Happy Birthday JAVED AKHTAR-The Dialogue-Weaver and Lyrical Maestro

Javed Akhtar was born on 17th Jan 1945 in Gwalior. His father Jan Nisar Akhtar was a Bollywood film songwriter and Urdu poet, and his mother Safia Akhtar was a singer, teacher and writer. He spent most of his childhood and was schooled in Lucknow. He graduated from Saifiya College in Bhopal
When Javed Akhtar arrived in Mumbai in 1964, he was a homeless man without any food or shelter. He struggled to find work in the Hindi film industry. He used to sleep under trees, or in corridors, until he took shelter in Kamal Amrohi Studio in Jogeshwari.
Initially he started working as a Clapper Boy in films,he met Salim Khan for the first time while filming ‘Sarhadi Lootera’, where Salim was an actor and Javed was a clapper boy. Javed was later made the dialogue-writer of the film as director SM Sagar was unable to find one.
He was offered to write a screenplay by Mr Devar of south for his south remake in hindi,he went to Salim Khan to join him for this film as a script writer.Later both were hired by G. P. Sippy's Sippy Films as resident screenwriters and produced the screenplays for successful films like Andaz, Seeta Aur Geeta, Sholay and Don.
Their first big success was the script for Andaz, followed by Adhikar (1971), Haathi Mere Saathi andSeeta Aur Geeta (1972). They also had hits in Yaadon Ki Baaraat (1973), Zanjeer (1973), Haath Ki Safai (1974), Deewaar (1975), Sholay (1975), Chacha Bhatija (1977), Don (1978), Trishul (1978), Dostana (1980), Kranti (1981), Zamana (1985) and Mr. India (1987). They have worked together in 24 films including two Kannada films – Premada Kanike and Raja Nanna Raja. Of the 24 films they wrote 20 were hits.They  described as "the most successful scriptwriters of all-time", are also noted to be the first scriptwriters in Indian cinema to achieve star status. Javed and Salim split in 1982 due to ego issues.
He was aproached by Yash Chopra in 1981 to write Lyrics for his film Silsila,that was the first film when he emerged as a  successful Lyricist.It was in 1997 film Saaz where he recieved his National Award for the Best Lyricist and first Filmfare Award for Best Lyricist in 1995 for "Ek Ladki Ko Dekha" from 1942: A Love Story.
Javed and his first wife Honey Irani, whom he met on the sets of ‘Seeta Aur Geeta’, share the same birth date, January 17,with whom he had two children, Farhan Akhtar and Zoya Akhtar, both film directors and actors.Javed divorced Irani and later married Shabana Azmi, the daughter of another Urdu poet, Kaifi Azmi.

 Javed Akhtar has won the Filmfare Award fourteen times - seven times for Best Script, and seven times for Best Lyrics. He has won the National Award five times. In 2013, he received the Sahitya Akademi Award in Urdu, India's second highest literary honour, for his poetry collection ‘Lava’. He is also a recipient of the Padma Shri (1999), Padma Bhushan (2007).He was a Rajya sabha M P from 2009 to 2015.

Listen & Enjoy the Magical Lyrics of Javed Akhtar. On his 72nd Birthday, 

Song from Silsila 1981

Song from Saath Saath 1982

Song from Saagar 1985

Song from Tezaab 1988

Song from 1942 A love Story 1994

Song from  Papa Kehte Hai 1996

Song from Saaz 1996

Song from Border 1997

Song from Yes Boss 1997

Song from Duplicate 1998

Song from Refugee 2000

Song from Lagaan 2001

Song from Kal Ho Na Ho 2003

Song from Main Hoon Na (2004)

Song from Veer-Zaara (2004)

