This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Jagdeep(29 March 1939-8 July 2020) the comedian of Golden Era started his film career as a child artist extra in B. R. Chopra's Afsana, then went on to do films as a child artist in films like Ab Dilli Door Nahin, K. A. Abbas's Munna, Guru Dutt's Aar Paar, Bimal Roy's Do Bigha Zamin and AVM's Hum Panchi Ek Dal Ke. After Hum Panchi Ek Dal Ke, he received various accolades and high praise for his roles. Pandit Jawahar Lal Nehru has gifted his personal staff to Jagdeep for his stellar performance in Hum Panchi Ek Daal Ke. His most memorable character is Soorma Bhopali in Ramesh Sippy’s Sholay. His catchphrase in the film “Mera Naam Soorma Bhopali Aise Hi Nahin Hai” is still remembered by fans. Recall the famous scene of Sholay in which our heroes, Jai and Veeru, come upon Soorma Bhopali telling a bunch of spellbound listeners of how he beat the two with a stick, and how he’s found out: his paan-stained teeth, that Bhopali lilt and comfort in a role meant strictly for laughs, made his Soorma unforgettable. It was a small guest appearance but became immortal. In a span of 6 decades, he performed nearly 400 roles, this role became so popular that even after 45 years, people still remember that role. His son Naved was so inspired by his father that he produced a film with the same title 'Soorma Bhopali' in 1988. It was not a box office success but did relatively better in the state of Madhya Pradesh. This film was a hit in the city of Bhopal and the surrounding regions. Jagdeep’s last on-screen appearance was in the 2017 movie Masti Nahi Sasti co-starring Kader Khan, Johnny Lever, Shakti Kapoor, Ravi Kishan, and others in the lead roles.
Neetu Singh(8th July 1958) was only 21 when she took retirement from Bollywood. She was 15 when her first film as a Heroine opposite Randhir Kapoor was released. She appeared next in Yadon Ki Barat in the same year in the song 'Lekar Hum Diwana Dil' as a guest performance. Her second film as a heroine was in the 1974 film 'Hawas' opposite Anil Dhawan. The same year she appeared with Rishi Kapoor as Heroine in.' Zehreela Insaan'. Their next film was 'Rafoochakkar' released in 1975 was a hit, this team repeated the success in 'Khel Khel Mein' The hit pair were further fortified by, Kabhi Kabhie(1976) and Amar Akbar Anthony(1977).
Hugely popular with the public and within the industry, the bubbly Neetu Singh signed many films opposite the heroes like Amitabh Bachchan (Adalat, Parvarish, The Great Gambler, Yaarana), Rajesh Khanna (Chakravyuh), Vinod Khanna (Yuvraj), Randhir Kapoor (Kasme Vaade), Shatrughan Sinha (Kaala Patthar) and Jeetendra (Dharamveer, Priyatama). Within 3 years she was among the top heroines of that time like Hema Malini, Rekha. and Zeenat Aman.
Rishi Kapoor in his biography said that he went abroad to shoot for his film Barood, a sense of loneliness gripped him. It was then that he realized the true essence of Neetu Singh in his life and poured his heart out in a telegram. Neetu Singh was elated and they began dating. They dated for five years before tying the knot. At the time of marriage, Neetu Singh was at the peak of her acting career and was nominated for a Filmfare Award as Best Supporting Actress for Kaala Patthar (1979). But she decided to bid adieu to the film industry, raising murmurs about restrictions in the Kapoor family. She dismissed all the allegations, stating that it was her independent choice. They got married on Jan. 22, 1980, The decision of quitting acting was her own, in 1979, when they decided to get married, she stopped accepting offers for more films. She decided to complete all the projects in hand. Even after marriage, she worked in a few films left uncompleted. Her last film released was 'Ganga Meri Ma' released in 1983 opposite Shatrughan Sinha.
She was seen in a guest appearance after a gap of 26 years in the 2009 film Love Aaj Kal, later in Do Dooni Chaar(2010) Neetu Singh started acting at the age of 8 under the name Baby Sonia,and made her acting debut in 1966 with the film Suraj. Her other early roles included starring in the films Dus Lakh (1966), starring in a double role in the film Do Kaliyaan (1968), as well as appearing in Waris (1969) and Pavitra Paapi (1970).
