The First Indian Fim was Released on 3rd May 1913

Raja Harishchandra was the First Indian Film produced and directed by Dada Saheb Phalke. It was released on 3rd May 1913 at Coronation Cinema, Girgaon. Bombay though the film premiered at the Olympia Theatre, Bombay on 21 April 1913. It was a Silent Film, it had English, Marathi, and Hindi-language intertitles. The running time of the film was 40 minutes.
An advertisement for the film published in The Bombay Chronicle had a note added at the end that the ticket rates would be double the usual rates. The film had an overfull run for a week, and it was extended for twelve more days. A special show was scheduled for 17 May for women and children only at half rates. Initially, 18 May was advertised as the last show, but the film continued its run due to popular demand. It ran continuously for twenty-three days until 25 May and was re-run at the Alexandra Theatre on 28 June. The Bombay Chronicle in its issue of 5 May 1913 mentioned that "this wonderful drama is splendidly represented by the company of actors" and praised the "beauty and ingenuity" with which Phalke succeeded in presenting the film scenes.

The success of the film in Bombay created a demand from other parts of the country.  As there were no film distributors in those days, Phalke had to move the film, the projector, an operator, and some assistants from place to place.
Due to the film’s massive success, Phalke had to make more prints for rural areas as well. He was established as a producer and later came to be known as ‘The father of Indian cinema.’
 The film opens with a scene of tableaux patterned on the painting by Raja Ravi Varma, of Raja Harishchandra and his wife with their son. The film revolves around the noble and righteous king, Harishchandra, who first sacrifices his kingdom, followed by his wife and eventually his children to honour his promise to the sage Vishwamitra. Though, in the end, pleased by his high morals, the Gods restore his former glory and further bestow him with divine blessings
Phalke watched several foreign films to learn about screenplay writing and then completed the script for Raja Harishchandra. The film had an all-male cast as no women were available to play female leads. After coming to the studio, male actors playing female roles were asked to wear saris and do women's chores like sifting rice, and making flour to help Saraswatibai.
Filming was completed in six months and twenty-seven days to produce a film of 3,700 feet (1,100 m), about four reels. Phalke used trick photography to shoot one of the scenes where the god appears and disappears from behind the smoke of sage Vishvamitra's Yajna-kund.

