Showing posts with label Lata Mangeshkar. Show all posts
Showing posts with label Lata Mangeshkar. Show all posts

Wednesday 3 October 2018

Non Film Songs Of Great Singers


Preference in music is so subjective. What I like, might not be liked by you. I like some songs due to their lyrics, some due to the singer, some due to the music, One could dislike these very songs because they don't like the lyrics, or the beats, or the singer. Similarly many of us like Film songs but many of us who like Non-film songs.
Regarding the Non Film songs, we must know that much before Films started Talking and singing, the Non-Film Songs were famous in many forms. Bhajans and Classical songs were the most popular Non-Film Songs during silent films. The first recorded song was in 1902 which was manufactured in Germany and shipped to India in April 1903. It was sung by Gauhar Jaan 
In 1930, All India Radio started and in 1931 the films started talking. However, records of film songs were in general not made those days, though the first film song record came in 1932. Till about 1939-40, records of film songs were not made from every film. So, people continued to enjoy the NON FILM SONGS by famous singers. This trend of making records of NFS was so popular that most Film singers started their careers by recording NFS. Examples are Talat Mehmood, Hemant Kumar, S D Burman, Lata, Asha, Mukesh, Rafi etc.
 In this Blog I have taken many of those Non-film songs of great singers of their time.

A Rare Non Film Song recorded in 1914,Song-Kaho guinyya kaise kate saari raat (Baby Amirjan NFS)(1914) Singer-Amirbai Karnataki

D V Paluskar was a Hindustani classical vocalist. He was considered a child prodigy. He cut his first disc in 1944.. He was a master at presenting an attractive and comprehensive picture of a raga in a very short duration. Besides pure classical music, he was also a great Bhajan singer. 


K L Saigal The immortal Singer K L Saigal rendered 185 songs which include 142 film songs and 43 non-film songs. His non-film songs comprise bhajansghazals and hori

                               Mein Jo Dinan Ki Thhori Hori Geet by KL Saigal


Pankaj Mullick, worked as music director to artists like K.L. SaigalS.D. BurmanHemanta MukherjeeGeeta Dutt and Asha Bhosle. He acted with famous film actors like K L Saigal, P.C. Barua and Kanan Devi. Along with Nitin Bose His voice best suited for philosophical and sentimental songs. He sang many such genresmaster madan of songs both filmy and non-filmy.

                                           Na Kar Itna Pyar... Pankhaj Mallick


Master Madan was a child prodigy, unfortunately, he died at the age of 15. The child prodigy started singing at the tender age of three and quickly became a craze all over India. His astonishingly mature voice left a deep impression on the listeners. Anyone with even a passing interest in music is familiar with these two Sagar Nizami's ghazals,

Yun naa reh reh kar hamein tarsaaiye


Hairat se tak rahaa hei jahane wafa mujhe

Noorjehan was the female singing superstar in the 40s. She shifted to Pakistan during the partition. She may have sung many NFS in Pakistan but in India, she sang only a few one of those is given here.

Jogan ki jholi bhar de o shah madeene waale

C.H. Atma  His evergreen song is 'Preetam Aan Milo', which he sang in 1945 for a private album. In 1955, the same song was sung by Geeta Dutt for the film, Mr. & Mrs. '55 for composer O. P. Nayyar, who was a great fan of his singing.[2] His voice was quite similar to K. L. Saigal. But he had his own unique style which he implied to become one of the fewest singers to become extensively popular both in film and non-film music. 



Begum Akhtar  a well known Indian singer of GhazalDadra, and Thumrigenres of Hindustani classical music. She was given the title of Mallika-e-Ghazal .She was among the early female singers to give a public concert. Her first public performance was at the age of fifteen.She has nearly four hundred songs to her credit. She was a regular performer on All India Radio. She usually composed her own ghazals and most of her compositions were raag based.Her ghazal ‘ae mohabbat tere anjaam pe ronaa aayaa’ and Begum Akhtar are inseparable. 


Geeta Dutt -It was in the year 1946 that Geeta Roy sang for Pandit Hanuman Prasad in a mythological movie, Bhakt Prahlad. In 1947 S D Burman took her for Do Bhai. The success of the music of Do Bhai (especially the song "Mera sundar sapna beet gaya") catapulted Geeta to the top bracket of female playback singers. 


