Showing posts with label RK Films. Show all posts
Showing posts with label RK Films. Show all posts

Tuesday, 2 June 2020

Raj Kapoor had a great ear for music


Have you ever thought, why the music of all his films remains immensely popular? The reason being he himself had a great knowledge of music. He learned music in his childhood. In his early days, he wanted to be a music director. He even sang in his earlier films like Dil Ki Rani, Chitchor, Chittor Vijay, Jail Yatra, and Gopinath.
His music journey started with Papaji (Prithviraj Kapoor) in theatre in Calcutta. When he came to Bombay he learned classical music playing Harmonium, Tabla, and Sitar at Narayan Rao Vijay Academy. He was also with Anil Biswas for some time.
He was very fond of composing tunes, he composed tunes with Ram Ganguli with whom Shankar, Jailishan used to play Harmonium and Tabla. It was there the birth of the Team of Shankar Jaikishan and Raj Kapoor took place, that entertained the music lovers.
Lata Mangeshkar in an interview said that a filmmaker has to be a musician himself to understand the quality of music needed in his films. She said that Raj Kapoor had a sharp music sence. Raj saab was a complete musician. He played the tabla, the harmonium, and the piano. He composed songs and sang them in his own voice before handing them over to professional playback singers.
Raj Kapoor's song sittings were very famous, all the stake holders of the song used to be invited on the sittings, time was no limit, every one present cold give his suggestion. He loved to listen to tunes, to prune and trim the compositions, to correct the singers. He also sit with the Lyricist to change a particular line or word which is not matching the tune, he perfected the compositions to suit his taste.
Lata Mangeshkar at a function said that the music of RK Films may have been attributed to Shankar-Jaikishan or Laxmikant Pyarelal in Bobby or Satyam Shivam Sundaram but it had the final finish of Raj Kapoor which used to be icing on the cake.
Raj Kapoor was of the opinion that songs are the important ingredient of Hindi cinema.He beeived that these should carry the story ahead. Like his peers Bimal Roy and Guru Dutt, he gave as much importance to the execution of a song as to a scene.
For him, the songs were truly not only audio but audio-visual. He saw music as it were; and only when he could how the song could be filmed, did he okay its recording. His use of elaborate sets, of light and shade to convey sombreness and technicolour to project joy, were all part of his visual perception.
Songs in RK films were never just 'there'; they were seamlessly woven into the fabric of the film, used intelligently and sensibly to complement the narrative.
Song of Barsaat 1949


Song of Awaara 1951


Song of Shree 420 1955


Song of Chori Chori 1956


Song of Anari 1959


Song of Jis Desh Men Ganga Behti Hai 1960


Song of Sangam 1964


Song of Teesri Kasam 1966


Song of Mera Naam Joker 1970


Saturday, 15 February 2020

Randhir Kapoor - Made his Debute asDirector and Hero


Randhir Kapoor(15th Feb 1947) the eldest son of Raj Kapoor made his acting and direction debut in a leading role in the family drama Kal Aaj Aur Kal (1971). He appeared as a child artist in Shree 420 (1955) and Do Ustad (1959). After his debut, he acted in three consecutive hit films, all released in 1972: JeetRampur Ka Lakshman, and Jawani Diwani.
In 1975, he directed and starred alongside his father again in the critically acclaimed Dharam Karam, which was a box office disappointment.  From 1976 to 1981, his multi-star films such as Chacha Bhatija (1977), Kasme Vaade (1978) were successful
.Randhir married actress Babita, the daughter of actor Hari Shivdasani, on 6 November 1971 when he was just 24 after co-starring with her in Kal Aaj Aur Kal, as the couple fell in love during the shooting of this film. Their two daughters, Karisma Kapoor, born in June 1974, and Kareena Kapoor, born in September 1980, are Indian film actresses. 
 In 1991, he directed and produced the blockbuster Henna (1991), that starred his younger brother, Rishi Kapoor and Pakistani actress Zeba Bakhtiar. The film had started production in 1988 with his father Raj Kapoor directing, but after his death, Randhir took over as director of the film. Henna resulted in a trip to Pakistan, where he was treated royally by then-prime minister Nawaz Sharif, a fan of his father Raj and his uncle Shammi Kapoor.
In 1999, he made his comeback in the film Mother, alongside RekhaJeetendra and Rakesh Roshan. After another break, he appeared in the film Armaan (2003), in a supporting role as Preity Zinta's father. 
Song of Shree 420


Song of Kal Aaj aur Kal 1971


Song of Rampur Ka Lakshman 1972


Song of Jawani Diwani 1972


Song of Haath Ki Safai. 1974


Song of Dharam Karam 1975



Saturday, 14 December 2019

Raj Kapoor left an indelible impact on Indian cinema.


