Tuesday, 2 October 2018

Asha Parekh-The Hit Girl


Asha Parekh-The Hit Girl is the Title of Asha Parekh's autobiography released in 2017 in which she revealed many aspects of her life. Today on her birthday we look forward to her journey in Bollywood. In this book, she  is candid about herself and her life right from her love for Nasir [Husain] sahab, the emptiness of her existence following the death of her parents, her depression that nearly drove her to end her own life 
Nasir Hussain was the only man she ever loved. Asha Parekh reveals that she never got married as she never wanted to take Hussain away from his family.“I was never a home breaker. There was never any ill will between me and Nasir Saab’s family. 
Asha, who began her career as a child artiste, was seen in Madhubala’s film Jwala. Later, director Bimal Roy impressed by 10- year-old Asha’s dance on stage cast her in Maa (1952) and then in Baap Beti (1954). At 16, Asha was rejected by Vijay Bhatt for his film Goonj Uthi Shehnai (1959) as he believed she was ‘not star material’in her place Ameeta was chosen. In an uncanny twist, eight days later, producer Subodh Mukherjee and director Nasir Hussain cast her in Dil Deke Dekho (1959) opposite Shammi Kapoor and her fortunes changed overnight. She went on to forge a fruitful association with Nasir Hussain in six films including Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Caravan (1971).

The ‘hit girl’ says that she was never hit upon by her heroes. “I’d sit in a corner and be immersed in my book. My mother always accompanied me,” she says. Asha shared a close bond with both, the late Geeta Bali and Shammi Kapoor and addressed them as ‘Chachi’ and ‘Chacha’ respectively. “I called Shammiji ‘Chacha’. There was no way I could have any romantic leanings for him,” 
After Dil Deke Dekho her next release was Hum Hindustani opposite, Sunil Dutt, The film did "above average" business at the box office. The next film was Ghunghat in 1960, The film became a hit at the box office. Musically also, it was liked by the audience. "Lage Na Mora Jiya" and "Mori Chham Chham Baje Payaliya" sung by Lata Mangeshkar were hit songs from the film.

Jab Pyar Kisi Se Hota Hai in 1961 was her next film that became another box office hit. It was written, produced, and directed by Nasir Hussain. The first film Hussain ever produced, it featured Dev Anand. By this time she became a leading heroine of Bollywood. She was giving one hit after another. some of these films were Gharana (1961), Phir Wohi Dil Laya Hoon (1963), Bharosa (1963) , Ziddi (1964), Mere Sanam (1965), Teesri Manzil (1966), Love in Tokyo (1966), Do Badan (1966) , Aaye Din Bahar Ke (1966), Upkar (1967) , Shikar (1968), Kanyadaan (1968), Mahal (1969), Aan Milo Sajna (1970), Kati Patang (1971), Caravan (1971)  and Mera Gaon Mera Desh (1971)

After her days as a leading lady ended, Parekh took on supporting roles as bhabhi (sister-in-law) and mother, but she called this the "awkward phase" of her career. So she stopped acting in films, She  stopped acting in 1995 to pursue directing and producing television serials. She formed a production company, Akruti, and produced serials like Palash ke PhoolBaaje PayalKora Kagaz and a comedy, Dal Mein Kaala.
 She was the president of the Cine Artistes' Association from 1994 to 2000. Parekh was the first female chairperson of the Central Board of Film Certification (Censor Board) of India. She held the post from 1998 to 2001 for which she received no salary,

Song of Dil Deke Dekho 1959


Song of Jab Pyar Kisi Se Hota Hai 1961


Song of  Phir Wohi Dil Laya Hoon (1963)


Song of  Ziddi (1964), 


Song of  Teesri Manzil (1966)



Song of Love in Tokyo (1966)


Song of Do Badan (1966)



Song of Aaye Din Bahar Ke (1966)



Song of Shikar (1968)



Song of  Mahal (1969)


Song of   Aan Milo Sajna (1970)


Song of  Kati Patang (1971)


Song of  Caravan (1971) 


Song of Mera Gaon Mera Desh (1971)




Mahatma Gandhi and Hindi Cinema



Mahatma Gandhi is considered a symbol of peace as he chose to start a non-violent movement comprising of various Satyagrahas all over the country during India’s freedom struggle. Today on his birth anniversary I look forward to Gandhi's connection with cinema.
In an interview in Harijan in 1942, he reiterated that he had never been to the cinema, he feels that “cinema films are often bad”.  Gandhi had seen only 2 films in his life both while he was convalescing from malaria in Juhu, Mumbai, in 1944. The first was Michael Curtiz’s Mission To Moscow(1943), which he apparently disliked. The other was Vijay Bhatt’s Ram Rajya (1943), a Hindi mythological, more suited to his tastes. A newspaper report described this private screening as a “historical event in Indian cinema”, and said that, in the end, “Mahatmaji seemed quite cheerful”.
You would be surprised to note that the first attempt to make a film on gandhi was when D. W. Griffith was approached by the British government to make an anti-Gandhi film in 1923 (Chapman and Cull 2009: 189 – 90), but this film was never made.There are many footages of Gandhi Ji during the Freedom movement but the first documentary was made by A. K. Chettiar’s 1940 film Mahatma Gandhi, which has footage of Gandhi from 1912 that was shot by many cinematographers.

