Influence of Bengali Music in Hindi Film Songs

The music of India includes multiple varieties of Indian classical music, folk music, filmi and Indian pop. India's classical music tradition, including Hindustani music and Carnatic,The biggest form of Indian popular music is filmi, or songs from Indian films.
In the early years of Indian cinema, the music was mainly classical and folk in inspiration, with some Western elements. The most fascinating part of Indian film music is its evolution with time. In the mid 30s the influence of Bengali music was started with the film  Dhoop Chhaon. Nitin Bose along with his brother Mukul Bose and music directors RC Boral and Pankaj Mullick introduced play back singing with the song  Man ki aankhein khol  sung by K C Dey, Parul Ghosh and Suprabha Sarkar.

Song from Dhoop Chhaon 1935

R C Boral and Pankaj Mallick not only introduced Bengali Bhakti Sangeet but also introduced Western orchestration in the interlude music. Another remarkable innovation of RC Boral and Pankaj Mullick was very long instrumental prelude to the main song, for example Ek bangla bane nyara. Its long instrumental prelude is as charming as the song.”
The music of Vidyapati, 1937. was a great hit,Kanan Devi with her typical Bengali lilt became the number one singer-star of New Theatres on par with K L Saigal with the popularity of Vidyapati’s songs. In Dhartimata (1939), Pankaj Mullick composed Duniya rang rangeeli baba, sung by KC Dey, Uma Shashi and K L Saigal. Another remarkable thing about ‘Duniya rang rangili baba’, which you can’t miss is that each antara is in a different tune – might be again the first of its kind. 

Song from Vidyapati, 1937

In Bengali Music the  Rabindra Sangeet is the main along with folk and bhakti.Tagore’s composition was first introduced to Hindi cinema in 1941 by Pankaj Kumar Mullick for the film titled Doctor.K L Saigal was the first non-Bengali singer to sing Rabindra Sangeet. Mullick later used the tune of Kharo vayu vayu meghe in the film Zalzala popular song Pawan Chale Zor.The far reaching influences of the Rabindra Sangeet is apparent on several music directors and not all of them were Bengali.

Song from Doctor 1941

In the 30s Anil Biswas came to Bombay established himself as a musical force in the film industry.with the success of Jagirdar (1937).He introduced Folk from North East, Boatman’s songs, farmers’ songs, palli geeti, Kirtan, Raag Pradhan compositions to Hindi films.
After Anil Biswas it was S D Burman who used Bengali sangeet in Hindi films. 

Song from Do Bhai, 1947

Inspired by this song of Rabindra Sangeet

Sachin Dev Burman, whose compositions tend to draw upon inspiration from Bengali folk traditions (e.g. bhatiaalii, saari, etc.), have composed several tunes derived from Rabindra Sangeet. Mera sundar sapna beet gaya (Do Bhai, 1947) draws a faint inspiration from O je maane na maana. In fact S D Burman gave us many hit songs from his Bengali Tunes such as Ghum bhulechhi made way for the leisurely Hum bekhdudi mein tumko; Mono dilo na bondhu was turned into Jaane kya tuney kahi(Pyaasa);  Dur Kon Parabase became Wahan kaun hai tera musafir jayega kahan (Guide) to name a few.

Mono dilo na bondhu 

inspired version in Hindi

Song from Pyaasa 1957

Hemant Kumar who was the greatest artist of Rabindra Sangeet.gained popularity in Mumbai as a playback singer.By the mid-1950s, Hemanta had consolidated his position as a prominent singer and composer.The poignant and heart rending Na jaao sainyya chhudake bainyya by Geeta Dutt is inspired from his own Bengali hit Oliro kotha shune bokul haashe although the two songs sound very different in mood.