Scene from Raja Harishchandra 1913

Manna Dey-The Great Versatile Singer of Bollywood

Manna Dey was a very versatile singer and there was no playback singer who could imitate Manna Dey's versatility. The great Mohammed Rafi once commented that though people listen to his songs, he himself hears only Manna Dey's songs. He established his versatility between 1948 to 1954 by singing not only the classical-based film songs but also singing such film songs which were the fusion of Indian classical music and pop music.
 His experimentation with western music too produced many unforgettable melodies resulting in an increase in singing offers in films from 1955. It was an irony that he was typed for classical songs, background songs and sons for comedians specially Mehmood. His deep classical training could have been the reason for this anomaly.
Born on 1st May 1929 was highly inspired and influenced by his Uncle K C Dey the legendary Singer of the late 30s and 40s. He began taking music lessons from Krishna Chandra Dey and Ustad Dabir Khan. During this period, he stood first for three consecutive years in three different categories of inter-collegiate singing competitions.
At the age of 22 years, he started working as an assistant music director first under Krishna Chandra Dey, and then under Sachin Dev Burman. Later, he assisted other music composers and then started to work independently. Dey started his career in playback singing with the movie Tamanna, in 1942. The musical score was by Krishna Chandra Dey and Manna De sang a duet named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.
It was only in 1943 that he got his first solo break with Ram Rajya. Incidentally, the producer of the film Vijay Bhatt and its composer Shankar Rao Vyas had approached K C Dey with an offer for playback in the film. When K C Dey refused the offer on the grounds that he would not lend his voice to other actors, they spotted Manna Dey sitting in the corner of the room and offered him the opportunity..
After that Manna Dey gave many hit songs.His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Anil Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) composed by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective years. Between 1945-47 many Manna Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), all 4 duets from the film Geet Govind composed by Pandit Indra - "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.
His first duet with the then-upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai for Narsingh Avtar (1949), With Lata Mangeshkar, Manna recorded around 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" from Awara, "Yeh Raat Bhigi Bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop film Jyoti (1969) and "Mein Buddho Lambo Lambo" of Buddha Mil Gaya (1971) are still extremely popular. 
Manna Dey recorded popular duets with Mohd. Rafi, Dey sang 101 Hindi songs along-with Rafi which include "Ishq Ishq" (Barsaat Ki Raat) "Tu Hai Mera Prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan key Liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood in Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam(1961).
With Kishore Kumar, it was "Subah Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh. They sang together 6 songs till 1968 but the demand increased after 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" from Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Me Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar .
The trio of Rafi-Kishore-Manna Dey sang together hits like "Tujhme Ishwar, Allah Tujhme" from Nanha Farishta (1969) and "Band Muthee" from Chalti Ka Naam Zindagi (1981).
Some of his greatest songs are non-filmi. He recorded selections from Harivanshrai Bachchan’s Madhushala and his songs such as Nathni se toota moti re and Yeh awaara se din has loyal fans. He sang in many languages like in Bhojpuri, Magadhi, Maithili, Punjabi, Assamese, Odia, Konkani, Sindhi, Gujarati, Marathi, Kannada, Malayalam, and Nepali.
He died of a cardiac arrest at 3:45 pm on 24 October at Narayana Hrudayalaya hospital in Bengaluru, aged 94.

Some of the Most Popular Songs of Manna Dey

Song of  Mashal (1950)

Song of  Shree 420 (1954)

Song of   Chori Chori, (1956)

Song of Dekh Kabira Roya (1957)

Song of Navrang 1959

Song of  Dil Hi To Hai 1963

Song of Meri Surat Teri Aankhen 1963

Song of Bhoot Bangla 1965

Song of Upkar 1967

Song of Padosan 1968

Song of  Mere Huzoor (1968)

Song of  Mera Naam Joker (1970)

Song of Zanjeer (1973)

Song of Sholay 1975

The Immortal Songs of C Arjun

C. Arjun( Born on September 1, 1933, Died on 30th April 1992) is among one of the most talented film music composers in the Hindi film industry. He gave music to 17 Hindi films, besides films in Gujarati, Sindhi and Haryanvi languages. Some of his films were, Main Aur Mera Bhai, Punarmilan, Ek Saal Pehle, Jai Santoshi Maa, Ustad Pedro and Mangu Dada. 
His film Susheela-1966, which was incomplete, was completed and released as Subah Zaroor Aayegi in 1977 in which ‘Bemurawwat Bewafa’ song sung by Mubarak Begum and ‘Gham Ki Andheri Raat Mein sang by Talat and Rafi became very popular. One song of his – Paas baitho tabiyat bahal jayegi sung by Rafi is enough to give him immortality. He will always be remembered for the  songs of Jai Santoshi Maa 
He inherited his musical talent from his father who was a singer. He became assistant to another Sindhi music director Bulo C Rani. He started his career with composing for a Sindhi film Abana. His first Hindi film was Road no 303 (1960). Off and on he got films under nondescript banners with B/C grade cast. That he created memorable music nevertheless did not do much to change his fortunes. His teaming with the lyricist Jaan Nisar Akhtar would rank at par with the best of Sahir Ludhiyanvi’s composed by SD Burman or Roshan. He also composed a number of non-film songs. He died at a relatively young age of 59 of a heart attack he suffered at a recording studio. 

