Showing posts with label death anniversary. Show all posts
Showing posts with label death anniversary. Show all posts

Sunday, 3 May 2020

Rare or Forgotten Songs of Nargis


NARGIS(1 June 1929 – 3 May 1981),  one of the greatest actresses in the history of Hindi cinemaShe starred in many popular Hindi films of the late 1940s and 1950s. Many of the iconic and immortal songs were picturized on her including Pyat Hua Ikrar Hua or Aaja Re Ab Mera Dil Pukara and many more.
She appeared as a heroine opposite Motilal in the 1943 film Taqdeer. She was only 14 years of age at that time. The song ".O Jaanewale Aaja" sung by Shamshad Begum was her first song as a heroine, Many such unheard songs are collected by me in this blog.
Song of Taqdeer (1943) 


Song of Taqdeer (1943) 


Song of Anban 1944   (Audio only)


Song of Humayun 1945


Song of Romeo Juliet 1947  Audio


Song of Anokha Pyar 1948


Song of Mela 1948


Song of Aag 1948


Song of Lahore 1949


Song of Daroga Ji 1949


Song of Birha Ki Raat 1950


Song of Halchal 1951


Song of Miss India 1957


Monday, 20 April 2020

Shakeel Badayuni- The Lyricist who gave us many Immortal Songs


Shakeel Badayuni started his film career with the 1947 film "Dard". The first song was written by him "Afsana Likh Rahi Hoon" sung by Uma Devi (TUN TUN) became super hit. 
The music of the film was given by Naushad. 
Together, he and Naushad became one of the most sought after composer/lyricist duos. They created many immortal songs of Bollywood. Kindly recall the songs of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), Ganga Jamuna (1961), and Mere Mehboob (1963) that stand out. 
Naushad used Shakeel as the lyricist for his tunes for most of his films for a period of 24 years. Baiju Bawra, which was a milestone in both of their careers,
He also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.
He penned songs for around 89 films. In addition, he wrote many popular ghazals sung by Begum Akhtar, and which are still sung by vocalists like Pankaj Udhas and others
Shakeel Badayuni succumbed to diabetes complications at the age of fifty-three, on 20 April 1970 at Bombay Hospital 
Song of Dard 1947


Song of Dulari (1949),


Song of Deedar 1951


Song of Baiju Bawra 1952


Song of Mother India (1957)


Song of Kohinoor 1960


Song of Chaudvi ka Chand 1960


Song of Mughal e Azam 1960


Song of  Gharana (1961)


Song of  Bees Saal Baad (1962)


Song of Sahib Bibi Aur Ghulam (1962) 


Song of Mere Mehboob  (1963)


Song of Leader 1964

Friday, 13 March 2020

Nasir Hussain - The Maker of Rom- Com- Musicals


Started his film career as a story writer when he joined Filmistan in 1948. The famous films he wrote for Filmistan include Anarkali (1953), Munimji (1955), and Paying Guest (1957).  The first film he directed was Tumsa Nahin Dekha in 1957 for Filmalaya. Another film he directed in 1958 was Dil Deke Dekho. The highlight of both of these films was its music. His films were full of adventure, romance, fun, music, outdoor and entertainment
He started his own film company, Nasir Hussain Films and turned producer-director. He made musical hits like Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), Caravan (1971), Yaadon Ki Baraat (1973), and Hum Kisise Kum Naheen (1977).
Nasir Hussain was an admirer of Dev Anand, when he was making his first film as a director Tumsa Nahin Dekha he wanted Dev Anand as his hero but Dev Anand refused the film because of the heroine being a newcomer so Shammi Kapoor was approached. Similarly when Teesri Manzil was planned Dev Anand was signed for the film but due to differences with Hussain he opted out and Kapoor was cast.
Nasir Hussain introduced Asha Parekh with the film Dil Deke Dekho opposite Shammi Kapoor since then she was in all of Hussain's films until Caravan (1971). Hussain, Majrooh Sultanpuri, and R.D. Burman collaborated on Teesri ManzilBaharon Ke SapnePyar Ka MausamCaravanYaadon Ki Baraat, and Hum Kisise Kum Naheen.
He made Yaadon Ki Baraat in 1973 which was written by Salim-Javed, who had written Zanjeer the same year. Both the films dealt with the hero wanting to avenge his father's death, and both featured Ajit as the villain. Yaadon Ki Baraat has been identified as the first masala film.
The 1980s were not good for him, all his films Zamane Ko Dikhana Hai (1981), Manzil Manzil (1984) and Zabardast (1985) all flopped, Hussain's son Mansoor Khan took over the reins of Nasir Hussain Films, although Hussain continued to write scripts and dialogues for films like Qayamat Se Qayamat Tak (1988) and Jo Jeeta Wohi Sikander (1992). In Qayamat Se Qayamat Tak, he introduced his nephew Aamir Khan as a hero. Qayamat Se Qayamat Tak was a milestone in the history of Hindi cinema, setting the template for Bollywood musical romance films that defined Hindi cinema in the 1990s 
Song of  Tumsa Nahin Dekha in 1957



