Showing posts with label dilip kumar. Show all posts
Showing posts with label dilip kumar. Show all posts

Monday 11 December 2017

Dilip Kumar-The Ultimate Method Actor


In India, when we think of method acting, the name that pops up first is Dilip Kumar. He remains the inspiration of countless actors in Indian cinema. From Amitabh Bachchan to Naseeruddin Shah, Shah Rukh Khan to Nawazuddin Siddiqui, every actor of Hindi cinema carries the grain from the sand dunes that Dilip Kumar created with his acting.
He brought a sense of naturalism to his characters that was unthinkable for his age. He was the first one to debunk the myth that actors on screen hardly carry any insight into human behavior

.Dilip Kumar went out of his way to get into the skin of the character. He got so consumed by the sadness of a string of characters he played, he had to visit a psychiatrist who advised him to do comedies to get rid of the gloom that had seeped into his bone marrow.
For the song  Madhuban mein Radhika nache re from Kohinoor he actually took lessons in sitar for almost a year. For Gunga Jamuna, he drew from his gardener in Deolali, where he spent a considerable time while growing up, and spoke Bhojpuri like a pro.
It was Dilip Kumar’s natural way of inhabiting roles that brought directors like Bimal Roy to the forefront. Roy’s cinema influenced by Italian neo-realism had to rely on actors who never went for manners, but a way of playing characters that draws you in slowly in their environment.
Still from Jwar Bhata 1944
 His first film was Jwar Bhata (1944). He had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries.
He soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. He switched to play lighter roles as suggested by his  British psychiatrist, who advised him to switch over to comedy.Remember his performance in Naya Daur,Ram Aur Shyam.
Dilip Kumar in Ram Aur Shyam

His career has spanned over six decades and with over 60 films.The period of 1949-1961 is considered the peak period of Dilip Kumar's career as a hero. From late 1960s roles dried up for Kumar as films starring Dev Anand, Rajendra Kumar and Shammi Kapoor were more successful from 1961-1969 and also Dilip's films from 1966 to 1976 were box office flops like Dil Diya Dard Liya, Sunghursh, Aadmi, Dastaan, Gopi, Sagina and Bairaag and after 1976 he left films for a five year break.
After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma and Saudagar 
The Government of India honoured him with the Padma Bhushan in 1991, the Dadasaheb Phalke Award in 1994 and India's second highest civilian award, the Padma Vibhushan in 2015 for his contributions towards Indian cinema and nominated him to Rajya Sabha, the upper house of Indian Parliament for a term.
On his 95th birthday I wish him Long Life and Good Health

My Favourite Dilip kumar's Songs
Song  from Andaz 1949


Song  from Daag 1952


Song  from Aan 1952


Song  from Sangdil 1952


Song  from  Footpath 1953


Song  from  Madhumati 1958


Song  from  Ganga Jamuna 1961


Song  from Leader 1964


Song  from Sangharsh 1968




Monday 21 August 2017

10 unsuccessful Love Stories of Bollywood Stars


Time and again, we hear about the love affairs among Bollywood stars. While some go on to tie the knot, many end up with broken hearts.We have seen our favorite stars fall in love (sometimes outside their marriage), Unfortunately they did not end up marrying each other.Starting from the famous Trio of Golden Era of Bollywood to the recent Hritik and Kangana Breakup.These Love affairs and gossips rarely die, especially in Bollywood at least.
Here are 10 such Tragic Love Stories of our Bollywood stars, witnessed over the years, that ended on a sad note.
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Dev Anand and Suraiya-  The First &  Great love story of Bollywood was Dev Suraiya;s Love story .Suraiya  was already a superstar when Dev entered the industry. Suraiya traveled in American sedans. Her entourage reflected a regal aura. It included several servants and members of her family. Dev was fascinated by Suraiya. He would keep complimenting her. Later, the admiration grew mutual. Suraiya, too, showered praises on Dev. The two did seven films together — Vidya (1948), Jeet (1949), Shair (1949), Afsar(1950), Nili (1950), Do Sitare (1951) and Sanam (1951). Till their first three films no one suspected a romance between them. However, after 1951, Suraiya’s orthodox family members started dictating her life. It was during the shooting of Afsar that their romance became public and the opposition to their relationship became much more intense.According to Dev, their romance was at its zenith when they were paired in lead role for Afsar (1950). The music for this film was composed by S.D. Burman. The soulful "Man-mor hua matwala, yeh kisne jadoo dala, re yeh kisne jadoo dala" is among Suraiya’s best. While shooting for the movie, their affair became a hot topic for the Bombay tabloids.The villain of their Love Story was Suraiya's Grandmother.She used to visit studio during the shooting, once she disrupted the shooting of a love sequence.She went to the extent of not allowing them to shoot even innocent love scenes like kissing on the eyelashes.
Song from Vidya 1948

