INDEEWAR- " Mere Geet Amar Kar Do"

 

With the song of Malhar(1951) "Bade Armano Se Rakkha Hai Balam Teri Kasam", the underrated lyricist of Bollywood became Indeewar. His original name was Shyam Lal Babu Rai. He made his debut as a lyricist from the 1946 film Double Face as 'Azad'. This was his name in the literary circle. With this name, he wrote many songs for films from 1946 to 1951.

 He wrote over a thousand songs in over 300 films in a career spanning over four decades, he gave us many immortal songs like 'Zindagi ka Safar' (Safar),' Koi jab Tumhara Hriday Tod De (Purab Aur Paschim), 'Kasme Waade Pyar Wafa' (Upkaar), Hothon Se Chhoo lo tum (Prem Geet) and also the song like ' Aap Jaisa Koi Meri Zindagi Mein' (Kurbani)

He worked with various film composers but his association with Kalyanji Anandji produced many great songs such as 'Chandan Sa Badan' (Sarswati Chandra, 1968),  'Zindagi Ka Safar Hai Yeh Kaisa Safar' (Safar, 1970), 'Dil Aisa Kisi Ne Mera Toda' (Amanush, 1975), and 'Dushman Na Kare' (Akhir Kyon, 1985).

He was nominated as Best Lyricist for the first time for the song "Ek Tu Na Mila" (Himalaya Ki God Mein) next for "Samjhauta Ghamon Se Kar Lo" (Samjhauta) in 1974 and finally won it for "Dil Aisa Kisi Ne Mera Toda" (Amanush) 1976'.

 In the 1980s, there was a drastic shift in the musical taste of the masses. During this time, Indeevar wrote many hit songs for Bappi Lahiri - 'Naino Main Sapna' from Himmatwala (1983), and 'Tohfa Tohfa Laaya Laaya' from Tohfa (1984).

He died on February 27 in 1999 during a journey. His last projects include Rajesh Roshan's films Karan Arjun in 1995 and Koyla in 1997. 

Here are a few of the memorable songs written by Indivar

Song of Malhar 1951

Song of  Dulha Dulhan 1964

Song of  Punarmilan 1964

Song of  Saheli 1965

Song of Himalaya Ki God Mein 1965

Song of  Upkaar1967

Song of Anokhi Raat 1968

Song of Saraswati Chandra 1968

Song of Purab Aur Paschim 1970

Song of Safar 1971

Song of Samjauta 1973

Song of Amanush 1975

Song of Prem Geet 1981

A K HANGAL- A Class Actor,who was a Freedom Fighter

 

A K Hangal (1 February 1914 – 26 August 2012), was a freedom fighter, he spent 3 years in jail during the freedom struggle He was a stage actor till 1966. and later became a character actor in Hindi language films from 1966 to 2005. He has acted in around 225 Hindi films. He had the rare ability to imbue the smallest and the most ordinary of roles with quality and dignity

We all remember him as Imaam Saab of Sholay (1975). He started his Hindi film career at the age of 52 with Basu Bhattacharya's Teesri Kasam in 1966. He mostly played the roles of a father, uncle, or school teacher in many films. He was a member of IPTA was a friend of Chetan Anand who cast him in Heer Ranjha in 1970. His most notable roles are as Ram Shastri in Aaina (1977), as the Inder Sen in Shaukeen, as Bipinlal Pandey in Namak Haraam, as Anokhelal in Manzil.

Young AK Hangal

AK Hangal in Sholay

 He was cast in roles that demanded piety, playing characters that carried the burden of their virtuous poverty with quiet and kindly dignity. Shaukeen was the film in which he played, along with Ashok Kumar and Utpal Dutt, a lecherous old man. 

A K Hangal in Shaukeen

He did a number of films with Rajesh Khanna (16 films) a few significant ones with the Amitabh Bachchans and many others. The best performances in his later years were in Shararat (2002) his character roles in Tere Mere Sapne (1997) and Lagaan. 

Shambhu-Kaka. of Lagaan

 After 2007, Hangal had been suffering from an illness and could not afford the treatment. Hangal made his last appearance in the television series Madhubala – Ek Ishq Ek Junoon in May 2012, in which he had a cameo. Madhubala – Ek Ishq Ek Junoon was a tribute to 100 years of Indian cinema. He also gave his voice for the character of King Ugrasen in the animation film Krishna Aur Kans which was released on 3 August 2012. This was final work in his career before his death. He died on 26th Aug 2012 in Mumbai. The government of India awarded him the Padma Bhushan for his contribution to Hindi Cinema in 2006.