The first film that comes to our mind on Mahatma Gandhi is the 1982 British-Indian film, Gandhi. Directed by Richard Attenborough, the film features Ben Kingsley in the title role. You would again surprise to note that Pt Jawahar Lal Nehru was interested in a film on Mahatma Gandhi to be made by same Richard Attenborough in 1960s but it couldn't be materialised. later Indira Gandhi agreed for a joint venture with Govt of India.
The film focuses on his early life in South Africa and follows through the era when he took part in the freedom struggle of India until his assassination in 1948. It’s undoubtedly one of the best films on Gandhi.

Before this, a documentary film "Mahatma: Life of Gandhi" was released in 1968. This documentary was released in different versions including a 5-hour long English version as well as a Hindi version of 2 hours and 20 minutes. This black-and-white documentary details the life of Mahatma Gandhi using animation, live photography, and some old stills.

Sardar is a 1993 biopic on the one man titled the “Iron Man of India”. The film is directed by Ketan Mehta and features Paresh Rawal as Sardar Vallabhbhai Patel. While the film is not entirely based on Mahatma Gandhi and features the life of Sardar Patel. Anu Kapoor played the role of Gandhi.

In 1996 another film on Gandhi "The Making of Mahatma" is another joint collaboration, this time between India and South Africa, which features the life of Mahatma Gandhi.
Directed by Shyam Benegal, the film focuses on the life of Mahatma Gandhi (played by Rajit Kapoor) during his 21 years stay in South Africa where he actually adapted his non-violent movement against racial discrimination. The film is adapted from the book titled The Apprenticeship of a Mahatma authored by Fatima Meer.
In 2000 Kamal Hasan made a film on Gandhi " Hey Ram". The film focuses on the famous Partition of India and the resultant murder of Mahatma Gandhi by Nathuram Godse. 
In 2005 a film called "Maine Gandhi Ko Nahin Mara" was released. Actually, the film focuses on the life of a retired Hindi Professor who believes that he killed Mahatma Gandhi following an incident that happened in his childhood. The role of the professor was played by Anupam Kher.

In 2006 a film Lage Raho Munna Bhai released. In this film, Munna Bhai’s character starts seeing Mahatma Gandhi’s spirit that guides him to the path of non-violence and peace. The film became popular because of Gandhigiri.
Gandhi, My Father is a 2007 Indian biographical drama film by Feroz Abbas Khan (not to be confused with actor Feroz Khan). It was produced by Bollywood actor Anil Kapoor,The film explores the troubled relationship between Mahatma Gandhi and his son Harilal Gandhi. Darshan Jariwala played the role of Gandhi.
In 2011 a multilingual film called Gandhi To Hitler released.The film features Raghubir Yadav as Adolf Hitler, whereas Avijit Dutt plays a minor role in the film as Mohandas Gandhi. The film is based on “The Downfall” letters penned by Mahatma Gandhi addressed to Hitler. 

                    Bapu Ki Yeh Amar Kahaani


Song of Jagriti 1954

Song of Lage Raho Munnabhai



                                  Gandhi Film Theme music - "Discovery of India"







