Friday, 7 October 2016

A Tribute to BEGUM AKHTAR on her 102nd Birth Anniversary


 Akhtaribai popularly known as Begum Akhtar was born on 7th Oct 1914 at  Bada Darwaza, Town Bhadarsa, Bharatkund, District Faizabad U P.Infact she was born as Bibbi along with Zohra as twin daughters to Mushtari and Ashgar Hussain Her family belonged to the upper class of the society and was not even inclined towards music. She showed interest in music at a very young age and was sent to train under the great sarangi player, Ustad Imdad Khan. Later, she learnt classical music from great exponents of this field like Mohammad Khan, Abdul Waheed Khan and Ustad Jhande Khan Saheb.
Toone but e harjaayi kuchh aisi adaa paayi(Begam Akhtar NFS)(1930) 

She gave her first public performance.when she was only 15 years old.People were moved by her voice and she gained instant recognition. Her first recording was done by the Megaphone Record Company and they released many gramophone records with her melodious Ghazals, thumris, dadras, etc. In 1930's,

Begum Akhtar was very beautiful and her sensitive voice made her an ideal candidate for a film career in her early years. 
Those days only those actors were chosen who can sing also .Begum Akhtar was also aproached by many people from bombay to work in films.So she acted in a few Hindi films She was signed by East India Film Company as a singing actor. Her first film was East India Film Company’s ‘Ek Din Ka Baadshah’ (1933). This was followed by ‘Nal Damyanti’ (1933), ‘Mumtaz Begum’ (1934), ‘Roop Kumari’ (1934), ‘Ameena’ (1934), ‘Jawani Ka Nasha’ (1935), ‘Naseeb Ka Chakkar’ (1936) etc.. In all these films, she sang all her songs herself. 


WOH HANS RAHE  FROM ROTI 1942
Seeing her performance in these films  the renowned director Mehboob Khan approached her for a film titled "Roti". The music was composed by the famous Anil Biswas. The movie was released in the year 1942 in which Begum Akhtar had sung six Ghazals. Unfortunately, four of the Ghazals were deleted due to some tension between the producer and the director. The film was appreciated by one and all and the music took the industry by storm. 
After her marriage with  barrister Ishtiaq Ahmed Abbasi in the year 1945.she could not sing for almost five years. But  In the year 1949, she returned to record at the Lucknow Radio station and sang three Ghazals and a Dadra. She felt so satisfied and happy that she wept with joy. She then continued to give public performances and sing in concerts till she passed away
Aye Ishq Mujhe Aur to Kuch Yaad

 Begum Akhtar was persuaded by Madan Mohan, a famous music director to sing in two movies "Daana Paani" (1953) and "Ehsaan" (1954). The songs "Aye Ishq Mujhe Aur to Kuch Yaad" and "Hamein Dil Mein Basa Bhi Lo" were absolutely melodious and were liked by one and all. Her last movie stint was that of a classical singer in Satyajit Ray's film "Jalsa Ghar". Begum Akhtar was a refined Ghazal singer and was called as Mallika-e-Ghazal or the Queen of Ghazals.

Fasl e gul aayi hamen yaad teri phir aane lagi (Panna Dai)(1945) 

Begum Akhtar performed last in a concert in Ahmedabad. That day she felt that her voice was not upto the mark and raised her pitch. This put much stress on her and her health deteriorated. The situation became critical and she had to be rushed to the hospital. She breathed her last on 30th October 1974, leaving many fans disappointed and heart broken.
Her tomb was built in a mango orchard within her home, ‘Pasanda Bagh’ in Thakurganj area, of Lucknow. She was buried alongside her mother, Mushtari Sahiba. Attempts are on to convert her home built in 1936 in China bazaar, Lucknow into a museum.
She received the Sangeet Natak Akademi Award for vocal music, and was awarded Padma Shri and Padma Bhushan(posthumously) by Govt. of India. She was given the title of Mallika-e-Ghazal (Queen of Ghazals).
 Her taseer(soulful sound) was the result of years of “loneliness, pain, suppression and silence, she had the ability to sing the saddest song with a bright smile

.On the conclusion of  her 102 nd birth anniversary, I have selected one of her six songs from the film ‘Roti’ (1942), ‘Chaar Dinon Ki Jawaani’ . This song was written by Dr. Safdar ‘Aah’ Sitapuri and the music was given by Anil Biswas. The film was produced under the banner of National Studios and was directed by Mehboob. 


