Showing posts with label jaidev. Show all posts
Showing posts with label jaidev. Show all posts

Wednesday 6 January 2021

Jaidev- He was Initially Signed for Guide

 


Jaidev was a disciple of  Ustad Ali Akbar Khan, who took Jaidev as his music assistant when he composed music for Navketan's “Aandhiyan” and “Hum Safar”. After that, he became the assistant of S D Burman, he assisted him in almost all the Navketan films till Guide. In fact, he worked as his assistant even becoming an independent composer with Chetan Anand's Joru Ka Bhai(1955) and  Chetan Anand's next Anjali(1957).

Hum Dono(1961) was the first film he worked for Navketan as an independent composer. After Hum Dono’s success, a promise was made by Dev Anand that every alternate film of Navketan will have music by SD Burman and Jaidev. Accordingly, SD Burman was entrusted the baton of “Kala Bazaar” and Jaidev ‘signed’ for the music of “Guide” for which he is believed to have composed a couple of tunes too (‘Tere mere sapne ab ek rang hain’, and ‘Din dhal jaaye haye raat na jaaye); however, the film was made and released finally with music by S D Burman, his career-best. 

Probably, for the first time, Jaidev felt exploited and stifled at Navketan and “Guide” marked the end of his long and fruitful musical association with both Dev Anand and SD Burman. Navketan, too, never called him back, which was the unkindest cut of all. Though the hurt feeling lurked in his mind for long, his respect and reverence for SD Burman remained the same till his last. Besieged by a chain of misfortunes, Jaidev made “Jo kho gaya main usko bhulata chala gaya” the mantra of his life with his spiritual character to ‘guide’ him.

It is said that Dev Anand insisted Jaidev to work as S.D. Burman’s assistant in Guide but he didn't. Jaidev was never again invited by Navketan to compose songs. Dev Anand used both the Jaidev songs in his film Guide. It is said that those two songs were ‘Din Dhal Jaaye Haye Raat Na Jaye’ and ‘Tere Mere Sapne Ab Ek Rang Hai’ sung by Mohammad Rafi. Being cast out of Guide was a very big setback in Jaidev’s film music career. He never really recovered from the shock. Jaidev used to frequently narrate such incidents to his friends, wracked by inconsolable grief.

Jaidev had a unique capability to mix traditional and folk music into Hindi film situations, giving him a unique advantage to other music directors of his times. He is also known for his non-film album of the couplets of Hindi poet Harivansh Rai Bachchan's classic work Madhushala set to music and sung by singer Manna Dey.

Jaidev never married. He remained close to his sister's family who later settled in the United Kingdom. He died on 6 January 1987 at the age of 68. His last work was for the television series Ramayan.

