Monday 19 July 2021

Mehdi Hassan- Gulon Mein Rang Bhare

 


Mehdi Hassan's voice gave life to the lyrics of the song and transformed it into a timeless entity to be hummed by generations to come. This happened when he sang 'Gulon Mein Rang Bhare'  the words of Faiz Ahmed Faiz for the film  Farangi (1964). It moved the poet so much that he bestowed the song to Mehdi Hassan.

This happens when two great combines together to create something, a masterpiece is born. This ghazal is widely considered to be amongst the most popular as well as the very best of Faiz Sahib’s ghazals. Indeed, as many would consider it to also be amongst the best of Mehdi Hasan’s ghazals.

This ghazal was not written for the film It had already been recorded by Radio Pakistan’s Central Production Unit. The radio version had just a sarangi, a tabla and a tanpura yet it had become a massive hit. This became a rage only when it was re-recorded for the film. There was no situation in the film for this song but the director Khalil Qaisar was hell-bent on including in the soundtrack. 

 Ismail Khan, the uncle and mentor of Mehdi Hassan fashioned it in the Jhinjhoti Raag, Heavy orchestra was used. violins were introduced instead of Tanpura. The ghazal’s resounding success catapulted Hasan’s career in the industry and he never looked back An anecdote linked with this song is that during many get-togethers, people would request Faiz Sahab to recite the ‘Mehdi Hasan ghazal.

Mehdi Hassan. Born on July 18th, 1927 in Rajasthan of pre-partition India, he was initially named Ismail Khan. As a child, he was weak and fell seriously ill, and after many prayers, he recovered on the 8th of Muharram, after which he was renamed Mehdi Hassan. He was born into a traditional family of musicians, and his father and uncle had even been invited to the court of the Maharaja of Baroda, one of the greatest honors at the time. Growing up in this family of musicians, Mehdi Hassan gained an understanding of “raag” at the early age of six. By the time he was eight, he also performed in the presence of the Maharaja, who greatly appreciated him.

Mehdi Hassan sang for more than 300 films, and his fan base stretched beyond Pakistan to India. His contributions as a playback singer not only made him famous, but they also made the film, poetry and poet memorable. For instance, Ahmed Faraz’s ghazal, “Ranjish Hee Sahi,” was immortalized when Mehdi Hassan sang it.

It is important to note that Mehdi Hassan changed ghazal from a purely classical genre to a semi-classical genre. This transition allowed the format of ghazal to be more openly adapted in films.Mehdi Hassan sang in two Hindi films also.

He passed away on 13th July, 2012, and the world was deprived of a beautiful voice. His songs can still be heard in households and streets, transcending borders and languages. 

Original song from Farangi 1964

gulon mein rang bhare runa laila

       Gulon Mein Rang Bharey - Kamran Hasan Son of Mehdi Hassan







Sunday 18 July 2021

A Look into the Special Appearances of Rajesh Khanna in Bollywood Films

 


Rajesh Khanna the Super Star who gave 15 consecutive hit films from 1969 to 1972 was the most sought-after hero. He appeared in 30 films as Special Appearance. In most of the films, he sang a song in the film. In 8 films he appeared as Rajesh Khanna, the hero. The first special appearance was in the 1968 film Shrimanji and he then appeared in the 1971 film 'Andaz' just after the success of Aradhana. and Do Raste  The song 'Zindagi Ek Safar Hai Suhana' became a rage.

In this blog, I have selected only those films in which he gave a special appearance.

Song of Andaz 1971


Song of Anuraag 1972


A Scene of Badhti Ki Naam Dadhi 1974


Song of Aakraman 1975

A Scene from Aaina 1977

Song of Tinku 1977

Song of Muqablq 1979

Song of Naseeb1981

Song of Suraag 1982

Song of Disco Dancer 1982

Song of Mamta ki Chhaon Mein 1989


















Qawwali of Sawa Lakh Se Ek Ladoun - 1976




Saturday 17 July 2021

Mein or Mera Songs- The songs used to establish one's character (Part 1)

 


                                                                      Part 1 

Thinking of theme songs, the idea clicked in my mind to have songs that have Mein or Mera in their lyrics or introducing his or her character in the song like Awara Hoon or Mein Zindagi Ka Saath Nibhata Chala Gaya.

On researching, I have found so many songs on this theme, all the songs are not possible to be included in one blog, So in this blog, I have taken 15 songs from 1949 to 1959. Rest I will post in Part 2

The first song I have selected 'Main Zindagi Mein Hardam Rota Hi Raha Hoon (Barsaat) 1949, sung by Mukesh, picturized on Raj Kapoor. In this film, we find three songs in this category. The other two are 'Chhod Gaye Balam Mujhe Akela Chhod Gaye' and 'Aa Ja Re Ab Mera Dil Pukara'

Song of Barsat 1949

The next song is one of my favorites 'Aye Dil Mujhe Aisi Jagah' sung by Talat, picturized on Dilip Kumar for the 1950 film 'Arzoo'. There are two more songs in this category 'Kahan Tak Ham Uthaye Gham'  and 'Mera Naram Karejwaa Dol Gaya' 'by Lata Mangeshkar.