Monday, 1 October 2018

S D Burman and Majrooh Sultanpuri- The Creator of Many Immortal Songs


What a day is October 1, the birth anniversary of two of the Golden Era of Bollywood music’s most creative and consistent artists. While music director SD Burman, born in 1906, continued to create melodic magic till his death in 1975, the 1919-born lyricist Majrooh Sultanpuri remained active for over five decades, till he passed away in 2000. And the best thing about both these geniuses who shared birthdays was that they combined to create many outstanding songs together.
 Over the years, of course, a large chunk of their films featured Dev Anand, examples being ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Kala Pani’, Manzil’, ‘Solva Saal’, ‘Bombai Ka Baboo’, ‘Baat Ek Raat Ki’, ‘Jewel Thief’ and ‘Teen Deviyan’. On the birth anniversary of the two legends, I look at 15 compositions born of their partnership.
Incidentally, the coming together of the two owed much to the break in the partnership of SD Burman and Sahir Ludhianvi. After the success of Pyaasa (1957), Burman and Ludhianvi fought bitterly to gain credit for the success of the music of Guru Dutt's iconic film. Faced with what he believed to be the obstinacy of the lyricist, Burman decided he would never work with Ludhianvi again. Thus began a partnership with Sultanpuri that lasted till Burman's final years.
Besides the Dev Anand films, SD and Majrooh combined on such classics as ‘Chalti Ka Naam Gaadi’ (which had Kishore’s ‘Ek Ladki Bheegi Bhaagi’, the Kishore-Manna Dey song ‘Babu samjho ishaare’ and the Kishore-Asha superhit ‘Haal Kaisa Hai Janaab Ka’) and ‘Sujata’ (which had Talat Mahmood’s unforgettable ‘Jalte Hain Jiske Liye’, Geeta Dutt’s ‘Nanhi kali sone chali’, Asha and Geeta’s ‘Bachpan ke din’ and SD’s own rendition of ‘Sun mere bandhu’). The Lata song ‘Pawan Deewani’ from ‘Dr Vidya’ was a major hit too.
Here I would like to share this information that the first song written by Majrooh and composed by Sd Burman was " Woh Sapne wali Raat sung by Geeta Roy in the film Pyar (1950). After a gap of 7 years, they worked together in Paying Guest (1957).They worked together for more than 15 years, creating some memorable compositions. While there was a difference of 13 years between the two (Burman was born in 1906, Sultanpuri in 1919), they were inextricably linked by a common birthday. 
The two of them also worked in films like ‘Lajwanti’, ‘Sitaron Se Aage’, ‘Talaash’, ‘Phagun’ and ‘Sagina’ (remember ‘Saala mein to saahab ban gaya’?) But their biggest hit arguably was in Hrishikesh Mukherjee’s 1973 film ‘Abhimaan’, which had ‘Tere mere milan yeh raina’ (Lata-Kishore), ‘Teri bindiya’ (Lata-Rafi), ‘Lutey koi man’ (Lata-Manhar Udhas), Kishore’s ‘Meet Na Mila’ and three Lata solos ‘Nadiya Kinarey’, ‘Ab Toh Hai Tumse’ and ‘Piya bina’.
Maana Janaab Ne Pukaara Nahin' — Paying Guest (1957)
Song of Paying Guest 1957

Aankhon Mein Kya Ji' — Nau Do Gyarah (1957)
Song of Nau Do Gyarha 1957

Chhod Do Aanchal - Paying Guest (1957)
Song of Paying Guest 1957


Hai Apna Dil To Awara' — Solva Saal (1958)

Song of Solva Saal 1958

Hum Bekhudi Mein — Kala Pani (1958)

Song of Kala Paani 1958

Koi Aaya Dhadkan Kehti Hai' — Lajwanti (1958)

Song of Lajwanti 1958


Accha Ji Main Haari' — Kala Pani (1958)

Song of Kala Paani 1958

Ek Ladki Bheegi Bhaagi Si' — Chalti Ka Naam Gaadi (1958)

Song of Chalti Ka Naam Gaadi (1958)


Jalte Hain Jiske Liye' — Sujata (1960)

Song of Sujata(1960)


Chal Ri Sajni Ab Kya Soche - Bombai Ka Babu
Song of Bombai Ka Baboo (1960)


Pawan Diwane - Dr. Vidya (1962)

Song of Dr. Vidya (1962)

Na Tum Humein Jano


Song of Baat Ek Raat Ki (1962)


Aise To Na Dekho - Teen Deviyan

Song of Teen Deviyan (1965) 


Hothon Pe Aisi Baat - Jewel Thief (1967)


Song of Jewel Thief (1967)



Meet Na Mila Re Mun Ka - Abhimaan


Song of Abhimaan (1973) 




Saturday, 29 September 2018

MEHMOOD - The Original Bhaijaan


Today Salman Khan is known as the Bhaijaan of Hindi Film Industry but the original Bhaijaan was Mehmood. At his peak, he was paid more than the film’s hero. Mehmood had a big heart too. He helped many struggling actors find work in the industry. When Amitabh Bachchan was new to Mumbai and still struggling to find a foothold in the industry, it was Mehmood who helped him and offered him a room at his own house. He gave Amitabh the hero’s role in Bombay To Goa in 1972. It was due to this movie that writer duo Salim- Javed picked Amitabh for the iconic role of  Inspector Vijay Khanna in the action film Zanjeer.
There was a time It was difficult to imagine Hindi film comedy without Bollywood’s original Bhaijaan. His movie comes with an assurance of fun, frolic, drama, dance and great music. Well, dancing came naturally to him and so did acting and performance. There was no movie without a song of Mehmood.
In this Blog I have included some of the forgotten hit songs of Mehmood.this will refresh your memory.
Song of  Parvarish (1958)


Song of Howrah Bridge (1958) 