‘Chaar Dinon Ki Jawaani



Meghraj Aaye Barkha Laye from Roti 1942


The Ghazal that gave Begum Akhtar name and fame was written by Behzad Lucknowi –deewaana banaana hai to deewaana banaa dethat she became famous as a ghazal singer. Interestingly, Ustad Bade Ghulam Ali Khan accompanied her on Sarangi in this ghazal. This record not only cut a platinum disc, Megaphone Company had to set up a full fledged plant at Dum Dum to meet the unprecedented demand for this ghazal’s gramophone record


Begum Akhtar - diwana banana hai to

This song is from the Film Roti 1942 in which Begum Akhtar sang 6 songs but all the songs were removed from this film due to the contract she signed with the record company earlier not to sing for others.Later this song was released by the same company.All the songs were written by  Behzad Lucknowi, keeping Akhtaribai in his mind.I think he  was in love with Akhtaribai Faizabadi or with her singing .



Akhtari Bai Faizabadi's early years 6 Aye mohabbat tere anjam pe rona aaya



The ghazal is ‘mere hum-nafas mere hum-nawaa mujhe dost banke dagha na de’ written by Shakeel Badayuni. This ghazal was first issued by HMV on LP No.ECSD 2486 in 1971.This was composed by Khayyam 

Mere ham nafas mujhe dost ban kar daga na de



Deewana Banana hai to

Jigar Moradabadi remained one of her favourite poets and she continued to sing his ghazals until her death in October 1974.The ghazal is ‘koi ye keh de gulshan gulshan’. Begum Akhtar had composed this ghazal and sang in concerts sometime in latter half of 30s, but it was recorded for HMV sometime in early 50s

Koi ye keh de gulshan gulshan

Here is this song which is sung and composed by Begam Akhtar. The lyrics are traditional and the lyricist is not known.



















Wednesday, 5 October 2016

Theme Songs- 25 Hit PIANO SONGS iN HINDI FILMS


IN Bollywood Movies PIANO was an important Instrument to create a song situation specially in Golden Era of Bollywood.Most leading Actors would be seen playing Piano and singing a song.Nowadays this situation is missing in our movies.It used to be a clever ploy of the film director to introduce a song even when the situation didn't demand it.Sometimes a song starts with a piano and lateron switch to dance or some other scenes.

In my knowledge the first Piano Song was picturised as a piano song. P Jairaj is playing the piano and this song is sung by Renuka Devi. Her father V H Desai looks on and later the villain Rama Sukul too comes in and watches her sing with disapproval.The song is from “Bhaabhi” (1938).Singer-Renuka Devi, Lyrics-J S Kashyap, MD-Saraswati Devi
Jhuki aayi re badariya saawan ki from Bhabhi 1938

Here is a timeless classic  song. “Jawaan hai muhabbat haseen hai zamaanaa” is sung by Noorjehaan and it is picturised on herself. The unforgettable lyrics were written by Tanveer Naqvi and music was composed by Naushad.for the film Anmol Ghadi 1946

Jawaan hai muhabbat haseen hai zamaanaa

Andaj 1949 movie is a movie in whic 4 Piano songs were picturised,all these songs were popular i am posting here this song "Ham aaj kahin dil kho baithe" Dilip Kumar sits at the piano at night and sings this song. And Nargis arrives with her pet dog and watches Dilip Kumar sing the song, clutching her dog like a pillow.The song is sung by Mukesh. Majrooh Sultanpuri is the lyricist and Naushad composed the music. 

Ham aaj kahin dil kho baithe

This song is a piano song, where Dilip Kumar sits at the piano This song is from “Baabul” (1950). The song was sung by Talat Mahmood and Shamshad Begum 


Milte hi aankhen dil huaa deewaana kisi ka

Here is one such song from “Anhonee” (1952). This is a song sung by Talat Mehmood and picturised on Raj Kapoor. It is a rare combination of singer and actor, but the song itself is quite well known and it is in fact a Talat Mehmood classic.


Main dil hoon ek armaan bharaa 

This song is sung by Lata and picturised on Nargis. This song is written by Hasrat Jaipuri and music is composed by Shankar Jaikishan.The Film ia Aawara 1951
Jabse balam ghar aaye

Here is a piano song from the movieMiss Merry 1957. It is a piano song in the sense that Gemini Ganeshan sits at the piano and he is supposed to play it, though one can not recognise the sound of piano but the music of tabla, flute and other instruments that one can hear.

                                 Brindavan ka krishan kanahiya


Here is a romantic piano song sung by Asha Bhonsle and picturised on Nargis and Balraj Sahni.The film is Lajwanti 1958, Majrooh Sultanpuri was the lyricist and S D Burman composed the music.

                                Koi Aaya Dhadkan Kehti Hai 


Here is a Lata-Madan Mohan classic from a 1958 movie called “Jailor”. Lyricist is Rajinder Krishan and the song was picturised on Geeta Bali who sings this song on a piano.

