Naushad (25 December 1919 – 5 May 2006 ) started as an independent music director from the 1940 film Prem Nagar. After just a few years in films, he went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). It was in 1946 he got the superstar status with the two immortal songs from the film Anmol Ghadi. The simple melody in Raag Pahari in the voice of Noorjehan " Jawan Hai Mohabbat" and the duet of Noorjehan and Surendra"Awaz Do Kahan Ho" mesmerized the music lovers. In the same year, K L Saigal gave one of his immortal songs "Jab Dil Hi Toot Gaya" under his composition in Shahjehan (1946) in Raag Bhairavi.
He did 65 films during his lifetime, 26 of those films celebrated Silver jubilees (25 weeks run) – 8 celebrated golden jubilees (50 weeks run) and 4 celebrated diamond jubilee. Many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960).
His classical genius was the 1952 film 'Baiju Bawra' in which he used the voices if the great Ustad Amir Khan and D V Paluskar. The music in “Baiju Bawra” was divine! It was, in fact, the soul of the film.There are many moments in “Baiju Bawra” when the contribution of Naushad emerges the strongest point of the movie. Mohammad Rafi, lyricist Shakeel Badayuni and Naushad leave you in a trance with the all-time great number “Man tarpat hari darshan ko aaj”
These were many Raag based songs that made Naushad Classical Genius. Naushad introduced classical music with deft handling, making it melodious for mass appeal and yet retaining enough artistry as the situation demanded. Right from composing 'Rimjhim barse badarwa' in raga Pahadi in film Rattan effortlessly rendered by Zohrabai Amabalewali, Naushad emphasized the durable value of Indian classical music.
His most durable composition Suhani raat dhal chuki was shaped in Pahadi and was from film Dulari made in 1949 that became legendary and is still considered an integral part of any singer’s repertoire in any musical gathering. His other popular number in Pahadi was Tod diya dil mera composed for film Andaz in 1949 and rendered by Lata Mangeshkar. Another of his milestone songs was Toote na dil toote na picturised on Dilip Kumar in Andaz in 1949 and sung by Mukesh,
Prominent immortal songs composed by Naushad are from Mela, Deedar, Amar, Uran Khatola, Mother India, Kohinoor, Gunga Jumna, Mere Mehboob, Leader, Dil Diya Dard Liya and Ram Aur Shyam.
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