Whenever Dev came to visit Suraiya at her apartment, he found his detractors already sitting in the drawing room. For Dev, this torture was becoming unbearable. Suraiya was so much hurt by her family’s uncalled for interference and stubbornness that her acting and singing career started taking a nosedive from 1951 onward. It was the religion that was coming in between their story. Suraiya’s grandmother Badshah Begum threatened to end her life if Suraiya tied the knot with Dev Anand, who belonged to a different faith. Many people say the old lady had a covert reason for opposing Suraiya and Dev Anand’s marriage, the fact that Suraiya was the highest earning member of the large family. The relationship could not culminate into a wedlock, and Suraiya and Anand worked for one last time with the film Do Sitare in 1951. It is said after the completion of the film, the two met at Suriaya’s apartment, in presence of Anand’s elder brother Chetan Anand one last time. The doleful lovers sobbed throughout their last conversation, and later Suraiya threw Anand’s proposal ring into the sea. It was a sad end of a sweet love story, and needless to say the pair was shattered. The sweet dream of Suraiya and Dev Anand’s marriage was sent to it’s end.Dev Anand moved on after this but Suraiya remained Unmarried till death.




Madhubala And Dilip Kumar-Dilip Kumar and Madhubala worked in 4 films,the first movie they did together was Tarana in 1951.Madhubala, who was to appear in Jwar Bhata, in which Dilip Kumar was playing the lead role. She was unable to work in the movie but this was the moment the youngster first set eyes on Dilip Kumar.

Madhubala and Dilip Kumar met seven years later on the sets of Tarana when she was eighteen years old. During the shooting she sent her hairdresser with a note written in Urdu together with a red rose asking him to accept it if he loved her, which intrigued and amused Dilip Kumar and naturally he accepted the rose.Their next film was Sangdil(1952)  During this time Madhubala had an intimate relationship with Dilip. In fact it was widely believed that the stunning pair would eventually get married by this time the two were involved in an intimate relationship. The early fifties were Madhubala's best years. She was rapturously and ecstatically in love and exuded happiness..Dilip Kumar in his Biography said "She, as I said earlier, was very sprightly and vivacious and, as such, she could draw me out of my shyness and reticence effortlessly. She filled a void that was crying out to be filled - not by an intellectually sharp woman but a spirited woman whose liveliness and charm were the ideal panacea for the wound that was taking its own time to heal".


When Mughal e Azam started,they were in love but during the making their affair broke down,as we all know that the film took 10 years to complete.The reason of their break up was Madhubala's father.
 Ataullah Khan who didn't want Madhubala to marry Dilip Kumar.In his Biography recently released Dilip Kumar wrote that the reason of their break up was Madhubala's father who actually wanted to make a film with him but Dilip refused.This hurt his ego so he made a point how Madhubala marry Dilip Kumar. Madhubala was very obedient daughter couldn't go against the wish of her father.The couple though did carry on their affair in this manner for a few years. The stress and inability to have a proper relationship took their toll and finally in 1957 they finally broke up. They never paired together after their break up, in fact both were in Naya Daur but due to her father  Madhubala opted out from that film.Ataullah sued, and BR Chopra counter sued. Eventually the whole fiasco was dragged into court. At some point in the trial the personal relationship between Dilip Kumar and Madhubala was put down as evidence, and their whole affair was put under the spotlight. 




Raj Kapoor and Nargis-Raj Kapoor was the original showman of Bollywood and Nargis Dutt was the beautiful talented actress who had carved a niche for herself in Bollywood. The romance between the two was meant to be. They were named as first couple of Bollywood.Raj Kapoor, with whom Nargis worked in as many as 16 films, six of which were RK banner productions, was undoubtedly the first love of her life. She was only 19 when Raj Kapoor came to her life.If it hadn't been Raj, it would have been someone else; he just happened to be her first boyfriend.
Song from Chori Chori

