This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Kishore Kumar was eccentric or unusual start from his childhood, when he was studying in a boarding school of Indore,in his hostel room's wall he scribbled Kishore's name, in his own handwriting, in his favorite style, in reverse: Ramaku Rashoki. For several years, one of the walls of his hostel room stood witness to his eccentricity.
He was a rare combination of madness and devotion to work. He was unpredictable, he was a genius, and he was even crazy. He had a relaxed appeal to him evident in films like Chalti Ka Naam Gaadi throughout his music performance he fools around from one corner to another. His madness and frolic become amply resound when in the song Aaake Seedhi Lagi filmed on both him and Pran, he sings the parts of both the male and the female. The song can make anybody laugh in seconds! And who can forget the song from the film Padosan in which he played the music teacher and participated in a hilarious music competition with Manna Dey.
It was said that Kumar would sing only after the confirmation of payment from his secretary was received. On one occasion, when Kumar learnt that he was paid half for the movie he was roped in as an actor, he appeared on the sets with makeup placed on one side of his face. Seeing him when the director questioned him, he replied “Adha Paisa Tu Aadha Makeup (half makeup for half payment)”.
The legendary singer placed a sign ‘Beware of Kishore Kumar’ at the door of his residence. The famous producer of Hindi film industry H.S.Rawail came to his home to pay his dues. After paying the dues, Rawail tried to shake hands with the singer, he took the producer’s hand in his mouth, bit it, and said ‘Didn’t you see what my signboard says?’.
In an interview , he revealed that he preferred talking to his trees. He also introduced the journalist with the trees by their names at his bungalow and said they were his close friends.
Despite all these eccentric behaviors of the singer, Kishore Kumar was loveable and will remain the same forever for his fans.
Please watch the video below, a collection of his comic and funny songs sung or acted by him
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Being a big dreamer doesn’t mean that you walk around with your head in the clouds. It means that you’re seeking a purpose for your life. Raj Kapoor was the person who dreamt big and went after them, At the age of 24, he was a director and a studio owner His first film Aag was released in 1948
As a filmmaker, Raj Kapoor produced 16 films and directed 9 of them under his R.K. banner. Most of his films were successful films and received appreciation from critics and the audience. Mera Naam Joker was his biggest dream project He made it but the film was a failure at the box office putting Raj Kapoor into a big financial crisis.
He didn't stop dreaming, he came up with an idea to get out of this debt. He released the film 'Bobby' in the year 1973. With this film, he launched his 18-year-old son Rishi Kapoor. This trick proved to be really effective and Bobby proved to be a blockbuster hit of that era. After this, along with Raj Kapoor, the days of the whole family and family went back. The film had Dimple Kapadia in the lead role along with Rishi Kapoor.
He had a dream to make a film Henna, for nearly two decades, the showman carried around Henna as an idea, like a dream. In fact, when Raj Kapoor died in 1987, only the title, the story, and two songs: chitti and mai der karta nahin hoon, der ho jati hai. were ready
His dream lived on when his sons decided to complete the film and got it released on 28th June 1991. This film for the brothers Kapoor was a tribute to Raj Kapoor. It took them 3 years to fulfill the dream of their father. IT wasn't easy. The Cassandras of the film industry labeled the film a non-starter but the sons had the genes of Raj Kapoor of not backing out.
Raj Kapoor had another film on his wishlist, the title of the film was 'Rishwat' the story was ready and was working on its screenplay. Another dream project was a film on Ajanta caves.
One of these aborted projects was Gouri, launched in 1957. Guru Dutt Films Private Limited, fresh from the success of Pyaasa that year, announced a film in Bengali and English. Gouri was to have been directed by Guru Dutt and was billed as the acting debut of his wife, playback singer Geeta Dutt.