Raj Kapoor, the Greatest Showman of Bollywood started as a Clapper Boy assisting Kidar Sharma. Raj Kapoor appeared in a film for the first time at the age of ten in  1935's Inquilab. He appeared as a child artist in many more films It was his Guru Kidar Sharma, who introduced him in the lead role in Neel Kamal (1947) opposite Madhubala in her first role as a leading lady.
 In 1948, at the age of twenty-four, he established his own studio, R. K. Films, and became the youngest film director of his time making his directorial debut with Aag starring himself, NargisKamini Kaushal, and Premnath.
On Raj's 95th birth anniversary today, I give a lowdown on his films which you have and will continue to watch multiple times.
Song of Aag 1948
Aag (1948): This 1948 Bollywood flick, which marked Raj Kapoor's debut as producer and director, was the first of several films in which he was paired opposite Nargis. Interestingly, the film also starred Raj's youngest brother Shashi Kapoor as a child artiste. Shashi had essayed the role of the younger version of Kewal, the character which Raj played.


Andaz(1949)

Song of Andaz 1949
 He got real recognition from 1949 film Andaz, he co-starred alongside Dilip Kumar and Nargis in that film. Though Andaz is talked about its unique casting coup of bringing together  Dilip Kumar and Raj Kapoor, it must be admitted that at the time of Andaz’s making, both were just beginning to become stars Andaz took Nargis right to the top and established her without doubt as India’s finest dramatic actress. Dilip Kumar too consolidated on his image of paying the tragic lover   Raj Kapoor in the more difficult role of the husband suspecting his wife’s infidelity more than manages to match strides with Dilip Kumar while showcasing the comic side of his personality 

Barsaat (1949): 
Song of Barsaat (1949)
Released in 1949, the film starred the already popular Bollywood onscreen couple - Raj Kapoor and Nargis. Actress Nimmi was launched in the film industry with this film. Barsaat is referred to as one of the first key successful films which Raj had directed. Such was the success of the film that it enabled Kapoor to purchase RK Studios in 1950. 

Awara (1951)
Song of Awara (1951)
Produced and directed by Raj Kapoor, and written by Khwaja Ahmad Abbas. It stars Raj Kapoor, NargisPrithviraj KapoorAwaara is considered a milestone in the history of BollywoodIn the film, Kapoor's poor, innocent "little tramp" character references Charlie Chaplin and was further developed in other Kapoor films such as Shree 420



Chori Chori (1956) 

Song of Chori Chori (1956)
This was not a RK film but was an AVM Film.The film starred Raj Kapoor and Nargis again and it was the last film they worked together as Hero and Heroine. The film was a musical hit.Raj Kapoor played a Daku for the first time.

Anari (1959) 
Song of Anari (1959)
The film stars Raj KapoorNutanMotilal, and Lalita PawarThis was among the few movies in which Lalita Pawar played a positive role and Motilal a role with shades of grey. The film was directed by Hrishikesh Mukharjee. Raj Kapoor got a Filmfare Award for this film.

Jis Desh Men Ganga Behti Hai (1960): 
Song of Jis Desh Men Ganga Behti Hai (1960)
Directed by Radhu Karmakar and produced by Raj Kapoor, the film was a hit at the Box Office. Raj played the role of a poor friendly orphan who ekes out a livelihood by crooning songs.

Mera Naam Joker (1970):
Song of Mera Naam Joker (1970)
It's an RK Film The film was made over six years and a huge portion of the money invested came from Raj's personal fortune. The film stars Kapoor as the eponymous character, with Simi GarewalKseniya Ryabinkina and Padmini in supporting roles.The film was partly made with the participation of Soviet actors and was partly shot in Moscow. The film was rejected by audiences and critics, putting Kapoor into a financial crisis,

Bobby (1973) .
Song of Bobby 1973
After the debacle of Joker, this was the film Raj Kapoor produced and directed It was a Teenager's love story having his son Rishi Kapoor and a newcomer Dimple Kapadiahe film became a trendsetter    The film became a blockbuster, the top-grossing Indian hit of 1973, the second-top-grossing hit of the 1970s at the Indian box office

