Happy 90th Birthday to KHAYYAM

Khayyam was born on 18th Feb 1927 as Sa'aadat Hussain in undivided Punjab in Rahon, a town in Nawanshahr District no in India. When he was young. It was his dream to become like a singer-actor like the great KL Saigal whose movies he used to watch very often. However, his family opposed this and he had to leave his house. Khayyam then went to his uncle in Delhi to learn music but was forced to return to complete his education. Khayyam then went to Lahore to learn music from the famous Baba Chishti.
 He made his debut as Sharmaji of the Sharmaji-Varmaji composer duo with the movie Heer Ranjha in 1948. He went solo after his co-composer Rahman Varma went to the newly created Pakistan post partition. One of his earliest breaks was in the film Biwi in which the song "Akele mein wo ghabrate to Honge" sung by Mohammed Rafi was a huge hit. But he gained greater recognition from the film Phir Subha Hogi starring Raj Kapoor and Mala Sinha, in which songs written by Sahir Ludhyanvi and sung by Mukesh and Asha Bhonsle were set to tune by Khayyam, notable amongst them "Wo Subha Kabhi to Aayegi", "Aasman Pe hai Khauda aur Zameen pe Hum" and "Chin-o-Arab Humara".
The song "Jaane kya dhhonti rehti hein ye aanken mujhmen" sung by Rafi from the film Shola Aur Shabnam established Khayyam's reputation as a great composer.Latter on Songs from the film Shagun which had Khayyam's wife Jagjit Kaur sing "Tum apna ranj-o-gham" and "Tum chali Jaogi". From the film Lala Rukh "Hai Kali Kali ke lab par" sung by Rafi and from Footpath "Shyam-e-Gham ki Kasam" sung by Talat Mehmood. From Mohhabat Isko Kehte hein "Theheriye hosh mein aa lun to chaley jaiyega" by Rafi and Suman Kalyanpur made him popular composer.
Khayyam teamed up with Sahir Ludhyanvi once again to work in the Yash Chopra-directed "Kabhi Kabhi". The songs were super hits and showed Khayyam's versatility with huge hits like "Kabhi Kabhi mere dil mein Khayal ata hai" (Sung by Mukesh), "Tere chehre se nazar Nahin hatti" (Kishore & Lata) and "Mein Pal do pal ka Shayar Hun" (Mukesh). 
 Again pairing with Sahir in Trishul he produced great songs like "Mohabbat bare kaam ki cheez hai" and "Janeman tum kamal karti ho" and the light "Gapuchi Gapuchi gam gam". "Hazar rahen" from Thodi si Bewafai and "Aaja re o mere dilbar Aaja" from Noorie and "Dikahyi Diye" from Bazaar are some noticeable songs. Khayyam also created music for the Kamal Amrohi directed "Razia Sultan" and his "Aye dil-e-nadan" sung by Lata capturing the mood beautifully. One of popular song is Cho lene do.
How can we forget him in Muzaffar Ali's Umrao Jaan in 1981. He made Asha Bhonsle sing songs which are indisputably her best. "In Aankhon ki masti ke", "Ye Kya Jagah hai doston" and "Dil Cheez kya hai" are evergreen.