Raj Kapoor and Nargis met for the first time during the making of the film Andaz in the year 1949. It is said that Kapoor fell for Nargis the moment he saw her, and that marked the beginning of a partnership that spanned 16 films. Nargis became a common fixture in almost all of Kapoor’s films in the 1950s, since she was equally smitten by Kapoor and thus would give a nod right away to any of his films.Raj Kapoor was already married that time,she did not mind marrying him and playing second fiddle in his life. She even consulted several leading legal experts of that era to find some means to tie the knot to a married man. Raj Kapoor never wanted to marry her being already father of three children that time.By the mid-1950s, Kapoor had made this point to Nargis, and the film Chori Chori in 1956 was the last one they did together. Nargis is said to have slipped into depression after this revelation but soon got out when she fell in love with Sunil Dutt during the making of Mother India. with whom she tied the knot in 1958. It is said that Raj Kapoor was so dejected on hearing the news of Sunil and Nargis’ marriage that he locked himself in his room, and cried for hours together.



Guru Dutt and Waheeda Rehman-Guru Dutt was a successful director, producer and actor, he introduced Waheeda Rehman to bollywood through C.I.D released in 1956.Guru Dutt was already married to singer Geeta Roy when he fell in love for Waheeda Rehman.It was during the making of Pyaasa Guru Dutt and Waheeda Rehman came together.Different versions of the love affair suggest that it was Waheeda who initiated marriage proposals to Dutt, or that Geeta’s suspicious nature that made Dutt confide in Waheeda.Both of them worked together in 6 films.Some say that Kagaz Ke Phool (1959) was on the real life of both the actors.The last film they did together was Sahib Biwi Aur Ghulam(1962).

Song from Chaudhavi Ka Chand 1960

There is a book"Memories Of Guru Dutt by Abrar Alvi which  tells the inside story behind the Guru Dutt-Waheeda Rehman romance as it is. One really feels sorry for the legendary actress on realizing how callow she was in understanding the crooked ways of Bollywood. Guru was indeed torn between the love for his wife and the other woman. However, he couldn’t  take a stand and ended up dropping Waheeda Rehman from his life. Abrar claims that Waheeda considered him her elder brother and describes the events that led to the ‘nikah’ of Guru Dutt and Waheeda that never happened. We come to know that Waheeda had a brother-in-law Rauf who announced that Guru Dutt was converting to Islam to marry her. Eventually, Guru Dutt chickened out at the last moment without realizing that his marriage with Geeta Dutt was long over. In the end, it seems that he caused Waheeda such a grievous hurt from which only work and more work could provide solace to the talented actress-cum-dancer. Clearly, ditching Waheeda.
 Geeta Dutt left Guru Dutt in despair, which drove him towards complete isolation. Things worsened so much that both Guru and Geeta took to heavy drinking, and finally Guru Dutt died in 1964.




Rajesh Khanna and Anju Mahendru- This love story started well before Rajesh Khanna became super star.Anju Mahendru was the first love of India's first superstar Rajesh Khanna. Both were struggling to find a foothold in the industry when they met each other some time in the 60's. Anju was an aspiring model and actor while Rajesh Khanna was selected by the United  Film Producer's Association as a hero. In the early days of their relationship, Anju supported his dreams like a devoted girlfriend. Rajesh too cared for her and reportedly lavished his affection and earnings upon her. Once the actor became super successful he charmed and convinced Anju into putting aside her career for him. The madly-in-love starlet obliged and soon became Rajesh Khanna's official girlfriend and the two of them shared a live-in relationship for close to seven years. Rajesh Khanna became the heart-throb of millions after the release of Aradhana in 1969.Even after that their relationship continued but  cracks started appearing in their relationship.Their clashing values and opinions led to many altercations. In one of her interviews, Anju stated, "He is a very orthodox man, yet somehow, is always attracted to ultra-modern girls. Confusion was a part of our relationship. If I wore a skirt, he'd snap, why don't you wear a sari? If I wore a sari, he'd say, why are you trying to project a Bhartiya nari look?" And due to many such squabbles and arguments, the couple ended their relationship.
It is said that to take revenge on Anju, Rajesh Khanna completely ruined her career. Reportedly, the whole film industry blamed the actor for the break up and supported Anju. This made the actor furious and he blamed Anju and her friends for all the negative publicity.
There was a story that when Rajesh Khanna married Dimple Kapadia, he deliberately diverted his baraat's (marriage procession) route to pass in front of Anju's house, before heading to the marriage venue.Somewhere it was written that On screen, Rajesh Khanna was the perfect lover. In real life, he did not stand by the woman he committed to (Dimple Kapadia), and did not commit to the women who stood by him (Anju Mahendru) 