Tuesday, 5 February 2019

The Rise and Fall of Iconic Studios and Banners of Bollywood


A Film Studio is an organisation and a place where artists, technicians, laboratory, sound studio, film sets, editing all present under one roof. Initially, cinema was run by the individuals but gradually studio system emerged in India. Prabhat Studio was the first Hindi film studio of India. It was established in 1929.
It made twenty-five films in its 15 years long journey. Those days all the artists were employed by the studios and were given salary. Some of the big names like V Shantaram, Dev Anand, Guru Dutt, Durga Khote were the product of this studio.
Prabhat Films Logo



Song of Hum Ek Hain 1946

In 1931 came up B N Sircar's New Studio in Calcutta. This studio made 165 films over a span of 25 years. K L Saigal and Bimal Roy were the product of this studio.  Another studio the Wadia Movietone was established in 1933 by the Wadia brothers J. B. H. Wadia and Homi Wadia, who were most known for Hunterwali (1935).  



Song of Jeevan Naiya 1936

In 1935 Devika Rani and Himanshu Rai started Bombay Talkies. They made 102 films and introduced stars like Ashok Kumar, Dilip Kumar and Dev Anand.
Rajkamal Kalamandir


Song of Jhanak Jhanak Payal Baaje (1955),
V Shantaram who was with Prabhat studio started his own studio Rajkamal Kalamandir in 1942.It defied the star system and concentrated more on music, drama and new techniques It made both Hindi and Marathi films. It was best known for Dr Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959) and Pinjra (1972). In its heyday, Rajkamal was one of the most sophisticated studios of the country.



Song of Mother India 1957

In 1943 another iconic Studio started, it was Mehboob Studio which gave us Mother India. It had made hits such as Anmol Ghadi (1946) and Andaz (1949). Guru Dutt shot his iconic Kaagaz Ke Phool here, and actor-director Dev Anand shot many of his movies under the Navketan Films banner here, starting with Hum Dono and followed by Guide; he even maintained an office at the studio complex for 20 years.



Song of Munimji 1955
In 1943 came Filmistan Studio by Shasdhar Mukherjee which changed the face of Hindi Cinema. It was based in GoregaonMumbai. Spread over five acres, near Patkar College on SV road, the studio has seven shooting floors and a temple and garden for outdoor locations. Filmistan produced a number of successful hit movies in the 1940s and 1950s, including hits such as Shaheed (1948), Shabnam (1949) and Sargam (1950) and successful films such as Anarkali (1953) and Nagin (1954). Other notable films were Jagriti (1954), which won the Filmfare Best Movie Award in 1956, and also Munimji (1955), Tumsa Nahin Dekha (1957) and Paying Guest (1957).



Song of Barsaat 1949

In 1948 established R K Studio by Raj Kapoor. The studio occupied nearly two acres of land in the Mumbai suburb of Chembur. The studio's main building was constructed in the early 1950s. Raj Kapoor’s cottage was behind this building where he often organized small intimate meetings and functions.After the commercial failure of the studio's first venture, Aag (1948), it found success with Barsaat (1949). After this success, the company's logo was drawn to imitate the poster of Barsaat. Successful films such as Awaara (1951), Boot PolishJagte Raho and Shri 420 followed. Awaara was particularly successful, not just in India, but all over the world. Many R.K. Films movies featured Kapoor opposite actress Nargis.
On 16 September 2017, RK studio has caught fire and collapsed as of now. A massive fire broke out in the studio during the shoot of a television reality show and the studio was engulfed in fire.
The Kapoor family has decided to sell the iconic RK Films and Studios, which was built by legendary actor Raj Kapoor nearly 70 years ago, due to growing losses.


Song of Taxi Driver 1954
Navketan Films is a film production house based in Mumbai, India. Started in 1949 by actor-director and producer Dev Anand and his elder brother Chetan Anand, The first film under this banner was Afsar released in 1950 Since then 32 films were made under this banner. The last film was Chargesheet in 2011.




Song of Madhumati 1958
In 1953 came Bimal Roy Production. Under this banner, many great films were made. The first film under this banner was Do Beegha Zamin in 1953, Devdas (1955), Madhumati(1958), Sujata(1960), Bandhini(1963) and many more.



Song of Pyaasa 1957
In 1954 Guru Dutt Films was established. The first film Aar Paar was released in 1954. Guru Dutt not only produced, directed but also acted in the film. This was followed by the 1955 hit, Mr. & Mrs. '55, then C.I.D.Sailaab and in 1957, Pyaasa His 1959 Kaagaz Ke Phool was an intense disappointment.Later in 1960 came Chaudhvin Ka Chand and Sahib Bibi Aur Ghulam  in 1962 were remarkable.