Wo Subha Kabhi to Aayegi

Aasman Pe hai Khauda aur Zameen pe Hum

Jaane kya dhhonti rehti hein ye aanken mujhmen

Jeet Hi lenge Baazi Hum tum

Tum apna ranj-o-gham

Shyam-e-Gham ki Kasam

Theheriye hosh mein aa lun to chaley jaiyega

Mein Pal do pal ka Shayar Hun

Hazar rahen

Aye dil-e-nadan

In Aankhon ki masti ke

Remembering MADHUBALA-The Venus of Indian Cinema on her 84th Birth Anniversary

Madhubala (February 14, 1933 - February 23, 1969) the woman who was born on Valentine's Day and became India's sweetheart struggled to find true love all through her life is one of the most gorgeous actresses to have graced the screens of Bollywood.Madhubala is an epitome of beauty, who had an unbeatable charm. She is admired for her looks and work even by the present day generations.
Born as Mumtaz, Madhubala joined the Bombay film industry when she was 9 as her father lost his job. She was one of five children in the family and her earnings helped the family to survive hard times. By the time she turned 14, Madhubala was playing the leading lady (in ‘Neel Kamal’) with Raj Kapoor in 1947.Her first film as child artist was Basant (1942), was a box-office success.As a child actress she went on to play in several movies. Actress Devika Rani was impressed by her performance and potential, and advised her to assume the screen name 'Madhubala'.

She acted in 70 films but most of her films were flops.Only 15 films were hit,still she was the most saught after heroine of her time.
It was the movie Mahal (1949) which made Madhubala a household name. The song Aayega Aanewala made both Madhubala and Lata Mangeshkar superstars.

Following the success of Mahal, Madhubala appeared in the box office 
hits Dulari (1949), Beqasoor (1950), Tarana (1951) and Badal (1951).Her 1950 film Hanste Aansoo was the first ever Hindi film to get an "A" – adults only – rating from the Central Board of Film Certification.
 In the mid-1950s, her films including the major ones like Mehboob Khan's Amar (1954) did not do well commercially. However, she bounced back between 1958 and 1960 when she starred in a series of hit films. These include Howrah Bridge, opposite Ashok Kumar where she played the role of an Anglo-Indian Cabaret singer involved in Calcutta's Chinatown underworld. In the song Aaiye Meherebaan from this film, she lip-synced a torch song dubbed by Asha Bhosle which has remained popular to this day. Among other successful films, she played opposite Bharat Bhushan in Phagun; Dev Anand in Kala Pani; Kishore Kumar in Chalti Ka Naam Gaadi; and Bharat Bushan again in Barsaat Ki Raat (1960). Then in 1960, she appeared in the magnum opus Mughal-e-Azam.It was the film Mughal-e-Azam that marked what many consider to be Madhubala's greatest and definitive characterization, as the doomed courtesan, Anarkali.

She co-starred with all the popular heroes of that time including Ashok Kumar, Raj Kapoor, Rehman, Pradeep Kumar, Shammi Kapoor, Dilip Kumar, Sunil Dutt and Dev Anand. She also worked with many top directors including Mehboob Khan (Amar), Guru Dutt (Mr & Mrs '55), Kamal Amrohi (Mahal) and K Asif (Mughal-e-Azam). She also ventured into production and made the film Naata (1955).
In 1960, Madhubala was at the peak of her career and popularity with the release of Mughal-e-Azam and Barsaat Ki Raat. She did have intermittent releases in the early 1960s. Some of these, like Jhumroo (1961), Half Ticket (1962) and Sharabi (1964).Her last film released was Jwala in 1971.
Madhubala married Kishore Kumar in 1960 after Kishore Kumar converted to Islam and took up the name Karim Abdul, and according to Leena Chandavarkar (Kishore's fourth wife): "When she realized Dilip was not going to marry her, on the rebound and just to prove to him that she could get whomsoever she wanted, she went and married a man she did not even know properly.
Madhubala had ventricular septal defect (a hole in her heart) which was detected while she was shooting for Bahut Din Huwe in Madras in 1954.By 1960, her condition aggravated, and her sister explains that "due to her ailment, her body would produce extra blood. So it would spill out from the nose and mouth.
When acting was no longer an option Madhubala turned her attention to film direction. In 1969 she was set to make her directorial debut with the film Farz aur Ishq. However the film was never made as during pre-production, she died on February 23, 1969, shortly after her 36th birthday.
My Tribute to her
Song from Neel Kamal the first film as a leading lady,Raj Kapoor also made his debute with this film

