One year after the release of Anand, this film 'Bawarchi' remains a special collaboration of Hrishikesh Mukherjee and Rajesh Khanna. Both were at the peak of their career. The film rests on Khanna’s inherent charm and even feeds off of his manic energy that was on full display previously in Anand.
The movie opens with Bachchan saying that this story is set anywhere in India. He then introduces the Sharmas, who live in Shanti Niwas — the family home that should, as one of them jokes, actually be called Ashanti Niwas, given the amount of chaos and squabbling that takes place within its confines on a daily basis.
Produced under the banner of Rupam Chitra by N C Sippy, Romu Sippy, and Hrishikesh Mukherjee, Based on a story by Tapan Sinha and inspired by his original “Galpa Halo Satyi” (1966) in Bengali
Shivnath (Harindranath Chattopadhyay) is the head of the Sharma family, who are so thoroughly argumentative that they employed. So when plucky young chef Raghu (Rajesh Khanna) shows up, nobody expects him to last long. To their surprise, however, he proves remarkably adept at satisfying everyone's independent needs. No sooner do they think him their savior than all the jewelry suddenly disappears.
A simple but profound, absorbing film with characteristic Mukherjee comic interludes, it had a somewhat, probably redone, unconvincing, simplistic climax. Scripted by the director himself with some very engaging, profound dialogue by Gulzar, the film had songs with lyrics by Kaifi Azmi — “Bhor aai gaya Andhiyara” (Manna Dey, Kishore Kumar, Harindranath Chattopadhyay, Nirmala Devi, Lakshmi Shankar), “Kahe Kanha karat barjori” (Lakshmi Shankar), “Mast pawan dole re” and “More naina bhaven neer” (Lata Mangeshkar), “Pahle Chori Phir Seenajori” (Kumari Faiyaz) and “Tun bin Jeevan” (Manna Dey) set to hummable classical tunes by the much under-rated Madan Mohan.
The film won comedian Paintal his first Filmfare trophy and ranked 8th on the box office hit chart of the year. So if you have not seen it, go and enjoy the movie
