Showing posts with label o p nayyar. Show all posts
Showing posts with label o p nayyar. Show all posts

Monday, 28 January 2019

O P Nayyar-Jaadu Nagagri Se Aaya Yeh Jadugar


O. P. Nayyar (16 January 1926 – 28 January 2007  ) started his career as a movie music composer by composing the background score for the movies, Kaneez (1949) and Aasmaan (1952). He became famous with the music of Aar Paar released in 1954 and CID released in 1956. All the songs of CID were super hit especially "Leke Pehla Pehla Pyar" and "Aye Dil Hai Mushkil Jeena Yahaan"
O P Nayyar was a genius and multitalented. He was not only a great Composer but also singer-songwriter, music producer, and musician. He wrote, "Yeh Desh Hai Veer Jawaanonkaa" (featuring Dilip Kumar and Ajit) for Naya Daur (1957). 
 He won the 1958 Filmfare Award for Best Music Director(for Naya Da ur). Nayyar worked extensively with singers Geeta DuttAsha Bhosle and Mohammed Rafi later Mahendra Kapoor gave us many memorable songs.

OP Nayyar was among the Top 5 Composers of the Golden Era. Some of the great films were Tumsa Nahin Dekha (1957), Howrah Bridge (1958), Jaali Note (1960), Ek Musafir Ek Hasina (1962), Phir Wohi Dil Laya Hoon (1963), Kashmir Ki Kali (1964), Mere Sanam (1965), Baharen Phir Bhi Aayegi (1966), Kismat (1968) and Pran Jaye Par Vachan Na Jaye (1973)
His songs had a unique freshness, a rare robust beat, a flowing style similar to what you feel when you dip your hand in a running stream, blending Punjabi folk music with a rare Western-style orchestration, never heard before or since. His variety of rhythm patterns baffles the film industry, even today.
Song of Aar Paar 1954


Song of Mr. & Mrs. '55 (1955)


Song of C I D(1956)


Song of Naya Daur (1957)


Song of Tumsa Nahin Dekha (1957)


Song of Howrah Bridge (1958)


Song of Jaali Note (1960)


Song of Phir Wohi Dil Laya Hoon (1963)


Song of Kashmir Ki Kali (1964)


Song of Mere Sanam (1965)



Thursday, 6 December 2018

The Great Horse Beat Songs of Bollywood


During the 50s and 60s Horse Beat or Tonga, songs were very common. Those days Tongas were the main mean of transport in Indian cities. Victoria which was also called a Tonga or Baggi which was pulled by or trotted by one or two horses produces a typical rhythm. The musical notes of a horse’s galloping have remained etched in our memories even today.
It is believed that O P Nayyar is the music director who gave us the Tonga or Horse beat songs but that is not true. Before O P Nayyar it was S D Burman, Naushad, Roshan who gave many of these beats songs. Remember the song of Deedar (1951) Bachpan Ke Din Bhula Na Dena and the song of Bawre Nain(1950) Ghir ghir ke aasmaan par chhaane lagi ghataayen with one of my fav singer Raj Kumari singing for my fav actress Geeta Bali.
On researching the songs with horse beats, I came across the song  Chale pavan ki chaal by Pankaj Mullick from Doctor (1941), This is the earliest known instance of such a song I could stumble upon.
Song of Doctor 1941

Another tonga beat song of the 40s is from V Shantaram's film Doctor Kotnis Ki Amar Kahani 1946.In this song Dr Kotnis (Shantaram) is singing while plying the cart, calling on people to come forth for service, and stresses even sacrifice of life in the process. The music was given by  Vasant Desai.

Song of Doctor Kotnis Ki Amar Kahani 1946

In 1950 S D Burman was another music director who gave the beats from instruments in an immortal song written by Kavi Pradeep, sung by Manna De for the film Mashaal 1950

Song of Mashaal 1950

The same year C Ramchandra gave us a song Ho Bajoo Mera Dil Hai sung by himself in the film Nirala starring Dev Anand and Madhubala

Song of Nirala 1950

Roshan who made his debut from Kidar Sharma's film Neki Aur Badi in 1949. Despite the disaster of their first film together (Neki Aur Badi, 1949) he gave him a second chance in the film Bawre Nain. The roaring success of the songs shows how legends are created. Roshan never looked back after that. In this film he used these beats in this song
Song of Bawre Nain(1950)


Song of Deedar (1951)


Song of Aan, 1952


Song of Chhoti Bahen, 1959

Let me now present the song from where O P Nayyar became synonymous with ghoda gaadi beats. The song is Piya piya piya by Asha Bhonsle & Kishore Kumar from Baap Re Baap (1955)

Song of  Baap Re Baap (1955)

OP Nayyar is in his elements and ticks off another successful composition.