Talat Mahmood   was a very gifted singer in every sense. He was particularly famous for singing soft and sombre semi-classical and non-classical ghazals, He started his career purely as a ghazal singer in 1939. Talat Mahmood began his singing career at the age of 16 in 1939 when he began singing the Ghazals of Daag, Mir, Jigar etc. on All India Radio, Lucknow. In 1944 came the hit Tasveer teri dil mera behela nah sake gi. Its popularity was so phenomenal and unrivalled that even today it remains one of the top-selling non-film discs


Manna Dey, He debuted in the film Tamanna in 1942. After the song "Upar Gagan Bishal" composed by S D Burman he saw success and went on to record more than 4,000 songs. The first song which was broadcasted on the inaugural day of Vividh Bharati was ‘naach re mayuraa’ (1957)which was sung by Manna Dey. The song was penned by Pandit Narendra Sharma especially for the occasion and set to music by Anil Biswas


Hemant Kumar - an Indian playback singermusic directorand film producer, who sang in BengaliHindi and other Indian languages. He is also the greatest artist of Rabindra SangeetIn 1947, Hemanta recorded a non-film song called "Ganyer badhu"  that had music and lyrics by Salil Chowdhury..This song generated an unforeseen popularity for Hemanta 
Hemant Kumar sang nearly 60 NFS of which three-fourth were released in the 40s and 50s. Most of his NFSs of 40s and 50s were composed by music directors like Kamal Dasgupta, Durga Sen, Ravi 
The two most popular NFSs of Hemant Kumar in terms of frequency of them being played on the radio in the 60s were (i) ‘aanchal se kyon baandh liyaa mujhe pardesi kaa pyaar’ and (ii) ‘bhala thhaa kitnaa apnaa bachpan’. 

aanchal se kyon baandh liyaa mujhe pardesi kaa pyaar


Paa kar bhi tumhen ham paa na sakey

Meena Kumari -We all know about her acting but we are not aware of her singing and poetic side.she wrote shayari in the pseudo name of Naaz.Meena Kumari was also a playback singer. She sung as a child artist for films like Bahen till 1945.She sang 3 songs for the film  Duniya Ek Sarai (1946),five songs for Piya Ghar Aaja (1947),6 songs for Bichchade Balam (1948) even ONE song for Pakeezah (1972). However, this song was not used in the film and was later released in the album Pakeezah-Rang Barang (1977).
Poetry was in her blood. Her father Ali Baksh was an Urdu poet and attached with Parsi theatre. Her mother, Iqbal Bano was actually a stage artist,In 1970, an LP was released,The title of the LP – ‘I Write, I Recite’. This LP has nine ghazals written and sung by herself. 

Chaand tanha hai aasmaan tanha 

Malika Pukhraj -  a highly popular Ghazal and folk singer.Sometime in the late 30s, the glamour of films brought her to Bombay (Mumbai) to act in films. However, after doing a couple of day’s shooting for a film, she could not adjust to the atmosphere of film shooting. So she left the film half-way and fled to Lahore feigning illness. 
Like Begum Akhtar, in the later years, Malika Pukhraj mainly concentrated on singing ghazals based on semi-classical music. She also sang and recorded folk songs in Dogri, her native language.She was among the greatest singers of India in the 1940s, and after Partition of India in 1947, she migrated to LahorePakistan, where she received much more fame, through her radio performances

Abhi to main jawaan hoon

Mukesh - is considered to be one of the most popular and acclaimed singers of the Hindi film industry.The first song that he sang for a Hindi film was "Dil Jalta Hai To Jalne De".He also sang many non film songs.It is more than 100.

Baharon Se Keh Do ... Mere Ghar Na Aayein


                            Jiyenge Magar Muskura Na Sakenge Ki Ab Zindagi Main...

Mohammed Rafi -one of the greatest singers of the Indian sub continent..Rafi was notable for his voice and versatility; his songs ranged from fast peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He has sung in many regional Indian languages including KonkaniAssameseBhojpuriOdiaPunjabiBengaliMarathiSindhiKannadaGujaratiTamilTeluguMagahiMaithili. Apart from Indian languages, he also sang songs in many foreign languages including EnglishFarsiArabicSinhaleseCreole and Dutch.He recorded many private albums in various genres and languages, many of which are noted as all-time classics today.

                                                 Tum Aao Rumjhum Karti


                                            Ek Hi Baat Zamane Ki- Mohd Rafi Ghazal


Lata Mangeshkar Lata Mangeshkar had sung many ghazals in Hindi films especially under the baton of Madan Mohan. During 1960-70, Lata Mangeshkar had sung some beautiful non-filmy ghazals. In 1969, a LP of her non-filmy ghazals of Mirza Ghalib composed by her brother Pandit Hridaynath Mangeshkar was released.Similarly LP of Lata was released in 70s of Meera Bhajan The album's name is actually known as "Chala Wahi Des".Another immortal NFS is "Ae mere watan ke logon” 

                                                    Lata ji Sings Mirza Ghalib...

