Golden Era of Bollywood: August 2020

Sunday, 30 August 2020

The Power & Magic of Shailendra's Lyrics

Shailendra's (30 August 1921 – 14 December 1966), forte was his ability to write songs that were easy to sing but had a hook that led you to a deeper meaning. The finesse with which he could switch from the philosophical to the trivial is extraordinary. Initially, he was inclined towards Left, some of his film songs had a socialist theme

Take 'Dil Ka Haal Sunay Dil Wala' for instance. It talks about class struggle, exploitation, and nepotism. In another song, Suraj Zara Aa Paas Aa, Aaj Sapno Ki Roti Pakayenge Hum, he talks about hunger—not bitterly but in a jovial manner. His soulful song, Musafir Jaaye Ga Kahan, is one such philosophical gem from Guide (1965).

He created the famous slogan — “Har zor-zulm kee takkar mein, hartal hamara nara ha", this is still used by protesters even today. He used io recite poems in Mushaira and Kavi Sammelan. One of his poems 'Jalta Hai Punjab' attracted the filmmaker Raj Kapoor to have this in his debut directorial film Aag.

He was one of the pillars of the great songs of the Golden Era of Bollywood. Although other contemporaries like Majrooh, Sahir, Kaifi, Shakeel, Jan Nisar Akhtar were regarded as poets who drifted from literature to film songs, Shailendra was generally thought primarily as a lyricist. His sheer diversity of thought is quite unique.

His songs reflect his keen observation of life, culture, relations, and emotions and his hope for a fair and just world Let's look into some of his songs.

There was an anecdote told by his son in an interview that Raj Kapoor took Shailendra to introduce him to K A Abbas who was his main scriptwriter for the narration of the script. , Abbas ignored him. After two-and-a-half hours of narration, Raj Kapoor asked, “Kuchh samajh mein aaya Kaviraaj?” Shailendra replied, “Gardish main tha, par aasman ka taara tha. Awaara tha.” A shocked Abbas finally noticed the stranger in his room for he had summarised his two hours of effort in one line. The three together with Shankar Jaikishen made a formidable team in the years to come. these three lines later created history. Watch the video below to know its popularity all over the globe

The first song he wrote for Barsat(1949) was- 'Patalii kamar hai, tirachhii najar hai patalii kamar hai, tirachhii najar haikhile phuul-sii terii javaaniiko_ii bataa_e kahaa.N kasar hai' the other song was 'taak-dhinaa-dhin dhinaa-dhin taak-dhinaa-dhin barasaat me.n taak-dhinaa-dhin barasaat me.n hamase mile tum sajan, tumase mile ham barasaat mein'. This song was super hit and created a trend of Title sons in Hindi songs.

Some of his songs were romantic (‘Yeh raat bheegi bheegi’, ‘Tere mere sapne’), some metaphysical (‘Wahan kaun hai tera’, ‘Zindagi khwab hai’, ‘Sajan re jhoot mat bolo’, ‘Jao re Jogi’) others of longing (‘Aja re Padesi’, ‘Oh jaanewalae ho sake’, ‘O basanti pawan pagal’) anguish (‘Kya se kya ho gaya’, ‘Dost dost na raha’, ‘Sajanwa bairi ho gaye’), abandon (‘Mud mud ke na dekh’, ‘Suhana Safar’, ‘Aaj phir jeene ki’), or even nonsensical (‘Tin kanastar’, ‘Chuhe mama’).

.He was a complete lyricist in all genres of lyricism: serious, funny, spiritual, romantic, sad, happy, and angry. Gulzar called him the greatest lyricist in Hindi films. He shaped his songs to suit the characters and through his lyrics added other dimensions to the story."