Song from Neelkamal 1947

Song from Mahal 1949

Song from Dulari 1949

Song from Tarana 1951

Song from Mr &Mrs 55 1955

Song from Phagun 1958

Song from Kala Paani 1958

Song from Howrah Bridge 1958

Song from Chalti Ka Naam Gaadi  1958

Song from Jaali Note  1960

Song from Barsaat Ki Raat  1960

Song from Mughal-e-Azam  1960

Song from  Jhumroo 1961

Remembering PRAN -Villain of the Millennium' on his 97th Birth Anniversary

Pran Krishan Sikand.popularly known as Pran was born on 12th Feb 1920 in Ballimaran, Kotgarh Old Delhi.He was one of the seven children.He started his career as as an apprentice with A. Das & Co., Delhi as to become a professional photographer.
He got his first role in Dalsukh M. Pancholi's Punjabi film Yamla Jat (1940) because of an accidental meeting with writer Wali Mohammad Wali at a shop in Lahore.This was followed by small roles in the film Chaudhary and Khajanchi, both in 1941. Pancholi cast him again in Khandaan (1942), which was Pran's first Hindi film. It featured him as romantic hero, opposite Noor Jehan, who had acted with him in Yamla Jat as a child artist.
Due to India's partition in 1947, his career had a brief break.Although Pran had acted in 22 films from 1942 to 1946 in Lahore; 18 were released by 1947 but he had to wait For a year, he looked for acting opportunities while doing other jobs. He worked in Delmar Hotel, Marine Drive for eight months, after which he got a chance to act in 1948.

 He got a role in the Bombay Talkies' film, Ziddi which starred Dev Anand and Kamini Kaushal in the lead and was directed by Shaheed Latif. The movie launched Pran's career in Bombay. Incidentally, it proved to be Dev Anand's big break as a hero.The film was a great hit which established the career of many,Dev Anand became a star with this film similarly Pran too became star with this film. Within a week of Ziddi's success, he had signed three more films — S M Yusuf's Grihasti (1948), which became a diamond jubilee hit, Prabhat Films's Apradhi (1949) and Wali Mohammad's Putli (1949). By then, Wali Mohammad, who was responsible for Pran's first role, had come to Bombay and became a producer, setting up an office at Famous Studios, near Mahalaxmi Racecourse.
As a villain, Pran's initial successful films were Ziddi and Bari Behan (1949). Pran's trademark blowing of smoke rings first appeared in the latter film. He was regularly offered the role of the main villain or of negative character in films with Dilip Kumar, Dev Anand and Raj Kapoor as the lead hero in the 1950s and 60s. From the 1950s directors like M. V. Raman, Nanabhai Bhatt, Kalidas, Ravindra Dave, I. S. Johar, Bimal Roy repeatedly cast him. Similarly in the 1960s, he was frequent in the directorial ventures of A. Bhim Singh, Shakti Samanta, Bhappi Sonie, K. Amarnath, Nasir Hussain and others. 

It was Manoj Kumar who changed his image from Negative characters to Character actor with Upkar as Malang Chacha, a veteran war hero, in Manoj Kumar's film Upkar (1967). The Kalyanji Anandji song "Kasme Waade Pyaar Wafaa" was picturised on him. In this film, Pran played a more sympathetic role. He received his first Filmfare Award for Upkar. Kumar continued to cast him in pivotal roles in films such as Purab Aur Paschim (1970), Be-Imaan (1972), Sanyasi (1975) and Dus Numbri (1976).
In the 1970s, new younger directors and producers cast him in their films even though Pran asked for the highest price among supporting actors from 1968 to 1982
Pran and Ashok Kumar were very close friends in professional and real life. They acted in 27 films together in 1951–1987 starting with Afsana (1951). Their other films include Mr. X (1957), Adhikar (1971), Victoria No. 203 (1972), Chori Mera Kaam (1975) and Raja Aur Rana (1984). Sung by Kishore Kumar, the songs "Hum Bolega To Bologe Ke Bolta Hai" from Kasauti (1974), "Micheal Daru Pita Hai" from Majboor (1974), picturised on Pran, were very popular.
Pran had a six-decade career in Hindi cinema and is one of the most celebrated actors of the industry.r He appeared in over 350 films. He played the leading man in work like Khandaan (1942), Pilpili Saheb (1954) and Halaku (1956). His roles in the films like Madhumati (1958), Jis Desh Men Ganga Behti Hai (1960), Upkar (1967), Shaheed (1965), Purab Aur Paschim (1970), Ram Aur Shyam(1967), Aansoo Ban Gaye Phool (1969), Johny Mera Naam (1970), Victoria No. 203 (1972), Be-Imaan (1972), Zanjeer (1973), Don (1978), Amar Akbar Anthony (1977) and Duniya (1984) are considered to be among his best performances.

