Showing posts with label Guru Dutt. Show all posts
Showing posts with label Guru Dutt. Show all posts

Sunday, 31 May 2020

Raj Khosla came to Bombay to become a Singer

He wanted to become a playback singer but destiny made him an ace director of his time. He had learned classical music from the age of six, and as a student, had joined All India Radio, filling in whenever a singer could not make it. He struggled hard to become a singer,  only one composer gave him a song that too after rehearsing went to Mukesh. He did get a song in 1949 film Bhool Bhulaiya, Bulo C Rani composed it, later in Madan Mohan's debut film Ankhen (1950), wherein he sang the quaint 'Rail Mein Jeeya Mora'.
During his struggle days, he became a friend to Dev Anand, who spotted his talent of direction made him an assistant of Guru Dutt at the time of making of Baazi in 1950. He assisted Guru Dutt in Jaal(1952) and Aar Paar(1954).

 in 1954 got a break with "Milap", starring Dev Anand and Geeta Bali. In this film, not only Raj Khosla made a debut as a Director, but a new Music Director, N. Dutta gave debut music. The next film he directed was C I D (1956) which was a hit From here onwards he never looked back. His next two films Kala Pani (1958) and Solva Saal (1958) were back to bach hit. 
He entered into production also, he co-produced and directed Bombay Ka Babu which was again a hit. Till then he directed 5 films in all the 5 films Dev Anand was his hero. The next film he directed was Ek Musafir Ek Hasina in 1962 for Shashdhar Mukharjee with Joy Mukharjee as a hero. The next film he directed was Woh Kaun Thi (1964) with Manoj Kumar and Sadhana.
Khosla explored a variety of styles be it crime thrillers like CID, suspense thrillers like Woh Kaun Thi, and musicals (Ek Musafir Ek Hasina (1962). Now he tried melodramas (Do Badan (1966) , he was successful in that too. In 1969 he came out with Do Raste and Chirag both the films were hit. The next genre he tried dacoity with highly successful Mera Gaon Mera Desh in 1971 and Kachhe Dhaage in 1973.
He made films after Mera Gaon Mera Desh and had hits like Prem Kahani (1975) starring the then hottest pair of the day Rajesh Khanna and MumtazNehle Pe Dehla (1976) and Main Tulsi Tere Aangan Ki (1978). After enjoying big hits like Main Tulsi Tere Aangan Ki (1978) and Dostana (1980) with Amitabh BachchanZeenat Aman, and Shatrughan Sinha, Khosla ran into some rough weather as his other films started flopping. The last film he directed was Sunny in 1984, which was not a hit.A dispirited Khosla took refuge in alcohol and died in Bombay on 9 June 1991
 He, along with Guru Dutt and Vijay Anand, was among the directors, who were also responsible for song picturizations being taken to a new high in the Hindi cinema of the 1950s and 6os.

Songs were sung by Raj Khosla in films

Song of Bhool Bhulaiya 1949

Song of Aankhen 1950

Songs of Films directed by Raj Khosla 
Song of Milap 1955

Song of CID 1956

Song of Kala Pani 1958

Song of Solva Saal 1958

Song of Bombai Ka Babu 1960

Song of Woh Kaun Thi 1963

Song of Mera Saya 1965

Monday, 11 May 2020

The Story Behind the Song "Waqt Ne Kiya Kya Haseen Sitam"

This iconic song from India's first Cinemascope film Kagaz Ke Phool is now 60 years old. This song was picturized on Waheeda Rehman and Guru Dutt. Geeta Dutt giving voice to Waheeda Rehman. We can feel The"Dard" (Pain) in the voice of Geeta Dutt. What a composition by great S D Burman and penned by another great Kaifi Azmi.
A song bringing forth the tragedy in romance, a song telling us about the inevitability of life in general!.The amazing camera frame by the legendry cinematographer V K Murthy, shadows and light are combined beautifully to create the situation and sad mood of the scene where Guru Dutt and Waheeda meet in an unexpected situation.
The situation of this song was not there in the original script. There were 5 songs for the script, those were already composed and recorded by Burman Da and everybody was relaxed. Suddenly Burman Da started humming a new tune which was light and with a glimpse of sorrow. Guru Dutt, who was sitting next to Burman Da liked this new tune and was deeply touched by this tune, he suggested Burman Da that let's have a song with this tune.
Kaifi Azmi, who was also sitting with them was asked to write for this tune. Kaifi Azmi who seldom write for the pre-composed tunes agreed. He immediately wrote the Mukhda of this song, initially, Guru Dutt was not happy with the Mukhda but Burman Da was very much impressed with the words, he insisted Gutu Dutt think once again, he felt that these lines were enough to bring tears in his eyes.
In the meantime, Burman Da asked Kaifi Azmi to write the two antra of this song. He then beautifully tuned these antra, he thought immediately that Geeta Dutt would give full emotions to this song.