Amitabh Bachchan and Rekha-Amitabh and Rekha's love story is one of the most talked about affairs of Bollywood even till date. Yet, this much-talked about love story always remained a mystery as both the actors never accepted their relationship in public. Their love story began on the sets of film Do Anjaane (1976), when Amitabh was a married manDuring the initial days of their secret relationship, the couple used to meet in a bungalow that belonged to Rekha's friend. Nobody knew about this affair between already married Amitabh and Rekha. Everything was a smooth sail until an incident happenedTheir affair came in the limelight during the shooting of  Ganga Ki Saugandh (1978) when Amitabh Bachchan reportedly lost his temper on a co-actor who was misbehaving with Rekha.Their relationship was  at its peak before the shooting of Silsila.In fact during the shooting they were not talking to each other.

Song from Mukkadar Ka Sikandar

Rekha wanted to marry Amitabh and did not want to settle down with the tag of the 'other woman' in Amitabh's life. She realised she has no future in this relationship as Amitabh was not in any mood to leave his wife Jaya for Rekha. With this, their passionate love story came to an end, both on and off screen.Silsila’ was the last film in this couple starred together.




Salman Khan and Aishwarya Rai-After becoming Miss World, Aishwarya entered Bollywood but didn't get success, this was the time when Salman was in love with Pakistani beauty Somi Ali after his break-up with Sangeeta Bijlani.The Aishwarya Rai and Salman Khan love story started in the year 1999, when Aishwarya Rai and Salman Khan were filming the movie Hum Dil De Chuke Sanam. 

Song from Hum Dil De Chuke Sanam


The couple had dated each other for a couple of years. During one of his earlier interviews, Salman revealed that it was Aishwarya's traditional approach towards life that made the beauty queen won a soft corner in Salman's heart.“I love [Aishwarya]. I am not hounding her. It's not a teenage obsession that I feel for her — it's pure love. She's such a traditional Hindustani girl at the bottom of her heart. The fact that she respects her parents so much makes me admire her more,” Salman was quoted saying. Aishwarya’s parents never approved of the relationship right from the beginning. However Ash called off the relationship because Salman used to cheat on her. Salman was unable to come to terms with the breakup initially; he went wild and created a ruckus during the shooting of Chalte Chalte. They broke up in 2002 and not have been able to burry hatchet till date.Aishwarya and Salman both moved forward in their lives.



Karisma Kapoor and Abhishek Bachchan -Their love story started long before Abhishek entered in Film industry. Karishma was already a star when their love story started.It was apparently in 1997 during Shweta Bachchan’s wedding, that Karishma Kapoor and Abhishek Bachchan got serious about each other.Abhishek Bachchan made his debut in 2000 with Refugee while Karishma in 1991. On October 11, 2002, at Amitabh Bachchan’s birthday party, their engagement was announced.But their engagement was called off after a few months. This ended their relationship of a few years and no reason were given of the break-up.



Shahid Kapoor and Kareena Kapoor-Bebo was the one who was always crazy about Shahid Kapoor and is said to have initiated the first move. It was in  2004 when their roaring affair grabbed headlines and made it to all gossip columns. Back then, both of them were very open about their relationship.One of their MMS went viral which confirmed their relationship.

Song from Jab We Met 2007


Shahid who made debut with the movie Ishq Vishk (a sleeper hit at the box office) alongside Amrita Rao was in a very serious and committed relationship with Kareena Kapoor. Amid the shooting of Fida in 2004, he started dating Kareena Kapoor and they both openly talked about the relationship. The couple isolated in 2007 amid the shooting of Jab We Met. Kareena fell for Saif (in Ladakh) during the filming of Tashan. Shahid was also rumoured to be getting close to his Kismet Konnection co-star Vidya Balan. However, it was Bebo who was apparently blamed for infidelity. She moved on and got married to the Chote Nawab (Saif Ali Khan). 




Hrithik Roshan and Kangana Ranaut-This love story broke before it bloom.It all started in 2011 and 2012 when Kangana was invited for the birthday party of Hritik's sister.After that both started dating together.Hritik was married then but some bitterness had come in the husband and wife by that time.Soon the couple’s divorce was publically announced. While there is no clarity whether the Krrish 3 co-stars’ romance led to Hrithik’s divorce,the Bang Bang star and Kangana were apparently back together after the announcement. Reports say that Hrithik even asked Kangana to marry him.They were together till the end of 2014 but something went wrong again. It is the sad end of the affair which is feeding a dirty legal mess.

