Pran - Noorjahan was his Heroine in his First Hindi Film

 

Pran, the greatest villain ever in the history of Indian cinema played hero roles from 1940–47. In the 1940s, romantic duets featuring him, like the songs "Tere Naaz Uthane Ko Jee Chahta Hai" from Grihasti, opposite Shardha, and 'Ud Ja Ud Ja Panchhi' from Khandaan (1942), with Noor Jehan, became very popular. He got his first role in Dalsukh M. Pancholi's Punjabi film Yamla Jat (1940). The film featured baby Noor Jehan. as a child artist, Both appeared in Khandan(1942) as romantic leads. It was Noorjehan's first film as an adult. The film was a great success, Noorjehan shifted to Bombay. She shared melodies with Shanta Apte in Duhai (1943).

Pran was working in Lahore, acted in 22 films from 1942 to 1946 in Lahore; 18 were released by 1947. Due to India's partition in 1947, his career had a brief break. His films from 1944 to 1947 were made in undivided India, but Taraash (1951) and Khanabadosh (1952) (both co-starring Manorama) were released only in Pakistan after Partition. He left Lahore and arrived in Bombay. For a few months, he looked for acting opportunities while doing other jobs. He worked in Delmar Hotel, Marine Drive for eight months, after which he got a chance to act in 1948.

This film was Ziddi released in 1948, He got this opportunity because of his friendship with writer Saadat Hasan Manto and actor Shyam, The movie launched Pran's career in Bombay. Incidentally, it proved to be Dev Anand's big break as a hero. Within a week of Ziddi's success, he had signed three more films – S M Yusuf's Grihasti (1948), which became a diamond jubilee hit, Prabhat Films' Apradhi (1949) and Wali Mohammad's Putli (1949). By then, Wali Mohammad, who was responsible for Pran's first role, had come to Bombay and became a producer, setting up an office at Famous Studios, near Mahalaxmi Racecourse

Pran was among the highly successful & respected veteran actors in the history of Indian cinema. He was also one of the highest-paid actors of his time. He played hero roles from 1940–47, a villain from 1948–1991, and played supporting and character roles from 1967–2007. The decades of late 1940s, 1950s, 1960s, and early 1970s were the peak periods of Pran's villainy, especially the 1950s & 1960s. Pran was the first true personification of "evil" on the Indian screen. He is the original badman of Indian cinema. The intensity of his portrayal of negative/villainous characters on the screen was effective enough to desist the Indian people from naming their children "Pran" in the 1950s & 60s & subsequently thereafter (when Pran was at the peak of his villainy).

He was given Padma Bhushan in 2001 and Dadasaheb Phalke Award in 2013

Song of Khandan 1942

Song of Grihasti 1948

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Ashok Kumar - The most bankable star of the 40s

 

The first film of Ashok Kumar was Jeevan Naiya (1936), a Bombay Talkies production.  It was a sheer fluke that he became an actor. He didn't want to become an actor.  Those days, actors were really looked down upon. They were believed to come from the lowest strata of society. He came to Bombay to become a director. So he joined Bombay Talkies as a technician. he worked in the camera department. Later, he was made a lab assistant. He worked as Lab Assistant for 8 months, suddenly Himanshu Rai, the owner of Bombay Talkies made him the hero of the film Jeevan Naiya replacing the existing hero Najam-ul- Hussain.

Initially, he was not comfortable in acting but later gathered confidence in his second film  Achhut Kanya (1936), where he again paired with Devika Rani became a smash hit established him a great actor. After that, he was a permanent hero of all Bombay Talkies movies In 1943 he played the first anti-hero role in Indian cinema. The film Kismet(1943) was the first super duper hit of Indian cinema, It was the first film that collected more than a crore rupees at Box office. Post Kismet, Ashok Kumar became the most bankable star of the era, delivering a succession of box office successes with movies like Chal Chal Re Naujawan (1944), Shikari (1946), Sajan (1947), Mahal (1949), Sangram (1950) and Samadhi (1950).

, Ashok Kumar has ruled the silver screen and melted millions of hearts with his charismatic screen appearance and personality. He was the first superstar of Hindi cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor.

He produced several films for Bombay Talkies during the final years of the company including Ziddi (1948), which established the careers of Dev Anand and Pran, Later on, he quit the Bombay Talkies and started Filmistan Studio with Shashdhar Mukharjee, his desire to return to Bombay Talkies was always there." He re-bought Bombay Talkies in 1947. "Devika Rani had left by then. But the Talkies had fallen on bad days. The debts amounted to Rs 28 lakhs. We made movies like Majboor, Ziddi, Mahal, and Mashal to repay the debts."