Har zo zulm ki takkar mein hartal hamara nara hai
Tumne mangen thukrai hain, tumne toda hai har wada
Chhini hamse sasti roti, tum chhatni par aamada ho
Toh apni bhi tayyari hai, toh humne bhi lalkara hai
Har zo zulm ki takkar mein hartal hamara nara hai

Song of Awara 1951

Song of Daag 1952

Song of Do Bigha Zamin 1953

Song of Shree 420 (1955)

Song of Chori Chori 1956

Song of Madhumati 1958

Song of Anari 1959

Song of Kala Bazar 1960

Song of Bandini 1963

Song of Sangam1964

Song of Guide1965

Song of Teesri Kasam 1966

Last song of Shailendra

Song of Door Ka Rahi 1971

Song of Madhumati 1958

Friday, 28 August 2020

50 Years of Gopi

Recall the song 'Gentleman Gentleman Gentleman' sung by Mahendra Kapoor. Yes, this was a very popular song of 1970, picturized on Dilip Kumar in the film Gopi. This film was released on 28th Aug 1970. It stars Dilip Kumar, Saira Banu, Pran, Om Prakash, Durga Khote, Farida Jalal, Johnny Walker, Lalita Pawar, and Aruna Irani. The film was a Jubilee Hit with hit music by Kalyanji Anandji. The film had 5 songs, all the songs were very popular. "Ramchandra Keh Gaye Siya Se" and "Ek Padosan Peechhe Pad Gayi" were very popular.

According to film expert Rajesh Subramanian, Rajendra Kumar was first signed for the film. The producers felt Saira Banu and Dilip Kumar would make a perfect pair and requested Rajendra Kumar to return the signing amount and quit the film.

Dilip Kumar plays Gopi, who is a simpleton of a village. He lives with his elder stepbrother played by Om Prakash, bhabhi played by Nirupa Roy and younger sister played by Farida Jalal. Om Prakash works for a local Lala played by Pran. Om Prakash keeps all his savings with Pran so that in future he needs for the marriage for Farida Jalal.

Saira Banu along with her aunt comes to their home for a few days, Saira Banu fell in love with Dilip Kumar. There are a few songs picturized on them'

Farida Jalal's marriage got fixed so Om Prakash goes to the landlord Lala (Pran) to take back money, which he had saved for Nandini's wedding but gets thrown out of the house. Gopi forcibly gets the money but is accused by the landlord of stealing. Sent out of the house by Girdhari, Gopi leaves for the city and vows to come back only after making enough money for Nandini's wedding.

The highlight of the film was the acting of Dilip Kumar and Om Prakash. It is said that when Dilip Kumar heard the script of gopi he felt only Om Prakash could play his older brother. When Om Prakash was offered this movie as Dilip Kumar wanted only him to play this role Om Ji agreed on one condition that he would be paid 1 rupee more than Dilip Kumar. Dilip Kumar gladly accepted his condition. And what a performance by both actors.

The film's music is by Kalyanji Anandji and the lyrics were penned by Rajinder Krishan.

Song	Singer
"Akele Hi Akele Chala Hai Kahan"	Lata Mangeshkar
"Ramchandra Keh Gaye Siya Se"	Mahendra Kapoor
"Gentlemen Gentlemen"	Lata Mangeshkar, Mahendra Kapoor
"Ek Padosan Peechhe Pad Gayi"	Lata Mangeshkar, Mahendra Kapoor
"Sukh Ke Sab Saathi, Dukh Mein Na Koi"	Mohammed Rafi

Song of Gopi 1970

Thursday, 27 August 2020

Mukesh- It was Naushad who asked him to sing in his style

In the 40s KL Saigal was the voice of the nation, every male singer used to sing in his style. Our great singers, Mohammad Rafi, Kishore Kumar, or Mukesh were his fans and used to sing in his style. If you listen to their earlier songs, you will not recognize their voice. In fact, it is said that when K. L. Saigal first heard the song "Dil Jalta Hai..." sung by Mukesh, he remarked, "That's strange, I don't recall singing that song.

In the 40s, there was a trend of singing actors, there was no playback singing prevailing in those days. The hero or heroine was taken on the basis of their singing ability. Mukesh was offered the role of a hero opposite Nalini Jaywant in the 1941 film Nirdosh.In this film, he had a duet with Nalini Jaywant and also a solo.

Mukesh and Suraiya.

Naushad though worked very less with him but asked him to sing on his own voice. In Mela, the song " Gaye Ja Geet Milan Ke" became a smash hit after that most of the composers asked him to sing on his own style.