Song of Punarmilan 1964

Song of Punarmilan 1964

Song of Susheela (1966)

Song of Susheela (1966)

Song of Chale Hain Sasural (1966)

Song of Jai Santoshi Maa  1975

Interesting Hindi Film Songs With Question and Answer

Have you ever noticed that there are some Hindi songs which ask questions and the answer is given by the hero or heroine?. This theme came into my mind when I was watching the old movie Chori Chori. The song Jahan Main Jaati Hoon...Yeh To Batao Ki Tum Mere Kaun Ho from this film made me think of writing this blog on this theme.
Songs based on ‘Riddles’ (Paheli in Hindi) used to be quite popular in the Golden Era of Hindi Film Music and a few of them are still played in children programs in schools.
The oldest hit song in this theme came into my mind from the film Anmol Ghadi "Awaaz De Kahan Hai, Duniya Meri. Jawaan Hai sung by Noorjehan and Surendra. Another hit song "Ichak Dana Bichak Dana, Dane Upar Dana from Shri 420 also fit in this theme.
Here are many such hit songs in this post.

Song of Anmol Ghadi 1946

Song of Shri 420 (1955)

Song of Chori Chori 1956

Song of NAU DO GYARAH 1957

Song of Pyaasa 1957

Song of Chalti Ka Naam Gaadi (1958)

Song of Sasural - 1961

Song of Sangam 1964

Song of Milan 1967

Song of Aradhana 1969

Song of Aan Milo Sajna 1970

Song of Sachaa Jhutha 1970

Song of Kal Aaj Aur Kal 1971

Song of Kathputli 1971

Song of Mera Naam Joker - 1972

Song of Apradh 1972

Feroz Khan- A Successful Journey from Third Grade films to Top Banners

Feroz Khan made his debut in Homi Wadia’s low-budget flop, Reporter Raju (1962), With no godfathers to back him, Feroz worked in a bunch of low-brow flicks through the mid-1960s to survive. That included playing second fiddle to Dara Singh in Samson.
In side roles he always managed to hold his own against more famous co-stars: Raj Kumar (Oonche Log, a moderate success), Rajendra Kumar (Arzoo), Rajesh Khanna (Safar), Dharmendra (Aadmi Aur Insaan, for which he got Filmfare’s Best Supporting Actor award) and Sunil Dutt (Pyaasi Shaam).
In his role as the wayward younger brother of Raj Kumar, he was noticed in the black and white  film Oonche Log (1965), Feroz Khan comes across as a young, vulnerable and charming youth in Mohammed Rafi numbers “Haye re tere chanchal nainwa , kuchh baat karein ruk jaayein” and “Jaag Dil-e-Deewana, Rut jaagi wasl-e-yaar ki”.

After this film came Arzoo, in which he had a chunky role, one could see Feroz Khan at his romantic and emotional best. He had some beautiful scenes in Kashmir opposite the exceptionally pretty heroine, Sadhana.  With this, Khan started to receive A-list second leads. With the film Aadmi Aur Insaan (1969), Khan won his first Filmfare award for Best Actor in a Supporting Role.
In 1970 released Safar, in this film the Hero was Rajesh Khanna but Feroz Khan played an important role in this film. In 1971 he appeared in 2 films as the 2nd lead to his younger brother Sanjay Khan( Mela and Upasana).

To improve his career opportunities as a leading man he started his own Production Company.He became a successful producer and director with the 1972 film Apradh, Mumtaaz was his co-star in this film. Apradh was the first Indian movie showing auto racing in Germany,it was a moderate success at the box office. After that, he produced, directed and starred in the 1975 film Dharmatma, which was the first Indian film to be shot in Afghanistan and was also his first blockbuster hit as a producer, director and star and marked the appearance of actress Hema Malini in a glamorous avatar. This movie was inspired by the Hollywood film The Godfather. 