Ghiri ghataayen aasmaan par( Lata NFS)(1969)









Friday 28 September 2018

Lata Mangeshkar and S D Burman gave Bollywood many Immortal Songs


Lata Mangeshkar was born on September 28, 1929 in Indore MP. She is listed in the Guinness Book of World Records as the most recorded artist in the world. She has the credit of having sung in over thirty-six regional Indian languages and foreign languages.Lataji started her career in 1942, Her first Hindi song happened the next year in 1943, with ‘Mata Ek Sapoot Ki Duniya Badal De Tu’ in the movie Gajaabhaau.
 She did playback singing for celebrated music directors like Sachin Dev Burman, Salil Chowdhury, Sankar Jaikishan, Naushad, Madan Mohan, Kalyanji-Anandji, Khayyam and Pandit Amarnath HusanLal Bhagat Ram. Her collaboration with music director duo Laxmikant Pyarelal produced some of the most super hit songs of the time that are still hummed with equal enthusiasms by Indians. The duo considered Lataji instrumental in their success. ‘Dil Vil Pyar Vyar’ from Shagird (1968), Sheesha Ho YaDil Ho from Asha (1980), Mere Naseeb Mein from Naseeb (1981) and Ye Galiyan Ye Chaubara from Prem Rog (1982) are some of their most popular collaborations. 
1990s onwards, Lataji worked with music directors like Anu Malik, Jatin Lalit and A.R. Rahman. Films like Dilwale Dulhania Le Jayenge, Hum Aapke Hain Kaun, Dil Se, Rang De Basanti featured acclaimed songs sung by Lataji.
Lataji has received numerous awards and honours for her illustrious career as a playback singer. Some of the Awards she won are Padma Bhushan (1969), Dadasaheb Phalke Award (1989), Padma Vibhushan (1999), Maharashtra Bhushan Award (1997), NTR National Award (1999), and ANR National Award (2009). She was awarded the Bharat Ratna, India's Highest Civilian Award in 2001. She won 3 National Film Awards (1972, 1974, 1990), and 12 Bengal Film Journalists' Association Awards (1964, 1967-1973, 1975, 1981, 1983, 1985, 1987, 1991). She has also won the Filmfare Awards for Best Female Playback Singer four times (1958, 1962, 1965, 1969, 1993, 1994). She was awarded the Filmfare Lifetime Achievement Award in 1993.
Lata Mangeshkar was the ultimate choice of S D Burman. He often said, “Give me a harmonium, give me Lata and I will make music”. We all know what a magic they created together. In this Blog I am taking her songs sung for the great music director S D Burman. 
Lata’s first song for him was in Mashal (1950). SD Burman created for Lata Mangeshkar a kind of music which was unique and established him as one of the greatest composers of the Golden Era regardless of whether he matched the commercial success of his peers or not.Her first super hit and an immortal song with S D Burman was  Thandi hawayein lahraa ke aayein  for Naujawan (1951).
Another  iconic song  of Lata with him was in the same year Jhan jhan jhan jhan payal baaje from Buzdil (1951).Next came the same year another timeless song of not only SD Burman, but also among the all time great songs of Lata Mangeshakar. Tum na jane kis jahan mein kho gaye from Sazaa (1951).
For 7 years this Jodi gave us one hit after another but a time came when the music lovers were deprived of the magic of this great Jodi. Due to some controversy, there was a  break up for about five years, 1958-62, rather than their music. Fortunately they made a patch up and this time they gave us the best songs of their career. Thus their second innings led to another set of great melodies in Bandini, Guide, Tere Mere Sapne, Prem Pujari, Talash, Anurag, Abhiman etc which continued till the very end of his career. Their first song after patch up was ‘Pawan Diwani’ from Dr Vidya.