Song from Krish 3 2013

Sunday 11 December 2016

Happy Birthday DILIP KUMAR - the Tragedy King of Indian cinema,


Dilip Kumar (born Muhammad Yusuf Khan on 11 December 1922) is an Indian film actor also known as Tragedy King,he was born in Peshawar now in Pakistan. He debuted as an actor in the film Jwar Bhata in 1944 produced by Bombay Talkies.In fact it was Devika Rani who sugested to change his name from Yousuf to Dilip Kumar.

Initial films of Dilip Kumar went un noticed, it was Jugnu (1947) in which he starred alongside Noor Jehan that became his first major hit at the box office. His next major hit was the 1948 film Shaheed. He got his breakthrough role with Mehboob Khan's Andaz(1949) in which he starred alongside Raj Kapoor and Nargis in a love triangle story. Shabnam also released that year was also a hit.
He went on to have success in the 1950s with playing leading roles in romantic films like Jogan (1950), Tarana (1951) Hulchul (1951) Deedar (1951), Aan (1952) Daag (1952), Uran KhatolaDevdas (1955), Yahudi (1958) and Madhumati (1958). These films established his screen image as the "Tragedy King". 

 He was the first actor to receive a Filmfare Best Actor Award and holds the record for most number of Filmfare Awards won for that category. In fact he is the winner of 9 Filmfare Awards and still holds the record for the most number of Filmfare awards won for that category with 8 wins.

 Throughout the 1950s he was one of the biggest stars of Bollywood along with Raj Kapoor and Dev Anand. Dev Anand, who had 3 flops from 1946-47, became a star when Ziddi became a hit in 1948 and Raj Kapoor's fortune as an actor changed when Andaz became a hit in 1949.Thus among the trio, first to become a star was Dilip Kumar and then second was Dev Anand and then Raj Kapoor. 
 His career has spanned over six decades and with over 60 films.The period of 1949-1961 is considered the peak period of Dilip Kumar's career as a hero. From late 1960s roles dried up for Kumar as films starring Dev Anand, Rajendra Kumar and Shammi Kapoor were more successful from 1961-1969 and also Dilip's films from 1966 to 1976 were box office flops like Dil Diya Dard Liya, Sunghursh, Aadmi, Dastaan, Gopi, Sagina and Bairaag and after 1976 he left films for a five year break.
In 1981 Dilip returned with a character role at insistence of Manoj Kumar in the blockbuster film Kranti and continued his career playing central character roles in multi-hero films such as Shakti (1982), Karma (1986), Vidhaata, Mazdoor, Mashaal, Duniya, Dharm Adhikari, Kanoon Apna Apna, Izzatdaar, Saudagar (1991), Qila. But his only films to be successful from 1981 at box office were Kranti, Vidhaata, Karma, Dharm Adhikari, Kanoon Apna Apna and Saudagar. He has retired from the Indian Film Industry in 1998.He is best remembered for his variety of roles in 'Andaz', 'Aan', 'Devdas', 'Azaad', 'Mughal-e-Azam', 'Ganga Jamuna' and Naya Daur.

 He married actress Saira Banu, who was 22 years younger than him, in 1966. He married a second time in 1980 to Asma but the marriage ended soon after.Dilip Kumar undertook a pilgrimage to Mecca in 2013 along with his Saira.
The Government of India honoured him with the Padma Bhushan in 1991, the Dadasaheb Phalke Award in 1994 and India's second highest civilian award, the Padma Vibhushan in 2015 for his contributions towards Indian cinema and nominated him to Rajya Sabha, the upper house of Indian Parliament for a term.

My Favourite Dilip kumar's Songs
Yahan Badla Wafa Ka Bewafai from Jugnu 1947

Gaaye Ja Geet Milan Ke from Mela 1948



Tu Kahe Agar Jeevan Bhar from Andaz 1949


Hue Ham Jinke liye from Deedar 1951


Ae Mere Dil Kahin Aur Chal from Daag 1952


Song  from Aan 1952


Yeh Hawa Yeh Raat Yeh Chandni from Sangdil 1952


Shaame-E-Ghum Ki Kasam from Footpath 1953



Song from Naya Daur 1957


Song from Madhumati 1958



Song from Madhumati 1958



Song from Ganga Jamuna 1961


Tere Husn Ki Kya Taarif Karon from Leeder 1964



Song from Ram Aur Shyam 1967




Song from Sangharsh 1968



Song from Sagina 1974