Song of Aarzoo 1950

The next song is from the 1950 film 'Sargam' 2 songs come in this category, 'Wo Hamse Chup Hain', and 'Mera Nam Hai Bhim Palasi' both sung by Chitalkar for Raj Kapoor
Song of Sargam1950

This is an immortal song from the 1951 film Awara sung by Mukesh
Song of Awara1951

Song of Awara1951

Song of Sanam 1951

Song of Deedar 1951
Song of Deedar 1951

Song of Madhosh 1951

Song of Anhonee 1952

Song of Nagin 1954

Song of Shree 420 1955

Song of Udan Khatola 1955


Song of Chandrakanta 1956


Song of Pyasa 1957


Hum Hein Rahi Pyaar Ke sung by Kishore Kumar, picturized on Dev Anand
Song of Nau Do Gyarah 1957


Mein Toh Kab Se Khadi Is Paar sung by Lata, picturized on Vyajantimala
Song of Madhumati 1958

Mein Bangali Chhokra sung by Kishore Kumar and picturized on him
Song of Raagini 1958

'MEIN DEEWANA MASTANA' sung by Mukesh picturized on Premnath


Song of Chalis Din 1959

Chhoti Behan (1959) had two very popular songs, 'Mein Rickshawala Mein Rickshawala' and 'Main Rangeela Pyar Ka Rahi' both picturized on Mehmood
Song of Chhoti Behan 1959















































 

Friday 16 July 2021

The Great Bollywood Songs on Promise

 

Promises are the uniquely human way of ordering the future, making it predictable and reliable to the extent that this is humanly possible. Promises are a vital part of building our relationships. Sometimes the poets or lyricists imagine a promise that is outside of our personal boundaries like 'Tere Liye Mein Chand Tare Tod Laonga' or 'Sau Baar Janam Lenge, Sau Baar Fana Honge'

There are hundreds of songs that explicitly use the words 'vada' or 'Kasam in the lyrics but In this blog, I have selected those songs with no words of promise in them but express a promise like Na Yeh Chand Hoga Na Tare Rahenge' or' Ek Ghar Banonga Tere Ghar Ke Samne.

The first song in my list is not a promise-giving song but asking for a promise. This song was written by D N Madhok and composed by Naushad for the 1944 film Rattan

Song of Rattan (1944)

Song of Jugnu (1949)

Song of Deedaar (1951) 

Song of Neelam Pari 1952

Song of Naukri 1954

Song of Shart 1954




Song of Baradari 1955


Song of Jab Pyar Kisi Se Hota Hai 1961

Song of Asli Naqli 1962




Song of Tere Ghar Ke Samne 1963


Song of Ustadon Ke Ustad 1963

Song of Guide 1965


Song of Mamta 1966


Song of Milan 1967






Song of Jeevan Mrityu 1970

Song of Hawas 1974

Song of Zakhmi 1975








Wednesday 14 July 2021

Na Toh Carvaan Ki Talaash Hai- The Immortal Qawwali by Roshan

 


When we think of the film Qawwali, this 12-minute long Qawwali comes to our mind. This Qawwali is from the super hit film Barsat Ki Raat (1960). The other song of the film, especially the romantic title track Zindagi Bhar Nahin Bhoolegi, is another immortal song composed by Roshan. 

There is a story behind this song,  that it was music director Khayyam wa signed on to compose the music for Barsaat Ki Raat (1960). But when R Chandra, the film’s producer and elder brother of its leading man Bharat Bhushan, insisted that the composer use the tune of the qawwali Na Toh But-Kade Ki Talab Mujhe, sung by the famed Pakistani duo of Mubarak Ali Khan and Fateh Ali Khan, Khayam refused to use the same tune, so he was replaced by Roshan, he had no qualms about using the tune.   

 This Qawwali was written by Sahir Ludhianvi and sung by Mohammad Rafi, Manna Dey, Asha Bhonsle, Sudha Malhotra and even SD Batish lending his voice for a line or two. As the legend goes, the qawwali took 24 hours to record and is till date a musical milestone.

