Showing posts with label tragedy king. Show all posts
Showing posts with label tragedy king. Show all posts

Saturday 11 December 2021

DILIP KUMAR- The Ultimate Method Actor

 


Dilip Kumar was not only one of the earliest superstars of Hindi cinema, but also one of the few legendary artists India has seen. Dilip Kumar's resume contains many of Indian cinema's landmark, genre-defining roles. His performances as the drunken, doomed lover in Devdas and the rebellious royal son in Mughal-e-Azam have been endlessly referenced by his successors on-screen. In Madhumati, he set the trend for reincarnation films. In Ram Aur Shyam, he established the twins-separated-at-birth formula. He became the first-ever winner of the Filmfare Best Actor award for Daag in 1954 and went on to win the award another seven times. 

 Born as Yusuf Khan in Peshawar on December 11, 1922, it’s said that it was Devika Rani who spotted him at Pune’s military canteen. She told him to come to Mumbai and offered him his first film Jwar Bhata (1944). Since then in 6 decades he appeared in 65 films. His span across a staggering 50 + years, was full of some classics and utterly dedicated performances. He won as many as 8 Filmfare Awards for Best Actor (Daag, Azaad, Devdas, Naya Daur, Kohinoor, Leader, Ram Aur Shyam, Shakti) Let's look into the performance of Dilip Kumar in these films

Daag 1952


Dilip Kumar won the first-ever Filmfare Award in the Best Actor category for his performance in this film. The Awards were instituted in 1954. The film fared well at the box office and was declared a hit. Dilip Kumar played the character of Shankar . Who was addicted to alcohol? He is attracted to Parvati (Nimmi), who also lives a poor lifestyle. Shankar wanted to marry her but being a drunkard her stepbrother Jagat Narayan refused. In a dramatic turn of events, Jagat Narayan agrees to marry Parvati with Shankar, Shankar quits alcohol and the film finally finishes with a happy ending.

Azaad (1955)


 It was the top-grossing Hindi film in the year of its release, and one of the biggest Hindi films hits in the decade. After so many films Dilip Kumar played a light-hearted role and the result was this swashbuckling adventure. The tragic hero was transformed into a Robin Hood character who is also a master of disguises. He uses guile and charm to outwit the villain and woo the heroine played by Meena Kumari who too seemed glad to be out of her three handkerchief roles. 


Devdas 1955


The film had Dilip Kumar in the title role and Vyjayanthimala in her first dramatic role where she played as Chandramukhi, a hooker with a heart of gold and Suchitra Sen in her Bollywood debut as Parvati in the lead. MotilalNazir HussainMurad, Pratima Devi, Iftekhar and Shivraj were playing other significant roles with Pran and Johnny Walker in extended cameo appearances.
Dilip Kumar played a man driven by unrequited love into being a drunkard to perfection. His eyes are hazy throughout the film and his silences are eloquent. He got so much under the skin of the character that it’s said he had to go to London and consult Harley Street psychiatrists to overcome depression. 


Naya Daur 1957


For this film, Dilip Kumar won the Filmfare Award for Best Actor for the third time in a row, being his fourth overall. Man Vs Machine was the theme of this pioneering film which made you question the price of progress. Director BR Chopra’s socialist strand was ever-present in this humanist drama. Dilip played the rustic Tangewala to perfection, flirting outrageously with his firebrand heroine Vyjayanthimala. 


Madhumati 1958


The film stars Dilip Kumar and Vyjayantimala in the lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. They are unable to have a relationship during their lifetimes and are reincarnated.Excellent performances by both Dilip and Vyjayanthimala. It won nine Filmfare Awards; including Best FilmBest DirectorBest Music DirectorBest Female Playback SingerBest DialogueBest Art Direction and Best Cinematographer—the most awards for a single film at that time. It also won the National Film Award for Best Feature Film in Hindi.