Song of Dil Deke Dekho 1958



Song of Jab Pyar Kisi Se Hota Hai 1961



Song of Phir Wohi Dil Laya Hoon (1963),



Song of Teesri Manzil (1966)


Song of Baharon Ke Sapne (1967)



Song of  Pyar Ka Mausam (1969)



Song of Caravan (1971)



Song of Yaadon Ki Baraat (1973)



Song of Hum Kisise Kum Naheen (1977)



Song of Zamane Ko Dikhana Hai (1981)



Song of Manzil Manzil (1984)


Thursday, 31 October 2019

Journey of a Song from Karbala to Guide,Immortalised by Dada Burman


This immortal song " Allah Megh De Pani De" is one of the two songs sung by S D Burman in the 1965 film Guide. This song was adopted by Burman Da from a Bengali folk singer Abbasuddin Ahmed's song, who taught him his signature technique of “voice breaking”.
After Ahmed, several singers have performed this number. Laxmikant-Pyarelal created another version of ‘Allah Megh De’ in the film Palkon Ki Chhaon Mein (1977) with singers Kishore Kumar and Asha Bhosle. Music director Bappi Lahiri rejigged it in Amaanat (1994) and his disco song ‘De De Pyar De’ (Sharaabi, 1984) is also a variation of the tune. Singers Shafqat Amanat Ali and Shubha Mudgal sang a peppy version for composer Debojyoti Mishra in Ramchand Pakistani (2008) but it is the Burman’s version that is best remembered, most likely because he remained true to the original.
This song had a long journey from Bengal to Mumbai, and finally to Pakistan. This song is a Bengali folk genre Jaari Gaan. The name Jaari is most probably taken from the Persian word "Zari" Most Jaari Gaan was based on the Islamic legend of the Battle of Karbala, In medieval Bengal, this genre of folk songs was performed by mostly Sunni Muslims. The followers of Husayn ibn Ali during the battle of Karbala. They used to cry out to God to send them rain-bearing clouds, or megh. 
In this blog, I am posting  various versions of this song
Song of Guide 1965



                              ALLAH MEGH DE PANI DE : ABBASUDDIN AHMED


Song of Palkon Ki Chaon Mein




                                                    Allah Megh De (Runa Laila)


                                                  Allah Megh De by Shaan


Song of Amanat 1994




                            Allah megh de , pani de chaya de re tui lopamudra mitra


                                            Allah megh de- ramchand pakistani













Friday, 24 May 2019

Majrooh Sultanpuri and the Burmans


Majrooh Sultanpuri, a poet who didn't aspire to be a lyricist, became the most sought after versifier of Bollywood. You will be surprised to know that he was a practising Hakim in Sultanpur UP but also interest in writing poetry.
He started attending mushairas, and at one such mushaira in 1941, Jigar Moradabadi, the greatest traditional Shayar of Ghazals of the 20th century introduced him to the urban audiences. In 1945, Majrooh accompanied Jigar Saab for a mushaira in Bombay, where producer-director A R Kardar approached him to write songs for his films. Majrooh was reluctant but Jigar Saab insisted he accepts the offer. Majrooh wrote a few songs for the film Shahjehan (1946). And those songs composed by Naushad were sung by the all-time classic actor-singer K L Saigal.