Naushad composed approximately 23 songs for Mukesh, out of which 15 were solos and 8 were duets. Naushad created some of the best gems for Mukesh including Kabhi dil dil sai takrata to hoga, Main bhanwara tou hai phool and Tu kahe agar.

Naushad in an interview disclosed an interesting fact that Mukesh could never sing without a harmonium. This was because he thought that he would go out of tune. In fact, many times I had to pad up the harmonium, and whenever we did that the result was much better.

Song of Nirdosh 1941

Song of Sukh Dukh

Song of Mukesh from Moniika Unreleased Film

Song of Pehli Nazar 1945

Song of Chaand Sitaare (1948)

Song of Anokhi Ada 1948

Song of Mela 1948

Song of Andaz 1949

Song of Saathi 1968

Wednesday, 26 August 2020

A K HANGAL- A Class Actor,who was a Freedom Fighter

A K Hangal (1 February 1914 – 26 August 2012), was a freedom fighter, he spent 3 years in jail during the freedom struggle He was a stage actor till 1966. and later became a character actor in Hindi language films from 1966 to 2005. He has acted in around 225 Hindi films. He had the rare ability to imbue the smallest and the most ordinary of roles with quality and dignity

We all remember him as Imaam Saab of Sholay (1975). He started his Hindi film career at the age of 52 with Basu Bhattacharya's Teesri Kasam in 1966. He mostly played the roles of a father, uncle, or school teacher in many films. He was a member of IPTA was a friend of Chetan Anand who cast him in Heer Ranjha in 1970. His most notable roles are as Ram Shastri in Aaina (1977), as the Inder Sen in Shaukeen, as Bipinlal Pandey in Namak Haraam, as Anokhelal in Manzil.

Young AK Hangal

AK Hangal in Sholay

He was cast in roles that demanded piety, playing characters that carried the burden of their virtuous poverty with quiet and kindly dignity. Shaukeen was the film in which he played, along with Ashok Kumar and Utpal Dutt, a lecherous old man.

A K Hangal in Shaukeen

He did a number of films with Rajesh Khanna (16 films) a few significant ones with the Amitabh Bachchans and many others. The best performances in his later years were in Shararat (2002) his character roles in Tere Mere Sapne (1997) and Lagaan.

Shambhu-Kaka. of Lagaan

After 2007, Hangal had been suffering from an illness and could not afford the treatment. Hangal made his last appearance in the television series Madhubala – Ek Ishq Ek Junoon in May 2012, in which he had a cameo. Madhubala – Ek Ishq Ek Junoon was a tribute to 100 years of Indian cinema. He also gave his voice for the character of King Ugrasen in the animation film Krishna Aur Kans which was released on 3 August 2012. This was final work in his career before his death. He died on 26th Aug 2012 in Mumbai. The government of India awarded him the Padma Bhushan for his contribution to Hindi Cinema in 2006.

A Scene from Sara Akash

A Scene from Sholay

A Scene of AK Hangal

Song of Shaukeen

Sunday, 23 August 2020

Saira Banu - A Devoted Wife

Saira Banu in an interview once said" I was all in love with Dilip Kumar right from the age of 12 after watching 'Aan' I was not just another girl smitten by Dilip Kumar. For me, it was no castle in the air because I had given my dream the strong foundation of faith- faith in myself and faith in God.”

She was only 16, had gone for the show, hoping to get a glimpse of her favorite hero in person. But she was heartbroken as Dilip Kumar was unable to come to the premiere. She still remembers her first encounter with Dilip Kumar “When he smiled at me and remarked that I was a pretty girl, I could feel my whole being taking wing and flying rapturously. I knew somewhere deep within me that I was going to be his wife.”

After the release of Junglee, her first film in 1961, she became a big star, she was offered heroine roles with all the big stars of that time. Dilip Kumar in his biography told that a few films were offered to him with Saira but he refused because he felt to be her too young as his heroine.

It is said that it was Naseem Banu, her mother played the role of the cupid between Dilip and Saira. She got them closer, thanks to which love blossomed between the two. Dilip Kumar mentioned in his biography that when he fell in love with Saira. It was during a party thrown to celebrate her birthday. The actor revealed, "When I alighted from my car and entered the beautiful garden that leads to the house, I can still recall my eyes falling on Saira standing in the foyer of her new house looking breathtakingly beautiful in a brocade sari. I was taken aback because she was no longer the young girl She had indeed grown to full womanhood and was, in reality, more beautiful than I thought she was.