Oliro kotha shune bokul haashe by Hemant Kumar

Inspired song in Hindi

Song from Sahib Bibi Aur Ghulam 1962

Salil Chowdhury  who  is known for his eclectic combination of Bengal folk with Western classical and banked on creating honey sweet melodies.Salil Chowdhury’s Tasveer tere dil mein (Maya by Lata and Rafi) was first recorded in Bengali as a Lata solo Ogo aar kichhu to noy, O Sajana (Parakh) was inspired from Na jeyo na (both Lata) and Mukesh’s Kahin door jab din dhal jaaye (Anand) was taken from the Hemant Kumar hit Amai proshno kore neel dhroobotara to name just a few. 

Ogo Ar Kichu To Nai by Lata Mangeshkar

Inspired version in hindi

Song from Maya 1961

 RD Burman – recreated his creations, often his own records – the best example perhaps is Jete jete pathe holo deri, which Gulzar Saab had booked for himself the moment he heard it first. It turned into Tere bina zindagi se koi (Aandhi, 1975)– both songs are peerless.RD Burman camouflaged his Bengali tunes with such varied orchestration to make it sound different .For instance, notice the use of the typically Bengali instrument the maadol in Tere bina jiya jaaye na(Ghar, 1978), or the distinctly Bhakti sangeet beginning to a rocking fun song Kal kya hoga kisko pata (Kasme Vaade, 1978), in which Bhagwan Dada made a guest appearance complete with an ektara!
Jete jete pathe holo deri, by R D Burman

Inspired version in Hindi

Song from Aandhi 1975

The influences of the Rabindra Sangeet too ran deep in RD Burman. Sample just one of those influences – the proverbial Zindagi ke safar mein guzar jaate hain jo makaam, woh phir nahin aate (Aap Ki Kasam, 1974) that draws an inspiration from Tagore’s Jaagorone jai bibhaabori. 
 1942 A Love Story (1994)  song "Kuchh Na Kaho"had heavy Bengali influence.

Bappi Lahiri – the softer compositions of Zakhmee (1975), Toote Khilone (1978) or Lahu Ke Do Rang (1979) are more in line with the Bengal genre of music.

The music of the Basu Chatterji film Apne Paraye (1980), based on a story by Sarat Chandra Chatterjee gave Bappi Lahiri an ideal opportunity to experiment with Bengal’s Bhaktigeeti and kirtan once more.
Rajesh Roshan was very much influenced by Rabindra Sangeet many of his songs were inspired by Bengali Music.One of his great songs Chhokar Mere Mann Ko from Yaarana was inspired by this song Tomar holo shuru, amar holo shara.

In the present Century of Indi Pop or Bhangra Music we can sometime hear  beautiful melody from Bengal."Piyu bole" from Pareenita 2005 is one such composition from Shantanu Moitra.And thus Bengal’s music continues to leave its lyrical and melodious stamp in Hindi film music…

Basu Chatterjee-The creator of classics like Rajnigandha,Chitchor and Chhoti Si Baat

 Before he became a Director, Basu Chatterjee worked as an illustrator and cartoonist for the famous weekly Tabloid, Blitz.He assisted Basu Bhattacharya on his film, ‘Teesri Kasam’ (1966).Sara Akash’ in 1969 was his first film as Director.He proved his worth with sweet romantic movies such as ‘Rajnigandha’ (1974), ‘Chhoti Si Baat’ (1976) and ‘Chitchor’ (1976). These films were huge success at the box office since they were light hearted, fun, romantic and the audience instantly connected with the characters depicted in the film.

Born on 10th Jan 1930 at Ajmer started his career as an illustrator and cartoonist with the weekly tabloid Blitz published in Bombay.He worked there for 18 years.It was Basu Bhattacharya who brought him to film Industry.After assisting him in Teesri Kasam he assisted Govind Saraiya for 1968 film Saraswatichandra.After independently directing he directed Rajshri's Piya Ka Ghar in 1972.The film was an average at Box office.Us Paar in 1974 was his next directorial film starring Maushumi  Chatterjee and Vinod Mehra.
He became a successful Director after Rajnigandha in 1974.His films  Chhoti Si Baat (1975), Chitchor (1976), Khatta Meetha(1978) ,  Baton Baton Mein(1979) Man Pasand(1980), Shaukeen(1982) and Chameli Ki Shadi (1986) were successful. He has also directed many Bengali films such as Hothat Brishti, Hochcheta Ki and Hothat Shei Din.He also directed the TV Series Byomkesh Bakshi and the popular Rajani (TV series) for Doordarshan.
Some of the Popular Songs from Basu Chatterjee