In one of my earlier blog-posts, I had explored the Raga ‘Pahadi & Thumri in Hindi Film songs. In this post, I am looking for the songs based on this one of the most popular ragas among our music composers. As per the classical text, Bhimpalasi is a rag that is very much associated with a hot Indian afternoon. It evokes a feeling of deep-rooted love and yearning for the lover. Usually, it is sung in the late-afternoons when the harshness of the sun rays recedes. It has five notes ascending and seven notes descending.This Raaga is also used in Carnatic Music where it is called 'Abheri'. It is more used in South Indian languages. This raga is one of the favorite ragas of A R Rehman. The scale of Bhimpalasi is equivalent to the Western scale Blue scale. Many western Pop songs look similar to this raga. If you listen carefully to the very popular song of Ed Sheeran 'Shape Of You'. This song is influenced by Bhimpalasi.
Chetan Anand (3 January 1915 – 6 July 1997), while he was teaching History, wrote a film script on king Ashoka, which he went on to show to director Phani Majumdar in Bombay. Phani Majumdar cast him as a hero in his Hindi film, Rajkumar, released in 1944. The film flopped and so his career. He soon took to film direction The first film he directed was Neecha Nagar. Though the film won the Golden Palm Award at the first Cannes Film Festivalin 1946 but couldn't be released.No distributor was ready to distribute the film, the cinema halls were asking for heavy rentals. This being Chetan's first directorial venture went unseen depressed him. He did not get any work offer after that. After the release of Ziddi Dev Anand was going great as an actor, a plan came to his mind. Without discussing with Chetan he went ahead to gather money to start a banner where Chetan could direct films. After he was assured by one of his producers to give him the required money, he approached Chetan and said: " Fly the Flag". He asked him to name the banner where both of them will work together. He pulled out bundles of notes and showed it to Chetan and said start a film with me as Hero and Suraiya as Heroine. That was the day when he saw a smile on the face of his brother after one and a half years The fist film Afsar was started in 1949. The film was based on Nikolai Gogol's play The Government Inspector. This play.was played earlier many times by Balraj Sahni and Dev himself in Bombay.
.Unfortunately, the print of this film is not available. The film was an average success. After this, the next film was Baazi released in 1951. This was directed by Guru Dutt as promised by Dev Anand to Guru Dutt on their struggling days. The film was a hit that established Navketan. It became a training ground and school for many famous directors, producers, composers, and technicians.
The next film he directed was Navketan's Aandhiyan released in 1952 was again not a successful. So he refused to do the Navketan's next film Humsafar, in this film he plays the role of Vivek who is a good guy. This film also failed.
The next film he directed was Taxi Driver released in 1954, it was a smash hit film, the first time he experienced success in Bollywood. After Baazi and Taxi Driver, the Navketan was a big banner. The next film of this banner was Funtoosh released in 1956, he directed this film but the film was not a runaway success. During the making of this film, some differences between the two brothers surfaced. He decided to do outside banner films. He directed Anjali (1957), Arpan(1957)and Kinare Kinare (1963) He acted in all the three films. He started his own company with Haqeeqat (1964) banner called Himalaya films. This banner produced films like Heer Ranjha, Hanste Zakhm, Hindustan Ki Kasam, and Saheb Bahadur. He also directed Navketan's Jaaneman after a gap of more than 20 years. In the 1960s, well after being estranged from his wife, Anand fell in love with Priya Rajvansh, who had made her debut as a heroine of his film Haqeeqat. The two fell in love during the making of this film and their relationship lasted all their lives. He died on 6 July 1997, at the age of 76 in Mumbai
Shehnai is a wind instrument usually played in the folk music of North India and has very strong associations with weddings, where it is considered especially lucky. It is also played when the bride leaves his father's place but this time it sounds sad. Shehnai and Ustad Bismillah Khan have become a synonym in India.He is credited with exceptional skill and with classical music in Hindi film songs, this instrument became a part of many songs, to some reviewers and fans, came as close to making the instrument "talk" as is possible. Surprisingly he played this instrument in only one film "Goonj Uthi Shenai" released in 1959.Dave Mason plays one on The Rolling Stones' 1968 song "Street Fighting Man." The film narrates the story of a Shehnai player and features shehnai recitals by maestro Ustad Bismillah Khan throughout the film. There is also Jugalbandi between him and Sitar player, Abdul Halim Jaffar Khan. The film opens, naturally, with music, as Raghunath Maharaj (Ulhas) is doing his riyaz (musical practice) in a temple. Suddenly he is accompanied by the melodious, dulcet tones of a shehnai. He goes to check who the player is, and discovers it's a young boy, Kishan. The overjoyed musician immediately takes Kishan home, and under his wing, to train him in the ways of music.