Kohinoor 1960


Kohinoor cast Dilip Kumar and Meena Kumari to play a prince and princess of different kingdoms and was full of sword fights, songs and dances. This film is also notable for some rare comical and funny scenes by Meena Kumari, who is otherwise known as the tragedy queen. Its tone was light and it lacked the intense characterizations of their earlier films. It was a major hit of the year.It had great music by Naushad. Gems like Madhuban mein Radhika naache re (Dilip Kumar reportedly learned to play the guitar to lend authenticity to the song) and Do sitaron ka zameen par hai milan regale us even today.

Mughal-e-Azam 1960


 Released on 5 August 1960, it broke box office records in India and became the highest-grossing Bollywood film of all time, a distinction it held for 15 years.Starring Prithviraj KapoorDilip KumarMadhubala, and Durga Khote, it follows the love affair between MughalPrince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.


Ganga Jamuna 1961


The film stars Dilip Kumar, Nasir Khan and Vyjayanthimala in leading roles, and Azra, KanhaiyalalAnwar HussainNazir Hussain and Leela Chitnis in supporting roles.The film features real life brothers Dilip Kumar (Muhammad Yusuf Khan) and Nasir Khan in the title roles It was one of the biggest hits of the 1960s and one of the most successful Indian films in terms of box office collection, domestically in India and overseasDilip Kumar's performance as Ganga is considered one of the finest acting performances in the history of Indian cinema.


Ram Aur Shyam 1967

This was perhaps Dilip Kumar’s last big hit as a solo star and what can be more fitting than the fact that he played a double role in the film? It’s to his credit that he was able to infuse two different personalities into the roles. Dilip Kumar’s capability isn’t limited to performing serious roles. He can play a light-hearted or comical character in a commercial film too with equal ease.

If you liked this blog, you would also appreciate my Youtube channel Bollywood Unplugged, the link is given below

https://youtu.be/tcAAE7QwScA


Immortal songs of Dilip Kumar
Song from Andaz 1949

Song from Deedar (1951)

Song from Daag (1952)

Song from Azaad (1955)

Song from Madhumati (1958)

Song from Kohinoor(1960)

Song from Ganga Jamuna (1961)



















Friday 11 December 2020

Dilip Kumar- Uden Jab Jab Zulfen Teri

 


Recall this song of Naya Daur(1957), became a rage those days. This song was specially written by Sahir Ludhianvi for Dilip Kumar. Sahir used the word 'Zulfay' with reference to Dilip Kumar's mop of hair which was attracting attention right from his earlier films.

In the early years, many critics used to make fun of his unruly hairstyle falling on his forehead. But the same hairstyle became a fashion later. His fans used to adore it, they love to blow the hair in the wind. There as an incident in 1954 when one day Dilip Kumar led a procession of many filmstars on the street of Mumbai to raise fund for the flood victims, he discovered by the end of the day, they received hundreds of combs along with money.



In the 70s Alim Hakim was a celebrity hairstylist. He used to cut Dilip Kumar's hair. He was at Hotel TAJ, Mumbai as a hairstylist and later started his salon by the name of HAKIM’S.  His clientele included who’s who of the film industry and icons from different walks of the world.  From Dilip Kumar to Sunil Dutt to Anil Kapoor to Bachchans all were his clients.



In the 50s and 60s, Dilip Kumar was a fashion role model of India and Pakistan. Many of the youth in Pakistan used to have a Dilip Kumar hairstyle. There was an exciting story of a young boy of Lahore who walked to a very famous studio and asked the famous photographer to click his photograph similar to the photograph of Dilip Kumar which he was carrying with him.

The famous photographer gently patted on his cheek and said ' I can click the similar photo only if you have the same features.