With the advent of the 1950s, Ashok Kumar switched over to more mature roles, with the exception of the 1958 classic Howrah Bridge. Despite the arrival of a younger crop of stars like Dev Anand, Dilip Kumar, and Raj Kapoor, Ashok Kumar remained one of the stars of the era with hits like Afsana (1951), Nau Bahar (1952), Parineeta (1953), Bandish (1955) and EK Hi Raasta (1956). His most successful film of that era was Deedar (1951), in which he played second fiddle to Dilip Kumar.

Ashok Kumar played an important role in several landmark movies in the 1960s and 1970s, including Jewel Thief (1967), Aashirwad (1968) (for which he won a Filmfare Award as well as National Award in 1969), Purab aur Pashchim (1970), Pakeezah (1972), Mili (1975), Chhoti Si Baat (1975) and Khoobsurat (1980).

Ashok Kumar's last film role was in the 1997 movie Aankhon Mein Tum Ho.

. Altogether, he starred in over 275 films. He has done more than 30 Bengali dramas in Dhakuria.He was honored in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India and also received the Padma Bhushan in 1999 for his contributions to Indian cinema.

He died at the age of 90 in Mumbai on 10 December 2001 of heart failure at his residence in Chembur. The then Prime Minister Atal Bihari Vajpayee described him as "an inspiration... for many generations of aspiring actors.

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Songs from Ashok Kumar's Films

Koi Hamdam Na Raha from Jeewan Naiya 1936

Original Ek Chatur Naar from Jhula 1941

Song from Kismet 1943

Rehman- Chhote Sarkar & Chenoy Seth of Bollywood

 

Rehman (23 June 1921- 5 Nov 1984), a man whose majestic voice was his signature in the Golden Era of Bollywood. He was an integral part of the Guru Dutt team, and most known for his roles in films such as Pyar ki Jeet, Badi Behen, Pyaasa, Chaudhvin Ka Chand, Sahib Bibi Aur Ghulam, like Guru Dutt he was also signed by Prabhat Studios as 3rd assistant director to Vishram Bedekar during the shooting of Lakharani (1945).

He was the hero of Suraya in Pyar Ki Jeet(1948), and Badi Behan(1949). Hero of Kamini Kaushal & Madhubala in  Paras(1949) and Pardes(1950), as time passed, he accepted supporting roles and made his mark in some hit films like Pyaasa(1957), Phir Subah Hogi (1958), Chaudhvin Ka Chand(1960)and Sahib Bibi Aur Ghulam(1962).

After college (1942), he joined the Royal Indian Air Force and trained at Poona as a pilot. The Air Force didn't appeal to him and soon left for a career in films at Bombay. His first brush with acting happened almost by chance. Director D.D. Kashyap, whom Rehman was assisting at that time, urgently required someone to play the role of a Pathan in his film ‘Chand’ (1944). Since Rehman was the only one on the sets who could tie a turban the Pathani way, he got this role, for this role he had to speak one dialogue, he had to give 50 takes for this dialogue.
The next film was Hum Ek Hain followed by Pyar Ki Jeet(1948) and Badi Behan(1949) as hero opposite Suraiya. Both films were hit but after these films, none of his films as hero clicked. It was Guru Dutt who offered him the character role in Pyasa 
Rehman also did key roles in ‘Waqt’, ‘Baharon Ki Manzil’, ‘Gomti ke Kinare’, ‘Dushman’, ‘Holi Ayi Re’. Rehman received four Filmfare nominations as Best Supporting Actor for: Choti Bahen (1958), Chaudhvin Ka Chand (1960), Sahib Bibi Aur Ghulam (1962), Dil Ne Phir Yaad Kiya (1966).
In 1977, he suffered heart attacks after which he got throat cancer and died after a prolonged and painful illness in 1979. What a tragedy, the man who had an impressive, majestic voice lost his voice and he was unable to speak during his last days in his life. 
The song in which he appeared with Suraiya in Badi Behan will be remembered forever. “Chup Chup Khade ho, Zaroor koi Baat hai”, will always be in our memories.

Song of Pyar Ki Jeet(1948)

Song of Badi Behan 1949

Song of Paras 1949

Song of Pardes 1950

Song of Sahib Bibi Aur Ghulam 1962 

Song of Waqt 1965

DAVID- The 'John Chacha' of Bollywood

 

David Abraham Cheulkar (21 June1908– 02 January 1982), popularly known as David, was a character actor of Bollywood. His real birth date is not available on Wikipedia and other websites but I got this date from a photograph of his grave. He was a well-educated person. He was a graduate in 1930 and did LLB during that period. 