Gouri was set in the director’s favorite city, Kolkata. The plot revolves around a successful sculptor of Durga idols who meets a prostitute, who, to him, resembles the goddess. Moved by the woman’s plight, he marries her. They lead a blissful life until one of his friends starts blackmailing him. When his parents find out about their daughter-in-law’s past, they start mistreating her. The woman runs away.
Two scenes were filmed and music director SD Burman had recorded two songs when Guru Dutt stopped production.
Had Gouri been made, it would have been India’s first film in the Cinemascope format, rather than his Kaagaz ke Phool two years later.
Geeta Dutt in Gouri.
Gouri was one of Guru Dutt’s many incomplete projects. Nasreen Munni Kabir suggests in her biography Guru Dutt: A Life in Cinema that this indicated “an increasingly disillusioned and fractured state of mind”. Kabir writes, “Guru Dutt’s personal life was in turmoil, and he smoked and drank heavily.” This is borne out by lyricist Kaifi Azmi, who wrote the lyrics for 1959’s Kaagaz ke Phool. Azmi is quoted in the biography as saying, “What he wanted to say in the film [Kaagaz ke Phool] wasn’t clear. His mental state was like that, he wasn’t clear... There were more scenes that were edited out than remained in the completed film.”
Even as Kaagaz ke Phool was underway, Guru Dutt set his assistant, Niranjan, off on another project. The intended film, Raaz, was adapted from the Wilkie Collins classic tale The Woman in White. The film starred Sunil Dutt as an army doctor and Waheeda Rehman in the double role of twins.
Raaz moved in fits and starts, and Guru Dutt eventually replaced Sunil Dutt as the lead. Some scenes were shot in Shimla and two songs were recorded by composer RD Burman, who was making his debut. One track featured three dancing girls and was sung by Geeta Dutt, Asha Bhosle, and Shamshad Begum. But after shooting and editing five or six reels, Guru Dutt shelved the film since he was unhappy with the way it was shaping up.
Raaz, starring Guru Dutt and Waheeda Rehman.Another film that got shelved was a Bengali film 'Ek Tuku Chhua' a proposed adaptation of the novel 'Neel Kamal' written by Gulshan Nanda, which was to be directed by Sadiq. One scene was shot but the film was shelved, the reason is unknown.
According to Dutt’s other brother, Devi Dutt, Guru Dutt offered Niranjan another film after the Raaz debacle, titled Moti Ki Mausi and starring Tanuja and future scriptwriter Salim Khan. Moti Ki Mausi hit a wall after Niranjan died from alcohol-related complications.
Some of the projects did finally make it to the theatres with other producers, actors and directors. Professor (1962) was first announced by Guru Dutt a couple of years earlier as a story of a man too young to be a teacher and too old to love. It was to have been directed by Shashi Bhushan with Kishore Kumar and Waheeda Rehman in the leads. Dutt even asked Abrar Alvi to direct the film, but Alvi declined.
Alvi did, however, write the screenplay for the movie, which was eventually made by Lekh Tandon with Shammi Kapoor. Raj Khosla, Guru Dutt’s former assistant, re-worked the shelved Raaz as Woh Kaun Thi? in 1964 with Manoj Kumar and Sadhana.
Sadhana was also supposed to have starred in Picnic, with Guru Dutt. The project was to have been directed by RS Tara, with music by N Dutta. Unlike the other incomplete films, of which nothing remains because of our tragic ignorance of the importance of archiving and preservation, snippets of two songs from Picnic have survived. One is this lovely duet sung by Mohammed Rafi and Asha Bhosle.
Following the critically acclaimed Sahib Bibi Aur Ghulam (1962), Guru Dutt attempted an Arabian Nights-style adventure, which was to have been his first film in colour. In an essay titled Classics and Cash, Guru Dutt recalled the shock when he announced Kaneez sometime in 1962 or 1963. “I have been trolled by friends and critics for taking up Alibaba as my next film,” he wrote. “‘From a provocative social theme to Arabian Nights? What a fall, Guru!’ they kept on twitting me. I have to explain every time that I want to show that even Alibaba could be a subject with contemporary significance.