Song from Piya Ka Ghar 1972

Song from Rajnigandha 1974

Song from Chhoti Si Baat 1975

Song from Chitchor 1976

Song from Priyatama 1978

Song from Khatta Meetha 1978

Song from Baton Baton Mein 1979

Song from Manzil 1979

Song from Manpasand 1980

MAHENDRA KAPOOR-The Voice of Manoj 'Bharat' Kumar

Like Mukesh was the soul of Raj Kapoor, Mahendra Kapoor was Manoj 'Bharat' Kumar's voice; he sang a host of hits for the actor from Mere desh ki dharti (Upkar ) to Aur nahin bas aur nahin from Roti Kapda Aur Makaan.
He was among the handful of singers dominating the golden age of Hindi film music.Among his popular songs are Tere pyaar ka aasra chaahta hoon (Dhool Ka Phool), Neele gagan ke tale (Hamraaz) and Chalo Ek Baar Phir Se(Gumrah).
Born on 9 January 1934 started learning classical music under classical singers like Pt. Hussanlal, Pt. Jagannath Bua, Ustad Niaz Ahmed Khan, Ustad Abdul Rehman Khan and Pt.Tulsidaas Sharma. Got  his debut as a playback singer in V. Shantaram's Navrang in 1958, singing Aadha Hai Chandrama Raat Aadhi, under the musical direction of C. Ramchandra.
It was the song Chalo ek baar phir se ajnabee ban jaaye from B R Chopra's Gumrah that set him on the path to fame. Subsequently, Kapoor sang his best songs for B R Films and the latter's favorite music director Ravi.
He remained as one of the most popular singer in the Bollywood who has given his voice to almost all of the popular heroes like Dilip Kumar, Shammi Kapoor, Raj Kapoor, Dev Anand, Shahsi Kapoor, Biswajeet, Raj Kumar, Dharmendra, Amitabh Bahchcan, Manoj Kumar, Vinod Khanna, Shatrughina Sinha and many more. For Punjabi movies he has given his voice to Varendra, Mehar Mittal, Prem Nath and many more.
Kapoor sung in a large number of Indian languages, and is the playback singer who has performed in the largest number of in Gujarati, Punjabi, Bhojpuri and Marathi movies.^[3] He also performed the title song for the TV series Mahabharat. In Marathi he was very popular for being the voice of Dada Kondke in all his movies.
Kapoor had a very large vocal range, and he is sometimes known as The Vibrant Voice of India.^{[citation needed]} He was the first Indian playback singer to record music in English^{[citation needed]}. He was asked by the group Boney M to sing their songs in Hindi with Musarat from Pakistan, which resulted in the Pop Album M-3. Some of the songs on the album are "Chori Chori Chalo!!"(Original, Hoorray! Hoorray! by Boney M), "O Meri Champe Ki Daali"
He died On 27 September 2008 due to cardiac arrest.He was awarded Dada Saheb Phalke Award the same year.

Song from Dhool Ka Phool 1959

Song from Gumrah 1963

Song from Baharen Phir Bhi Aayengi 1966

Song from Upkar 1967

Song from Hamraaz (1967)

Song from Kismat (1968)

Song from  AAYE DIN BAHAAR KE(1966)

Song from Yaadgar (1970)

Song from  Gopi (1970)

Song from  Fakira (1975)

Nanda- One of the highest paid actresses of her time.