Majrooh worked with all the ace producer-directors, Mehboob Khan, Bimal Roy, Guru Dutt, Dev Anand, Vijay Anand, Nasir Hussain, and leading composers as well, Naushad, O P Nayyar, Khayyam, S D Burman, R D Burman, Roshan and Madan Mohan.
His associations with SD Burman and RD Burman stand out, particularly his work with the latter in the frothy Nasir Hussain musicals like Teesri Manzil (1966), Yaadon Ki Baraat (1973) and Hum Kissi Se Kum Nahin (1977). With SD Burman, his work in films like Paying Guest (1957), Nau Do Gyarah(1957), Kala Pani (1958), Solva Saal (1958), Sujata (1959), Bambai ka Babu (1960)Jewel Thief (1967) and Abhiman is unforgettable! The list of hit songs he has written is huge as all these films had some extremely finely composed songs set to his writing. Few could match Majrooh Saab and SD Burman in frothy light chhed-chhad playful romantic songs like Chhod Do Anchal, Aankhon Mein Kya Ji, Achha Ji Main Hari Chalo Maan Jaao Na and Deewana Mastana Hua Dil.

Majrooh Sultanpuri and Dada Burman were both born October 1, 13 years apart. Dada was born in 1906 and Majrooh in 1919. Destined to come together and create magic for music lovers in Hindi cinema, they partnered in 20 films from 1957 to 1976, leaving behind unforgettable gems that continue to shine brighter as the years pass by.
Majrooh did 74 films with RD Burman and the duo gave great hits like Kitna pyara vada, Chadti jawani meri chaal mastani (Lata-Rafi) in Caarvan, Piya tu ab to aaja, Monica, O my darling (Asha-RD Burman); in Buddha Mil Gaya, Raat kali ek khawab mein aayi; in Yadon Ki Baraat (1974), Chura liya hai tumne (Asha-Rafi), and Lekar hum deewana dil, Aap ke kamre mein koi rehta hai (Asha-Kishore).
Song of Paying Guest 1957



Song of Nau Do Gyarah(1957)


Song of Kala Pani (1958)



Song of Solva Saal (1958),



Song of Chalti Ka Naam Gaadi 1958



Song of Sujata (1959)


Song of Bambai ka Babu (1960)



Song of Teesri Manzil (1966),



Song of Jewel Thief (1967)



Song of Abhiman 1973



Song of Yaadon Ki Baraat (1973) 















Monday, 3 December 2018

Let's look into the Philosphy of Dev Anand


Dev Anand was not just the man of success & talent but also a man who had the ability to think. He used to sound like a philosopher. He was well educated and a creative man. His temperament and attitude to face life are extraordinary that made him such a great person. We all talk about his films and songs but in this Blog, I look at the intellect and philosophy of this great hero of Bollywood
In his Auto Biography, he says about becoming an actor "I knew I had that quality, for my mirror always told me, as it lit my reflection in it every time I looked into it, with a chorus of angelic voices, wow! Let the world see you"

On Life.
philosophy which Dev Anand, a non-smoker, was said to live by. “Har Fikr ko dhue mein udhata chala gaya,” which roughly translates as: “I puff away the worries with the smoke.”


Looking Back on Past


"For me, today is exciting. This moment is exciting. This film I am making is exciting. The past is only where I came from. The present counts.”

On dreams
"You are dead the moment you stop dreaming"

On beauty
I get turned on by anything I find beautiful my greatest necessity is to be activated all the times my strength is my inborn optimism.

On Looks and Style

“There’s no Dev Anand style. If you like yourself, you are going to conquer. That’s self-confidence.”

About a star

A star is a man who is known. That’s all, people look forward to seeing him, listening to him or viewing him. A star is not necessarily a 25, 26, 36-year-old young lad with youth giving him good looks, which will fade away. The first important thing is personality, personality stays.

On his dialogue delivery (Why he spoke so fast). 
“Life is too short,  I don’t have time to speak slowly. My life is without full stop”


What keeps you moving


 It’s the mind which is ticking all the time, if the mind is alert and mind is moving, your mind never gets tired, your body does. My mind is the mind of a creator. One never grows old, one just grows, matures and dies.

On his mannerism


“I speak fast and so I spoke my dialogues fast. I have a stoop and that explains the way I held my body. I walk fast and that explains my movement.”

On Fear
I don’t have any fear... even death... if it comes, I will take it. 

How he finds a story for a film
 Stories are all around us. In newspapers, in trains, in markets… "Wherever there are people, there are stories. 


About discovering Talent


"Dev Anand doesn’t discover anybody. They find Dev Anand". 

On his Flop films


To my mind they are all hits, monetarily, they have not earned big money but that does not mean they are bad pictures.

After a debacle of Ishq Ishq Ishq

"A broken nose sometimes makes a great boxer"

On  youthful spirit
 “My life is the same and I am at a beautiful stage at 88. I am as excited as I was in my 20s.”