It was one day when Saira Banu was shooting for the film'Jhuk Gaya Aasman' Dilip Kumar proposed Saira. He simply stepped forward and shook her hand and proposed. Dilip Saab said, "Saira, you are not the kind of girl I want to drive around with or be seen around with... I would like to marry you... Will you be my wife?" Promptly came the response from Saira, "And how many girls have you said this to?" She, however, said yes.

They married on 12th Oct 1966 and celebrated the Golden Jubilee of their marriage in 2016. She remained her pillar of strength throughout all these years. There was a time when Dilip Kumar married another lady but Saira continued to look after him. The second marriage lasted for two years since then the two have stood beside each other like a rock, considering one another to be the greatest gift of God.

Saira Banu continued to work in films after the marriage, in fact, Dilip Kumar encouraged her to do films but she restrained herself to one or two films a year. Aman (1967), opposite Rajendra Kumar, was her first release after marriage to the thespian. She acted in three films with Manoj Kumar, Shaadi, Purab Aur Paschim, and Balidan. Cult film Padosan, in 1968, opposite Sunil Dutt, catapulted her to the top league and she continued to play the heroine for several years after that. Victoria No. 203 with Navin Nischol is her biggest hit. She acted in three films with her husband: Gopi. Sagina and Bairaag. Only Gopi was successful at the box office. She acted in three films with Manoj Kumar, Shaadi, Purab Aur Paschim, and Balidan and six with Dharmendra: Jwar Bhata, Aadmi Aur Insaan, Resham Ki Dori, Pocket Maar, International Crook and Chaitali.

She worked with Amitabh Bachchan in Amitabh Bachchan in Zameer and Hera Pheri. Nehle Pe Dehla. She never worked with Rajesh Khanna though once she was offered the role in Chhoti Bahu in 1971 but couldn't do it due to illness.

Dilip Kumar told in an interview that she was signed for the role that Mumtaz did in Ram Aur Shyam but he himself asked her not to do that role. She appeared in a cameo opposite her husband in Duniya (1984), wherein the song "Teri meri Zindagi" became very popular. Faisla which was eventually released in 1988 and is officially her last film.

Song of Junglee (1961)

Song of Bluff Master(1963)

Song of Ayee Milan Ki Bela (1964)

Song of Pyaar Mohabbat (1966)

Song of Shagird 1967

Song of Padosan (1968)

Song of Jhuk Gaya Aasman (1968)

Song of Purab Aur Paschim (1970)

Song of Victoria No 203 (1972)

Song of Jwar Bhata 1973

Song of Gopi 1973

Wednesday, 19 August 2020

The Great Ghazals of Khayyam

Khayyam came to limelight with the Ghazal "Shaam-e-Gham Ki Kasam" sung by Talat Mehmood from the film Footpath(1953). He gained greater recognition from the film Phir Subha Hogi (1958), in which all the songs were written by Sahir Ludhyanvi. Since then, he preferred to work with poets rather than film lyricists. That is the reason one finds poetry playing an equal role in Khayyam's compositions as the music or the singer.

Khayyam's music had the touch of ghazal but was rooted in Indian classical music. In a career spanning over four decades, he gave Hindi cinema some of its most memorable movie soundtracks with films like Umrao Jaan, Kabhi Kabhie, Raziya Sultan, Bazar, and many others.

I am posting a few of my favorite Ghazals of Khayyam

Song of Footpath 1953

Song of Phir Subha Hogi 1958

Song of Shola Aur Shabnam (1961)

Song of Shagoon (1964)

Song of Kabhi Kabhie (1976)

Song of Thodi Si Bewafaai (1980)

Song of Ahista Ahista (1981)

Song of Umrao Jaan (1981)

Song of Bazaar (1982)

Song of Razia Sultan (1983)

Song of Anjuman (1986)

Tuesday, 18 August 2020

The Cinema & Songs of Gulzar

In an interview, Gulzar Saheb said that songwriting is my profession while writing poetry is my statement of life. Since his childhood, he was writing poems, He was also writing when he worked as a mechanic in a car garage in Bombay. It was during his interactions in the PWA Sunday meetings that lyricist Shailendra and Bimal Roy encouraged him to join films. Initially, he joined Bimal Ray as his assistant and later got a chance to write a song in Bandini (1963)under the composer S D Burman, the song that brought him to notice was 'Mera Gora Rung Le Le' from Bandini.

