Monday 14 January 2019

Kaifi Azmi - A Multifaceted Personality


Kaifi Azmi was a poet, an activist, and a member of the Progressive Writers’ Movement. He was a screenwriter, dialogue writer and also acted the ailing patriarch in Saeed Akhtar Mirza’s Naseem (1995). So it’s difficult to contain the multifaceted man under one label. 
He had the unique distinction of penning Chetan Anand’s Heer Ranjha(1970) entirely in verse. 
He was the Doyen of Urdu Poetry. Together with Pirzada QasimJon Elia and others, he participated in the most memorable mushairas of the twentieth century.
He was born on 14th Jan 1919 in Azamgarh UP. At age eleven, Azmi wrote his first ghazal Itna To Zindagi Mein Kisi Ki Khalal Pade and somehow managed to get himself invited to a mushaira and over there, he recited a ghazal, rather a couplet of the ghazal which was very much appreciated. He abandoned his studies of Persian and Urdu during the Quit India agitations in 1942 and shortly thereafter became a full-time Marxist when he accepted membership of the Communist Party of India in 1943. During this period, the leading progressive writers of Lucknow noticed him. They were very impressed by his leadership qualities.  His association with the Progressive Writers' Movement and Communist Party made him embark on the path of socially conscious poetry. In his poetry, he highlights the exploitation of the subaltern masses and through them, he conveys a message of the creation of a just social order by dismantling the existing one. Yet, his poetry cannot be called plain propaganda. It has its own merits; the intensity of emotions, in particular, and the spirit of sympathy and compassion towards the disadvantaged section of society are the hallmark of his poetry. His poems are also notable for their rich imagery and in this respect, his contribution to Urdu poetry can hardly be overstated.[4] Azmi's first collection of poems, Jhankar was published in 1943. His important works including anthologies of poetry, were Aakhir-e-ShabSarmayaAwaara SajdeKaifiyaatNai Gulistan, an anthology of articles he wrote for Urdu BlitzMeri Awaaz Suno, a selection of his film lyrics, and the script of Heer Ranjha in Devanagari
At the age of twenty-four, he started activities in the textile mill areas of Kanpur. He spread his area of work, He was asked to shift his base to Bombay, work amongst the workers and start party work with a lot of zeal and enthusiasm and at the same time would attend mushairas in different parts of India. In Bombay, he joined Ali Sardar Jafri in writing for the party's paper, Qaumi Jung. 
He wrote his first lyrics for the film Buzdil, directed by Shaheed Latif and music by SD Burman, released in 1951. His early work as a writer was mainly for Nanubhai Vakil's films like Yahudi Ki Beti (1956), Parvin (1957), Miss Punjab Mail (1958) and Id Ka Chand (1958). 
His greatest feat as a writer was Chetan Anand's Heer Raanjha (1970) wherein the entire dialogue of the film was in verse. It was a tremendous achievement and one of the greatest feats of Hindi film writing. Azmi also won great critical accolades for the script, dialogues and lyrics of M.S. Sathyu's Garam Hawa (1973), based on a story by Ismat Chughtai. Azmi also wrote the dialogues for Shyam Benegal's Manthan (1976) and Sathyu's Kanneshwara Rama (1977). As a lyricist and songwriter, though he wrote for numerous films, he will always be remembered for Guru Dutt's Kaagaz Ke Phool (1959) and Chetan Anand's Haqeeqat (1964)
Some notables films for which he wrote lyrics include Kohra (1964), Anupama (1966), Uski Kahani (1966), Saat Hindustani (1969), Shola Aur ShabnamParwana (1971), Bawarchi (1972), Pakeezah (1972), Hanste Zakhm (1973), Arth (1982) and Razia Sultan (1983). For Naunihal (1967), he wrote the song "Meri Aawaz Suno Pyar ka Raaz Suno" (Hear my voice, hear the secret of love) sung by Mohammad Rafi. The song is picturised over the funeral procession of Prime Minister of India, Jawahar Lal Nehru.
He died on 10 May 2002 at around the age of eighty three. He was survived by his wife, daughter and son. His autobiography is included in a collection of his works, Aaj Ke Prashid Shayar: Kaifi Azmi.