Burman Da called Geeta Dutt and asked her to sing this song in front of Guru Dutt. Guru Dutt liked the song and insisted on Burman Da to get it to record it for this film. The situation for this song was created and then picturized on Waheeda and himself.
When this song was shot, the relation between Waheeda and Guru Dutt were a hot topic. Kaifi Azmi wrote the lyrics with this in mind which later denied that he ever kept in mind about their relationship. However, this song became the highlight of the film.

The booming bass guitar, the soft piano, the tinkling triangle, the flowing strings – the orchestration of that song was mesmerizing. On-screen, a stunningly beautiful Waheeda and a somber, graceful Guru Dutt appearing in an exquisite light and shadow play of haunting black and white images then completed that masterpiece.

In 2018, after 59 years, there is a reference to this song in '102 Not Out'. Amitabh Bachchan who plays a 102-year-old man in the film recorded the track in his characteristic deep and booming voice. The song was arranged by Rohan Utpat and Vinayak K Salvi. 
Song of Kagaz Ke Phool 1959

Song of 102 Not Out 2018

Lata Mangeshkar's Tribute To Geeta Dutt by singing Waqt Ne Kiya Kya Haseen Sitam 


Wednesday, 20 November 2019

The Story Behind the Song "Chaudhavin Ka Chand Ho"

In the 1960 Annual Binaca Geetmala, there was a tough competition for the No 1 song, it was between the song "Chaudhavin Ka Chand Ho" and "Zindagi Bhar Na Bhulegi Barsaat Ki Woh Raat". Both the songs were solo and both the songs were sung by Mohammad Rafi. Both were Title songs.
There was a trend in those days that every film must have a title song. This trend was started by Shailendra from the film Barsaat in 1949. In this case, the Mukhada was the title of the film. The composer of this song was Ravi who was also a lyricist but for this film, Shakeel Badayuni was the lyricist. Composer Ravi made the tune of this song with the title as Mukhada but was not finding the exact words to complete the Mukhada, he then talked to Shakeel Badayuni and asked to complete the Mukhada and the song. This song remains one of the most romantic songs of the Hindi Film Industry.
What sets ‘Chaudhvin ka Chand’ apart? The classical romanticism that the song demanded found expression in the ‘period’ scene-setting and cast. But most importantly, the central character of the sequence is Waheeda. This is where it leaves other ‘very good’ or ‘great’ classical romance song-sequences behind.
Chaudhavin Ka Chand was a comeback film of Guru Dutt after the disastrous box office performance of Kaagaz Ke Phool He was not the director of this film, he produced the film and gave direction to Mohammed Sadiq. The film was a super hit and became a classic.
Another interesting fact that though the film was in Black & White but this song was picturized in colour. Waheeda Rehman in an interview told that the Censor Board objected to chaudavii.n kaa chaa.nd ho when Guru Dutt re-released a version of the song shot in color? As the color version was being filmed, Waheeda Rehman’s eyes became irritated from the heat of the high-powered lights used during the shoot. Upon seeing the red color of the heroine’s eyes, the Censor Board claimed that the colored picturization of the song contained suggestive and lustful implications inappropriate for audiences.
This song got two Filmfare awards, one for the Lyrics to Shakeel Badayuni and the other to Mohammad Rafi as a playback singer. This was the first Filmfare Award to Mohammad Rafi after debuting 15 years ago. It is the warmth, passion, and soul in his voice that renders this song a timeless masterpiece.
Song of Chaudhvin Ka Chand 1960