Gulzar’s first venture as a filmmaker was Mere Apne (1971), It was produced by N C Sippy and directed by him. The film stars Meena Kumari, Vinod Khanna and Shatrughan Sinha in lead roles, In fact, it was the first film of Vinod Khanna as a hero. Before ventured into the direction he wrote dialogues for Biwi Aur Makan(1966), Aashirwad(1968), Khamoshi, and Anand(1969) all directed by Hrishikesh Mukharjee. He also wrote the story, dialogue and screenplay of Guddi, once again directed by Hrishikesh Mukharjee.

His second venture as director was Parichay in 1972.It stars Jeetendra, Jaya Bhaduri; while Sanjeev Kumar, Vinod Khanna, has given special appearances and the music was composed by Rahul Dev Burman. The film was reported to be based on the Bengali novel Rangeen Uttarain by Raj Kumar Maitra and partially inspired by the 1965 movie The Sound of Music.

His third film was Koshish released in Dec 1972. It was inspired by the 1961 Japanese film Happiness of Us Alone. The film was highly acclaimed. he got a National Award for its screenplay and nominated the Filmfare Best Director Award.

The next film he directed was Achanak in 1973, written by Khwaja Ahmad Abbas, and starring Vinod Khanna. Gulzar received a Filmfare nomination as Best Director for this film. Even though Gulzar is an accomplished lyricist, this film did not have any songs in it.The entire film production was completed in 28 days

In 1975, three films under his directions were released. the first released was Aandhi in Feb 1975. The film was an Indian political drama film starring Sanjeev Kumar and Suchitra Sen and directed by Gulzar. At the time it was alleged that the film was based on the life of the then-Prime Minister Indira Gandhi and her relationship with her estranged husband, The film got the Filmfare Award of Best Film and Best Actor award to Sanjeev Kumar.

Khushboo was the next film released in March 1975.it was produced by Prasan Kapoor under the Tirupati Pictures banner, presented by Jeetendra and directed by Gulzar. It stars Jeetendra, Hema Malini, and music composed by R. D. Burman. It was praised as a beautiful film with good acting by Sharmila Tagore, Hema Malini, Asrani and Jeetendra

Mausam was the third film of that year released on 29th Dec 1975. The film starring Sanjeev Kumar and Sharmila Tagore, and directed by Gulzar. It is loosely based on the novel, The Judas Tree, by A.J. Cronin. Sharmila Tagore for her acting received The Silver Lotus Award at the 23rd National Film Festival and the movie was honored by presenting an award for 2nd Best Feature Film. The film received two of eight nominations at the 24th Filmfare Awards. The film also won many other accolades as well.

In 1977 he entered into production also, two films Kitaab and Kinara both produced and directed by him were released, Meera was the third film under his direction released in 1977, all the films couldn't receive well in Box office. Though Meera received critical acclaim.

Angoor was the film released in 1982, in between two insignificant films released under his direction in 1980. Angoor was based on Shakespeare's play The Comedy of Errors. The film starring Sanjeev Kumar and Deven Verma in dual roles, and directed by Gulzar. The film was appreciated by all. Deven Verma got the Filmfare Best Comedian Award.

Machis(1996) was an important film of Gulzar, after the death of R D Burman he made the film with Vishal Bhardwaj as music director for the first time. The film was produced by R. V. Pandit. It stars Chandrachur Singh, Om Puri, Tabu and Jimmy Sheirgill in the lead roles. The film portrays the circumstances surrounding the rise of the Sikh insurgency in Punjab Maachis was a critical and commercial success. Gulzar's direction and the music of Vishal Bhardwaj were strong points.