Song from Kabhi Alvida Naa Kehna 2006

Song from Jodhaa Akbar

Remembering O P NAYYAR on his 91st Birth Anniversary

O P Nayyar was Born on16th January 1926 in Lahore, British India (present Pakistan). He then underwent music training.  He left home to pursue a career as a composer. He got his first break when he composed the background score for the film Kaneez, 1949.He got a break as an independent Music Director from 1952's Aasmaan (produced by Dalsukh M. Pancholi), O P Nayyar then composed music for Chham Chhama Chham (1952) and Baaz (1953) He started his journey with Gurudutt in the film Baaz and theThe first successful break he got in Gurudutt's film AarPaar, 1954. Also he stormed the film world with his outstanding performance in the film  Mr and Mrs 55, 1955 and CID, 1956, The Geeta Dutt-OP Nayyar duo created magic starting with Aar Paar, Mr & Mrs 55 and CID, which is indelibly etched in people’s memories forever. 
In 1957 Filmalaya introduced Nasir Hussain, who wanted a composer to provide romantic scores for newcomers Shammi Kapoor and Ameeta. Nayyar's scores were featured in the Hussain films Tumsa Nahin Dekha (1957)
Naya Daur released in 1957, rocked India and came as a turning point not only for OP but also for Asha Bhonsle who until then was living under the shadow of her sister Lata Mangeshkar.The magical combination of Asha and OP is now an integral part of Bollywood’s folklore. One doubts whether a musical combination like this can ever emerge again. OP exploited Asha’s versatile qualities and range of her silky smooth voice to the hilt.

 O P Nayyar went on to notch up even higher distinction through his compositions for Naya Daur,Howrah Bridge,Jaali Note, Phir Wohi Dil Laya Hoon and Mere Sanam. The former movie included his enormously popular song, Bandaa Parwar, Thaamlo Jigar, while the latter included Jaayiye Aap Kahaan Jaayenge and Pukaarataa Chalaa Hoon Main. Some months later, his scores for the movie, Kashmir Ki Kali, once again gained high popularity. 
 He won the 1958 Filmfare Award for Best Music Director (for Naya Daur). Nayyar worked extensively with singers Geeta Dutt, Asha Bhosle and Mohammed Rafi but not with leading Bollywood female singer Lata Mangeshkar. However, Mangeshkar's song Ek To Balam Teri Yaad Satayein (from the 1958 film Aji Bas Shukriya) was used in the 1973 Hindi film Taxi Driver, for which Nayyar was music director.
O.P.Nayyar came with an unique trend of merging Punjabi bhangra with Spanish tunes. The other unique feature of OP Nayyar is his association with Mohammad Rafi
Rafi had sung probably the maximum number of songs for OP Nayyar who knew the westernised andaz would not have suited anyone else in the same way as Mohammad Rafi.

O P Nayyar can be remembered for the  beat oriented compositions having effect of the tanga (Cart-pulled by horses).Maang ke saath tumhara in the film Naya Daur, picturised on Dilipkumar,Yuh to humne laakh hasin dekhe hain in the film Tumsa Nahin Dekha, 1957,Sach Kahta Hoon from Jaali Note 1960 picturised on Dev Anand and Madhubala, Kisi na kisi se kabhi na kabhi kahin na kahin dil lagana padega, in the film Kashmir Ki Kali, 1964,Banda parwar, thamlo jigar, banke pyar phir aya hoon from Phir Wahi Dil Laya Hoon,Zara Haule Haule Chalo from Sawan Ki Ghata and many more.
OP Nayyar had a reputation for stubborn individuality all along his career. Many remember him as being aloof and imperious, but always generous with struggling new-comers and those marginalized in the industry. The press and electronic media frequently referred to him as a rebel composer
 Nayyar was more active during the 1960s than he was in the following decade, and did not compose music for younger actors such as Rajesh Khanna and Amitabh Bachchan. He made a brief comeback during the 1990s with Mangni and Nishchay in 1992 and Zid in 1994.
 He died on 28 January 2007, survived by his wife, three daughters and a son.His songs will remain immortal.Here are some of my favourite songs of O P Nayyar

