This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Showing posts with label shankar jaikishan. Show all posts
Showing posts with label shankar jaikishan. Show all posts
Jaikishan was the flamboyant, man-about-town who loved to dress in the best suits. He was the soul of the party and loved his scotch.On September 12, 1971, Jaikishan passed away due to cirrhosis of liver.He was only 42 years of age.In a short span of life he along with shankar was among the top Music Directors of Golden Era.The debonair musician actually wanted to be an actor, which was his prime motivation for moving to Mumbai. He started learning music under Vinayak Tambe and became a trained harmonium player. Prithvi Theatre was searching for a harmonium player and Shankar took Jaikishan under his wings.Soon, both friends were providing music and even acting in plays produced by Prithvi. He along with Shankar started as Music Director with Raj Kapoor's Barsaat (1949) Raj Kapoor may have introduced them but it’s wrong to credit him only for all their success. They shone even in non RK films like Daag, Basant Bahar, Amrapali, Asli Naqli, Arzoo, Dil Ek Mandir, Junglee, Love in Tokyo, An Evening in Paris. They didn’t just stick to established singers but made sure they found the right voice for the mood. For instance, they used an unknown Subir Sen for Dil mera ek aas ka panchi from Aas Ka Panchi (1960), Suman Kalyanpur for Dil ek mandir hai from Dil Ek Mandir (1963), Manna Dey for Yeh raat bheegi bheegi, Chori Chori (1956), Asha Bhosle for Mud mudke na dekh from Shri 420 (1955), Mukesh (for Dilip Kumar) in Yeh mera diwanapan hai, Yahudi (1958) and made many more such off kilter choices. Shankar-Jaikishan’s popular hits
The trend of composer duos is not new. Earlier decades too boasted of talented music directors like Shankar-Jaikishan, Kalyanji-Anandji, Laxmikant-Peareylal. Thefirst to work as the music director duo.were Husnalal Bhagatram..Both were brothers.Most composers who work in teams feel that working as a duo helps in sharing thoughts and generating ideas.In this blog I have taken 10 such Composer Duos. Husnalal Bhagatram..
They made their presenceon the film music right on their entry in 1944 with the film “Chand” that came with a hit song “Do Dilon Ko Yeh Duniya” sung by Manju.Their compositions “Ek Dil Ke Tukde Hazar Huye” (Pyar Ki Jeet) and “Suno Suno Ai Duniya Walo,Bapu Ki Yeh Amar Kahani (Amar Kahani) sung with his characteristic soulful involvement became runaway hits.The rise of the talented music director duo Husnlal-Bhagatram virtually marked the beginning of Hindi film music’s golden era in the early 1940s.Who can forget the Husnlal-Bhagatram gems sung by Lata “Chale Jana Nahi Nain Mila Ke” (Badi Bahen-1949) and “Abhi To Mai Jawan Hun-Khushiyo Ke Din Manaye Ja” (Afsana-1951)?
Song from Pyar Ki Jeet 1948
Song from Afsana-1951
Shankar Jaikishan
Shankar-Jaikishan, along with other artists, composed "everlasting" and "immortal melodies" in the 1950s, and 1960s,They made their debut as Independent composer with Raj Kapoor's Barsaat in 1949.They formed a core team with lyricists Shailendra and Hasrat Jaipuri and with singers Mohammed RafiLata Mangeshkar and Asha Bhosle.Shankar-Jaikishan made a significant contribution in promoting Indian classical music throughout their career. It was their established practice to have at least one song in a movie based on semi-classical style. These included songs like `Jhanak-jhanak tori baje payaliya' (Mere Huzoor), `Chham chham baje re payaliya' (Jane-anjane), `Radhike tune bansari churayi' (Beti Bete), `Manmohana bade jhoothe' (old `Seema'), `Koi matwala aya mere dware' (Love in Tokyo), `Ajahu na ayae baalma, sawan beeta jaye' (Sanjh aur Savera), `Lapak jhpak tu aa re badarwa' (Boot polish), `Ye barkha bahar sautaniya ke dwar' (Mayur pankh), `Re man sur mein ga' (Lal pathar) While working as a team, Shankar and Jaikishan used to compose their songs separately. Generally, Shankar liked to work with Shailendra and Jaikishan with Hasrat Jaipuri.During their career, S-J won Filmfare Best Music Director Awards nine times.