He was interested in acting, he made his debut in the 1937 film Zambo as a character artist. In this film, he played the role of a clean-shaven professor. Since then he always remained clean-shaven. He appeared in many films in the early 40s. He got fame as 'John Chacha' from the 1854 film 'Boot Polish'.for which he was awarded the 1955 Filmfare Best Supporting Actor Award.

 In a career spanning four decades, he played mostly character roles, starting with the 1941 film Naya Sansar, and went on to act in over 110 films, including memorable films such as Gol Maal (1979), Baton Baton Mein (1979),Chupke Chupke (1975),Satyakam(1969), Shehar Aur Sapna(1963), and Boot Polish (1954), 

In his prime, in the period 1959-1975, David was one of the best and the well-known anchors, compere and the host of the prominent award shows and other functions. In one of the speeches Jawaharlal Nehru, the prime minister, told any of the events will surely be incomplete without David’s speech.

He died on 02 January 1982 in Toronto, Ontario, Canada of a heart attack at the age of 73..He is buried in the Beth Jacob synagogue cemetery. His headstone reads: Here's a man who smiled through his tears and laughed in the midst of a sigh. He mingled his youth with advancing years and was happy to live or die.

Songs of David

Song of Boot Polish 1954

Song of Boot Polish 1954

Song of Pyar Mohabbat 1966

Danny Denzongpa - The name Danny was given by Jaya Bhaduri Bachchan

 

His original name is Tshering Phintso Denzongpa became famous as Danny from Bollywood. He was born on 25th Feb 1948 in Sikkim. He got admission to Armed Force Medical College Pune and went there to study Medicine but his interest was in Art. When he came to know about Pune Film & Television Institute, he shifted to an acting course.

Jaya Bhaduri was his classmate, who suggested him to change his name to 'Danny'.He also became a good friend of Amitabh Bachchan, they used to play tennis together in the early 70s. He got his first role in Zaroorat(1972) but got his major break in Gulzar's Mere Apne (1971), where he had a positive role. He had his first played an antagonist in B.R.Chopra's Dhundh (1973), where he played the role of a crippled and frustrated husband.

He is also a good singer, he was first given a chance to sing, 'Mera Naam Aao' by S.D. Burman in the film Yeh Gulistan Hamara in 1972. later he sang in a few films. He has sung with Lata Mangeshkar, Mohammed Rafi, Kishore Kumar and Asha Bhosle. 

With Asha Bhosle, he sang a duet "Suno Suno Kasam Se" in the Hindi film Kala Sona in 1975 picturized on him, became a hit, He also sang with Mohammad Rafi "Mujhe Doston Tum Gale Lagaa Lo" from Naya Daur 1978, in the same film he sang a duet with Kishore Kumar "Botal Khaali Hone To Do"

He has sung a Nepali duet with Asha Bhosle, "Aage aage topai ko gola pachhi pachhi machinegun barara" in 1976. This song was shown by Danny to Rajesh Khanna who liked the song tremendously. Then Rajesh Khanna requested R.D. Burman to compose the song – "Sang Mere Nikle The Sajan" from the 1981 film Phir Wohi Raat, which was directed by Danny himself 

His most applauded negative characters are in Bandish (1980) as Kapil Kumar, Phir Wahi Raat as "Ashok", Dharm Aur Qanoon (1984), as SP "Kader", Kanoon Kya Karega (1984), as "Raghuvir Singh", Andar Baahar (1984), as "Shera", Oonche Log (1985), as "Thakur Maan Singh", Aandhi Toofan (1986), as "Balbir" Bhagwaan Dada (1986), as "Gangwaa", Agneepath (1990), as "Kancha Cheena", Hum (1991), as "Bakhtawar", Ghatak: Lethal, as "Kaatya", Krantiveer (1994), as "Chatur Singh", Pukar, (2000) as "Abhrush" and Indian, as "Shankar Singhania". He was pitted against Pran in the film Sanam Bewafa, Paap Ki Duniya, Gurudev and 1942: A Love Story. His command over the Urdu language came in handy in films such as Sawan Kumar's Sanam Bewafa and Mukul Anand's Khuda Gawah.

In recent years he appeared in Jai Ho (2014), co-starring Salman Khan and Bang Bang (2014), co-starring Hrithik Roshan.

He was nominated 5 times as the Best Villain and 5 times as Best Supporting actor and won it twice in Sanam Bewafa(1992) and Khuda Gawah(1993). He was also given Padamshri by Govt of India.

Song of Yeh Gulistan Hamara 1972

Song of  Kala Sona 1975

Song of Naya Daur 1978

Song of Naya Daur 1978