Song from Aar Paar 1954

Song from Mr & Mrs 1955

Song from C I D 1956

Song from Naya Daur 1957

Song from Tumsa Nahin Dekha 1957

Song from Howrah Bridge  1958

Song from  Jaali Note 1960

Song from Ek Musafir Ek Hasina  1962

Song from  Phir Wohi Dil Laya Hoon  1963

Song from  Kashmir Ki Kali  1964

Song from  Mere Sanam 1965

Song from Baharen Phir Bhi Aayegi   1966

Song from Sawan Ki Ghata   1966

Song from Yeh Raat Phir na Aayegi    1966

Song from Humsaya  1968

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Song from Kismat  1968

Song from Sambandh   1969

Song from Pran Jaye Par Vachan Na Jaye 1973 (Audio)

Song from Zid (1994) The Last film of O P Nayyar

Happy MAKAR SANKRANTI

Makar Sankranti marks the onset of summer and the six months auspicious period for Hindus known as Uttaarayan. Dedicated to the sun God, the harvest festival celebrates the beginning of long days. Many take a holy dip in the water to wash away their sins on this auspicious day. In some parts of India Kites Flying is the main celebration of this day.With colourful kites flying in the sky and the aroma of delicious delicacies brewing in the air, Makar Sakranti is filled with fun and frolic.
The age-old tradition of kite flying is always remained the part of Hindi Film Industry.Directors of films find kites to be as attractive as the plot of their films.Many songs were written on Kites,these were beautiful picturised.I am presenting some of these songs to refresh your memories and entertain you to celbrate this festival.

The First song comes in my mind is from the 1946 film HUM EK HAIN in which Dev Anand made his debute.This song is picturised on kids playing the young kids (real as well as adopted) namely Shankar, Yusuf, John and Durga who would grow up to become Dev Anand, Rehman, Rane and Kamla Kotnis respectively. In the picturisation, The kids are flying a kite having pooled their resources to buy the kite 

Charkhi waale o (Ham Ek Hain)(1946) 

This “patang” song is from “Dillagi” (1949). It is sung by Shamshad Begam and Uma Devi (Tuntun). Shakeel Badayuni is the lyricist and music is composed by Naushad.

Meri pyaari patang chali baadal ke sang(Dillagi) (1949)

This song, written by Rajinder Krishan and sung by Hemant Kumar and Lata. The song was picturised on Pradeep Kumar and Vyjyanti Mala.

Chhod de patang meri chhod de (Nagin) (1954)

This extremely popular song of its time was sung by Rafi and Lata. The song is picturised on a very young Jagdeep,Sung by Rafi and Lata,music was given by Chitragupt

Chali chali re patang (Bhaabhi) (1957)

This is a philosophical song, sung by Rafi and picturised on Om Prakash from the 1960 film Patang,music is by Chitragupt,This song has a sad vesion also in the film.

Ye duniya patang (Patang) (1960)

This song is from the film Earth 1947 sung by Sukhvinder,music by A R Rehman,picturised on Aamir Khan and Nandita Das.

This song that is from “Hum Dil De Chuke Sanam”a 1999 hit film.It is sung by Shankar Mahadevan, KK, Jyotsana Hardikar, Damayanti Bardai and Dominique Cerejo.picturised on Salman Khan.

Dheel de dheel de de re bhaiyya (Hum Dil De Chuke Sanam)(1999) 

This song is from the 2013 film Fukrey.This  is an impeccable song in voice of astonishing singer Sona Mohapatra. Overall, the music is plain and simple and leaves an lasting impression. The lyrics have been adapted by Munna Dhiman from a old punjabi folk song while Ram Sampath has reinvented the song in his inimitable musical style

Ambarsariya  from Fukrey 2013

This song is from flim Kite starring Hritik Roshan ,the song is about kite but no flying is shown in this song.