Song from Barsaat 1949
Song from Sangam 1964
Kalyanji-Anandji
Unlike Shankar jaikishan they were brothers. Kalyanji was elder to Anandji.Kalyanji started his career as a musician, with a new electronic instrument called the clavioline. which was used for the famous "Nagin Been," used in the film Nagin (1954) which had the music of Hemant Kumar.Samrat Chandragupta (1959) was his first film as Kalyanji Virji Shah,This was followed by his composing music scores for more films like Post Box 999 before Anandji who was assisting him, joined him officially to form the Kalyanji Anandji duo in Satta Bazar and Madari (1959). Chalia (1961) was their earliest major hit. In 1965, two decisive scores, Himalay Ki God Mein and Jab Jab Phool Khile, established them as composers to reckon with. Some of their best-known works are Don, Bairaag, Saraswatichandra, Qurbani, TridevMuqaddar Ka Sikandarand Safar. They won the 1975 Filmfare Award for Best Music Director for Kora Kagaz.
Song from Jab Jab Phool Khile 1965
Song from Kora Kagaz 1969
Laxmikant-Peareylal
They composed music for about 635 Hindi movies from 1963 to 1998, working for almost all notable filmmakers.Laxmikant and Pyarelal met at Sureel Kala Kendra, a music academy for children, run by the Mangeshkar family. After Lata ji came to know about their financially poor backgrounds, Lata recommended their names to music directors like Naushad, Sachin Dev Burman and C. Ramchandra. Similar financial backgrounds and age made Laxmikant and Pyarelal very good friends. The first released movie which featured them as music directors was Babubhai Mistry's Parasmani (1963),Laxmikant–Pyarelal hit the big time with Rajshri Productions' 1964 film Dosti. The film had two newcomer heroes who never became popular, and the film was a success due to its music. Songs like "Chahoonga main tujhe shaam savere" and "Rahi manava" became very popular. At that time, many used to think that there was a single person by the name of Laxmikant Pyarelal. Laxmikant–Pyarelal won their first Filmfare Best Music Director Award for the movie. LP dominated the Weekly Hindi Film songs Countdown programme Binaca Geet Mala,from 1964 to 1980s.They won 7 Filmfare Awards.The team of Laxmikant–Pyarelal and lyricist Anand Bakshi churned out some of the most popular songs in Hindi Cinemas history. The combo composed songs for more than 250 movies.
Song from Dosti 1964
Song from Do Raaste 1969
Shiv Hari
As a composer for many Yash Chopra films, the Shiv-Hari team offered pleasant melodies in an era when the music scene is said to be truly awful. Ye kahaan aa gaye hum (Silsila), Mere haathon mein nau-nau choodiyaan hain (Chandni), Jaadu teri nazar and Tu mere saamne (Darr) are just some of their many euphonic tunes.They did 8 films together
The duo soon found that they couldn’t find a balance between their work in cinema and their music outside the film circuit, and they quit films after Darr, summarily refusing Yash Chopra’s Dil To Pagal Hai, but that’s another story.
Song from Silsila 1981
Song from Chandani 1989
Nadeem Sharvan
Nadeem–Shravan were the most successful music directors of the 1990s until the early 2000s. They have the strong reliance of Hindustani music in their compositions and were the only composers during the 1990s and 2000s who relied heavily on three particular instruments: the bansuri, the sitar and the shehnai in almost all of their songs. Their first Hindi movie assignment was Maine Jeena Seekh Liya in 1981 sung by Amit kumar. In 1989, their three big movies were released: Ilaaka, Hisaab Khoon Ka and Lashkar. They composed soundtracks for many films, including Aashiqui (1990), Saajan (1991), Deewana (1992), Dil Ka Kya Kasoor (1992), Hum Hain Rahi Pyar Ke (1993), Rang (1993), Dilwale (1994), Raja (1995), Barsaat (1995), Agni Sakshi (1996), Jeet (1996), Raja Hindustani (1996), Pardes (1997), Sirf Tum (1999), Dhadkan (2000), Kasoor (2001), Hum Ho Gaye Aapke (2001), Raaz (2002), Dil Hai Tumhaara (2002), Dil Ka Rishta (2003), Andaaz (2003), Tumsa Nahi Dekha (2004), Bewafaa (2005) and many others.They won 4 Filmfare Awards,the first was for Aashiqui in 1991.Kumar Shanu,Udit Narayan and Alka Yagnik were the main singers who sang for them.
Song from Aashiqui (1990)
Song from Pardes (1997)
Jatin Lalt
The brother jodi who made it big in the 1990s.They began their career in 1991, composing music for the Hindi movie Yaara Dildara. Although the film was a flop, its music was a big hit. The evergeen famous song of the movie was "Bin Tere Sanam", which topped the charts. They were first noticed for their work on the soundtrack of the movie Khiladi and for "Pehla Nasha", a romantic song from Jo Jeeta Wohi Sikander, the film which earned then their first nomination for the Filmfare Award for Best Music Director. Jatin–Lalit's score for the cult classic Dilwale Dulhania Le Jayenge was a massive success, and is remembered as one of the all-time best Bollywood soundtracks, earning them another nomination at the Filmfare,Some of their best known films are .Khamoshi: The Musical (1996) ,Yes boss 1997,Kuch Kuch Hota Hai,Pyaar To Hona Hi Tha, Mohabbatein, (2000),Kabhi Khushi Kabhie Gham (2001), Hum Tum (2004), Chalte Chalte (2003) and Fanaa (2006), After working for almost 16 years together, they announced that they would be parting ways due to personal problems.