A Scene from Sara Akash

A Scene from Sholay

A Scene of AK Hangal

Song of Shaukeen

The Hit Songs Picturized on Johny Walker

In an era when star billing in song picturizations was reserved only for the hero and heroine, Johnny Walker had a special status. He had one or more songs in every film. The most popular Sar Jo Tera Chakraye from Pyaasa, Yeh hai Bombay Meri Jaan from C I D .and many songs were the attraction of the films produced in the 50s and 60s.I am posting those songs which were hit but now forgotten.
He made his debut from the 1951 film Baazi and worked in almost 300 films in a career span of 40 years. The first time he appeared in a song in 1954 film Taxi Driver with Dev Anand."Mastram Ban Ke Zindagi Ke din Guzar De' and the next year in  Mr and Mrs 55,  'Jane Kahan Mera Jigar Gaya Ji' After that in almost every film one song was picturized on him. Most of the songs picturized on him became very popular. The credit has to go to Mohammed Rafi who gave playback to Johnny Walker in most of his movies. When Rafi sings for Walker, you only listen to Walker and not to Rafi. Johnny Walker’s memories will continue to be alive through his movies and songs.

Song of Taxi Driver 1954

Song of Mr and Mrs 55, 1955

Song of C I D  1956

Song of Chori Chori 1956

Song of Pyasa 1957

Song from  Madhumati 1958

Song from  Paigham (1959)

Song from Chaudavin ka Chand 1960

Song from   Door ki awaaz.1964

Song from Baharen Phir Bhi Aayengi (1966)

Rare or Forgotten Songs of Nargis

NARGIS(1 June 1929 – 3 May 1981),  one of the greatest actresses in the history of Hindi cinema. She starred in many popular Hindi films of the late 1940s and 1950s. Many of the iconic and immortal songs were picturized on her including Pyat Hua Ikrar Hua or Aaja Re Ab Mera Dil Pukara and many more.
She appeared as a heroine opposite Motilal in the 1943 film Taqdeer. She was only 14 years of age at that time. The song ".O Jaanewale Aaja" sung by Shamshad Begum was her first song as a heroine, Many such unheard songs are collected by me in this blog.

Song of Taqdeer (1943) 

Song of Taqdeer (1943) 

Song of Anban 1944   (Audio only)

Song of Humayun 1945

Song of Romeo Juliet 1947  Audio

Song of Anokha Pyar 1948

Song of Mela 1948

Song of Aag 1948

Song of Lahore 1949

Song of Daroga Ji 1949

Song of Birha Ki Raat 1950

Song of Halchal 1951

Song of Miss India 1957

Shakeel Badayuni- The Lyricist who gave us many Immortal Songs

Shakeel Badayuni started his film career with the 1947 film "Dard". The first song was written by him "Afsana Likh Rahi Hoon" sung by Uma Devi (TUN TUN) became super hit. 
The music of the film was given by Naushad. 
Together, he and Naushad became one of the most sought after composer/lyricist duos. They created many immortal songs of Bollywood. Kindly recall the songs of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), Ganga Jamuna (1961), and Mere Mehboob (1963) that stand out. 
Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers,
He also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.
He penned songs for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, and which are still sung by vocalists like Pankaj Udhas and others
Shakeel Badayuni succumbed to diabetes complications at the age of fifty-three, on 20 April 1970 at Bombay Hospital 

Song of Dard 1947

Song of Dulari (1949),

Song of Deedar 1951

Song of Baiju Bawra 1952

Song of Mother India (1957)

Song of Kohinoor 1960

Song of Chaudvi ka Chand 1960

Song of Mughal e Azam 1960

Song of  Gharana (1961)

Song of  Bees Saal Baad (1962)

Song of Sahib Bibi Aur Ghulam (1962) 

Song of Mere Mehboob  (1963)

Song of Leader 1964

Nasir Hussain - The Maker of Rom- Com- Musicals

Started his film career as a story writer when he joined Filmistan in 1948. The famous films he wrote for Filmistan include Anarkali (1953), Munimji (1955), and Paying Guest (1957).  The first film he directed was Tumsa Nahin Dekha in 1957 for Filmalaya. Another film he directed in 1958 was Dil Deke Dekho. The highlight of both of these films was its music. His films were full of adventure, romance, fun, music, outdoor and entertainment
He started his own film company, Nasir Hussain Films and turned producer-director. He made musical hits like Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), Caravan (1971), Yaadon Ki Baraat (1973), and Hum Kisise Kum Naheen (1977).
Nasir Hussain was an admirer of Dev Anand, when he was making his first film as a director Tumsa Nahin Dekha he wanted Dev Anand as his hero but Dev Anand refused the film because of the heroine being a newcomer so Shammi Kapoor was approached. Similarly when Teesri Manzil was planned Dev Anand was signed for the film but due to differences with Hussain he opted out and Kapoor was cast.