Remembering KAIFI AZAMI on his 98th Birth Anniversary

 Kaifi Azmi (14thJanuary 1919 – 10 May 2002) was an Indian Urdu poet. He will always be remembered who brought Urdu literature to Indian motion pictures.At the age eleven, Azmi wrote his first ghazal Itna To Zindagi Mein Kisi Ki Khalal Pade.Most of the people, including his father, thought he recited his elder brother's ghazal. When his elder brother denied it, his father and his clerk decided to test his poetic talent. They gave him one of the lines of a couplet and asked him to write a ghazal in the same meter and rhyme. Azmi accepted the challenge and completed a ghazal. This particular ghazal was to become a rage in undivided India and it was immortalised as it was sung by legendary ghazal singer, Begum Akhtar. 
Kaifi Azmi wrote his first lyrics for the film Buzdil, directed by Shaheed Latif and music by SD Burman, released in 1951.As a lyricist and songwriter, though he wrote for numerous films, he will always be remembered for Guru Dutt's Kaagaz Ke Phool (1959) and Chetan Anand's Haqeeqat (1964), India's greatest war film. Some notables films for which he wrote lyrics include Kohra(1964), Anupama (1966), Uski Kahani (1966), Saat Hindustani (1969), Shola Aur Shabnam, Parwana (1971), Bawarchi (1972), Pakeezah (1972), Hanste Zakhm (1973), Arth (1982) and Razia Sultan (1983). For Naunihal (1967), he wrote the song "Meri Aawaz Suno Pyar ka Raaz Suno" (Hear my voice, hear the secret of love) sung by Mohammad Rafi. The song is picturised over the funeral procession of Prime Minister of India, Jawahar Lal Nehru.
He was the winner of SAHITYA ACADEMY AWARD for Urdu in 1975.He was the recipient of Padma Shri, India's fourth highest civilian award. In 1998, Government of Maharashtra conferred the Jyaneshwara Award on him. He was also honoured with the prestigious Sahitya Akademi Fellowship for lifetime achievement
In 2000, he was conferred the first Millennium Award by the Government of Delhi and the Delhi Urdu Academy. He has also been honoured with a doctorate from Vishva Bharati University, Santiniketan.
Kaifi Azmi was married to Shaukhat Azmi. They have a daughter, Shabana Azmi (An Indian Actress of film, television and theatre) and a son, Baba Azmi (Indian Cinematographer).

He was a man deeply connected to his grassroots, not just in Mumbai but also in his hometown Azamgarh. Shabana Azmi, the beloved daughter of Kaifi, says, “The tireless and painstaking efforts of Kaifi during the last two decades have brought home road, electricity, a small hospital, a school and a post office in Mijwan, his birth place in Azamgarh District. To bring all these facilities to a small village was almost a distant dream because obstacles befell at every step (due to unscrupulous government officers). Indomitable will and an extraordinary skill to organize people kept him dynamic throughout his life”.
 His major poetic works include Jhankar (1943), Aakhri Shab (1947), Aawara Sajde (1973), Meri Aawaz Suno (1974). He was an active member of IPTA (Indian People’s Theatre Association) and later its president.
 Azmi died on 10 May 2002 at around the age of eighty three. A play based on his life, his works and the memoir of his wife, Shaukat Azmi – Yadon Ki Rahguzar (Down Memory Lane), was written and performed by Javed Akhtar and Shabana Azmi, and performed in India as well as abroad in 2006.
Kaifi, with all his poetic-legacy, will always be remembered.On his 98th Birth Anniversary here are some beautiful songs written by him.