Throughout the late 1970s and 1980s, he was a leading Bollywood star, directing and starring in many of his films. He also starred in the Punjabi film Bhagat Dhanna Jat (1974). The 1980 film Qurbani, with Zeenat Aman, was the biggest hit of his career and launched the singing career of iconic Pakistani pop singer Nazia Hassan, with her memorable track "Aap Jaisa Koi". In 1986, he directed and starred in Janbaaz, a box office hit, In 1988, he directed and starred in Dayavan, which was a remake of an Indian Tamil film titled Nayakan. After directing and starring in Yalgaar (1992),
He launched his son Fardeen Khan's career with the 1998 film Prem Aggan, which, however, was a box office bomb.  he took a long break from acting for 11 years.
His last film as an actor was "Welcome" was a roaring hit in 2007. He died from lung cancer on 27 April 2009 at the age of 69. He was buried in Bangalore near to his mother's grave at Hosur Road Shia Kabristan.
He appeared in over 51 films in the 1960s, 1970s and 1980s, and became one of Bollywood's popular style icons 

Song of Unche Log

Song from CID 909 1967

Song from Safar1970

Song from Apradh 1972

Song from Khote Sikkey 1973

Song from Dharmatma 1974

Song from Qurbani 1980

Song from Jaanbaz 1986

Dev Anand's Association with Shankar Jaikishan

Shankar Jaikishan were associated with Raj Kapoor and Shammi Kapoor but they also composed for Dev Anand in 8 films with 63 scores. The first film they worked together was the 1953 film Patita. But when producers and directors approached Shankar Jaikishan for composing music in Dev Anand’s film, he took Hemant Kumar for Dev Anand. The song Yaad Kiya Dil Ne Kahan Ho Tum was super hit. Another song for Dev Anand was Talat Mahmood.
The combination of SJ and Dev Anand stormed Bollywood from the time he used Rafi for almost all the songs in the film Love Marriage in 1959.Rafi’s songs included “kahan ja rahe the“, “dheere dheere chal“, This combination created storms in the film Jab Pyar Kisi Se Hota Hai.
Jab Pyar Kisi Se Hota Hai was a musical film with Asha Parekh and all the songs became super hit in the early 60s. Some of them included “jiya ho, jiya ho jiya kuch bol do“, “sau saal pehele hume tumse pyar tha“, “yeh aankhe uff yummma“, “teri zulfonki“, to name a few. The success of the film Jab Pyar Kisi Se Hota Hai was followed up in Hrishikesh Mukherjee’s film Asli Nakli. All the songs of this film were hit especially “tera mera pyara amar“, “tujhe jeevan ki dor se bandh liya hai“, “ek buth banayunga“, “asli nakli chehera“ 
After this released Dev Anand Saira Bano starrer Pyar Mohabbat in 1966. The songs in the film Pyar Mohabbat, like “dil ki awaaz khuda khair Karen“, “pyar muhobbat” and duet songs with Sharda like “sun sun, sun re balam, dil tujhko pukare” were hits.
After this film SJ did 2 films with Dev Saab both released in 1968,Duniya and Kahin Aur Chal The songs of Duniya were popular in this film SJ used Kishore Kumar for Dev Anand.

Song of Patita 1953

Song of Love Marriage 1959

Song of Roop Ki Rani Choron Ka Raja (1961) 

Song of Jab Pyar Kisi Se Hota Hai (1961)

Song of Jab Pyar Kisi Se Hota Hai (1961)

Song of Asli Naqli (1962) 

Song of Asli Naqli (1962) 

Song of Pyar Mohabbat 1966

Song of Duniya 1968

Song of Duniya 1968

Murad- An Important Character Actor of Golden Era of Bollywood

Today's generation may not know him but the lovers of the Golden Era can't forget him. His usual roles were that of a father, judge, emperor, zamindar or police commissioner. Some of his well known films include Andaz (1949), Deedar (1951), Aan(1952), Do Bigha Zameen (1953), Mirza Ghalib(1954) , Amar(1954) , Devdas(1955) and K Asif’s magnum opus Mughal-E-Azam where he played the role of Raja Mann Singh. His unique voice and dialogue delivery were his assets.
He started his career with Najma (1943) and worked in over 100 films over the next five decades. In his first film, he played the role of Ashok Kumar's father. He was then offered the roles of Heroe's or Heroine's father. He played the role of Deputy saheb – the girl's father in Mehboob Khan’s Anmol Ghadi (1946) which was a musical hit starring Surendra, Noor Jahan and Suraiya.