Song of Naya Daur (1957)


Song of Tumsa Nahin Dekha (1957)


Song of Howrah Bridge (1958)


Song of Phir Wohi Dil Laya Hoon (1963)


Song of Sawan Ki Ghata (1966)


Song of Pyar Ka Bandhan (1963)


Song of Dadi Maa (1966)


  









Tuesday, 16 January 2018

O P NAYYAR-The music director who dared to go on without the Nightingale’s golden voice


O P Nayyar, whose evergreen numbers include “Mera Nam Chin Chin Choo”, “Aakhon Hi Akhon Main”, “Jaane Kahan Mera Jigar Gaya Jee” and “Babuji Dhire Chalna”, worked with several singers such as Geeta Dutt, Asha Bhosle, Rafi and Mahendra Kapoor — but never with Lata Mangeshkar.The heady cocktail of OP-Asha captured the imagination of music lovers as never before and swept away even powerful competition from Madan Mohan-Lata combine.

With Asha Bhonsle ggave us some of the memorable songs of Hindi Cinema,songs like ‘Jaayiye aap kahan’ (Mere Sanam), ‘Raaton ko chori chori’ (Yeh Raat Phir Na Aayegi), ‘Zara haule haule’, ‘Meri jaan tumse sadke’ and ‘Aaj koi pyar se’ (all in Sawan Ki Ghata), ‘Aayiye meherbaan’ (Howrah Bridge) and ‘Aankhon se jo utri hai dil mein’ (Phir Wohi Dil Laya Hoon) to sense the profound wavelength the two worked on. 
Born on 16th Jan 1926,he came to Bombay for giving music for films.initially he was offered the background score for Kaneez (1949), and 1952's Aasmaan(produced by Dalsukh M. Pancholi), was his first film as music director. His real break came with Guru Dutt's Aar Paar in 1954.After that he gave music for  Mr. & Mrs. '55 (1955) and C.I.D. (1956).The songs of all these three films established him among the top composers of that time.
In 1957 released Naya Daur,the music of that film became super hit,he was given Filmfare Award for that film.Same year another film Tumsa Nahin Dekha released.the grand success of these films made him among the top composers. Nayyar became one of the earliest music directors to command a lakh for a film.
During 1957 and 1958  a string of successful scores like Naya Daur (for which he won the Best Music Director Award), Tumsa Nahin DekhaSone Ki ChidiyaPhagunHowrah Bridge and Ragini released.But for the next 2 years none of his films clicked at the box office resulting no work for 2 years for his arrogance and insistence on a high remuneration.
It was S Mukharjee .who gave him a new lease of life.It was S Mukherji's Joy Mukharjee-Sadhana musical hit, Ek Musafir Ek Haseena (1962) that brought Nayyar back into the reckoning.He gave one hit every year after that with  Phir Wohi Dil Laya Hoon (1963), Kashmir Ki Kali (1964) and Mere Sanam (1965).
In the late 1960s, Nayyar fell out with his favourite Mohammad Rafi but managed to conjure memorable songs even with Mukesh (Chal akela), Mahendra Kapoor (Lakhon hai yahan dilwale) and Kishore Kumar (Tu auron ki kyon ho gayee).
A major blow was Nayyar's split with Asha Bhosle after the pair had reached a crescendo with the Filmfare Award winning Chein se humko kabhie in Pran Jaaye Par Vachan Na Jaaye (1974). Nayyar tried recreating the magic with new singers but musical trends had bypassed him by then He worked till 1990s but his music was not appealing to the young generation .
On the later stage of his life he was living with his friend.He left his family members even asked none of his family to be present on his funeral. He died on 28 January 2007
Some Of the Great Songs of O P Nayyar
Song from Aar Paar 1954



Song from C I D 1956



Song from Naya Daur 1957



Song from Tumsa Nahin Dekha 1957



Song from Howrah Bridge (1958)



Song from Phagun (1958)



Song from Sone ki Chidiya (1958)



Song from Kashmir Ki Kali (1964)



Song from Mere Sanam (1965)




Song from Kismat (1968)



Song from Pran Jaye Par Vachan Na Jaye (1973)