Tuesday, 9 July 2019

Guru Dutt-The Maker of Commercial Films with Artistic Flvour

Guru Dutt was a part of the exclusive school of Indian cinema -- the likes of Raj Kapoor, Mehboob Khan and Bimal Roy, which were always a healthy blend of artistic and commercial elements between mid '50s and '60s.
He is most famous for making brilliant lyrical and artistic films within the context of popular Indian cinema of the 1950s, and expanding its commercial conventions, starting with his 1957 masterpiece, Pyaasa. Several of his later works have a cult following. He was one of the pillars of the a Golden Era of Bollywood. 
Guru Dutt (9th July 1925) was born Vasanth Kumar Shivashankar Padukone in Bangalore to Shivashankar Rao Padukone and Vasanthi Padukone
Guru Dutt had a tough childhood with financial difficulties, and a strained relationship between his parents.He was a good student, but never went to college, partly because of financial troubles at home. Instead, he joined the performing arts troupe of Uday Shankar.
He joined his parents in Mumbai in 1944. Dutt's uncle found him a job under a three-year contract with the Prabhat Film Company in Pune the same year. It is here that Guru Dutt met two people who would remain his good friends -- actors Rehman and Dev Anand.y
Guru Dutt acted in a small role as Sri Krishna in Chand in 1944. In 1945, he acted as well as assisted director Vishram Bedekar in Lakhrani, and in 1946 he worked as an assistant director and choreographed dances for P.L. Santoshi's film, Hum Ek Hain.
Guru Dutt developed a flair for writing in English, and wrote short stories for The Illustrated Weekly of India, a local weekly English magazine.
It is during this time that he is supposed to have written the script for the almost autobiographical Pyaasa.
After Prabhat failed in 1947, Dutt moved to Bombay, where he worked with two leading directors of the time, with Amiya Chakravarty in Girl's School, and with Gyan Mukherjee in the Bombay Talkies film Sangram. Then, Dev Anand offered him a job as a director in his new company, Navketan, after the first movie had flopped.
Thus, Guru Dutt's first film, Navketan's Baazi, was released in 1951.
He made the quintessential 1950-'60s classics such as Kaagaz Ke Phool, Pyaasa, Sahib Biwi Aur Ghulam and Chaudhvi Ka Chaand.
His movies go full house when re-released; especially in Germany, France and Japan. Today, no world cinema class is complete without inclusion of Guru Dutt. Pyaasa was rated as one of the best 100 films of all time by the Time Magazine.
Dutt's Kaagaz Ke Phool (1959) was an intense disappointment. He had invested a great deal of love, money, and energy in this film, which was a self-absorbed tale of a famous director (played by Guru Dutt) who falls in love with an actress (played by Waheeda Rehman, Dutt's real-life love interest). Kaagaz Ke Phool failed at the box office and Dutt was devastated. Though he produced 2 films after that Chaudhvi Ka Chand and Sahib Bibi Aur Ghulam, both the films recovered his loses but he never recovered from his mental state.he was not on good terms with his wife, Geeta Dutt; Waheeda Rehman had distanced with him. There was sleeping trouble that had him taking sleeping aid, and he was drinking since 5 pm that evening. Suicide or a lethal dose -- it was a loss to Indian cinema industry? 
On October 10, 1964, Guru Dutt was found dead in his bed in his rented apartment at Pedder Road in Bombay. He is said to have been mixing alcohol and sleeping pills. His death may have been suicide, or just an accidental overdose.
Song of Jaal 1952

Song of Baazi 1951

Song of Aar Paar1954

Song of C I D 1956

Song of Pyaasa 1957

Song of Kagaz ke Phool 1958

Song of Chaudhvi Ka Chand 1960

Song of Sahib Biwi Aur Ghulam  1963

Monday, 1 July 2019

Abrar Alvi- The man who wrote many classics of Bollywood

In Ten years with Guru Dutt, Abrar Alvi takes us on his nostalgic journey from how he, a simple driver/chaperone became one of the most famous writers in Hindi cinema. The decade of 1953 to 1964 shaped Abrar's life with the exposure to the finest nuances of cinema making he learned from Guru Dutt and how he amazingly belted out dialogues/scripts for the classics like Aar Paar, Mr & Mrs 55, Pyaasa, Kagaz ke Phool to name a few.
He has also directed a single movie in his career for filmmaker Guru Dutt — it’s the classic ‘Sahib Bibi Aur Ghulam’ released in 1962, which won President’s Silver Medal for best feature film in Hindi and Filmfare best director award. He lived most of his life as Guru Dutt’s resident writer.

