Hemlata was born on 16 August 1954 at Hyderabad, India. Though she was from an orthodox Marwari Brahmin family but she never lived in Rajasthan. Her childhood passed in Calcutta.She has been in the Bollywood Industry since the age of 13 years.
Her father late Pandit Jaichand Bhatt, who became an Internationally acclaimed singer, performer, musician and teacher in the field of classical & folk music. He learned music against the family tradition.
Hemlata loved singing since childhood but her father did not encourage her as he did not want to let Hemlata enter the field of music. He was steeped in orthodox culture and was totally against her learning music. Because of her father's opposition she did not express her feeling to learn singing. She sang in hiding in Pooja Pandals, but it was destined that she would become a singer.
She is classically trained and has a unique style of singing which makes her stand apart from other playback singers of her era.Her magnificent velvety voice rich in emotion and expression has reached to millions of music lovers, touching their souls as she has recorded more than 5000 songs and has sung in more than 38 Regional, National and International languages.
Naushad was the first Music director who signed a contract with her but advised her to wait till her voice matured, then Hemlata signed five-year contract with Naushad Ali. She began her formal training of playback singing under Naushad Ali. She got several offers during her contract period from other well known music directors. In consequence of contract limitation she declined them and, waited long for her career's first song.
She recorded her first ever song "Tu Khamosh Main Purjosh" under composition of Usha Khanna for movie Roop Rupaiya but her first released song was Dus Paise Mein Raam Le Lo from the movie Ek Phool Ek Bhool (1968) again it was the composition of Usha Khanna.
The day she recorded her first song on the same day she also recorded Le Chal Mere Jeevan Saathi under composition of Kalyanji-Anandji for movie Vishwas, she sang this song along with her most favourite singer Mukesh.
In 1969 she was offered a song by S D Burman Pagh Mein Ghunghroo Chhanke for movie Jyoti (1969)
Same year Laxmikant Pyarelal gave her Chanda Ko Dhoodhne Sabhi Taare Nikal Pade along with Asha Bhosle and Usha Mangeshkar for movie Jeene Ki Raah (1969),
The same year Dil Karne Laga Hai Pyar along with Mohammad Rafi composed by Usha Khanna for movie Nateeja(1969) became hit.
Laxmikant Pyarelal gave her many songs Aaya Re Khilone Wala along with Mohammad Rafi composed by Laxmikant-Pyarelal for movie Bachpan (1970), Soyi Ja Tara composed by Laxmikant-Pyarelal for movie Mastana (1970), Taare Kitne Neel Gagan Pe along with Mohammad Rafi composed by Laxmikant-Pyarelal for movie Aap Aaye Bahar Aayee (1971), Mehboob Ki Mehndi Hathon Mein along with Lata Mangeshkar composed by Laxmikant-Pyarelal for movieMehboob Ki Mehndi (1971).
She had a great association with Ravindra JainIn the early 1970s, when he came to Bombay to try his luck Before arrival of Ravindra Jain she already sang more than100 songs. Initially, Ravindra Jain used her voice for his debut movie "Kanch Aur Heera (1972)" then for "Rakh Aur Chingari (1974)", "Geet Gata Chal (1975)", "Salaakhen (1975)" and for "Tapasya (1975)", which not have blazed the charts.
She had a great association with Rajshri people also to whom she sang many songs in various movies of Rajshri Productions in the 1980s and 1990s, including Paheli (1977), Dulhan Wohi Jo Piya Man Bhaye (1977), Ankhiyon Ke Jharokhon Se (1978), Sunayana (1979), Naiyya (1979), Gopal Krishna (1979), Raadha Aur Seeta (1979), Maan Abhiman (1980), Nadiya Ke Paar (1982), Abodh (1984), Babul (1986).
Another milestone happened in her life from the songs of Ankhiyon Ke Jharokhon Se.The title song of that film "Ankhiyon Ke Jharokhon Se" became the number one song in the year 1978. She was even nominated for Filmfare for that song.
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