Song of Goonj Uthi Shehnai 1959
Lata Mangeshkar sang this song beautifully and wonderfully! Every single word of this song is excellent The Shehnai of Ustad Bismillah Khan added beauty to this beautiful song! Right from Lataji's "mmmm", immediately followed by Ustad Bismillah Khan's heavenly shehnai and Lataji's alaap, this melodious song leads the listener into sheer aural bliss.
This song starts with a prelude of Shehnai by Ustad Bismillah Khan.
Song of Goonj Uthi Shehnai 1959
Raga - Kedar - Jugalbandi-2 Goonj Uthi Shehnai
The same year Dhool Ka Phool was released, in this film composer, N Dutta in the following song Shehnai was beautifully played, not by Ustad Bismillah Khan.
Song of Dhool Ka Phool 1959
The credit for introducing Shehnai io Bollywood goes to composer Ram Ganguli, who brought Musician and composer Ram Lal from Varanasi/ He was a flute & shehnai player. He was his disciple Initially he was working for Prithvi Theatre when Ram Ganguli gave the music for the first film of RK Banner released in 1948, Ramlal played flute & shehnai in that film "Aag". He played Shehnai for the first time in the song "Zinda Hoon ls Tarah"
Song of Aag 1948
Ramlal's shehnai can be enjoyed in the song "Tu Chhupi Hai Kahan, Mein Tadapta Yahan" of 1958 film Navrang released in 1959.
Song of Navrang 1959
Ramlal ji was employed with V Shantaram after Prithvi Theatre, he was a musician for his films composed by Vasant Desai or C Ramchandra. He was given charge of composing the music of V Shantaram's film Sehra in 1963. In this film, he composed the music as well as played Shehnai in the song" Taqdeer Ka Fasaana" sung by Mohammad Rafi. This solo Shehnai played by him can never be forgotten. Enjoy the song and feel the pain through Shenai
Song of Sehra 1963
Before Goonj Uthi Shehnai, this instrument was also used by Salil Chowdhary in Bimal Roy's film Naukari in 1954, in the following song by Geeta Dutt
Song of Naukri 1954
Naushad also used this instrument in a song of Shabab released in the same year,1954
Song of Shabab 1954
This instrument is beautifully explained in the song "Kya Ajab Saaz Hai Yeh Shehnai" sung by Mohammad Rafi, written by Rajendra Krishan for the 1964 film "Shehnai"
Song of Shehnai 1964
The Shehnai is mostly played to greet someone on a happy occasion but also played at a time when the bride leaves the house of her parents after marriage. The opening shehnai of “Babul Ki Duaaen” feels as if someone is crying, reflecting the sadness of a father’s loss. This song is usually played by the bands in almost all the Bidai ceremony of North Indian Families.
Song of Neel Kamal 1968
Before this song, "Chal Ri Sajni Ab Kya Soche " from Bombai Ka Babu (1960) was the most popular Bidai song A beautiful piece of "Taar Shahnai" played by Dakshina Mohan Tagore. Taar Shehnai is not a Shehnai but produces the sound of Shehnai. For the knowledge of readers, I must submit that Taal Shenai is a rare instrument. D.M. Tagore preferred to play rare instruments. He was a master in Taar Shehnai, Mandar Bahar, and Territ Vina.
Song from Bombai Ka Babu 1960
Naushad used Shehnai very beautifully in the song "Pi Ke Ghar Aaj Pyari Dulhaniya Chali " from the 1957 film Mother India, I don't think he used the shehnai in any of his earlier songs.
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Song of Mother India 1957
In the year 1957 composer Chitragupt used Shehnai in this immortal song
Song of Bhabhi 1957
Another beautiful song in which you can listen to the sound of shehnai after the Mukhada.