Nasir Hussain introduced Asha Parekh with the film Dil Deke Dekho opposite Shammi Kapoor since then she was in all of Hussain's films until Caravan (1971). Hussain, Majrooh Sultanpuri, and R.D. Burman collaborated on Teesri Manzil, Baharon Ke Sapne, Pyar Ka Mausam, Caravan, Yaadon Ki Baraat, and Hum Kisise Kum Naheen.

He made Yaadon Ki Baraat in 1973 which was written by Salim-Javed, who had written Zanjeer the same year. Both the films dealt with the hero wanting to avenge his father's death, and both featured Ajit as the villain. Yaadon Ki Baraat has been identified as the first masala film.

The 1980s were not good for him, all his films Zamane Ko Dikhana Hai (1981), Manzil Manzil (1984) and Zabardast (1985) all flopped, Hussain's son Mansoor Khan took over the reins of Nasir Hussain Films, although Hussain continued to write scripts and dialogues for films like Qayamat Se Qayamat Tak (1988) and Jo Jeeta Wohi Sikander (1992). In Qayamat Se Qayamat Tak, he introduced his nephew Aamir Khan as a hero. Qayamat Se Qayamat Tak was a milestone in the history of Hindi cinema, setting the template for Bollywood musical romance films that defined Hindi cinema in the 1990s 

Song of  Tumsa Nahin Dekha in 1957

Song of Dil Deke Dekho 1958

Song of Jab Pyar Kisi Se Hota Hai 1961

Song of Phir Wohi Dil Laya Hoon (1963),

Song of Teesri Manzil (1966)

Song of Baharon Ke Sapne (1967)

Song of  Pyar Ka Mausam (1969)

Song of Caravan (1971)

Song of Yaadon Ki Baraat (1973)

Song of Hum Kisise Kum Naheen (1977)

Song of Zamane Ko Dikhana Hai (1981)

Song of Manzil Manzil (1984)

Journey of a Song from Karbala to Guide,Immortalised by Dada Burman

This immortal song " Allah Megh De Pani De" is one of the two songs sung by S D Burman in the 1965 film Guide. This song was adopted by Burman Da from a Bengali folk singer Abbasuddin Ahmed's song, who taught him his signature technique of “voice breaking”.
After Ahmed, several singers have performed this number. Laxmikant-Pyarelal created another version of ‘Allah Megh De’ in the film Palkon Ki Chhaon Mein (1977) with singers Kishore Kumar and Asha Bhosle. Music director Bappi Lahiri rejigged it in Amaanat (1994) and his disco song ‘De De Pyar De’ (Sharaabi, 1984) is also a variation of the tune. Singers Shafqat Amanat Ali and Shubha Mudgal sang a peppy version for composer Debojyoti Mishra in Ramchand Pakistani (2008) but it is the Burman’s version that is best remembered, most likely because he remained true to the original.
This song had a long journey from Bengal to Mumbai, and finally to Pakistan. This song is a Bengali folk genre Jaari Gaan. The name Jaari is most probably taken from the Persian word "Zari" Most Jaari Gaan was based on the Islamic legend of the Battle of Karbala, In medieval Bengal, this genre of folk songs was performed by mostly Sunni Muslims. The followers of Husayn ibn Ali during the battle of Karbala. They used to cry out to God to send them rain-bearing clouds, or megh. 
In this blog, I am posting  various versions of this song

Song of Guide 1965

                              ALLAH MEGH DE PANI DE : ABBASUDDIN AHMED

Song of Palkon Ki Chaon Mein

                                                    Allah Megh De (Runa Laila)

                                                  Allah Megh De by Shaan

Song of Amanat 1994

                            Allah megh de , pani de chaya de re tui lopamudra mitra

                                            Allah megh de- ramchand pakistani