Song of Hum Dono 1961

Song of Hum Dono 1961

Song of Hum Dono 1961

Song of Hum Dono 1961








Monday 3 August 2020

Jaidev-One of the greatest but Unsung


When we speak of the Golden Age of Hindi film music mostly we speak of a commercially successful composer like Naushad, Shankar Jaikishen, S.D. Burman, O P Nayyar, Madan Mohan, Kalyanji Anandji, and Laxmikant Pyarelal. But there are many composers who established their identities through the uniqueness of their compositions alone. They may not have composed music for a very large number of films. Many of their films might not have succeeded at the box office.but their music is unforgettable.
Jaidev is one such name. His name imprinted on the hearts of lovers of vintage Hindi film songs as the genius who gave such fabulous numbers as ‘Kabhi Khud Pe Kabhi Haalaat Pe’, ‘Allah Tero Naam’ and ‘Abhi Na Jao Chhod Kar’. ‘Kabhi Khud Pe Kabhi Haalaat Pe’ is among the best ghazal numbers sung by Mohammad Rafi.  
He started his film career as a child artist but had to leave acting, He had an interest in music, he learned classical music under Ustad Ali Akbar Khan. When Chetan Anand asked Ustad Ali Akbar Khan to give music for Aandhiyan, he joined Ustad Ali Akbar Khan as his assistant. He was also an assistant to Ustad ji in the next Navketan's film 'Humsafar'. 
When Ustad Ali Akbar Khan decided to return back to Lucknow, he remained in Bombay and became assistant to composer S D Burman. He was assistant music director for Taxi Driver,  SD Burman had full trust in his genius assistant; Each time he entrusted him with a composing or creative job, he would advise him not to complicate it with difficult ‘murkis’ and ‘harkats’. Jaidev’s contribution to the compositions of SD Burman can be gauged through these very intricate nuances, very typical of him, obvious in a number of gems like ‘Phaili hui hain sapnon ki baahen’ (House No. 44), ‘Hum bekhudi mein tumko pukare chale gaye’ (Kala Pani), ‘Hum hain raahi pyar ke’ (Nau Do Gyarah), ‘Dekho rootha na karo’ (Tere Ghar Ke Saamne), ‘Aise to na dekho’ (Teen Deviyan), and ‘Tere mere sapne ab ek rang hain’ (Guide) to name a few.
Jaidev got an independent assignment in “Joru Ka Bhai”, after which he composed music for ChetanAnand’s “Anjali”. The music of both of these films became very popular. Though he became an independent composer, he continued to work as an assistant to SD. When Hum Dono was in making, Burman Da was ill, he suggested his name for the music director for that film.He gave the music for this film, all the songs became hit. Who can forget the songs like ‘Abhi Na Jao Chhodkar’ ‘Main Zindagi ka Saath Nbhata chala gaya’ and the bhajan ‘Allah Tero Naam, Ishwar Tero Naam’ sung by Lata! .
It is said that after Hum Dono’s success, a promise was made by Dev Anand that every alternate film of Navketan will have music by SD Burman and Jaidev. Accordingly, SD Burman has entrusted the baton of “Kala Bazaar” and Jaidev ‘signed’ for the music of “Guide” for which he is believed to have composed a couple of tunes too (‘Tere mere sapne ab ek rang hain’, and ‘Din dhal jaaye haye raat na jaaye); however, the film was made and released finally with music by S D Burman, 

 Being cast out of Guide was a very big setback in Jaidev’s film music career. He never really recovered from the shock. Jaidev used to frequently narrate such incidents to his friends, wracked by inconsolable grief. He did a Nepali film immediately after this incident. produced by King Mahendra. The King was so pleased with Jaidev that he offered him a blank cheque and asked him to fill in any amount as he wished. But Jaidev returned the cheque and asked for a tiger skin instead! He got a few insignificant films zafter that. Sunil Dutt with whom he worked earlier in 'Mujhe Jeene Do'entrust him for his next venture 'Reshma Aur Shera' released in 1971. for this film, he got the National Award of Best Music Director. He got this award twice later in 'Gaman; 1979 and Ankahee in 1985.
In 1976, Madan Mohan passed away, and Jaidev finished the film Laila Majnu by composing five remaining songs for the film. His other film was Alaap starring Amitabh Bachchan and Rekha. Jaidev had ample opportunity to use his classical background in this film. He used the composition of late great master Pt Vishnu Digambar, Mata Saraswati Sharda in Lata-Yesudas-Dilraj Kaur-Madhu Rani's voices. The best song of the film was Dr Harivansh Rai Bachchan's poem, 'Koi Gata Mein So Jata'.
Jaidev had composed music for less than thirty films. The number of songs to his credit may not be more than a hundred and fifty. Though many of Jaidev's films failed at the box office, many of them, such as AlaapKinare Kinare, and Ankahee, is remembered for his imaginative musical scores. Jaidev shot to prominence once again with his ghazals and songs in Muzaffar Ali's Gaman like Seene mein jalanRaat bhar aapki yaad aati rahi and Ajeeb saaneha mujhpar guzar gaya yaaron. He introduced many new singers like Suresh Wadkar, A Hariharan and his protegee Chhaya Ganguly in Gaman.
Jaidev never married. He remained close to his sister's family who later settled in the United Kingdom. He died on 6 January 1987 at the age of 68. 
Song of Anjali 1957



Song of Hum Dono 1961



Song of Kinare Kinare [1963]



Song of Mujhe Jeene Do [1963]


Song of Do Boond Pani [1971


Song of  Reshma Aur Shera [1971]



Song of  Gharonda [1977]



Song of  Gaman [1979]



Song of  Ankahee [1984]

Sunday 6 January 2019

JAIDEV- A composer with the highest noumber of unreleased films.