He first met Guru Dutt during the shooting of Baaz in 1953 when Guru Dutt was having problems with a scene in the movie .Abrar Alvi suggested his opinion for that scene. Guru Dutt was so impressed that he invited Abrar to write Aar-Paar, after which Abrar became an integral part of the Guru Dutt team
There was a controversy emerged after the successful release of Sahib Biwi Aur Gulam in 1963 that who was the real director of the movie, However, Guru Dutt never denied Abrar Alvi's role in the film, nor did he make any counter-claims when Alvi won the Filmfare Award for Best Director for the film. Abrar Alvi has stated that Guru Dutt did direct the songs in the film, but not the film in its entirety. The editor of the film Y.G. Chawan says that for the film, it was Abrar who sat with him. 
After this controversy ,Abrar, however, continued to pen screenplay and dialogue for several movies, some of these were hits, such as Baharen Phir Bhi Ayengi,Professor, Suraj, Sungharsh, Saathi,Prince etc.

He also acted in Laila Majnu (1976) and 12 O’Clock (1958).
Abrar Alvi died due to a stomach complication on 18th November 2009 in Mumbai at the age of 82. He is still remembered for his simple and clear dialogues in Indian Cinema.

Song of Aar Paar 1954

Song of Pyaasa 1957
Song of Kagaz Ke Phool 1959

Song of Chaudvin Ka Chand 1959

Song of Sahib Biwi Aur  Gulam 1962

Friday, 31 May 2019

Raj Khosla- A director with a fantastic ear for music

Raj Khosla ( 31 May 1925 – 9 June 1991) who came to Bombay to become a singer but he became an ace Director of the Golden Era. In his autobiography, Romancing With Life, Dev Anand mentions meeting a wannabe singer, Raj Khosla at a coffee joint around Mumbai's Flora Fountain. Dev Anand helped him and gave him a job of an assistant to Guru Dutt for the Navketan film Baazi 1951. It was to be the beginning of a very productive film career. He assisted Guru Dutt in his subsequent films. 
Khosla would soon make his debut with Milap (1955). Contrary to his training, his first film was a story about a country bumpkin (Dev Anand, naturally) who comes into a fortune and does not know what to do with it. While the film was a flop, it had glimpses of Khosla's craftsmanship and a fine ear for music. One he would put to great use over his next films.

Guru Dutt who was producing CID (1956), had the confidence of Raj Khosla's capabilities gave Raj Khosla another chance of directing the film. The film starring Dev Anand was a hit After this came  Kala Pani (1958), Solva Saal (1958), Bombai Ka Babu (1960). Of these, C.I.D. is the perfect example of the template that would become Khosla's signature style.
His early background in classical music ensured that most of his films excelled in music. Art of picturising a song he learned from Guru Dutt. In most of his films, he would have at least a song based on folk tune e.g. C.I.D.Bambai Ka BabuSolva SaalMera SaayaDo RaasteMera Gaon Mera Desh to name a few. 
Despite his traditionality in sticking to the formulaic tropes of the noir genre, Khosla added a uniquely Indian touch to it through music. A director with a fantastic ear for music, his films are remembered for their memorable musical scores. SD Burman, OP Nayyar, even RD Burman (who played the harmonica in 'Hai Apna Dil Toh Awara' in Solva Saal) benefitted with the nuanced picturisation of their songs by Khosla.

After Bombai Ka Babu(1960) he directed Ek Musafir Ek Hasina (1962).It was a musical film which was again a hit. After that, he directed suspense thrillers (Woh Kaun Thi? (1964), Mera Saaya (1966), Anita (1967) – his mystery trilogy with actress Sadhana), melodramas (Do Badan (1966), Do Raaste(1969)) or dacoit dramas (Mera Gaon Mera Desh (1971) .He also had hits like Prem Kahani (1975) starring the then hottest pair of the day Rajesh Khanna and MumtazNehle Pe Dehla (1976) andMain Tulsi Tere Aangan Ki (1978). One common factor of all these films was its hit music 
After enjoying big hits like Main Tulsi Tere Aangan Ki (1978) and Dostana (1980) with Amitabh BachchanZeenat Aman and Shatrughan Sinha, Khosla ran into some rough weather as his other films started flopping. A dispirited Khosla took refuge in alcohol and died in Mumbai on 9 June 1991, totally disillusioned with the film industry.
Song of Milap 1955

Song of CID (1956)

Song of Kala Pani (1958)

Song of Solva Saal (1958)

Song of Bombai Ka Babu (1960)

Song of Ek Musafir Ek Hasina (1962)

Song of Woh Kaun Thi? (1964)

Song of Mera Saaya (1966)

Song of Do Badan (1966)

Song of Do Raaste(1969)

Song of Mera Gaon Mera Desh (1971)

Thursday, 15 November 2018

Baazi- The Film that was a trendsetter and gave Bollywood many Legends

There are some films which are iconic, Navketan's Baazi released in 1951 is also such film which gave the Hindi Film Industry many legends. The film is notable for two reasons: first, being the directorial debut of Guru Dutt and second, it was the film which inspired many urban crime thrillers in the fifties. This was the second film of Dev Anand's production house Navketan Films, and as per a commitment was given by Dev Anand to Guru Dutt in their days of struggle, the movie was directed by Guru Dutt.