Kaneez was to have starred Simi Garewal. But this one also failed to make it to the finishing line and was shelved after initial filming. Garewal complained to the Cine Artists Association and ensured that she recovered her dues.
Simi Garewal in Kaneez.
The two films that Guru Dutt left unfinished at the time of his sudden death on October 10, 1964, were his own production, Baharen Phir Bhi Aayengi, and K Asif’s magnum opus, Love and God, an epic take on the Laila-Majnu tale starring Guru Dutt as Majnu and Nimmi as Laila. Dharmendra stepped into Baharen Phir Bhi Aayengi.
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He was eleven years old when he saw his first film 'Shabnam'(1949) starring Dilip Kumar and Kamini Kaushal. This film and its hero Dilip Kumar created magic on the young Harikishan Giri Goswami that he decided to adopt the name of Dilip Kumar's character from the 1949 film as his screen name.
The story of the film was of the refugees of the 1942 Rangoon war, Shanti (Kamini Kaushal) and Dilip Kumar( Manoj)who fall in love while on the way to Bengal. He too was a refugee from Pakistan, the film made a long-lasting impact on the young Harikishan. In an interview, Manoj Kumar said "It is because of him that I became a fan of cinema. I fell in love with his character in the film whose name was Manoj. I must be 11-year-old then but I instantly decided that if and whenever I become an actor I will keep my name as Manoj Kumar,"
Manoj Kumar (born on 24 July 1937) his family had to migrate from Jandiala Sher Khan Pakistan to Delhi due to the PartitionHis family lived as refugees in Vijay Nagar, Kingsway Camp, and later moved to Old Rajendra Nagar area of New Delhi. His fascination for films brought him to Bombay. He took part in the first Filmfare Talent Hunt competition hed in Bombay. Dharmendra was also one of the contestants.
Manoj Kumar got his first role in the film 'Fashion' released in 1957, the hero was Pradeep Kumar. Manoj Kumar played the role of an 80-year-old beggar in the film. This was a very small role. After this he got another small role in the 1958 film 'Sahara' starring Meena Kumari.
Manoj Kumar got his first leading role in Kaanch Ki Gudia (1961) opposite Saida Khan.Its song 'Saath Ho Tum Aur Raat Jawan; was a hit but not the film.Before this another film 'Honeymoon'(1960) with the same lead was released first
Hariyali Aur Rasta (1962) was the first hit film of Manoj Kumar, but subsequent films were flop In 1964 he got a major hit 'Woh Kaun Thi' After this film he never looked back. In 1965 his film Shaheed got him branded as a patriotic image. His directorial debut Upkaar (1967). In this award-winning film, he played both a soldier and a farmer. The film was also noted for the famous song "Mere Desh Ki Dharti", written by Gulshan Bawra, composed by Kalyanji-Anandji, and sung by Mahendra Kapoor. Upkaar was declared a blockbuster and won him his first Filmfare Best Director Award.
He appeared with his idol Dilip Kumar in the 1967 film Aadmi, he was nominated Filmfare Best Supporting Actor Award. Again in 1981 he directed him in the film 'Kranti'
After Kranti in 1981, Kumar's career began to decline, when the films he did with him in lead role like Kalyug Aur Ramayan in 1987 and later Clerk in 1989 failed at the box office. In 1989, he cast Pakistani actors Mohammad Ali and Zeba in his film Clerk. He quit acting after his appearance in the 1995 film Maidan-E-Jung. He directed his son, Kunal Goswami, in the 1999 film Jai Hind which had a patriotic theme. The film was a flop and was the last film Kumar worked on.