He was a favourite character artist of the filmmaker Mehboob Khan. In fact, Mehboob Khan took him in his film Najma in 1943 which happened to be his debut film. After that, he appeared in his Anmol Ghadi (1946), Andaj (1949), Aan (1952), Amar(1954) and Son of India(1962).

Murad in Baraat

From the 1960s through to the end of the 1980s he appeared mostly as a judge or police commissioner. He was last seen in Amitabh Bachchan's Shehanshah released in 1988. He died in his birthplace in Rampur, Uttar Pradesh in 1997. His son Raza Murad is also a character actor of Bollywood.

Ameeta - A Forgotten Actress

She was the heroine of 1957 hit film Tumsa Nahin Dekha which made Shammi Kapoor a Star but the luck did not favour Ameeta.In 1959 Goonj Uthi Shahnai, her another big hit film as heroine released. Rajendra Kumar was the hero.  Here despite a mature and sensitive performance, Ameeta was overlooked and Kumar was given credit for the film's emphatic success.
Although she fired up the careers of Shammi Kapoor and Rajendra Kumar with these hits, Ameeta could never capitalise on them and stardom never materialised. She later switched to character roles.

Her  roles in multi-star films like Raakhi (1962) and the blockbuster Mere Mehboob (1963) did not help her career graph, even though she was nominated for a Filmfare award for the latter as Best Supporting Actress, and she now dropped to playing lead grade-B movies which though successful at the box office did not do much for her star status. However, her romance opposite Kishore Kumar in Hum Sab Ustad Hai in 1965 was appreciated by the audience. By 1965 she was playing negative and villainous characters in films like Rishte Naate (1965), and Aasra (1966). Worse still, she was seen in supporting roles to starlets Rajshree and Babita, in films like Around the World (1967) and Haseena Maan Jayegi (1968). After filming Haseena Maan Jayegi (1968), a disillusioned Ameeta left the film industry as she was not getting leading roles and settled into matrimony.

A fan of Madhubala, Ameeta was enacting her idol's sword fight from the movie Baadal when she caught the eye of Lekhraj Bhakhri, who signed her for his movie Thokar. This was her debut film in a side role where she was credited as Jayjaywanti. Qamar's debut movie as the heroine was a 1953 release, Shri Chaitanya Mahaprabhu (1954), directed by Vijay Bhatt. The screen name Ameeta made its appearance in this movie. The film failed, but Ameeta kept on working in films like Amar Kirtan, Badal Aur Bijli, Baaghi Sardar and Indrasabha. But her career took a positive turn when she worked with her idol Madhubala in Shirin Farhad (1956). She was then chosen for lead roles in Abhimaan and Zamana.
She was born on  11 April 1940. Her real name was Qamar Sultana, She started her career with producer-director Lekhraj Bhakhri,s Thokar in 1953. The main lead hero was Shammi Kapoor, that time he was a flop actor. Her next film was Shri Chaitanya Mahaprabhu starring with Bharat Bhushan. Her screen name was given by Vijay Bhatt the director of this film. This film flopped and her career was in jeopardy She had to accept heroines roles in B grade films until she got Tumsa Nahi Dekha.
Ameeta was nominated for a Filmfare Award as Best Supporting Actress for Mere Mehboob (1962) but lost out to Shashikala for Gumrah(1963)

Song of Tumsa Nahin Dekha 1957

Song of Tumsa Nahin Dekha 1957

Song of Goonj Uthi Shehnai 1959

Song of Goonj Uthi Shehnai 1959

Song of Chhote Nawab 1961

Song of Mere Mehboob 1963

Song of Hum Sab Ustad Hain 1965