This is not a duo but a musical trio consisting of Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa. Composers who have composed music for over 50 soundtracks across five languages - Hindi, Tamil, Telugu, Marathi and English. Among the most critically acclaimed Indian musicians. The trio have won numerous awards, including National Film Award (India), Filmfare Awards, IIFA Awards. Shankar Ehsaan and Loy came up from the ranks of the non-film music scene, performing rock, blues, jazz and pop before entering the film music industry.Their first Hindi film was Dus 1n 1997 but became famous from Dil Chahta Hai 2001. Following Dil Chahta Hai, their next big venture was Dharma Productions' Kal Ho Naa Ho, directed by Nikhil Advani. The album broke all the previous records as a best-selling album. The music won many awards including the National Film Award for Best Music Direction.The year 2005 saw them collaborate with Shaad Ali for Bunty Aur Babli.The soundtrack, despite the initial mixed reaction from various critics, became immensely popular among the public, and went on to win several awards including Filmfare and IIFA awards. The song "Kajra Re" featuring Aishwarya Rai, Abhishek Bachchan and Amitabh Bachchan became a rage among the listeners. Some of their best known films are Kabhi Alvida Na Kehna,Don,Jhoom Barabar Jhoom,Taare Zameen Par ,Rock On,My Name Is Khan ,Zindagi Na Milegi Dobara and Bhaag Milkha Bhaag
Song from Dil Chahta Hai 2001
Song from Kabhi Alvida Na Kehna 2006
The other Music Director Duos are Sonik Omi, Sapan Jagmohan, Dilip Sen Samir Sen, Salim Suleiman, Sajid Wazid, Sanjiv Darshan and Ajay Atul
Remembering SHAILENDRA(30th Aug 1923) the Lyricist on his 94th Birth Anniversary. Poetry was his first love but family situation forced him to take up a job of a railway mechanic.His job in Indian Railways brought him to the city of Bombay.Here in a Kavi Sammelan Raj Kapoor heard him reciting his poems,Raj Kapoor got impressed with his poetry and offered him to write songs for him.Which he initially refused but due tosome domestic reasons and responsibilities, need of money he aproached Raj Kapoor after 6 months and agreed to his terms. His first project was 'Barsaat'. Shailendra wrote his first song 'Barsat Mein Tum Se Mile Hum Sajan..' for Raj Kapoor.His poetic genius was in his ability to convey deepest of thoughts in simplest of words. Eventually, Barsat was also the first film for the emerging music director duo Shankar-Jaikishan. The film proved very successful and after the success of Barsaat Raj Kapoor, Shankar-Jaikishan and Shailendra always worked together. No doubt, Shailendra gave his best with Shankar-Jaikishan, but he shared equally pleasant rapport with musical giants of those days, like Salil Chowdhary, S. N. Tripathi and S.D. Burman. Here are my favorite songs of Shailendra
On the 41st Death Anniversary of Mukesh I look back at the Magical Combination of this legendary singer with SJ and Raj Kapoor. Mukesh debuted as (actor-)singer in 1941 with Nirdosh,his association with Raj Kapoor took place in 1949 when he sang for RK in Aag,the song was “Zinda Huwe, Is Tarah Ke Hamen” composed by Ram Ganguli.Raj Kapoor realized that now he found his soul in the voice of Mukesh. In the very next film Barsaat 1950,Shankar Jaikishan made their debut as music director,from this film the trio of Mukesh,SJ and Raj Kapoor formed.After that they gave many immortal songs to Bollywood . Barsaat’s musicwas dominated by Lata Mangeshkar, Mukesh getting two duets with her. But their next venture, Awara (1951), had the title track which became a global sensation making Raj Kapoor-Nargis one of the most recognizable faces abroad, and India’s cultural ambassador. In the same year, in a non-RK film Baadal, too, SJ created an outstanding solo, Main raahi bhatakane wala hun, and an equally good duet with Lata Mangeshkar, Ae dil na mujhse chhupa. RK-SJ’s next film Aah (1953) didn’t fire up the box-office, but what great songs Mukesh sang! The two solos, Raat andheri door kinara, Chhoti si ye zindagani, and the two duets with Lata Mangeshkar, Jaane na jigar pahchaane nazar, Aa ja re ab mera dil pukara are among the most loved songs for Mukesh fans. With Mukesh becoming identified as Raj Kapoor’s voice, in almost all the films of Raj Kapoor whether under RK banner or outside, if SJ were the music director Mukesh was almost invariably the voice for him. And every film had great songs remembered till today:Here are some of the immortal songs of this Trio.
