This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Showing posts with label Birth Anniversary. Show all posts
Showing posts with label Birth Anniversary. Show all posts
According to Dharmendra, it was Rafi Sahaab’s voice that gave a boost to his film career. Mohammad Rafi sang 104 songs for Dharmendra. The first song Rafi sang for Dharmendra was 'Jane Kya Dhoondti Rehti Hain Yeh Ankhen Mujhme' for the film 'Shola Aur Shabnam released in 1961. This was Dharmendra's second film. In his first film, no song was picturized on him.
There were 2 songs that were picturized on Dharmendra in Shola Aur Shabnam, this was a duet with Lata Mangeshkar'Jeet Hi Lenge Baazi'. These songs are popular even today.
Song of Shola Aur Shabnam 1961
Song of Shola Aur Shabnam 1961
The next song Rafi Saab sang for Dharmendra was a duet from the 1964 film 'Pooja Ke Phool', in the same year Rafi sang 4 songs for Dharmendra inAap Ki Parchaiyan, recall the song 'Main Nigahen Tere'
Song of Aap Ki Parchaiyan 1964
Rafi Sahaab did have a typical style while singing for Dharmendra too so that one always identified the performer and the singing voice as one. He always sang for him in a very soft voice
In an interview in the seventies when asked for his favorite song sang for Dharmendra, he mentioned 'Kahin se maut ko laao ke gham ki raatkate '(Film: Mera Qusoor Kya Hai, Lyrics: Rajendra Krishna, Music: Chitragupt Srivastav, 1964). He also mentioned that there were quite a few songs that were close to his heart like “Mujhe dard-e-dil ka pata na tha” (Akashdeep, 1965, Lyricist: Majrooh Sultanpuri and music: Chitragupt),
What a strange that Rafi Saab's last recorded song was for Dharmendra for the 1981 film 'Aas Paas'
Song of Akashdeep 1965
Song of Aas Paas 1981 Rafi's last recorded song
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Kalyanji Bhai of the Kalyanji Anandji music duo started his career as a musician. He was very good at Harmonium, violin, guitar, and drums. He played these instruments under many music directors.
Kalyanji, who introduced a new electronic instrument called the clavioline. With this instrument, he played the been for a snake sequence in the film Nag Panchami (1953), the music of which was scored by Chitragupt. People came to watch the film just to listen to this music . Hemant Kumar heard this tune and decided to use this in the song "Man Dole Mera Tan Dole" of Nagin(1954). The song and this tune became immortal.
He was soon the most sought-after musician in Bollywood. Kalyanji then, with his brother Anandji, started an orchestral group called Kalyanji Virji and Party which organized musical shows in Mumbai and outside. This was the first attempt made for holding live musical shows in India.
In 1957 Subhash Desai, the elder brother of the great filmmaker Manmohan Desai signed him as an independent music director. He signed him not for one film but for 11 films in one stretch. The first film was 'Samrat Chandragupt' released in 1958. The film was a hit and the music was also a hit. Recall the most popular song 'Chahe Paas Ho, Chahe Door' by Lata Mangeshkar.
This was followed by his composing music scores for more films like Post Box 999 before Anandji who was assisting him, joined him officially to form the Kalyanji Anandji duo in Satta Bazar and Madari (1959). Chalia (1961) was their earliest major hit. It was in 1965 his 2 films Himalaya Ki God Mei and Jab Jab Phool Khile made him a great music director.
He not only mastered in many musical instruments but also be known for introducing Jaz in Hindi films. He used to do mimicry of many artists of his time. He also knew astrology and face reading. It was the music of Saraswatichandra (1968) that endorsed the genius of the brothers, more so because the classical tunes came soon after their modern Rhapsody in Haseena Man Jayegi.The songs "Chandan sa badan, Phool tumhe bheja hai, Chod de sari duniya, Hamne apna sab kuch khoya... were instant hits.
Both Kalyanji and Anandji worked as music composers for over 250 films, 17 of which were golden jubilees and 39 silver."Jiska Mujhe Tha Intezaar" from Don (1978), "Kabhi Raat Din Hum Door The" from Aamne Saamne (1967), "Yeh Saman" from Jab Jab Phool Khile (1965), "Humare Siva Tumhare Aur Kitne deewane" from Apradh (1978), "Main Pyaasa Tum saawan' from Faraar (1975), "Jeevan se bhari teri aankhe", "Zindagi ka safar hai ye kaisa Safar", "Pal Pal dilke paas", "Neele Neele Ambar Par" are some of their notable songs.
His range varied from the catchy 'Aaja Aaja' from Teesri Manzil to the soulful thumri 'Hame Tumse Pyar Kitna' by Parveen Sultana in Kudrat. He also composed the mischievous number Ek Chatur Naar, Badi Hoshiyar from Padosan, and the melodious Tere Bina Zindagi Se koi Shikwa to Nahin from Aandhi
A magical maestro, he could conjure up a serenading classical raga theme or a peppy Western romantic tune out of thin air. He Revolutionised Hindi Film Music by introducing new elements (jazz and rock styles) into Hindi film songsFor several decades, he produced iconic music in Hindi and Bengali for as many as 330 films. Most of the current generation of music directors have been influenced by him.