Jaidev is one of those unlucky composers, who, despite being a Genius and highly talented, did not get his dues in the industry.
He has a long list of Unreleased films, in which he had composed some gems.
The list of such films is as following-
1.Aatish (or Daulat ka nasha featuring Simi and Sohrab modi)
2.Azaadi pachhis baras ki
3.Shaadi kar lo (included songs by Parveen sultana)
4.Ek tha Chander,Ek thi Sudha (starring AB and Jaya)
5 Khunnas
6.Amar Jyoti
7.Footpath
8Annada Didi
9Shagun
10 Chandra Grahan
11Mulaqaat.
Humsafar
Libaas
Rajlakshmi
Vandana
Sameera

Song of the unreleased film Ek tha Chander,Ek thi Sudha


Song of unreleased film Shaadi kar lo


Song of unreleased film Khunnas


Song of unreleased film Amar Jyoti


Song of unreleased film Footpath


Song of unreleased film Chandra Grahan












Thursday 3 August 2017

JAIDEV-The Talent Constantly Neglected


On the 98th Birth Anniversary, we remember today the Music Composer Jaidev(3rd Aug 1919).A winner of four Sur Singar Samsad awards, the Lata Mangeshkar Award of the M P Government and three National Awards (Reshma Aur Shera', 'Gaman ,'Ankahee'), Jaidev did not get the recognition he deserved.He acted in eight films as a child star in Wadia Film Company.While he was acting in films in Bombay he took music lessons from Krshnarao Jaokar and Janardan Jaokar.He was a disciple of  Ustad Ali Akbar Khan. Ali Akbar took Jaidev as his music assistant, in 1951, when he composed music for Navketan's Aandhiyan and Hum Safar. From Taxi Driver on, he bacame S D Burman's assistant.He got his break as an independent Music Director with Chetan Anand's Joru Ka Bhai.He came to limelight with Dev Anand's Hum Dono.
Jaidev was a musical genius,he gave us many memorable songs  like Lata’s ‘Subah Kaa Intezaar Kaun Kare’, Rafi’s ‘Kabhee Khud Pe Kabhee Haalaat Pe Ronaa Aayaa’, Mukesh’s ‘Jab Gham-e-Ishq Sataataa Hai’, Talat’s ‘Dekh Lee Teree Khudaaee’, Manna Dey’s ‘Pyaas Thee Phir Bhee Takaazaa Na Kiyaa’, Kishore’s ‘Yeh Wohee Geet Hai’, Yesudas’s ‘Chaand Akelaa’, Bhupendra’s ‘Ek Akelaa Is Shaher Mein’, Suresh Wadkar’s ‘Seene Mein Jalan’, Asha Bhosle’s ‘Maang Mein Bhar Le Rang Sakhee Ree’, Chhaya Ganguly’s ‘Aap Kee Yaad Aatee Rahee Raat Bhar’ and Runa Laila’s ‘Tumhein Ho Naa Ho’ presented a brilliantly varied spectrum of classy compositions.
.He had a unique capability to mix traditional and folk music into Hindi film situations, giving him a unique advantage to other music directors of his times.There are many films which will be remembered for his imaginative musical scores.Luck was not in his favour,most of the films he gave music did not fare well at the Box Office.He was being offered Low Budget films which were unable to find audiance.His music was hit not films.
 In 1971 Sunil Dutt gave him his film Reshma Aur Shera. The haunting songs of the film, not least Lata Mangeshkar’s Tu Chanda Main Chandni, fetched Jaidev a National Award. In the same year, he composed for another film that was set in Rajasthan. KA Abbbas’s Do Boond Paani, starring Simi Garewal was a drama on the theme of water scarcity. It is unfortunate that a song like Jaa Ri Pawaniya remains largely unknown.
After Do Boond Pani many low budget films came but none of them clicked at the Box Office.
The period between 1977 and ’79 saw Jaidev doing some of his best work, with films such as Alaap (1977), Gharaonda (1977) and Tumhare Liye(1978). Bhimsain, who directed Gharaonda, later made Dooriyaan (1979)Also in this period came Muzaffar Ali’s Gaman (1978), which fetched the music director his second National Award. The story of a migrant taxi driver in Bombay, the songs Seene Mein Jalan and Ajeeb Saneha perfectly capture the theme of alienation in the big city. But the pièce de résistance is undoubtedly Aapki Yaad Aati Rahi, brilliantly rendered by another newcomer, Chhaya Ganguly.
Jaidev remained Unmarried and was also without any house, he took the final bow from the world-stage on January 6, 1987, Hindi film-music lost an exceptionally talented composer, who never really got his due in his lifetime.
Song from Joru Ka Bhai 1955