Here are some forgotten and rare songs of Manoj Kumar
Guru Dutt and Sanjeev Kumar, the two legendary actors of Bollywood were born on 9th July of 1925 and 1938 respectively. What a coincidence that both died prematurely. Both started their career early in their life. Guru Dutt got ajob under a three-year contract with the Prabhat Film Company in Pune when he was just nineteen years of age. Sanjeev Kumar also started his acting career as a stage actor, starting with IPTA in Bombay and later joining the Indian National Theatre. At the age of 22, he played an old man in a play, an adaptation of Arthur Miller'sAll My Sons. In the following year, in the play Damru directed by AK Hangal, he again played the role of a 60-year-old with six children.
Guru Dutt acted in a small role as Sri Krishna in Chand in 1944. In 1945, he acted as well as assisted director Vishram Bedekar in Lakhrani, and in 1946 he worked as an assistant director and choreographed dances for P.L. Santoshi's film, Hum Ek Hain.. Sanjeev Kumar made his film debut with a small role in Hum Hindustani in 1960.
Even though Guru Dutt and Sanjeev Kumar never worked together, they do share a curious link – K Asif’s Love And God. The film had a long and troubled production history with shooting starting in 1963 with Guru Dutt as Kais and Nimmi as Laila. However Guru Dutt's sudden death in 1964 left the film incomplete and it was shelved. Then, Asif recast Sanjeev Kumar as Kais and resumed production of the film in 1970. Unfortunately, the director K. Asif died on 9 March 1971 at the age of 48/49 and the film was once again left incomplete. Fifteen years later, Asif's senior widow Akhtar Asif decided to release the incomplete film with the help of producer-director-distributor K. C. Bokadia. In a few months, they managed to salvage some usable portions of the incomplete film from three different studios and pieced them together. This cut-paste incomplete version was finally released on 27 May 1986. By the time of the film's release, several of the film's cast members had died, including its leading actor Sanjeev Kumar, who died in 1985.
Guru Dutt in Love & God
Sanjeev Kumar in Love & God
Another similarity both had was their love life, both had a troubled love affair. Though Guru Dutt was married to Geeta Roy but fell in love with Waheeda Rehman. Sanjeev Kumar proposed to Hema Malini in 1973 and they remained in touch even after he suffered his first heart attack in 1976. Later an actress Sulakshana Pandit started liking him and proposed for marriage, but both of them remained unmarried. Kumar refused to marry her, as a result of which Sulakshana vowed to never marry anyone.
Their turbulent, tragic, and unlucky-in-love personas haunted the two stars throughout their life, one went in depression and comitted suicide and the other died of heart attack.
It is the famous waltz 'Waves of the Danube' composed by the Romanian Josef (or Ion) Ivanovici in 1880. This tune has been used in many films over the years – Josef von Sternberg’s Dishonored, Akira Kurosawa’s Stray Dog, and Emir Kusturica’s When Father Was Away on Business, to name a few – but its most famous film incarnation is as The Anniversary Song from The Jazz Singer(1927)
Raj Kapoor first heard this tune when he saw The Jolson Story (1946) rather than coming across a recording of the original waltz. He was so mesmerized by this tune, he decided to use this in his film Barsaat. When he used this tune in Barsaat, he was approached by the copyright people for breaching the copyright. He had to pay something like 35,000 rupees, a handsome amount in the 40s.
Since he purchased the tune, he used this tune in RK films – Jis Desh Mein Ganga Behti Hai (1960), Sangam (1964), Mera Naam Joker (1970), Bobby (1973), Biwi O Biwi (1982) – either as background music or in song interludes.
This tune remained an integral part of the film. Raj Kapoor, who plays Pran in the film plays this tune on the violin throughout the film. Nargis (Reshma), who keeps referring to the instrument as a “sitar”, finds herself inextricably drawn to this haunting melody. In a crucial scene towards the end, when the lovers have been separated, Reshma again hears the tune and rushes off towards its source. She lands up in a posh club (with, apparently, not very sound-proof walls) and falls at the feet of the man playing the violin. But it is not Pran. The shocked violinist kicks out at her.
Song of Barsaat 1949
Losif Ivanovici - Donauwellen Walzer (Waves of the Danube Waltz)
