Sunn Mere Bandhu Re- The Take Was Completed Before the Song was Recorded

 

This immortal song from Sujata(1959) was written by Majrooh Sultanpuri and composed and sung by the great S D Burman. Both born on 1st Oct. This song was a background song.

 The director of the film Bimal Roy gave a rough outline to Sachin Da for a song situation to be sung by a commoner. He wanted a song to sound as if it was straying off-tune, in spite of being in tune. Many singers were tried but ultimately Sachin Da himself finally recorded in his own voice. This was his second song in Hindi films sung after a gap of 12 years.

The situation was that the hero wanted to express his love for the heroine and also wanted to know her feelings. She being shy couldn't express her feeling in words, so to express her feelings Dada suggested a song in the Background.

Majrooh Sultanpuri wrote beautiful lyrics for this situation. The Hero and Heroine are in love They are on a riverfront and a boatman singing in the background expressing their love for each other. Their emotions are caressed by the gentle breeze. The unclear, dispersed light of late evening gives this 'Bhatiyali' song a perfect background. The excellent picturization. Their lips seem to be moving but the sound is mooted, the lyrics in the background expressing their feelings.

Surprisingly the scenes were shot well before the song was ready, in fact, the lyrics were written at the time the scene was being shot. Song recording was done after a few days. It was S D Burman singing solo after 12 years, 

Song of Sujata 1959

This song was used in many films after Sujata. In the 1963 film Bandini , the first two lines were hummed by SD Burman himself. In the 1973 film Abhiman, a few lines were used in the background in a scene

A Scene from Abhiman 1973

It was again used in the background by Gulzar in his film Achanak(1973), one line in a female voice of Lily Chakravarti along with Dada's voice

A Scene from Achanak 1973

In the 1974 film Dil Diwana the opening lines of this song were sung by Asha Bhosle in the song ' Mein Ladki Tu Ladka' composed by RD Burman

In the 1983 film Pukar, R D Burman gave his tribute to this tune in his own voice by changing the lyric as Sun Mere Lamboo Re in a song sung by Amitabh Bachchan 'Tu Maike Mat Jaiyo'

Song of Pukar 1983

The Story behind the song "Jalte Hain Jiske Liye" from Sujata

This song was written by Majrooh Sultanpuri and composed by S D Burman, was picturised on Sunil Dutt and Nutan for the film Sujata 1959. It is a “phone” song, where Sunil Dutt rings up Nutan and sings this song on phone. Well, there were very few phones in 1959 ( exactly sixty years ago) and singing a song on phone was not good for one’s telephone bills those days unless one was doing it for very important reasons. 
Bimal Roy, the producer-director of the film wanted this song to be sung by Mohammad Rafi but Burman Da was not in favour, then the name of Manna Dey was suggested but Burman Da was looking for someone else.
SD Burman was always very particular about the voice of his singer to be matched with his composition. For this song, he asked Rafi, Manna Dey to sing back the tune to him over the phone. He was not satisfied with the texture he wanted for this song.
It is said that it was Jaidev who was his assistant in that film suggested the name of Talat Mahmood for this song. Burman Da agreed and asked Talat to sing the tune over the Telephone. On listening to the tune on the phone Burman da immediately decided that this song will be sung by Talat only.
And indeed, the soft silken voice of Talat sounds so wonderful in this song that made the song immortal
The beauty of this song is not only: its music, its words but also its picturization, Talat’s incomparable singing, Nutan’s acting—and, though often overlooked, also Sunil Dutt’s acting. 
Watch in the first verse, for instance, the earnestness in his face as he sings: as if he’s trying to be absolutely word-perfect, not one note out of place, focusing on his song and yet also addressing that girl he loves, who’s listening at the other end of the line. Then, as the song progresses, he begins to relax—not just physically stretching out, but also smiling more easily, letting himself feel more comfortable, more confident that she’s liking his song…