Song from Hum Dono 1961


Song from Hum Dono 1961


Song from Mujhe Jeene Do 1963


Song from Kinare Kinare 1963


Song from Reshma Aur Shera [1971]


Song from Do Boond Pani [1971]

Song from  Maan Jaiye [1972]


Song from Prem Parvat [1973]


Song from Aalingan [1974]


Song from Alaap [1977]


Song from Gharonda [1977]


Song from Gharonda [1977]


Song from Gaman 1979 


Song from Gaman 1979 


Wednesday 3 August 2016

Remembering JAIDEV on Birth Anniversary


Jaidev ( 3 August 1919 – 6 January 1987)
Jaidev was born in Nairobi and brought up in Ludhiana, India. In 1933, when he was 15 years old, he ran away to Bombay to become a film star. There, he acted in eight films as a child star for the Wadia Film Company. He played the role of Narada in the film Vaman Avatar released in 1934. He was initiated into music at a young age in Ludhiana by Prof. Barkat Rai.


Jaidev was the first music director to bag 3 National Award for Reshma Aur Shera (1972), Gaman (1979) and Ankahee (1985) Ali Akbar Khan took Jaidev as his music assistant, in 1951, when he composed music for Navketan Films's Aandhiyan (1952) and 'Hum Safar'. From film 'Taxi Driver' on, he became assistant to music composer, S. D. Burman.He was his assistant in Films like House No 44,Nau Do Gyaraha,Lajwanti,Kala Pani.Chalti ka Naam Gaadi and Sujata.In fact the song 'Hum Bekhudi Mein Tumko Pukare Chale Gaye" was his creation but the credit went to S D Burman.

His big break as a full-fledged music director came with Chetan Anand's film, Joru Ka Bhai, followed by Chetan Anand's next Anjali, both of these films became very popular.



Though it was with the film Navketan's Hum Dono (1961) that Jaidev true came into the limelight, with classic songs like, "Allah Tero Naam", 'Abhi Na Jao Chhodkar", "Main Zindagi Ka Saath" and "Kabhi khud pe Kabhi Halat pe".Humdono was also the starting point of Jaidev’s relationship with the man with the golden voice, Mohammad Rafi. The unique style of Jaidev included his tunes which appeared not to end with the antara or the sanchari and uniting them with the mukhra unlike other composers. Rafi’s voice had the effect of sedative which doctor’s prescribe for patients who cant sleep in the song “Abhi na jao chor kar, ki dil abhi bhara nahi” in Hum Dono. The way Rafi pronounced adhuri yaas, hardly any playback singer can think even today. The emotions of the character were kept intact and the musical value of the song was enhanced by Rafi in a tremendous way inHumdono. The ghazal in the film “kabhi khud pe kabhi halat pe rona aya” can be categorised as one of the ten best ghazals Rafi did sing in his life. At the same time the other song “main zindagi ka saath nibhata chala gaya” which showed the carefree attitude of Dev Anand, who got admitted in military in the film, had the effect of santoor and the prelude and interlude followed the main song of Rafi that music lovers even memorised them as a song itself.  