Ham pyaar me jalne waalon ko chain kahaan



 It is a piano song. Though the picturisation does not show the piano being played again after the beginning of the song.Shailendra as the lyricist and Shankar Jaikishan as music directors have created a masterpiece which has been sung so beautifully by Lata. The film is Anari 1959


                                              Tera jaana dil ke armanon ka lut jaana


Another great song on Piano from the movie Maya 1961. Dev Anand is playing Piano. Here is this song- “Koyi sone ke dil waala koyi chaandi ke dil waala”.Majrooh Sultanpuri is the lyricist and music by Shankar Jaikishan.
Koyi sone ke dil waala, koyi chaandi ke dil waala


This song is from the movie Shola Aur Shabnam 1961. It is a piano song Dharmendra is playing Piano but the director has shown Dharmendra's face in dark reason being he was not giving the expression 

                                     Jeet Hi Lenge Baazi Hum Tum 



 This song was written by Sahir and composed by Ravi and sung by Mahendra Kapoor for the film Gumrah 1963.In this movie Mala Sinha, the heroine, is called upon to make some serious sacrifices. she loves Sunil Dutt, but she is forced to marry a widower viz Ashok Kumar.This song was sung on piano by Sunil Dutt.

Chalo ik baar phir se


Mukesh is the singer and Shankar Jaikishan composed the music. The picturisation shows Raj Kapoor singing this song seated on a grand piano. Rajendra Kumar is on the verge of taking the sip from his glass when he hears the accusing works “dost dost na raha” The movie is Sangam 1964

Dost dost na rahaa pyaar pyaar na raha


What a remarkable song it is. Kishore Kumar sings it with gusto. One can feel the energy that he brings into the song. And the song is picturised nicely as a party song where Dev saab sings at a piano and sings this song,The movie is Teen Devian 1965

Khwaab ho tum ya koi haqeeqat 



Waqt released in 1965 had 2 Piano songs .Sadhna plays piano on both the songs,here i am posting the song in which she is seen playing Piano in the middle of the song.

                                            Kaun aya ke nigaahon




 This song from Anupama (1966) was picturised on Surekha,she  sings this song on a piano wating for  Tarun Bose. Tarun Bose, ever so impeccably dressed in suit/ boot/ tie arrives unannounced and enjoys the singing for a minute and a half before revealing himself to her.


Dheere dheere machal ae dil e bekaraar

In this song Shammi Kapoor is playing Piano,it is a sad song  This song had become a big rage during its time. Rafi’s voice, followed by Shankar Jaikishan’s music that has led to this humdinger of a song.


Dil ke jharokhe me tujhko bithaakar


The song is “aaj ki raat mere dil ki salaami le le” sung by Rafi and picturised on Dilip Kumar.Shakeel Badayuni was the lyricist while Naushad composed the music for this song from “Ram aur Shyam”. Waheeda Rahman plays the female lead who is supposed to look embarrassed and guilty throughout the song.

Aaj ki raat mere dil ki salaami le le


This is a song that is sung in the movie by Manoj Kumar sitting in a piano. Apart from being a piano song, this is also a party song.This song also has Mumtaz, and she definitely lights up the screen with her presence.The movie is Patthar Ke Sanam

Patthar ke sanam


This is a piano song cum party song in the sense that this song is sung by Sunil Dutt seated on a piano in a party.The film is Hamraz 1968

Kisi patthar ki moorat se


Here is a piano song from this movie which was sung by Lata and picturised on Simi Garewal.The movie is Saathi 1968.

Ye kaun aaya mehfil mein


“Pyar deewana hota hai mastaana hota hai” is a piano song  Kishore Kumar sang this song for Rajesh Khanna for Kati Patang 1970

Pyaar deewaana hota hai mastaana hota hai


Here is a well known song from “Aadmi aur insaan”. Here Asha Bhonsle sings the lyrics of Sahir Ludhianvi.This song was picturised as a party song on Mumtaz seen in a Helenesque outfit, with Dharmendra and Feroz Khan looking on. It is sung by Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by Ravi.

Zindagi ittfaq hai


Here is this song from “Laal Patthar” (1971) which was quite popular in its days. It is sung by Kishore Kumar.The song is picturised as a piano song on Vinod Mehra, with Raj Kumar, Rakhi and Hema Malini also visible.

Geet gaata hoon main gungunaataa hoon main


This is a very nice song to listen to, and it was very popular during its days.In this song, real life father and son (Kishore Kumar and Amit Kumar) sing for reel life brothers. Asha Bhonsle sings for Rakhi. Gulshan Baawra wrote the song. R D Burman composed the music.The film was Kasme Vaade 1978.Amitabh Bachhan plays Piano.