The First Song Lata sang for S D Burman


Song of Mashal (1950)


Song of Naujawan (1951)


Song of Buzdil (1951)


Song of Sazaa (1951)


Song of Jaal (1952)


Song of Taxi Driver (1954)


Song of Devdas(1955)


Song of House No 44 (1955)


Song of Paying Guest (1957)

The first song after Patch Up
Song of Dr.Vidya (1962)


Song of Bandini (1963)


Song of Guide (1965)


Song of Talash (1969)


Song of Prem Pujari 1970


Song of Sharmilee (1971)


Song of Abhimaan (1973)


Song of Chupke Chupke (1975)









Saturday 6 January 2018

Top 30 Sharabi Songs of bollywood


There are innumerable Sharabi Songs in Bollywood.Those were acted and sung by many actors and singers but the songs sung by Mohammad Rafi are worth mentioning.
Rafi ji was a known teetotaler.Without drinking a pint, Rafiji could blabber and drag words like a real Sharabi. Some of the well-known such songs of Rafiji and other are listed below.

The first song in my List is from Kala Pani picturized on Dev Anand released in 1958
Song from Kala Paani 1958



Song from GOONJ UTHI SHAHANAYEE 1959



Song from Hum Dono (1961)


Song from Main Chup Rahungi 1962



Song from Tere Ghar Ke Samne 1963


Song from Sharabi 1964



Song from LEADER 1964



Song from Guide 1965



Song from Kajal 1965



Song from MERE HUMDUM MERE DOST 1968

Manna De Sharabi Songs




Song from Mere Huzoor 1968



Song from Sita Aur Geeta 1972

MUKESH Sharabi Songs


Song from Jagte Raho 1956


Song from Main Nashe Mei Hoon 1958

Kishore Kumar Sharabi Songs

Song from Paying Guest 1957

Song from Kati Patang 1971

Song from Amar Prem 1972



Song from Haath Ki Safai 1974



Song from Prem Nagar 1974



Song from Namak Halal 1982



Song from Sharabi 1984

Lata, Asha & others

Song from Sahib Bibi Aur Ghulam 1962



Song from Inteqam 1969



Song from Ram Aur Shyam 1969



Song from 5 Rifles 1974



Song from Des Pardes 1978



Song from Naseeb 1981



Song from Naam 1986

Song from Devdas 2002


Song from Ugly aur Pagli 2014

















Wednesday 1 November 2017

S D Burman's Love and Hate for Lata


Lataji and Burman Da have done some splendid works and have created marvelous songs.Despite their brief tiff, that had stirred up a huge controversy at the time, both legends got back to working together again after 5 years from 1958 to 1962.These five years SD Burman was none the worse as he continued to give some of the greatest music of his career, now with Geeta Dutt and Asha Bhosle, but he realized he had something beyond, where only Lata Mangeshkar could reach. She also felt that there was something unique in Dada’s music, without which she would remain incomplete. 

Lata Mangeshkar was his ultimate choice. He often said, “Give me a harmonium, give me Lata and I will make music”.
 Lata’s first song for S D Burman was probably in Mashal (1950)

Aankhon se door door hain par dil ke paas jo 

Song from Mashaal 1950

 .The very next year came Naujawan starring Nalini Jaywant and Premnath,the song Thandi hawayein lahraa ke aayein became Super Hit,it remains one of the Lata's immortal song.Same year came Sazaa starring Dev Anand Nimmi and the song "Tum Na Jaane Kis Jahan Mei Kho Gaye" became immortal.
Song from Naujawan 1951


Tum na jane kis jahan me kho gaye..
Song from Sazaa 1951

In 1952 released Dev Anand's Jaal .The music of this film became very popular,Lata's Chandni Raten, Chori Chori Meri Gali Aana Hai Bura and Duet with Hemant Kumar"Yeh Raat Yeh Chandni Phir Kahan" are immortal songs.

Song from Jaal 1952

Song from Jaal 1952

Jayen To Jayen Kahan

Song from Taxi Driver 1954


Song from Devdas 1955


Song from House No.44 1955


Song from Paying Guest 1957

 Their second innings led to another set of great melodies in Bandini, Guide, Tere Mere Sapne, Prem Pujari, Talash, Anurag, Abhiman etc which continued till the very end of his career.
It is said that S D Burman called Lata on phone and requested her to sing a song for his son's first film Chhote Nawab in 1961 which she agreed,later R D Burman mediated between both and removed the misunderstanding between them then S D Burman gave her a song in Dr Vidya  1962,their first song after patch up was ‘Pawan diwani’ 
Song from Dr Vidya 1962


Song from Bandini 1963


Song from Tere Ghar Ke Samne 1963


Song from Guide 1965


Song from Jewel Thief 1967


Song from Talash 1969


Song from Prem Pujari 1970


Song from Sharmilee 1971


Song from Abhiman 1973


Song from Chupke Chupke 1975


Song from Milli 1975