Nanda, who has done some unforgettable work in Bollywood and has given films like like Hum Dono, ‘Dhool Ka Phool’, ‘Dulhan’, ‘Bhabhi’, ‘Jab Jab Phool Khile’, ‘Gumnaam’, ‘Shor’, ‘Parineeta’, and ‘Prem Rog’ was one of the highest paid actresses of her time. She was the second highest paid Hindi actress along-with Nutan from 1960-1965 and second highest paid Hindi actress in 1966-1969 along-with Nutan and Waheeda 
She was born on 8th Jan1939 at Kolhapur. Maharashtra.She was eight years old when her father died.She became a child actress, helping her family by working in films.She made her debut with Mandir in 1948.she was a child actor from 1948 to 1956. She was first recognized as "Baby Nanda". In the films like Mandir, Jaggu, Angaarey, and Jagriti.

It was  the renowned film producer-director V. Shantaram who was her maternal uncle gave Nanda a big break by casting her in a successful brother-sister saga; Toofan Aur Diya (1956).She played supporting roles initially,  She received her first Filmfare Award nomination as Best Supporting Actress for Bhabhi(1957). She played second lead in Dhool Ka Phoo and was in Kala Bazar as Dev Anand'sister.

She became a lead heroine with the 1959 film Chhoti Behen,The movie was a big hit, making her a star.She then played lead roles, such as one of Dev Anand's heroines in Hum Dono (1961) and Teen Deviyan. Both films were acclaimed as hits. 

She was the heroine in B.R. Chopra's Kanoon (1960), She signed eight films with Shashi Kapoor at a time when he was yet to become successful in Hindi Cinema. Their earlier two films  Char Diwari (1961) and Mehndi Lagi Mere Haath (1962) were flop but she continued to work with him till Jab Jab Phool Khile (1965) released.The film was a hit,she played a westernised role for the first time and it helped her image.They became a successful screen pair.They gave many hit films like Mohabbat Isko Kahete Hain (1965),Neend Hamari Khwab Tumhare (1966), Raja Saab (1969) and Rootha Na Karo (1970).

The year 1965 was lucky year for her,she gave hit films like Gumnam and Teen Deviyan beside  Jab Jab Phool Khile.
She signed with new leading man Rajesh Khanna in the songless suspense thriller Ittefaq (1969), for which she received a Filmfare nomination as Best Actress and which became successful at the box office. After Khanna became a super-star, he signed two more films with her; the thriller The Train (1970) and the comedy Joroo Ka Ghulam (1972) which became hits. Jeetendra, too, had some hit films with her such as Parivar and Dharti Kahe Pukar Ke, with Sanjay Khan, she had a hit in Beti and Abhilasha, 

She did a small role in Manoj Kumar's Shor (1972), Nanda did a few more critically acclaimed films such as Chhalia (1973) and Naya Nasha (1974), which flopped, and she then stopped acting. In 1982, she came back with three successful films, all coincidentally having her play Padmini Kolhapure's mother in Ahista Ahista, Mazdoor and Raj Kapoor's Prem Rog. Then she permanently retired.In 1992, a middle-aged Nanda became engaged to director Manmohan Desai at the urging of Rehman. But he died before they get married.
Nanda remained un married till she died.She died in Mumbai on 25 March 2014 at her Versova residence, aged 75, following a heart attack.

Song from Toofan Aur Diya 1956

Song from Bhabhi (1957)

Song from Chhoti Bahen (1959)

Song from Usne Kaha Tha (1960)

Song from Aanchal (1960)

Song from Nartakee 1963 

Song from Gumnaam (1965)

Song from Teen Devian (1965)

Song from Jab Jab Phool Khile (1965)

Song from Dharti Kahe Pukarke (1969)

Song from The Train 1970

Song from Woh Din Yaad Karo (1971)

Song from Shor (1972)

Top 30 Sharabi Songs of bollywood

There are innumerable Sharabi Songs in Bollywood.Those were acted and sung by many actors and singers but the songs sung by Mohammad Rafi are worth mentioning.
Rafi ji was a known teetotaler.Without drinking a pint, Rafiji could blabber and drag words like a real Sharabi. Some of the well-known such songs of Rafiji and other are listed below.