He was the recipient of Padma Shri,

Sahitya Akademi Award


Song of Kaagaz Ke Phool 1959

Song of Shola Aur Shabnam 1961



Song of Shola Aur Shabnam 1961


Song of Haqeeqat 1964


Song of Anupama 1966


Song of Naunihal 1967


Song of Heer Ranjha 1970


Saturday 12 January 2019

The Raga based Bollywood Songs- Raga Pahadi Part-1


I must appreciate the Musicologist and bureaucrat KL Pande who compiled 14000 Raga based Hindi film songs in a book in 7 volumes. The most interesting thing he noticed that The use of ragas in Indian cinema kept changing with films and composers. “In the ’30s and ’40s, there was extensive use of Raag Kafi and Khamaj as these correspond to serious moods of mythological films. You won’t see a lot of sweet-sounding ragas such as Bhairavi and Pahadi. They appeared in the ’50s and ’60s with the advent of composers like Shankar-Jaikishan and Lakshmikant-Pyarelal,
In this blog I have selected a few songs based on Raga Pahari. This Raga is the most popular Raga used in Hindi film songs.
Song of Anmol Ghadi 1946

Song of Dulari 1949


Song of Baazi 1950


Song of   Albela 1951


Song of  Udan Khatola 1955


Song of Chaudavin Ka Chand 1960


Song of Aarti 1962


Song of Shola Aur Shabnam 1961


Song of TajMahal1963


Song of Dosti 1964


Song of  Kashmir Ki Kali 1964


Song of Waqt 1965


Song of Mamta 1966


Song of Aradhana 1969



Thursday 10 January 2019

Shayar 1949 film Review


Shayar is a 1949 film. It is a triangle love story between Dev Anand, Suriya and Kamini Kaushal. In the same year, another triangle love story film Andaz was released but the difference was the triangle was between two heroes and a heroine.
The film was written & directed by M S Chawla and produced under the banner of Jagat Pictures. Dev Anand plays a poet who is caught between his childhood sweetheart and a girl from the city who sings his poems on the radio. spends an inordinate amount of time with light comedy in-between by Agha, contrived even by the standards of missed identity farce. would probably rate this higher, just in light of the charming cast and very good music. There are 10 songs in this film, all composed by Ghulam Mohammad and written by Shakeel Badyuni.


 There is a duet sung by Mukesh for Dev Anand.and Lata for Kamini Kaushal















Wednesday 9 January 2019

Mahendra Kapoor - The Most Popular Voice of Patriotism


Mahendra Kapoor's voice has always been associated with Manoj Kumar. His many songs filmed on Manoj Kumar, most of them are patriotic. He won a National Award in 1968 for the patriotic song Mere Desh Ki Dharti in the film Upkaar, the topmost playing song in All India Radio.
He was one of the golden era singers when Mohd Rafi, Kishore Kumar, Mukesh and Manna Dey was ruling the main platform of playback singers of the Bollywood. He remained as one of the most popular singer in the Bollywood who has given his voice to almost all of the popular heroes like Dilip Kumar, Shammi Kapoor, Raj Kapoor, Dev Anand, Shashi Kapoor, Biswajeet, Raj Kumar, Dharmendra, Amitabh Bahchcan, Manoj Kumar, Jeetendra, Vinod Khanna, Shatrughan Sinha and many more. 
He was born in Amritsar, on 9th Jan 1934. He was a fan of Mohammad Rafi and created a style of his own moulded largely on Rafi, and won the Metro Murphy All-India singing competition, which led to his debut as a playback singer in V. Shantaram's Navrang in 1958, singing Aadha Hai Chandrama Raat Aadhi, under the musical direction of C. Ramchandra.
In a career spanning five decades, he sang more than 25,000 songs in various regional languages, including memorable hits like ‘Chalo ek baar chalo’ (Gumrah), ‘Neele gagan ke taale’ (Hamraaz), and in various language.
He got 3 filmfare awards and one National Award as best singer, he was also awarded the Padma Shri by the Government of India
He had three daughters and also one son. His son Rohan Kapoor is an actor and singer, who acted in a few films in the 1980s such as Yash Chopra's Faasle (1985) and Love 86(1986), and Prakash Mehra's Imandaar, and later did stage shows together with his father. He died on 27th September 2008,  following a cardiac failure at his home in Mumbai, aged 74. 
Song of Upkar 1966