Song of  Naya Daur 1957

 In 1955, B R Chopra formed his own production house, B.R Films. His first movie for this production house was Ek hi Raasta which was highly successful followed it up with Naya Daur (1957) starring Dilip Kumar and Vyjayantimala Bali, the film became a golden jubilee hit.His subsequent releases like Kanoon, Gumrah, Humraaz were major hits in the sixties.

In 1961 Nasir Hussain Films started. The musical hits like Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne(1967), Pyar Ka Mausam (1969), Caravan (1971), Yaadon Ki Baraat (1973), and Hum Kisise Kum Naheen (1977) came under this banner.


Song of Kabhie Kabhie 1976
YRF was founded by Yash Raj Chopra, a veteran of the Indian film industry, in 1970. Yash Chopra started out as an assistant to his elder brother, B.R.Chopra, and went on to direct five films for his brother's banner - B.R. Films. YRF controls almost every part of the value chain from production to post-production, domestic and international distribution, music, home entertainment, marketing, design, digital, licensing, merchandising, talent management, brand partnerships, music studios and film studios - all in-house facilities. YRF has its own fully integrated studio that houses shooting stages and sound studios and is headquartered in Mumbai. After the death of founder Yash Chopra in 2012, his son Aditya Chopra took over as Chairman and Managing Director of the company.


Friday, 14 December 2018

Raj Kapoor- The fascination of seeing his heroines wearing a white saree


Raj Kapoor(14 Dec 1924), who was one of the greatest and most successful directors who started at a young age of 24 and also one of the best actors in the history of Indian cinema. He was a pioneer in making Hindi cinema bolder, by making his heroine show off their beauty on the silver screen. He had a fascination of seeing his heroines wearing a white saree in at least one scene in his films.
One may recall the white-saree clad heroines of RK Films as Nargis in Awara, Padmini in Mera Naam Joker, Vyjayanthimala in Sangam, Zeenat Aman in Satyam Shivam Sundaram, Mandakini in Ram Teri Ganga Mail and also Padmini Kolhapure in Premrog. His ‘woman in white’ fascination can be traced from his wife Krishna. It started before he marrying Krishna. It is said that Raj Kapoor once saw Krishna a young girl in a white saree with mogas in her hair, playing the sitar. That was the time when Krishna taking music lessons. Being an artiste, he reacted to the visual. He was reminded of Goddess Saraswati. The image of the ‘lady in white’ stayed in his mind and was later seen in his films.If you recall Krishna, his wife always wore white and had a flower in her hair.

Very few know that Nargis who was Raj Kapoor's heroine in Barsaat 1949 and Awara 1951  was dubbed as the Lady in White, given her penchant for white sarees. “She wore only cotton and organza with a little embroidery.
Raj Kapoor the person was not very different from the personality. A flair for flamboyance was the hallmark 
Song of Awara 1951


Song of Satyam Shivam Sundaram 1978


Song of Prem Rog 1982


Song of Ram Teri Ganga Meli 1985






Saturday, 3 March 2018

The Great Architects Of Golden Era Of Bollywood


The 50s and 60s was the Golden Period of Bollywood. It was the period that saw the Hindi cinema with melodious socials and melodramas with melodious & immortal songs.The films made during that time not only gave entertainment but also social & moral message..this period saw the production of some of India’s most critically acclaimed directors, actors and actresses,Music Directors,Lyricist and films of all time.  

V SHANTARAM -

 In 1929, he founded the Prabhat Film Company along with Vishnupant Damle, K.R. Dhaiber, S. Fatelal and S.B. Kulkarni, which made Ayodhyecha Raja, the first Marathi language film in 1932 under his direction.He left Prabhat co. in 1942 to form "Rajkamal Kalamandir" in Mumbai. In time, "Rajkamal" became one of the most sophisticated studios of the country. Through his 66-year-old career, was known to use cinema as an instrument to effect social change, advocate humanism and expose bigotry and injustice. He was also interested in music and actively participated in the music creation and production of his films. He was also remembered to have ‘ghost-written’ music for many of his music directors.He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959),
BIMAL ROY

 He is particularly noted for his realistic and socialistic films such as Do Bigha ZaminParineeta, MadhumatiSujata, and Bandini, making him an important director of Golden Era of Hindi cinema.He was a filmmaker of great and in-depth understanding of human strengths and weaknesses.He introduced the genius composer Salil Chowdhury to Hindi Cinema with Do Beegha Zameen , but also utilised his writing skills in at least three films. Do Beegha was based on a story Rikshawala written by him back in the ’40s. Parakh was also based on his story and Salil da wrote the screenplay of Prem Patra .

