Showing posts with label birth of a song. Show all posts

Tuesday 19 December 2017

The Immortal Song"Man Dole Tan Dole"

Nagin (1954) is a film directed by Nandlal Jaswantlal and loosely inspired by Bijon Bhattacharya’s play Jiyankany and William Shakespeare’s Romeo and Juliet. It stars Vyjayanthimala and Pradeep Kumar, and has a hit musical score by Hemant Kumar. It included thirteen tracks, including the hit "Man Dole Mera Tan Dole", whose "Been Music" was performed by Kalyanji on clavioline and by Ravi on harmonium, who once worked under Hemanta Mukherjee's direction and later became independent music directors.
Nagin was a box office hit, and the popularity of its music would boost the careers of the personnel involved in the production, especially Vyjayanthimala, who being a gifted dancer trained in the classical style of Bharata Natyam, offered an outstanding visual complement to Lata Mangeshkar’s voice. Nagin also propelled Kalyanji’s career, despite his apparently secondary role as the performer of the ‘Been music’ theme, which moreover was arranged by Ravi, on the Clavioline.
The first time Kalyanji used the Clavioline to recreate the sound of the been was in S.N. Tripathi’s Naag Panchami (1953). Tripathi then recommended Kalyanji to Hemant Kumar, who was able to take advantage of the novelty effect that the synthesized snake charmer’s sound could still achieve, due to the relative lack of success of Naag Panchami – at least as compared to Nagin.
Hemant Kumar skyrocketed to fame with Nagin. All the songs were hit but the song "Tan dole mera man dole. became immortal.One of the reasons for the appeal of Nagin’s music is the seamless integration of the" Been sound" with the main melody.
The reason being actual "Been" instrument not used in the song because the "been" is constrained and can only move from one note to an adjacent note. It cannot jump suddenly from a note to another note which is not adjacent. Also, you cannot produce short, staccato sounds on the been.
It is said that when “Nagin” was released, snake charmers entertained the crowd outside the cinema halls during the intermission. It is also said that some theatre owners would engage these snake charmers to keep an eye just in case the tune from inside the hall ‘attracted' a reptile in the neighborhood.
The ethereal Vyjayanthimala, barely 18, illuminates the screen with her stunning beauty, moving around daintily from one song to the other; from the bewitching “Man Dole Mera Tan Dole” to the poignant “Mera Dil Ye Pukare Aaja…” Of course, the soul of the movie remains Lata Mangeshkar's voice and Hemant Da's unforgettable composition to some impeccable lyrics by Rajinder Krishan. Simply unmatched…
Vyajayantimala in an interview told that Man Dole Tan Dole Snake dance created a sensation,crowds thronged to see those snaky gyrations to Lata Mangeshkar hit.This dance is inspiring today's generation too as well as western youth.
Here are some Dance Videos on the Nagin Song

Song from Nagin 1954

Modern Nagin Dance

Colombian Belly Dancer- Nagin Music- MAN DOLE TAN DOLE

Man Dole Tan Dole || Nagin || Bollywood Snake Dance

Nagin mix-"Been" -man dole - Instrumental & Vocal-Nagin (1954)

Monday 28 August 2017

The role of the Director in Song Composition

Songs are integral part of a Bollywood film.Generally a song is ready before a film being shot.It is the Director who has seen the film in his imagination.The Music director and Lyricist fully depend on the Director to tell them about the film and the situation of the song.what kind of music and lyrics he wants for the situation.This process has a lot of discussion with the Director,Composer and lyricist to prepare a song.This planning is called in film term"sitting".There may be many sittings between the director and composer,some Producers also take part in these sittings.
These sittings may continue for as long a year.It depends on the Director.Director Yash Chopra took one year to finalize the songs of Dil To Pagal Hai.For Mohabattein (2000) Aditya Chopra took 6 to 8 months for the songs composed by Jatin Lalit.In an interview somewhere the Producer Director Prakash Jha said for him it usually take 5 to 6 sittings for a song.
For the composer to create a song he and his Lyricist need Complete information from the Director about the situation and the character.The amount of details vary from Composer to composer.The great Music composer S D Burman used to get minor to minor details from the director of the film,once he understood the situation and prepared the song he will not allow the director for any change.It is said that his knowledge of the cinema was such that he used to advise the Producer and Director about the filming of the song.
As per Jatin Lalit the present day Directors Aditya Chopra and Karan Johar give immense detail for their song situation.After viewing the situation as per their director they start working on the song.There are many Directors who do not give sufficient information even they do not imagine about the song,director just relies on the composer and choreographers.As per Shravan of Nadeem Sharvan composer duo,being music composer,they have some visuals in their mind,so according the situation they create the music,.the director and producer shoot the song with slight modification.This is evident from Producer Director Anil Sharma,the Gadar film fame said that he tells the story to his Music Composer tells about the situation,what he wants in the song.give him the example of certain songs,similar to that song you make for me.
I think the film music depends on the Director's attitude towards the music.There were many great Directors who along with his Music composers gave us great music,many immortal songs.Many music directors admit that they were able to give better work working with the particular director.Take the case of RK Banner,Navketan or Guru Dutt,they gave us many immortal songs.As far as picurisation of a song no one can beat Dev Anand or Raj Kapoor.Both of them had a knack of good music.
On the one hand the director inspires the music composer for great music,on the other hand many composers did not like interference by their Director.The great composers Naushad and S D Burman didn't want any interference once they heard the story and understood the situation.There used to be a rapport with the Director or a banner with the composer resulted to hit music one after another.Most of the big Directors or banners had a fixed team of Music Directors and Singer.
In the end I would say that everything depends on the Director.That's the how good directors have extracted a good music even out of the less talented music composers.
Here is my list of Best Picturised Songs of Golden Era