The movie begins with hands being shown gambling, just in case if we viewers missed the point. A look at the credits makes you feel that the ‘who is who’ of the remaining years of the 50s are represented there. First of all this film gave us the Star Dev Anand who in the years to come to become the Style Icon of Bollywood. The second person to become Legendary Director of Bollywood was Guru Dutt.the third legend in making was S D Burman the great composer of Golden Era of Bollywood. Next legendary personality was Kalpna Kartik who later married Dev Anand made her debut with this film.
Kalpana Kartik in Baazi

S D Burman

 Balraj Sahni, who had just returned after a stint with the BBC was entrusted with the story, screenplay and dialogues. Zohra Sehgal was brought in to choreograph the dance sequences. A young poet named Sahir Ludhianvi was given a chance to pen lyrics for the songs who later became a Legendary Lyricist and poet. 

Raj Khosla served as an assistant director who became a legendary Director. A bus conductor who Sahni had seen entertaining passengers was called in for a cameo, to play a drunkard, and while the film credits him by his real name Badruddin, after Baazi, the world knew him as Johnny Walker.

The other Legendary personalities were the Cinematographers V Ratra and his assistant V K Murthy who gave memorable cinematography of all Guru Dutt’s films, (including PyaasaSahib Bibi aur Ghulamand Kagaz ke Phool) has earned Murthy a place in the history of Hindi cinema. He was awarded a ‘lifetime achievement award’ by the Indian International Film Academy in 2008. This came as belated recognition by the Bombay film industry for the contribution made to its evolution by technicians such as V.K. Murthy.  
V K Murthy

 In his autobiography Romancing with Life, Devsaab reminisces: “Baazi gave me an image that stayed in the minds of people, and made a genuine star out of me. For the first time, I felt and saw what stardom was in terms of adulation and fan following. I became a phenomenon after the release of Baazi.”
Songs of Baazi 1951

Sunday, 5 August 2018

Bollywood can never forget the Friendship of Dev Anand and Guru Dutt

The two young men struggling to find a foothold in the Bombay film Industry became friends in a studio. the one was struggling Actor and other was a struggling Director. On the Friendship Day Let's remember the friendship between the two Legends Dev Anand and Guru Dutt.
It happened in Prabhat studio where Dev Anand was doing his first film Hum Ek Hain, Guru Dutt was the Assistant Director and Choreographer of that film. Both were staying in that studio in an apartment. One day Dev Anand saw Guru Dutt was wearing his shirt. On enquiring, Dutt admitted that the shirt got swapped in the laundry and since he didn't have any spare shirt so he wore it. This incident became the foundation of a great friendship.
After this incident both started living together and spending time together.both were talented and dreaming to make it big in Bollywood. they promised each other that if Guru Dutt turns a filmmaker he would take Dev as his Hero and If Dev makes a film he will take Guru Dutt as the Director.

The dream did come true. After Dev Anand started Navketan, he asked Guru to direct Navketan’s second film, Baazi in 1950. It was then Guru’s turn to give his best for his dear friend. Guru Dutt exhibited his unique style and showed expertise in song sequences. However, Guru was under-confident when it came to the film’s climax and, unexpectedly, even went into hibernation at Mangalore. Dev’s elder brother, Chetan, shot the climax to some extent and persuaded Guru to return. Chetan and Dev restored confidence in Guru and he completed the post-directional work. The film became hit that established Guru Dutt as a Director.
The second film of Guru Dutt was Jaal released in 1952 Jaal sees one of Dev Anand’s best ever performances as he mixes his dark side with his charming one perfectly. In 1953 he directed a film Baaz in which he himself became Hero with Geeta Bali as his heroine but the film flopped. After that, he produced and directed and also acted in Aar Paar in 1954.Side by side he also produced CID in which he took Dev Anand thus fulfilled the promise made earlier.
Though they all worked separately after CID, Guru was highly instrumental for the success of Navketan’s production, Kala Pani, in 1958. Raj and Guru brought in Lachhu Maharaj to choreograph the immortal songs, Nazar Lagi Raja and Hum Bekhudi Mein. Khosla shot all the intense court scenes of the film under Guru’s guidance.
Dev Anand in an interview said that their friendship remained intact even Guru Dutt and he was not working together. Both were busy making films so couldn't meet frequently.
Guru Dutt was having trouble in his marriage and with the flop of Kagaz Ke Phool, he was completely shattered. Though Guru regained success with Chaudhivian Ka Chand (1961) and Saheb Biwi Aur Ghulam (1962), he quit direction soon after. On October 6, 1964, he came back to Dev with the idea of directing him and Waheeda in a serious, social film for Navketan. He was bent on Vijay Anand, Dev’s younger brother to edit the film. Dev welcomed his true friend back with open arms. 
Unfortunately four days after the conversation, Guru committed suicide.Dev Anand was shooting for Teen Deviyan when he got this news. He immediately rushed to his house infact he was the first person to be there on the spot.
 It was a pathetic sight — a sobbing Anand holding the dead Guru’s hand and repeatedly saying, “Guru.Uth Kahan Chala Gaya Tu (Guru, get up. Where have you gone?)”. Consoling a speechless Geeta, Dev broke down. Remembering this immortal friendship seems the best way to mark the Friendship Day
Song of Baazi 1951