Bichhde Sabhi Baari Bari from Kaagaz Ke Phool 1959

Jeet Hi Lenge Baazi  from Shola Aur Shabnam 1961

Jaane Kya Dhoondti  from Shola Aur Shabnam 1961

Yeh Nayan Dare Dare  from Kohra 1964

 Parbaton Ke pedon par from Shagun 1964

Do Dil Toote from Heer Ranjha

Ho ke Majboor from Haqeekat 1964

Dheere Dheere Machal  from Anupama 1966

Mile Na Phool To Kanto Se from Anokhi Raat 1968

Chalte Chalte  from Pakezah 1972

Betab Dil Ki Tamanna from Hanste Zakham 1973

Kabhi Kabhi Mere Dil Mein  from Kabhi Kabhi1976

Ae Dile E Naadan  from Razia Sultan (1983)

Song from Arth 1983

Remembering C RAMCHANDRA on his 99th Birth Anniversary

C Ramchandra was born on 12th Jan 1918  in Puntamba, a small town in Ahmednagar district in Maharashtra.His real name was Ramchandra Narhar Chitalkar ,he was also known as Annasaheb and Ram CHITALKAR. Although he’d studied music, it was as an actor that C Ramachandra joined the film industry—he debuted in a lead role in a film called Nagananda. This didn’t continue for long, though; he eventually shifted to composing songs, For his career as an occasional playback singer he used only his surname Chitalkar. Chitalkar sang some renowned and unforgettable duets with Lata such as Kitna haseen hai mausam in film Azad or Shola Jo bhadke in Albela.
 He debuted as music director in Tamil movies with Jayakkodi and Vana Mohini. He received public notice as a good composer in Bhagwan Dada's "Sukhi Jeevan", and established a long association that culminated with the musical box office hit "Albela".
He came like a breath of fresh air to Hindi film music: in a period dominated by classical tunes composed by the likes of Naushad, Anil Biswas and Pankaj Mullick.
 C. Ramachandra's biggest success as a music composer was the 1953 movie Anarkali starring Beena Roy in the title role and Pradeep Kumar. The songs that he composed for this movie are today legendary. Songs of this movie like "Yeh Zindagi Usiki Hai", "Mujhse Mat Poochh Mere Ishq Main Kya Rakha Hai", "Mohabbat Aisi Dhadkan Hai", "Jaag Dard-e-Ishq Jaag" etc. went on to become huge hits and were also highly acclaimed as masterpieces. Anarkali also perhaps saw the famed composer-singer combine of Ramachandra and Lata Mangeshkar at their best ever together.
Who can forget the songs of V shantaram's NAVRANG released in 1958,the extremely popular Aadha hai chandrama raat aadhi, the defiant Toh maati sabhi ki kahaani kahegi, and the Holi song Arre jaa re hatt natkhat.
The highly popular patriotic song "Aye Mere Watan Ke Logo", which was sung by Lata Mangeshkar and penned by poet Pradeep, was a composition of Ramachandra, it was later performed live, by Lata Mangeshkar, in the presence of Jawaharlal Nehru at the Ramlila grounds, in New Delhi on Republic Day, 26 January 1963. 
In the late 1960s, Ramachandra produced two Marathi movies, "Dhananjay" and "Gharkul". He also acted in them and composed music for them. C. Ramchandra died on 5 January 1982 in Mumbai.
My TRIBUTE TO C RAMCHANDRA

Great compilation of songs of one of the most underrated music directors of Hindi cinema. C Ramchandra’s range and versatility was amazing. He was also good at semi-classical type of songs

Mere Piya Gaye Rangoon  from Patanga 1949

Gore Gore O Banke Chhore  from Samaadhi 1950

Mehfil Mein Jal Uthi from Nirala 1950

Song from Albela 1951

Song from Albela 1951

Song from Anarkali 1953

Dekh Tere Sansar Ki Haalat  from Nastik 1954

Kitna Haseen Hai Mausam from Azad 1955

Eena Meena Deeka from Aasha 1957

Aadha Hai Chandrama  from Navrang 1958

Dekh Hame Aawaz Na Dena from Amardeep 1958

Mere mann ka baanwara panchhi  from Amardeep 1958

Mein Jagoo Sari Rein  from Bahurani 1963

 Dil lagaakar hum yeh samjhe from Zindagi Aur Maut, 1965