi films,one of which was Ae dil mujhe aisi jagah le chal (Aarzoo) (1950) sung by Talat

Song from Aarzoo 1950

 If ‘deewaana banaana hai to deewaana banaa de’ (1925) heralded the arrival of Begum Akhtar as a ghazal singer, ‘ae mohabbat tere anjaam pe ronaa aayaa’ (early 1950s) consolidated her position in ghazal singing paving the way for her to be bestowed upon the title of ‘mallika-e-ghazal’ This was written by shakeel Badayuni and composed by Begham akhtar is a Non Filmy Ghazal

Ae mohabbat tere anjaam pe rona aaya

 It was Talat’s reign in Hindi film Ghazal. People were mesmerised with his quivering velvety voice and the ‘ dard ‘ with which Talat sang his numbers.
His voice belongs to an era when gentleness was a virtue. His songs fall on ears like soft petals on wet earth. His melody was ‘ felt ‘ rather than ‘ heard ‘. He was named the King Of Ghazals.Talat became Dilip kumar's voice initially His flawless Urdu Diction and the way he articulated the poetry in the song enhanced the song’s appeal. Dilip Kumar insisted for Talat. However a slight misunderstanding with Naushad gave way to Rafi in Deedar,He was Dilip’s voice in different composers’ films. ‘Mera jeevan saathi’ for Naushad(Babul-50), ‘seene mein sulagte’ for Anil Biswas(Tarana-51), ‘ye hawa ye raat’ for Sajjad(Sangdil-52), ‘Aye mere dil kahin’ for Shankar Jaikishan(Daag-52) and ‘Shaam e gham ki kasam’ for Khayyam(Footpath-53).Here is my one of his favorite
Song from Tarana 1951

 Lataji vocalized her first ghazal – the mind-blowing Dil-e-naashaad ko jeene ki hasrat ho gayee tumse under the baton of Hansraj Bahl in Chunariya (1948). Her superb rendition of this none-too-easy a number with expression, enunciation and mastery on its many murkis in all octaves is just breath-taking.

Song from Chunariya (1948)

A Majrooh Sultanpuri Ghazal Uthaaye jaa unke sitam aur jiye jaa  from Andaaz, (1949) consolidated Lata ji's Position as a leading Playback singer of bollywood

Song from Andaaz, 1949



After Lata Mangeshkar automatically the name of Asha Bhonsle appears in our mind,Asha ji’s career in Hindi films gets launched by the hands of Hans Raj Behl. in the year  1948. the film was ‘Chunariya’. In this film, Asha made her debut as part of a trio of singers (along with Geeta Roy and Zohrabai).A year latter she was given a solo by the same Music Director,one of this was a Ghazal.It is a rare song of Asha ji

Song from (Raat Ki Raani)(1949)

Here is one of the most popular ghazals of Mirza Ghalib ‘ hazaaron khwaahishein aisike har khwaahish pe dam nikley’ sung by G M Durrani from the film GHAYAL(1951)

Song from GHAYAL(1951)

Here is one of Sulochana Kadam’s little known song ‘wo aayen hai dil ko kararaa gaya hai’ from the film MALIKA SALOMI (1953).This may be the only ghazal she sang in her Hindi film playback singing career. 

Song from Malika Salomi 1953

 Aah ko chaahiye is probably is the  favourite Ghazal of most of the people, though, simply because everything – Ghulam Mohammad’s music, Suraiya’s superb rendition, and Ghalib’s poetry – fits together perfectly. 




Song from Mirza Ghalib, 1954

Humse aaya Na Gaya Tumse Bhulaya Na Gaya very famous Ghazal by Talat mehmood from the film Dekh Kabira Roya written by Rajendra Krishan and composed by Madan Mohan

Song from Dekh Kabira Roya 1957