Song of Aarti 1962
In 1976 shehnai was played in the song of Kabhi Kabhie just after the antara "Suhag raat hai ghoonghat uth raha hoon mein"
Song of Kabhie Kabhie 1976
Nowadays the sound of most of the Indian instruments has vanished from Bollywood music, Shehnai is also one of them. Very rarely the present composers use Shehnai or Sitar. A R Rehman is an exception. he used Shehnai in the song“Ye Jo Des Hai Tera” from the movie “Swades”
Song of Swades 2004
The shehnai played in the prelude as well as in the background is played by Pandit Ballesh. He is a big name in Shehnai, He is an internationally acclaimed Shehnai player and Hindustani Classical vocalist with a specialization in Patiala Gharana and is trained in Kirana and Gwalior Gharana. He is one of the well-known disciples of world-renowned Shehnai Maestro Bharat Ratna Ustad Bismillah Khan. Ustad ji blessed Pt. Ballesh as “Dakshina Bharat Bismillah Khan”.
He has worked with O. P. Nayyar, Naushad Ali, Laxmikant-Pyarelal, Ravindra Jain, Jatin-Lalit, Kalyanji-Anandji, Anand-Milind, R. D. Burman, Kailash Kher in Bollywood. Pt. Ballesh played Shehnai in the Bollywood movie “Rockstar” for the track titled “The Dichotomy of fame” Shammi Kapoor is shown playing Shehnai in this film.
Like his father, he is also a singer, composer, actor, filmmaker but also a music company owner. Like his father, he is also wedded to music. He eats music, drinks music, and breathe music. Like his father, Amit started singing from an early age and he used to sing at Durga Pooja festivals in Calcutta. When he was 11, his father brought him as his son in the films that he produced, Door Gagan Ki Chhaon Mein' in 1961. When he was a teenager he sang for the film ' Door Ka Rahi.but it was removed from the final cut of the film.
He sang professionally for the first time, outside his father's composition, at the age of 21 in 1973. The song was "Hosh Mein Hum Kahan", composed by Sapan Jagmohan for the film Darwaza, which was released in 1978. Officially his first released song was in Main Bhi Akela Hoon from the 1974 film Zindagi Aur Toofan.
He came into the limelight after the song "Bade Achchhe Lagte Hain" composed by R.D. Burman, for the film 'Balika Badhu' in 1976, the song was a hit. After this song he was one of the favorites of R D Burman. He sang 170 songs under him. His duets with his father, such as "Haseeno Ke Chakkar Mein" from Deewangee in 1976, "Nazar Lage Na Saathiyo" from Des Pardes in 1978 and "Sun Chache Bol" from Badthi Ka Naam Dadhi in 1974 became popular. His duet with Asha Bhonsle and Lata Mangeshkar also became popular, by 1980 his songs were becoming hit. In 1981 after the release of Love Story, he was the most sought after singer after Kishore Kumar. In this film, he sang all the songs for Kumar Gaurav and became his screen voice.
After the success of Love Story, Rajesh Khanna employed Kumar for playback singing in Fiffty Fiffty (1981) and then later in Aakhir Kyon? (1985), Ghar Ka Chirag, Jai Shiv Shankar, Swarg (1990) and Sautela Bhai (1996). Among music directors, Amit Kumar was used more by Pancham from 1975 to 1994 and by Bappi Lahiri from 1983 to 1995. He sang for almost all music directors and actors of that time. He sang songs for Anil Kapoor in films including Tezaab, Yudh, and Aag Se Khelenge and continued to sing for him in the 1990s. After the death of R.D. Burman in 1994, with whom Amit had a special bond, he withdrew himself from the film industry. Kumar started undertaking more live stage performances in various parts of the world since 1996. Amit Kumar also acted in several films directed by and starring his father, which were Door Gagan Ki Chhaon Mein (1964), Door Ka Raahi (1971), Badhti Ka Naam Dadhi (1974), Shabhash Daddy (1979) and Chalti Ka Naam Zindagi (1982). In 1989, he made his last film appearance in his father's incomplete film Mamta Ki Chhaon Mein, which starred himself, his stepmother Leena Chandavarkar and Rajesh Khanna. After his father's death in 1987, he took over as director and completed the film for release in 1989. In his long career in the film, he acted in a Bengali film namely "Gayak". In this film the name of his character was Amit and it was of a struggling singer. He sang a number of songs for this film under the direction of Rabin Banerjee. Nowadays he is away from Bollywood, Amit does not even follow what is happening in the Hindi film industry on the music front.
