This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Monday, 16 July 2018
Roothhna-Manaana(Sulking and Cajoling) Songs of Bollywood Part 1
Part 1 Roothhna-Manaana(Sulking and Cajoling) is a very common situation in Bollywood films. Many songs in this situation were picturized. sometime heroine sulks then hero tries to cajole her by singing song or the vice versa.There were many situations when some close relative gets sulk in that situation too songs were made.One of such song comes in my mind Dadi Amma Dadi Amma Man Jao from Gharana (1961),Being a Dev Anand fan I can say that there are many such songs picturised on Dev Anand.In this Blog I have selected few such songs picturized either or hero-heroine or other characters. The first song in my list is from the movie Aaram !951 starring Dev Anand and Madhubala
Song from Aaram 1951
The second song in my list is from (Kala Pani/1958) Accha ji main haari Maan Jao Na
In continuation of Dev anand's songs another my favourite song was from Tere Ghar Ke Samne
Song from Tere Ghar Ke Samne 1963
Song from Taxi Driver (1954)
Song from Johnny Mera Naam, 1970
Roothna Manaana is a necessary part of the romantic genre. After Dev Anand, Shammi Kapoor was another hero who gave us many such songs, and those who followed in their footsteps (Rajendra Kumar, Joy Mukherjee, Biswajeet...) all thrived on manao-fying their justifiably roothi heroines.
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