 His acting is said to have been effective enough to desist people naming their children 'Pran' because of his negative roles,  His favourite line "Barkhurdaar" became immensely popular.He was also known for trademark blowing of smoke rings.
At the age of 78, Pran suffered a heart attack in 1998,after which he started rejecting film offers due to age-related problems.
Pran has received many awards and honours in his career. He won the Filmfare Best Supporting Actor Award in 1967, 1969 and 1972 and was awarded the Filmfare Lifetime Achievement Award in 1997. He was awarded as the 'Villain of the Millennium' by Stardust in 2000.The Government of India honoured him with the Padma Bhushan in 2001 for his contributions to the arts. He was honoured in 2013 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India.
.He died on 12 July 2013 at the age of 93 of pneumonia after suffering from a prolonged illness in Mumbai's Lilavati Hospital
As a Tribute to this Greatest Villain and Character artist of Bollywood I am presenting some of the songs he acted in Hindi films

Song from Khandaan 1942 (Audio only)

Song from Pilpili Saheb (1954)  (Audio only)

Song from Jis Desh Mein Ganga Bahti Hai 1961

Song from Half Ticket 1962

Song from Nanha Farishta 1969

Song from Upkar 1967

Song from Adhikar 1971

Song from Victoria No 203 (1972)

Song from Dharma 1973

Song from Zanzeer 1973

Song from Majboor 1974

Song from Kasauti 1974

Song from Karz 1980

50 years of UPKAR-The birth of Mr Bharat

Upkar is a 1967 Indian Hindi film directed by Manoj Kumar.It was released on 1st Jan 1967.The film held the top spot at the box-office in 1967. Manoj Kumar started his Mr. Bharat persona and his brand of patriotism & fearless courage with this film.
It was the Late Prime Minister Shri Lal Bahadur Shastri ji who praised Manoj Kumar for his earlier film Shaheed and enthused Manoj Kumar to make a film on the Jai Jawaan Jai Kissan slogan.
The film story moves around a widow mother (Played by Kamini Kaushal) having 2 sons  Bharat (Manoj Kumar) and Puran (Prem Chopra). While she would like to educate her sons, and ensure that they lead good lives, she cannot do so on her own, and must sacrifice the career of one son so that the second can achieve this goal. For this purpose, Bharat willingly sacrifices his life, toils hard so that Puran can get a decent education, which he does, excels in his studies, and also goes abroad. But Puran on returning back didn't fulfilled the dreams of his mother and brother.He became cruel, self-serving man who now calls himself Kumar (also Prem Chopra), and whose one goal is to usurp and divide the family property, so that he can continue to live a comfortable life.

The story moves further with the 1965 Indo Pak War . Bharat is off to the war; while his selfish brother, with the help of his greedy uncle, Charandas(Madan Puri) and some partners, tries to gain profit by selling drugs and blackmarketering in the market. In the end, Bharat returns as a war hero defeating the demon designs of the enemy and his brother repents as he is caught by the police (by the brother-in-law of Bharat). Hence, he vows to be a good & hardworking brother just like his Indo-Pak war veteran brother Bharat.