Aati rahengi bahaarein 

















Sunday, 2 October 2016

A TRIBUTE TO GANDHI JI ON HIS 147th BIRTH ANNIVERSARY


To mark the occasion of Gandhi Jayanti, in this post I pick five songs that evoke memories of the Father of the Nation, Mahatma Gandhi. 

Suno Suno Aye Duniyawalo Bapu Ki Yeh Amar Kahani
“Suno Suno…” was released in 1948 as an homage to Mahatma Gandhi a week after he was assassinated. Composed by composers Husnlal–Bhagatram, the song was one of the earliest successes of Mohammed Rafi and lyricist Rajendra Krishan

Sabarmati Ke Sant Tune Kare Diya Kamal (Jagriti, 1954)
This is probably the most popular tribute to Mahatma Gandhi written by  KAVI PRADEEP for Hindi films. Hemant Kumar cleverly merged a simple, bhajan-like tune with refrains of ‘Raghupati Raghav Raja Ram’ and Asha Bhosle effectively rendered it


Gun Dham Hamare Gandhi Ji
SD Burman recordedon his own voice two songs ‘Gun Dham Hamare Gandhi Ji’ and ‘Sab Desh Ki JantaTumhe Ro Ro Ke Pukare’, when Mahatma Gandhi was assassinated. These songs remained obscure for a long time, till they were re-released by Hindusthan Records in 2007. 


 Raghupati Raghav Raja Ram from film Gandhi 1982


Raghupati Raghav from film Satyagraha










Happy Birthday Asha Parekh


Asha Parekh was born into a middle-class Gujarati Jain family on 2 October 1942 in Mumbai,she started her career as a child artist under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling.

She made her debut as a heroine from  Dil Deke Dekho (1959) opposite Shammi Kapoor, which made her a big star.The film was produced by Subodh Mukharji and directed by Nasir Hussain,who later casted her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo in his film Manzil Manzil (1984). 

Her films were essentially cheerful, lighthearted entertainers. Today, they may not count as classics, but are redolent of a more gentler and amiable age of entertainers., She made an impact in Ziddi (1964). Asha played a characteristic no-nonsense tomboy who cavorts around with a cute baby elephant for company. She surprised many in her emotional scenes, which captured her painful passage to adulthood.


The true efflorescence of Asha's talent came in the year 1966, which saw her star in four successful films: Vijay Anand's masterly suspenseful musical Teesri Manzil reteamed her with Shammi Kapoor, Love In Tokyo gave her a chance to dance and emote in picturesque Japan, Aaye Din Bahaar Ke started a successful teaming with Dharmendra (five successes, no flops), and Raj Khosla's rather maudlin Do Badan offered her the opportunity to play tragedy.

She did deglamourised roles in Baharon Ke Sapne (1967), or Chiraag (1969).She finally got the much coveted Best Actress Award in Kati Patang (1970). As the widow whose watery smile hides a painful secret, Kati Patang was followed by hits like Aan Milo Sajna, Nasir Hussain's Caravan and Raj Khosla's Mera Gaon Mera Desh in the early seventies.
 Later she concentrated on her dancing  and went on a an extended trip abroad for her dance shows.Asha's obsession with dance continued and her performance of famous dance ballets like Chauladevi won attention.

She did the ocassional film like Raj Khosla's Main Tulsi Tere Angan Ki (1978), or J P Dutta's Hathyar (1989), which made demands on her creativity. But when she found film roles degenerating into the maa-bhabhi glut, she firmly retired from films in the early 1990s.
 Her biggest challenge however came with her appointment as chairperson of the Central Board of Film Certification,She held this post from 1998 to 2001, where she was forced to take a stand on innumerable controversial issues, but as usual, Parekh emerged with flying colours.She was given PadmaShri by Govt. of India in 1992

 Today, she concentrates on her dance academy Kara Bhavan and the Asha Parekh Hospital in Santa Cruz, Mumbai, named in her honour because of her many humanitarian contributions.We wish her long life and remember her with her Super Hit songs
Song from Dil Deke Dekho 1959



Song from Ghunghat 1960


Song from Jab Pyar Kisise Hota Hai 1961



Song from Chhaya 1961



Song from Bharosa 1963



Song from Teesri Manzil  1966


Song from Love in Tokyo 1966



Song from Upkar 1967



Song from Shikar 1968



Song from Mahal 1969



Song from Kati Patang 1970



Song from Caravan 1971


Song from Main Tulsi Tere Aangan Ki 1978