The first song in my List is from Kala Pani picturized on Dev Anand released in 1958

Song from Kala Paani 1958

Song from GOONJ UTHI SHAHANAYEE 1959

Song from Hum Dono (1961)

Song from Main Chup Rahungi 1962

Song from Tere Ghar Ke Samne 1963

Song from Sharabi 1964

Song from LEADER 1964

Song from Guide 1965

Song from Kajal 1965

Song from MERE HUMDUM MERE DOST 1968

Manna De Sharabi Songs

Song from Mere Huzoor 1968

Song from Sita Aur Geeta 1972

MUKESH Sharabi Songs

Song from Jagte Raho 1956

Song from Main Nashe Mei Hoon 1958

Kishore Kumar Sharabi Songs

Song from Paying Guest 1957

Song from Kati Patang 1971

Song from Amar Prem 1972

Song from Haath Ki Safai 1974

Song from Prem Nagar 1974

Song from Namak Halal 1982

Song from Sharabi 1984

Lata, Asha & others

Song from Sahib Bibi Aur Ghulam 1962

Song from Inteqam 1969

Song from Ram Aur Shyam 1969

Song from 5 Rifles 1974

Song from Des Pardes 1978

Song from Naseeb 1981

Song from Naam 1986

Song from Devdas 2002

Song from Ugly aur Pagli 2014

Mukri-The Nathulal Of Sharabi

Remember the  iconic dialogue of the superstar Amitabh Bachchan, 'Mooche Ho Toh Nathulal Jaise, 'Warna Na Ho’from 1984 film Sharabi. That was his last film with Amitabh. Before that he acted with him in ‘Coolie’(Rati’s father), ‘ Amar Akbar Anthony’( Neetu Singh’s father),’ Bombay To Goa’(a South Indian),Lawaris etc.

What made Mukri different from other comedians was that he used to laugh in every scene that had comedy dialogues. He stole scenes regularly and he was hilarious in every film whether he is playing servant or a gardener or even a show organiser in many films.
Mukri’s career went to new heights with Manmohan Desai’s Amar Akbar Anthony (1977). In this film, he played the role of Tyeb Ali, a strict father. The song “Tyeb Ali pyar ka dushman…” picturised on him and Rishi Kapoor became very popular, and Mukri a household name. 
There was hardly any side character Mukri did not play as the comic sidekick. He performed these roles with great élan. Nathulal is one such character imprinted in the minds of cine buffs. His character “Nathu Lal” in Sharaabi became so popular, that years later when Manmohan desai cast him in Jaadugar (1989), he named his character Nathu Lal to bank on its popularity. 

 He made his debut with film ‘Pratima’ along with Dilip Kumar and all his films with Dilip Kumar like "Aan" and "Amar" was extremely popular. He was born as Muhammad Umar Mukri in Maharashtra on January 5, 1922, and passed away on September 4, 2000, in Mumbai.
 Mukri was a classmate of legendary actor Dilip Kumar and both made their debut in the same year in Hindi cinema. It is said that Dilip Kumar helped Mukri a lot. Their friendship continued until Mukri expired.
Mukri also shared his screen with other great heroes of his times in almost 600-odd films, where he worked in during a career that extended for more than 50 years. Mukri worked with Raj Kapoor, Dev Anand, Amithabh Bachchan, Dilip Kumar, Nargis, Meena Kumari and Mudhubala.

He was one of the more frequent faces appearing in hindi films in the late 50s and early 60s. Some of his notable roles were in films like Mother India (1957), Kalaapani (1958), Anari (1959), Kohinoor (1960) and Asli Naqli (1962)
 The other successful films Mukri include  Chori Chori, Aankhe, Mother India, Ram Aur Shyam, Aan and Ashique. 

Some of Famous Songs of Mukri

Song from Dak Ghar

Song from Asli Naqli.1962

Song from Anokhi Raat 1968

Song from Padosan 1968

Song from Upaasna 1971

Song from Amar Akbar Anthony 1977