Song of Purab Aur Paschim 1970


Song of  Navrang 1959



Song of Shaheed 1965



Song of Watan Ke Rakhwale



Song of Purab Aur Paschim 1970



Song of Rajput 1982




Monday 7 January 2019

The Lengthiest Songs of Hindi Cinema


Generally, a Hindi film song is of 3 to 4-minute duration but there are many songs which are more than 6-7 minutes long. The title song in the movie 'Ab Tumhare Hawale Watan Saathiyon' (by the same name) is one of the longest Hindi film songs. The song is around 15 minutes and is shown in a couple of instalments (sung by various singers) in the film.
The most obvious category where most of the songs are typically long is the qawwaliProbably the most famous, and my most favourite, qawwali of all time is the one from Barsaat Ki Raat (1960) - the mother of all filmi qawwalis. Running for more than 12 minutes, the words, the music and the singing all come together brilliantly. Another Qawwalli, Humein to loot liya mil ke husn waalon ne from the film Al Hilal (1958) was of 11 minutes.
Song of   Al Hilal (1958)



Song of  Barsaat Ki Raat (1960) 



Beside Qawwali there are many genres where long songs were created.  There have been several instances in Hindi films where a number of songs that appear separately in the audio releases, are filmed as a single unit i.e as a medley of multiple songs. In some cases, such a medley is used to show the simultaneous state of mind of different characters. Nasir Hussain the famous producer-director of the Golden Era who had this fascination of Medleys to show competition between various characters. Remember the songs of Yadon Ki Baarat, Hum Kisi Se Kam Nahin etc.
Song of Yadon Ki Baarat 1973



Song of  Hum Kisi Se Kam Nahin 1977


Apart from medleys, single long songs have also been used in films to narrate a story. One the longest songs ever filmed in Hindi films is from Rani Aur Lal Pari (1975). The sequence tells the story of Cinderella in the form of a song running for more than 20 minutes. More often than not, such songs are only meant for watching and have virtually no audio-only appeal.

Song of  Rani Aur Lal Pari (1975)

Many films feature really long songs with the primary aim of showcasing the dancing prowess of the lead characters. Such songs typically have long instrumental passages. Here is one song from Raj Tilak (1958) where two exceptional dancers are pitted against each other as a sort of competition.

Song of  Raj Tilak (1958)

Similarly, multilingual songs are often used in films to depict national integration and many times, such songs end up being quite long. Like, for example, this song from Pyar Ki Pyaas(1961)…and also from Teen Batti Chaar Rasta (1953) where family members from various regions of India sing praises of their respective regions through a medley of songlets in different languages.
Song of  Pyar Ki Pyaas(1961)



Song of Teen Batti Chaar Rasta (1953) 



Song of Bawarchi 1972

Recently in Half Girlfriend a long song was picturised Phir Bhi Tumko Chaahunga sung by Arijit Singh and Shradha Kapoor. Here I am posting a few songs which are over 8 minutes long.
 

Song of Guide 1965



Song of Maine Pyaar Kiya 1989



Song of  Hum Aapke Hain Kaun (1994)



Song of Border 1997



Song of Hum Saath Saath Hain 1999



Song of Mohabbatein 2000


Song of  Mujhse Dosti Karoge 2002



Ab Tumhare Hawale Watan Saathiyon


Song of L O C Kargil 2003



Song of  Shaandaar 2015







Sunday 6 January 2019

JAIDEV- A composer with the highest noumber of unreleased films.


Jaidev is one of those unlucky composers, who, despite being a Genius and highly talented, did not get his dues in the industry.
He has a long list of Unreleased films, in which he had composed some gems.
The list of such films is as following-
1.Aatish (or Daulat ka nasha featuring Simi and Sohrab modi)
2.Azaadi pachhis baras ki
3.Shaadi kar lo (included songs by Parveen sultana)
4.Ek tha Chander,Ek thi Sudha (starring AB and Jaya)
5 Khunnas
6.Amar Jyoti
7.Footpath
8Annada Didi
9Shagun
10 Chandra Grahan
11Mulaqaat.
Humsafar
Libaas
Rajlakshmi
Vandana
Sameera

Song of the unreleased film Ek tha Chander,Ek thi Sudha


Song of unreleased film Shaadi kar lo


Song of unreleased film Khunnas


Song of unreleased film Amar Jyoti


Song of unreleased film Footpath


Song of unreleased film Chandra Grahan












Saturday 5 January 2019

C Ramchandra - The Composer who Introduced Rock & Roll Music in India.