The highlight of the film was Pran,who played  his first positive character role. Pran has performed the role of the handicapped, carefree and outspoken Malang Chacha so well that you can never forget him after watching this movie. The song - Kasme Vaade Pyar Wafa has been picturized on him only.For this role he was given many awards. The film also won several major awards.The music was given by Kalyanji Anandji which was super hit,The song Mere Desh Ki Dharti Sona Ugle is immortal,other songs like Kasme Vaade Pyaar Wafa and Deewanon Se Ye Mat Poocho were hit.
This film  still appeals and should not be missed by the people interested in watching golden oldies. It has a great repeat value and the first time watcher will definitely like to watch it again.
The movie was super hit of 1967,it earned 3.5 crores that time.

Relax & Enjoy your SUNDAY with These BOLLYWOOD FUN SONGS

Sunday,A day to refuel your soul and be greatful for your blessings.Take a deep breath and relax.Enjoy your family,your friends,a cup of coffee with these 7 Bollywood  FUN Songs
Part-8      5-2-2017
Mein Banoongee Filmstar by Shamshad Begum 
A rare song from the film ,Ajeeb Ladki released in 1952  with Naseem and Rehman .the music director Ghulam Mohammad and Lyricist was Shakeel Badayuni.Only Audio is available.

Song from Chhalia 1960

Song from Humjoli 1970

Song from Aap Ke Deewane 1980

Songs from Appu Raja 1990

Songs from Jis Desh Mein Ganga Rehta Hain  2000

Songs from Befikre  2016

BHAGWAN DADA-Remembering The Legend And The Pioneer on 15th Death Anniversary

Bhagwan Abhaji Palav popularly known as Bhagwan Dada was born on 1st Aug 1913 and died on 4th February 2002 was a popular comedian of bollywood of the Golden Era.He is best known for his social film Albela (1951) and the song "Shola Jo Bhadke".A veteran actor of about 600 films in the course of more than five decades, 
 He was a wide-eyed admirer of the silent cinema and worshipped Master Vithal who was the star of the day. He used to dream of emulating his stunt and fight scenes.
He started his Film Career in the Silent Film Era, in 1930, he got a break. Producer Siraj Ali Hakim gave him a comedian’s role in the silent film "Bewafa Aashiq," based on "The Hunchback of Notre Dame". The film was a hit, but he was without offers for eight months because it was believed that he was really a hunchback!
In 1934 he made his first talkie "Himmat-e-Mardan". After that he joined another company and directed a film called "Bahadur Kisan", with Hansa Wadkar as the heroine. The movie again was a big hit. During the shooting of the film, he had taken a lanky young man, Chitilkar Ramachandra, as his assistant. He gave him a break as a music director in the three. Tamil films he directed in Madras. He used to call him Anna and there began their long association during which C. Ramachandra, out of gratitude, gave him Hindi film industry’s all-time favourite songs for "Albela," including one of the loveliest loris Dhire se aaja ri, ankhiyan mein....

He produced many films after ALBELA but most of his films flopped, His film "Sahme Hue Sapney" didn’t survive beyond the first show. Then he suffered a heavy loss while making "Hanste Rehna" with Kishore Kumar. He had invested his own money, pawned his wife’s jewellery and withdrawn all his life’s savings. But halfway through, Kishore started dilly-dallying and "behaving crazily" and the project had to be shelved.

His sea-facing Juhu bungalow with 25 rooms along with his fleet of seven cars (one for each day of the week) had to be sold. The family moved to a two-room set in a chawl at Dadar. In his last days, he was being looked after by his unmarried daughter and the family of his youngest son, who is a sound recordist.

Song from Albela 1951

Song from Albela 1951

Song from Albela 1951

Song from Badlaa 1974

Comedy Clip from Mein Bhi Ek Ladki Hoon 1964

Song from Marathi Film