Song of Naya Daur 1957


Tuesday 11 December 2018

It was Devika Rani who gave Kohinoor to Bollywood


Devika Rani who is also known as The First Lady of Bollywood gave us a Kohinoor in the form of Dalip Kumar. It happened when Dilip Kumar aka Yusuf Khan first arrived from Poona in Bombay looking for a job, he met Dr Masani at Churchgate station. The psychologist knew Khan from a lecture he had delivered at Wilson College where the young man had been a student.
Dr Masani introduced Yusuf Khan to Devika Rani who was the owner of Bombay Talkies. Devika Rani asked him if he knew Urdu; Khan did, as he was born and brought up in Peshawar in the North West Frontier Province. Devika Rani then offered him an opportunity to become an actor with the studio for a princely monthly salary of Rs1,250. It was Devika Rani who christened Dilip Kumar. The first film of Dilip Saheb was Jwar Bhata released in 1944 was directed by Amiya Chakrabarti.
Still from Jwar Bhata 1944
Besides grooming him for a career in front of the camera, Devika Rani also helped shape Dilip Kumar's acting and performances, encouraging him to watch Hollywood and foreign films and look for inspiration within himself to improve with each film that he did.
Unfortunately, Jwar Bhata did not fare well at the box office. Yet his talent did not go unnoticed and following India’s independence and partition, Dilip Kumar would go onto make his mark in Hindi cinema. 
Still from Jugnu 1947
However, it was the actor’s fourth film, Jugnu (1947), starring Noor Jehan and Shashikala in important roles, that became his first major hit, and got him noticed. The actor received many movies after this film.  
Dilip Kumar in Andaz.1949

One of the films which elevated him to superstardom was Mehboob Khan’s Andaz (1949) with Raj Kapoor.A story revolving around a love triangle, interspersed with drama and tragedy The film saw him paired opposite Nargis. The film became an instant hit at the box office and enabled Dilip Kumar to establish himself as one of the reigning figures of the Indian film industry.
He had a number of big films in the 1950s. Among his most notable films were Hulchul (1951), Deedar (1951), Daag (1952) and Devdas (1955). Dilip Kumar became the first actor to win the Filmfare Best Actor Award for Daag. He went on to win the award seven times.  His performance as the heartbroken Devdas in Devdas, among other roles, sealed his image as the Tragedy King of Indian cinema. However, he tried to shed this image by taking up lighter roles in films such as Aan (1952), Azaad (1955), Naya Daur (1957), Madhumati (1958), Mughal e Azam (1960) and Kohinoor (1960).
In 1961, Kumar produced and starred in Ganga Jamuna opposite his frequent leading lady Vyjayanthimala and his brother Nasir Khan, this was the only film he produced.His next film Leader (1964) was a below average grosser at the box office.He was the co-director alongside Abdul Rashid Kardar of his next release Dil Diya Dard Liya in 1966 but was uncredited as director. In 1967, Kumar played a dual role of twins separated at birth in the hit film Ram Aur Shyam. In 1968, he starred alongside Manoj Kumar and Waheeda Rehman in Aadmi. That same year he starred in Sangharsh with Sanjeev Kumar.
His career slumped in the 1970s with films like Dastaan (1972) failing at the box office. He starred alongside his real-life wife Saira Banu in Gopi (1970) which was a success. But again in 1974 his film Sagina and Bairag in 1976 failed as a hero.
In 1976, Dilip Kumar took a five-year break from film performances and returned with a character role in the film Kranti (1981) and continued his career playing leading roles in films such as Shakti (1982), Karma (1986) and Saudagar (1991). His last film was Qila (1998).He has won ten Filmfare Awards and is the first recipient of the Filmfare Best Actor Award (1954). He was given Dada Saheb falke award in 1994. The Government of India honoured Kumar with the Padma Bhushan in 1991, the Dadasaheb Phalke Award in 1994 and the Padma Vibhushan in 2015. The Government of Pakistan conferred Kumar with Nishan-e-Imtiaz, the highest civilian award in Pakistan, in 1998.
My Fav Dilip Kumar's Songs
Song of Mela 1948



Song of Andaz, 1949



Song of Arzoo 1950



Song of Deedar 1951



Song of Sangdil 1952


Song of Footpath 1953


Song of Azaad 1955



Song of Naya Daur, 1957



Song of Madhumati, 1958



Song of Kohinoor, 1960



Song of Ganga Jamuna, 1961



Song of Leader, 1964