MEHBOOB KHAN -

 The maker of bold saga Aurat (1940),Anmol Ghadi (1946), the romantic drama Andaz (1949), the swashbuckling musical Aan (1951) and the grand social epic Mother India (1957).He set up his production company – Mehboob Productions, and later a film studio – Mehboob Studios in Bandra, Mumbai in 1954.

K ASIF -

 A film directorfilm producer and screenwriter who is famous for his work on the Hindi epic motion picture, Mughal-e-Azam (1960)..His directorial debut, Phool (1945), did very well at the box-office due to the casting of and portrayals by famous actors and actresses of the time such as Prithviraj KapoorDurga Khote and Suraiya. He became a successful director due to his perfectionism in weaving his imagination into an art form and gave birth to Mughal-e-Azam, a legendary film in the Indian Film Industry. He died at age 48. 

Raj Kapoor

Raj Kapoor  is regarded as one of the greatest and most influential actors and filmmakers in the history of cinema.[5] He was the winner of several accolades including 3 National Film Awards and 11 Filmfare Awards in India He was a two-time nominee for the Palme d'Or grand prize at the Cannes Film Festival for his films Awaara (1951) and Boot Polish (1954).He established R K Studio in 1948  and became the youngest film director of his time making his directorial debut with Aag starring himself, He went on to produce and star in several hit films made under his R. K. Banner including Awaara (1951), Shree 420 (1955), Jagte Raho (1956) and Jis Desh Men Ganga Behti Hai (1960)

B R CHOPRA -

He was one of the architects of golden era,Best known for making Hindi films like Naya Daur (1957), Sadhna (1958), Kanoon (1961), Gumrah (1963) and Humraaz (1967).His first film as a director, Afsana, was released in 1951 and featured Ashok Kumar in a double role – the film was a hit and established his name in Bollywood. Chopra made Chandni Chowk, with Meena Kumari as a lead, in 1954. In 1955, B.R. formed his own production house, B.R Films. His first movie for this production house was the highly successful Naya Daur (1957) starring Dilip Kumar and Vyjayantimala Bali, the film became a golden jubilee hit. He was instrumental in developing the career of singer Mahendra Kapoor

GURU DUTT -

 He was an Indian film directorproducer and actor. He made 1950s and 1960s classics such as Baazi, PyaasaKaagaz Ke PhoolSahib Bibi Aur Ghulam and Chaudhvin Ka Chand. In particular, Pyaasa and Kaagaz Ke Phool are now included among the greatest films of all time, both by Time magazine's "All-TIME" 100 best movies.His first film as Director, Navketan's Baazi, was released in 1951..He also produced Aar Paar 1954 and C I D in 1956.

VIJAY ANAND-

 Also known as Goldie Anand, was a filmmakerproducerscreenwritereditor and actor, who is known for acclaimed films such as Guide (1965) and Johny Mera Naam (1970). He made most of his films for the in-house banner Navketan Films.He was also the director of Teesri Manzil(1966).He gave us the films like  Nau Do Gyarah(1957) Kala Bazar (1960),Tere Ghar Ke Samne (1963),Jewel Thief (1967),Tere Mere Sapne (1971).

Actors of Golden Era
The three most popular male Indian actors of the 1950s and 1960s were Dilip Kumar, Raj Kapoor, and Dev Anand, each with their own unique acting style.Other actors were Ashok Kumar. Balraj Sahni,Guru Dutt,Shammi Kapoor, Rajendra Kumar,Johny Walker and Mehmood while successful actresses included  NargisSuraiyaVyjayanthimalaMeena KumariNutanMadhubalaSadhanaWaheeda Rehman and Mala Sinha.

Music Directors Of Golden Era
Naushd,S D Burman,Shankar Jaikishan,O P Nayyar.Madan Mohan,C Ramchandra.Hemant Kumar and Roshan were few of the great composer of that time.

Singers of Golden Era
Lata,Geeta Dutt,Asha Bhosle,Suriya among the female Rafi,Talat Manna De Mukesh and Kishore Kumar were among the male singers.