Song of Chhoti Bahen (1959)


Song of Pyase  Panchhi 1961


Song of Pyase  Panchhi 1961


Song of Sasural 1961


Song of Aarti 1962


Song of Grahasti (1963)


Song of Hamrahi (1963)

Song of  Shabnam 1964




Song of Bhoot Bangla 1965


Song of Pati Patni' (1966)


Song of  Around the World 1967

Song of Jawab 1970


Song of Main Sundar Hoon (1971)
















Friday, 28 September 2018

Lata Mangeshkar and S D Burman gave Bollywood many Immortal Songs


Lata Mangeshkar was born on September 28, 1929 in Indore MP. She is listed in the Guinness Book of World Records as the most recorded artist in the world. She has the credit of having sung in over thirty-six regional Indian languages and foreign languages.Lataji started her career in 1942, Her first Hindi song happened the next year in 1943, with ‘Mata Ek Sapoot Ki Duniya Badal De Tu’ in the movie Gajaabhaau.
 She did playback singing for celebrated music directors like Sachin Dev Burman, Salil Chowdhury, Sankar Jaikishan, Naushad, Madan Mohan, Kalyanji-Anandji, Khayyam and Pandit Amarnath HusanLal Bhagat Ram. Her collaboration with music director duo Laxmikant Pyarelal produced some of the most super hit songs of the time that are still hummed with equal enthusiasms by Indians. The duo considered Lataji instrumental in their success. ‘Dil Vil Pyar Vyar’ from Shagird (1968), Sheesha Ho YaDil Ho from Asha (1980), Mere Naseeb Mein from Naseeb (1981) and Ye Galiyan Ye Chaubara from Prem Rog (1982) are some of their most popular collaborations. 
1990s onwards, Lataji worked with music directors like Anu Malik, Jatin Lalit and A.R. Rahman. Films like Dilwale Dulhania Le Jayenge, Hum Aapke Hain Kaun, Dil Se, Rang De Basanti featured acclaimed songs sung by Lataji.
Lataji has received numerous awards and honours for her illustrious career as a playback singer. Some of the Awards she won are Padma Bhushan (1969), Dadasaheb Phalke Award (1989), Padma Vibhushan (1999), Maharashtra Bhushan Award (1997), NTR National Award (1999), and ANR National Award (2009). She was awarded the Bharat Ratna, India's Highest Civilian Award in 2001. She won 3 National Film Awards (1972, 1974, 1990), and 12 Bengal Film Journalists' Association Awards (1964, 1967-1973, 1975, 1981, 1983, 1985, 1987, 1991). She has also won the Filmfare Awards for Best Female Playback Singer four times (1958, 1962, 1965, 1969, 1993, 1994). She was awarded the Filmfare Lifetime Achievement Award in 1993.
Lata Mangeshkar was the ultimate choice of S D Burman. He often said, “Give me a harmonium, give me Lata and I will make music”. We all know what a magic they created together. In this Blog I am taking her songs sung for the great music director S D Burman. 
Lata’s first song for him was in Mashal (1950). SD Burman created for Lata Mangeshkar a kind of music which was unique and established him as one of the greatest composers of the Golden Era regardless of whether he matched the commercial success of his peers or not.Her first super hit and an immortal song with S D Burman was  Thandi hawayein lahraa ke aayein  for Naujawan (1951).
Another  iconic song  of Lata with him was in the same year Jhan jhan jhan jhan payal baaje from Buzdil (1951).Next came the same year another timeless song of not only SD Burman, but also among the all time great songs of Lata Mangeshakar. Tum na jane kis jahan mein kho gaye from Sazaa (1951).
For 7 years this Jodi gave us one hit after another but a time came when the music lovers were deprived of the magic of this great Jodi. Due to some controversy, there was a  break up for about five years, 1958-62, rather than their music. Fortunately they made a patch up and this time they gave us the best songs of their career. Thus their second innings led to another set of great melodies in Bandini, Guide, Tere Mere Sapne, Prem Pujari, Talash, Anurag, Abhiman etc which continued till the very end of his career. Their first song after patch up was ‘Pawan Diwani’ from Dr Vidya.

The First Song Lata sang for S D Burman


Song of Mashal (1950)


Song of Naujawan (1951)


Song of Buzdil (1951)


Song of Sazaa (1951)


Song of Jaal (1952)


Song of Taxi Driver (1954)


Song of Devdas(1955)


Song of House No 44 (1955)


Song of Paying Guest (1957)

The first song after Patch Up
Song of Dr.Vidya (1962)


Song of Bandini (1963)


Song of Guide (1965)


Song of Talash (1969)


Song of Prem Pujari 1970


Song of Sharmilee (1971)


Song of Abhimaan (1973)


Song of Chupke Chupke (1975)