Monday, 16 January 2017

Remembering O P NAYYAR on his 91st Birth Anniversary



O P Nayyar was Born on16th January 1926 in LahoreBritish India (present Pakistan). He then underwent music training.  He left home to pursue a career as a composer. He got his first break when he composed the background score for the film Kaneez, 1949.He got a break as an independent Music Director from 1952's Aasmaan (produced by Dalsukh M. Pancholi), O P Nayyar then composed music for Chham Chhama Chham (1952) and Baaz (1953) He started his journey with Gurudutt in the film Baaz and theThe first successful break he got in Gurudutt's film AarPaar, 1954. Also he stormed the film world with his outstanding performance in the film  Mr and Mrs 55, 1955 and CID, 1956, The Geeta Dutt-OP Nayyar duo created magic starting with Aar Paar, Mr & Mrs 55 and CID, which is indelibly etched in people’s memories forever. 
In 1957 Filmalaya introduced Nasir Hussain, who wanted a composer to provide romantic scores for newcomers Shammi Kapoor and Ameeta. Nayyar's scores were featured in the Hussain films Tumsa Nahin Dekha (1957)
Naya Daur released in 1957, rocked India and came as a turning point not only for OP but also for Asha Bhonsle who until then was living under the shadow of her sister Lata Mangeshkar.The magical combination of Asha and OP is now an integral part of Bollywood’s folklore. One doubts whether a musical combination like this can ever emerge again. OP exploited Asha’s versatile qualities and range of her silky smooth voice to the hilt.

 O P Nayyar went on to notch up even higher distinction through his compositions for Naya Daur,Howrah Bridge,Jaali Note, Phir Wohi Dil Laya Hoon and Mere Sanam. The former movie included his enormously popular song, Bandaa Parwar, Thaamlo Jigar, while the latter included Jaayiye Aap Kahaan Jaayenge and Pukaarataa Chalaa Hoon Main. Some months later, his scores for the movie, Kashmir Ki Kali, once again gained high popularity. 
 He won the 1958 Filmfare Award for Best Music Director (for Naya Daur). Nayyar worked extensively with singers Geeta DuttAsha Bhosle and Mohammed Rafi but not with leading Bollywood female singer Lata Mangeshkar. However, Mangeshkar's song Ek To Balam Teri Yaad Satayein (from the 1958 film Aji Bas Shukriya) was used in the 1973 Hindi film Taxi Driver, for which Nayyar was music director.
O.P.Nayyar came with an unique trend of merging Punjabi bhangra with Spanish tunes. The other unique feature of OP Nayyar is his association with Mohammad Rafi
Rafi had sung probably the maximum number of songs for OP Nayyar who knew the westernised andaz would not have suited anyone else in the same way as Mohammad Rafi.

O P Nayyar can be remembered for the  beat oriented compositions having effect of the tanga (Cart-pulled by horses).Maang ke saath tumhara in the film Naya Daur, picturised on Dilipkumar,Yuh to humne laakh hasin dekhe hain in the film Tumsa Nahin Dekha, 1957,Sach Kahta Hoon from Jaali Note 1960 picturised on Dev Anand and Madhubala, Kisi na kisi se kabhi na kabhi kahin na kahin dil lagana padega, in the film Kashmir Ki Kali, 1964,Banda parwar, thamlo jigar, banke pyar phir aya hoon from Phir Wahi Dil Laya Hoon,Zara Haule Haule Chalo from Sawan Ki Ghata and many more.
OP Nayyar had a reputation for stubborn individuality all along his career. Many remember him as being aloof and imperious, but always generous with struggling new-comers and those marginalized in the industry. The press and electronic media frequently referred to him as a rebel composer
 Nayyar was more active during the 1960s than he was in the following decade, and did not compose music for younger actors such as Rajesh Khanna and Amitabh BachchanHe made a brief comeback during the 1990s with Mangni and Nishchay in 1992 and Zid in 1994.
 He died on 28 January 2007, survived by his wife, three daughters and a son.His songs will remain immortal.Here are some of my favourite songs of O P Nayyar
Song from Aar Paar 1954


Song from Mr & Mrs 1955


Song from C I D 1956


Song from Naya Daur 1957


Song from Tumsa Nahin Dekha 1957


Song from Howrah Bridge  1958


Song from  Jaali Note 1960


Song from Ek Musafir Ek Hasina  1962


Song from  Phir Wohi Dil Laya Hoon  1963


Song from  Kashmir Ki Kali  1964


Song from  Mere Sanam 1965


Song from Baharen Phir Bhi Aayegi   1966


Song from Sawan Ki Ghata   1966


Song from Yeh Raat Phir na Aayegi    1966


Song from Humsaya  1968


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Song from Kismat  1968


Song from Sambandh   1969


Song from Pran Jaye Par Vachan Na Jaye 1973 (Audio)


Song from Zid (1994) The Last film of O P Nayyar