On his 88th Birthday
“I am always in a rush because time is slipping away and I am chasing it, chasing it. I have so many stories to tell but where is the time. I wish I am born again as Dev Anand and people will see a young star 25 years later. That will give me some time to finish what I want to do,”

Dev Anand also gave us a most profound philosophy “Zindagi Ek Khayal Hai Jaise Ki Maut Bhi Ek Khayal Hai, Na Sukh Hai Na Dukh Hai; Na Deen Hai Na Duniya; Na Insaan Na Bhagwan ...Sirf Main Main Main..You have to detach yourself to go further...”.
Let's Watch Some Of the Philosophical Songs from his films
Song of Hum Dono 1961



Song of Munimji 1955



Song of Guide 1965



Song of Guide 1965



Song of Bambai Ka Babu 1960



Song of Nau Do Gyarah 1957



Song of Solva Saal 1958



Song of Kala Bazar 1960



Song of  Baat Ek Raat Ki 1962



Song of Gambler 1971



Song of Joshila 1973


















Wednesday, 12 September 2018

Jaiksihan ‘s forte was romantic and western tunes


The association of Raj Kapoor, Shankar Jaikishen, Shailendra and Hasrat Jaipuri which started with Barsaat continued till the end. The Shankar Jaikishan were among the top music directors of Golden Era of Bollywood. They created the music appealing both to the common man (rickshaw puller) as well as purists. The eight-minute Awaara song “ Ghar Aaya Mera Pardesi” is a milestone in Hindi Film music. A lovely duet by Lata  Rafi and chorus.
Shankar was elder to Jaikishan but he always respected Jaikishan. Shankar was master of instruments. He would play at ease Harmonium, Sitar or Tabla and normally conducted orchestra irrespective of who composed the song. Shankar used to decide on the theme Raag for each movie well in advance. Most of the dance based and classical based tunes were by Shankar.  Jaikishan's forte was romantic and western tunes.SJ composed their best not only for Raj Kapoor home productions but also in all the movies in which Raj Kapoor had starred 
Jaikishan was one of the most stylishly dressed, handsome personalities. His wardrobe was the best in the world. His personal letter to his wife Pallavi Jaikishen became the lyrics of another romantic evergreen song sung by Rafi Saab in Sangam. This song also was responsible for the breakup of the duo, as Jaikishen told the media for the first time, that the song was his own creation.
Jaikishan introduced the music of all countries in their compositions. From the  Jazz to Arabian music, from Rock to Indian classical and romantic as well as Ghazals. They were good in every type of song. Till then Bollywood  music was classical for the purists 
70% of Shailendra songs were composed by Shankar. Similarly, most of the songs of Hasrat Jaipuri was composed by Jaikishen. Until the split, it is difficult to find out who composed what as they worked together as a team.
Jaikishan was also the best in giving Background Music. It was Jaikishan who used to work on background music of SJ movies as per their mutually agreed division of work, it may be an over-simplification to presume that therefore, whatever went in background scores was solely Jaikishan's creation. Since SJ had a common pool of tunes in their stock, made by either of them during their numerous music sessions/sittings (Riyaz), it was perfectly legitimate and natural for Jaikishan to have used tunes created by Shankar also wherever needed. This is also one of the reasons why he was able to finish this job in a few days' time. It is understood that in RK films, Shankar and Jaikishan both used to work on the background scores. On the other hand, both Shankar and Jaikishan were equally proficient in scoring western music based songs.
During their career, S-J won Filmfare Best Music Director Awards nine times. The last three awards were won in three successive years, thereby making S-J the first composers to score a hat-trick of these awards.
Jaikishan died in 1971 due to cirrhosis of liver, a disease caused by excessive consumption of alcohol. At the time of his death, the duo enjoyed an unparalleled popularity which was underlined by a massive turnout at his funeral procession.

Here are some of the great Romantic Songs of Shankar Jaikishan
Song of Barsat 1949


Song of Shri 420 (1955)



Song of Chori Chori (1956)


Song of Love Marriage (1959)



Song of Jab Pyar Kisi Se Hota Hai (1961)



Song of Junglee(1961)



Song of Sasuraal (1961)



Song of Asli-Naqli (1962)



Song of Dil Tera Diwana (1962)


Song of Professor (1962)



Song of Dil Ek Mandir  (1963)



Song of Sangam (1964)



Song of Aarzoo (1965)



Song of An Evening In Paris (1967)



Song of Brahmachari  (1968)