Song of Jaal 1952

Song of  CID 1956

Monday, 9 July 2018

Guru Dutt- An Institution.

Born on July 9, 1925, in Bangalore, Guru Dutt was the eldest of five children born to Vasanti and Shivkumar Padukone. He spent more than a decade in Bhawanipore in Calcutta, where Guru Dutt finished his schooling. Not surprisingly, Guru Dutt spoke fluent Bengali and carried a distinct stamp of Bengali culture in his work. As a child, Guru Dutt was fond of two things: dance and was his love for dance that laid the foundation of a career in cinema.
The 16-year-old Guru Dutt joined Shankar's dance academy in Almora on a scholarship of Rs 75.The dance troupe was disbanded during the Second World War because of financial problems, and Guru Dutt finally joined V. Shantaram's Prabhat Film Company, then a formidable film production house, in 1945. It was here that he met three of his close friends, actors Dev Anand and Rehman and director Raj Khosla, all on Prabhat rolls then.Dev anand in an interview said that we struck a deal over a glass of beer and then he said Dev..if I ever become a director you are my star and I said if I ever form a company and I invite a directory to direct a film you’re going to be the one.
So he brought him in for Baazi so that type of friendship. Then he made CID, he invited me to do a picture. Then he made Jaal and then he branched off on his own.. made his own pictures starred himself. Dev branched off. he brought in his brother Vijay Anand for Nau Do Gyarah..
Dev Anand-Guru Dutt repeated their magic at the box office with breezy crime-based thrillers like Jaal (1952) and CID (1956). Guru Dutt formed his own banner and made Baaz (1953), Aar Paar (1954) and Mr and Mrs 55 (1955). it was the entry of writer Abrar Alvi and cinematographer V.K. Murthy into Guru Dutt Films that changed the tenor of his cinema. 'Guru Dutt never repeated a writer till he joined him in Aar Paar. After that, he never hired another writer,' Together, they created some of India's most admired films ' Pyaasa (1957), Kaagaz Ke Phool (1959) and Sahib Bibi Aur Ghulam (1962). While Pyaasa and Sahib Bibi Aur Ghulam did well at the box office, it was the failure of Kaagaz Ke Phool, the semi-autobiographical story of a sensitive filmmaker who refuses to stand up to the pretentiousness of the tinsel world ' that broke Guru DuttDutt could never accept the failure of Kaagaz ke Phool. He never directed another film. 
Though he produced his next film Chaudhvin ka Chand in 1960 directed by Abrar Alvi  and it was a smashing hit. Dutt also made Sahib Biwi aur Ghulam (1962) with Alvi, and there’ve been rumours about Dutt having ghost directed the movie. Sahib Biwi Ghulam was both commercially and critically successful but he was a broken man.What was running in his mind no body knows.Dev Anand in an interview said that 5 days before his death he met Guru Dutt,he wanted to make a film with him for which Dev agreed and asked him to show the script.He died on 10 th October
 He lives on in his works. Some of us will always – Hum aap ki aankhon mein, is dil ko basa de toh for him as he continues to live through his cinema.1964
Song from Pyaasa

Song from Pyaasa

Song from Chaudhvin Ka chaand

Song from Me & Mrs 55

Song from Bharosa

Song from Bharosa

Song from Sanjh Aur Savera

Song from Bahurani 1963