His other big success came with Sunil Dutt star, Mujhe Jeene Do (1963).Lata’s song “Nadi nare na jao sham” became hit. As it was female oriented film with Wahida Rehman providing the lead performance there were hardly sequences for male songs.



Though many of Jaidev's films failed at the box office, many of them, such as AlapKinare Kinare and Ankahee, are remembered for his imaginative musical scores. Kinare Kinare, in 1963, Jaidev asked Rafi to sing duet song with Usha Mangeshkar titled “maya anchal jale kaya ka abhiman“ He had a unique capability to mix traditional and folk music into Hindi film situations, giving him a unique advantage to other music directors of his times.He was one of the favourite composers of Lata Mangeshkar besides Salil Chowdhury and Madan Mohan.
His other notable songs for Rafi include “aaj ki raat hai bus jalwa dikhane ke liye” and “roop ki dhoop to dhalke rahegi” from the film Jiyo Aur Jeene Do, in 1969. Both were successful with Jaidev’s folk effect in the respective songs.

In the 1970s, Jaidev shifted towards Ghazal singer Bhupinder Singh for most of his songs, with “Do Diwane Shahar Me” and “Ek Akela is shahar me” from the film Gharonda, 1977, directed by Gulzar with Amol Palekar in the lead role.

 Runa Laila’s song “tumke hona ho mukhko to itna yakeen hai” looked like it was never going to end with the brilliant lyrics of gulzar. The violin was played so brilliantly in the song “Ek akela is shahar me” depicting urbanised folk songs, that it identified the pathos of Jaidev who was a loner in life. The other successful film of Jaidev included Dooriyan, 1979, acted by Uttamkumar and Sharmila Tagore. There Bhupinder Sing’s song “Zindagi zindagi o mere ghar ana ana zindagai” nd “zindagi me jab tumhare gham nahi the” showed Jaidev’s unconventional movement in the rise and fall of the antara and sanchari.
Zindagi zindagi o mere ghar ana ana zindagai

In the 1977 release Laila Majnu starring Rishi Kapoor and Ranjita had the music of Jaidev along with Madanmohan.In this film his 3 songs with Rafi  “barbad muhobbat ki dua saath liye ja“, “is reshmi pazeeb ki jhankar ke sadke“, “likhkar tera naam zameen par” were superhits.
is reshmi pazeeb ki jhankar ke sadke

Many other movies for which Jaidev composed memorable music are Reshma Aur Shera (1971), Sampoorn Dev Darshan (1971), Bharat Darshan (1972), Bhaavna (1972), Maan Jaiye (1972), Prem Parvat (1973), Aalingan (1974), Parinay (1974), Ek Hans Ka Joda (1975), Faasla (1976), Aandolan (1977) and Alaap (1977). These movies were followed by others like Tumhare Liye in 1978 and Sharmila Tegore-Uttam Kumar starrer Dooriyan in 1979. Solvan Saawan (1979), Aai Teri Yaad (1980), Ek Gunaah Aur Sahi (1980), Wohi Baat (1981), Raam Nagri (1982), Ek Naya Itihaas (1983), Ankahee (1984), Jumbish (1986), Trikon Ka Chautha Kon (1986), Amarjyoti, Azaadi Pachchis Baras Ki, Atish and Shadi Kar Lo.

Roshan, Madan Mohan and Jaidev were good friends,they had many similarities. They were rare music geniuses. They were unfailingly great human beings too. Their unquenchable thirst ran to music, languages, literature and wine. They lived their entire lives as friends and supporters. 
Jaidev never married, though he remained close to his sister’s family, who later settled in the United Kingdom. He died on 6 January 1987, at the age of 68. His last work was for the television seriesRamayan.