He was not only a composer but also a singer. He sang some renowned and unforgettable duets with Lata such as Kitna haseen hai mausam in film Azad or Shola Jo bhadke in Albela. Influenced by Benny Goodman, Ramachandra introduced in his compositions the alto sax in combination with guitar and harmonica. 
An outstanding feature of many of these songs is their intense curiosity about western mores and manners; they often employed western musical idioms in exaggerated fashion either for satire or irony. These songs mirrored the curiosity of the educated, urbanized Indian youth.He did numerous experiments in western/Indian and middle-eastern styles. in 'Meri Jaan..Sunday Ke Sunday..' (Shehnai) he introduced the Benny Goodman style of jazz clarinet in combination with an Indian melody.  Other westernized songs e.g. 'Shola Jo Bhadke..' and 'Ye Diwana Ye Parwana..' (Albela) employed cabaret type dance featuring bongo drums, oboes, clarinets, trumpets, saxophones, etc. He sang the title song "Shin Shinaki Boobla Boo" with Lata Mangeshkar, which included rock rhythms. He provided the musical score for the scat song "Ina mina dika" in "Aasha".
C Ramchandra with Lata Mangeshkar

He was born on 12th January 1918 in Puntamba, a small town in Ahmednagar district in Maharashtra. He joined the film industry playing the lead role in Y. V. Rao's movie, Naganand. He also had some small roles at Minerva Movietone in the movies Said-e-Havas (1936) and Atma Tarang (1937). He was a good singer, he sang for all the topmost heroes of that time like Dilip Kumar and Dev Anand.
Ramachandra provided harmonium accompaniment for Minerva composers Bindu Khan and Habib Khan. He debuted as music director in Tamil movies with Jayakkodi and Vana Mohini. He received public notice as a good composer in Bhagwan Dada's "Sukhi Jeevan", and established a long association that culminated with the musical box office hit "Albela".
 C. Ramachandra's biggest success as a music composer was the 1953 movie Anarkali starring Beena Roy in the title role and Pradeep Kumar. The songs that he composed for this movie are today legendary. Songs of this movie like "Yeh Zindagi Usiki Hai", "Mujhse Mat Poochh Mere Ishq Main Kya Rakha Hai", He gave the hit music of V Shantaram's Navrang.
C.Ramchandra with Kavi Pradeep &Lata-Mangeshkar

He was the composer of the highly popular patriotic song "Aye Mere Watan Ke Logo", which was sung by Lata Mangeshkar and penned by poet Pradeep,
He died on 5 January 1982 in Mumbai.

Some of his great songs
Song of Shehnai (1947)



Song of Patanga 1949



Song of Nirala 1950


Song of Albela 1951


Song of Anarkali 1953


Song of Azaad 1955



Song of ASHA 1957



Song of Amar Deep1958





Friday 4 January 2019

The Great Raga Based Songs of R D Burman


R D Burman has been credited with revolutionizing Bollywood music. He incorporated a wide range of influences from several genres in his scores. The sheer breadth of his music, allied with a unique ability to not only make folk and classical music accessible to the modern listener, but present them in an original, yet contemporary manner for young listeners.
 While we mostly associate a more western sound with RD, I think of him as a composer who simplified the most complex Hindustani classical music and made it accessible to the masses. Here are some great Raga based songs created by him.
The first film R D Burman gave the music was Chhote Nawab released in 1961. The first song he composed in this film was  Ghar Aaja Ghir Aayi Badra in Raga Malgunji sung by Lata Mangeshkar.


Song of Chhote Nawab 1961


Song of Chandan Ka Palna 1967



Song of Amar Prem (1972)



Song of  Parichay (1973)



Song of Kinara 1975



Song of Mehbooba (1976)



Song of Khoobsurat 1980



Song of Kudrat (1981)



Song of Agar Tum Na Hote (1984)