He was the master of experiments and changed the way one would look at music. His voice modulation brought in a new dimension to popular music. Burman brought in various innovations to the background music of Hindi and Bengali films. His unconventional way of generating rhythm would totally blow one’s mind in those times. Objects used in daily life found a place in his compositions. For Meri Samne Wali Khidki Main, the whooshing sound came from rubbing a comb on a coarse shell. For ‘Chura Liya' from Yaadon Ki Baraat? he created that sound using glasses and spoons.
R.D. Burman was born in Calcutta on June 27th, 1939, in Calcutta. His father was the legendary music director S.D. Burman and his mother was Meera a classical singer. As a child, he was nicknamed "Pancham". Music was natural to him, there was the influence of growing up in his father's home, with constant music surrounding him. Furthermore, after the family moved from Calcutta to Bombay, he started to learn sarod from the famous Ali Akbar Khan. He also learned to play the harmonica. With such a musical environment, it is not surprising that he started to compose music very quickly. He was only nine years old when he composed his first song; this was Aye Meri Topi Palat Ke Aa and his father used it in the film "Funtoosh" 1956.
In his teenage, he started assisting his father. His name first appeared on the big screen as assistant music director in "Solva Saal" (1958). After that, he assisted his father in almost all the films till Jewel Thief(1967).
His first released film as a music director was Mehmood's "Chote Nawaab" (1961). From there his career was firmly launched."Teesri Manzil" (1967) marked a major milestone in his career. From this point on, he well established and was able to be the music director for a number of major films. This brought him a number of successful films such as "Padosan" (1968) and "Waris" (1969). The dawn of the 70s saw RD Burman become Bollywood's most sought-after music director. This was represented by such immortal hits as Kati Patang (1970), "Amar Prem" (1971), "Hare Rama Hare Krishna" (1971), Carvaan (1970), "Seeta Aur Geeta" (1972), Jawani Diwani(1972), Yadon Ki Barat, "Sholay" (1975), and Aandhi(1975).
The mid-1980s were a very hard time for R.D. Burman, both personally as well as professionally. The general perception was that he had lost his touch. The songs that he did, generally failed to make a major impact on the public.
In 1988 at the age of 49, he suffered a heart attack. He underwent surgery and continued to make music. But his career limped into the 1990s with very lackluster commercial success. There were a few exceptions to the public rejection of his music, most notably "1942: A Love Story". But by and large, he was considered finished in the Bollywood film industry. At the age of 54, he suffered another heart attack. With his wife Asha at his side, he died on January 4, 1994.
C. Ramchandra's biggest success as a music composer was the 1953 movie Anarkali, though he had already tasted success with Shehnai (1947), Sargam(1950), Samadhi(1950) and Albela(1951). The film was a Musical Hit and went on to celebrate Golden Jubilee. It was the highest-grossing film of 1953 and again ranks 2nd in the top 25 Best Musical Films of all times according to IMDb.
The Music direction of this film was given to the composer Vasant Prakash, who was the younger brother of famous composer Khemchan Prakash. He even composed a song “Aa jaane wafa aa” penned by Jan Nisar Akhtar and sung by Geeta Dutt. Basant Prakash had major health problems after having recorded this one song with Geeta Dutt. C. Ramchandra took over as the composer. The film had a total of 11 songs, with 10 composed by C Ramchandra and 1 by Basant Prakash.
This film was a musical hit. The first-ever 'Binaca Geetmala' Annual Program of 1953 - saw "Ye Zindagi usiki hai" catapulted to the No. 1 position. This song came in parts in the film. The first two stanzas were when the lovers happy in each others company. The 3 rd stanza - jo dil yahan na mil sake signalled their despair and separation, while the last 2 were of unrequited love when Anarkali was being cemented into a wall on all sides. Lata Mangeshkar gave her soul in singing this song.
Out of 11 songs, only one song was a duet "Jaag Dard-E-Ishq Jaag" sung by Lata Mangeshkar and Hemant Kumar. Hemant Da had 2 solos in this film , recall the song "Zindagi Pyar Ki Do Char Ghadi Hoti Hai'.There were other beautiful songs too other than the above . 1. Aaja ab to aaja [Lata Mangeshkar- lyricist Shaillendra]; 2. Mohabbat aisi dhadkan hai [Lata Mangeshkar] 3. Muzse mat puch mere ishq mein kya rakkha hai [Lata Mangeshkar] ; 4. Muhabbat mein aise kadam dagmagaye [Lata Mangeshkar] ; 5. Dua kar ghame dil khuda se dua kar [Lata Mangeshkar].