This film had another Qawwali 'Yeh Ishq Hai Ishq Ishq' sung by the same singers. This is also a  long qawwali run for 7 minutes. Apart from this 2 qawwali, there is also an immortal song"Zindagi bhar nahi bhoolegi woh barsaat ki raat" 

.The 1960s proved to be the golden age for Roshan and his music. His ability to mold folk music with Hindustani classical music became his trademark and resulted in successful movie musicals. During this time, Roshan gave hits such as  "Ab kya misaal doon" and "Kabhi to milegi, kahi to milegi" (Aarti, 1962), "Jo vada kiya vo nibhana padega", "Paao chhoon lene do", "Jo baat tujhmein hai" and "Jurm-e-ulfat pe" (Taj Mahal, 1963), "Nigahen milane ko jee chahata hai" and "Laaga chunari mein daag" (Dil Hi To Hai, 1963), "Sansaar se bhaage phirte ho" and "Man re tu kaahe" (Chitralekha, 1964), "Rehte the kabhi jinke dil mein" and "Rahen Na Rahen Hum" sung by Lata Mangeshkar and her hit duet, "Chuppa Lo Yun Dil Mein Pyar Mera" with Hemant KumarDevar (1966): "Aaya hai mujhe phir yaad woh zalim, guzara zamana bachpan ka"; "Baharon ne mera chaman loot kar"; "Duniya mein aisa kahan sab ka naseeb hai"and "Oh re taal mile", "Khushi khushi kar do vida" (Anokhi Raat, 1968). 

Song of Barsaat Ki Raat (1960)



Monday 12 July 2021

Rehana Maryam Noor - A Standing Ovation from the Audience at the 74th Cannes Film Festival

 


Rehana Maryam Noor is the first-ever film from Bangladesh in the Cannes official selection.  The film is about a single mother who is an assistant professor at a local medical college, finds herself in a difficult position after witnessing a sexual assault where she knows both the victim and the perpetrator.

It is a powerful character of Rehana who single-handedly wages a fight for justice on behalf of her six-year-old daughter and one of her students. The role is played by Azmeri Haque Badhon The film is directed by Abdullah Mohammad Saad who made his debut in, "Live from Dhaka" (2016), received Silver Screen Awards for Best Director.  This film has every chance to win an award.






With a similar type of plot of how a woman fights against society for justice, we have seen in the 1993 film Damini. That film became a cult feminist film and is still regarded as an all-time classic female-oriented film and important for portraying women empowerment in cinema




Sunday 11 July 2021

Nashad- A Composer who created Immortal Songs in Bollywood and Pakistani films

 


Nashad  (11 July 1923 – 14 January 1981) composed music for Hindi films in the 1940s and 1950s, He composed under several names. He made his music debut under the name Shaukat Dehalvi in the 1947 action film Dildaar He composed as Shaukat Ali for the 1948 film Jeene Do. and Toote Taare (1948) as Shaukat Dehalvi.IFrom1949 onwards he composed music for actor-director Yakub's film, Aiye. as Shaukat Ali Haideri   In 1953, film director, Nakshab Jarachavi, changed Shaukat Ali's name to Nashad, which he retained for the rest of his life. He migrated to Pakistan and debuted as a composer in the 1964 film Maikhana

As Nashad his first song Badee Mushkil Se Dil Kee Bekaraaree Ko from Naghma 1953 sung by Shamshad Begum became a hit 'Baradari(1955) remains one of his memorable films.  This film had some hit songs "Bhula Nahin Dena Ji Bhula Nahin Dena, Zamana Kharab Hai" by Lata Mangeshkar and Mohammed Rafi, and "Tasveer Banata Hoon Tasveer Nahin Banti" by Talat Mehmood. Nashad himself sang a song in this film.

He introduced singer Suman Kalyanpur for the first time in the film. 'Sabse Bada Rupaiya', director: P. L. Santoshi, cast: Shashi Kala and Sundar, music: Nashad and O. P. Nayyar. 'Shehzada' (1955), director: Mohan Sinha, cast: Shela Ramani and Ajeet, music: Nashad and S. Mohinder. 'Jawab'.

 Maikhana (1964) was his first film in Pakistan, he was awarded Nigar Award for Best Music Composer for this film. Nashad had worked with Master Ghulam HaiderNisar BazmiNaushad early in his film career as their assistant to learn from them. He is given credit for first introducing Runa Laila to the Pakistani film industry from Karachi

Nashad died on 14 January 1981 at 57 years of age after composing film music for over thirty films in Bollywood and over 60 films in Pakistan

Song of  Naghma 1953

Song of Darwaza (1954) 



Song of  Baradari 1955

Song of  Zindagi Ya Toofan (1958) 

Song of Maikhana (1964) Pakistani film


Song of Phir Subah Hogi (1966) Pakistani film


Song of Hum Dono (1966) Pakistani film

Song of  Tum mile pyar mila (1969) Pakistani film













Friday 9 July 2021

Two Great Bollywood Stars Born on the Same Date

 


Guru Dutt and Sanjeev Kumar,  the two legendary actors of Bollywood were born on 9th July of 1925 and 1938 respectively. What a coincidence that both died prematurely. Both started their career early in their life. Guru Dutt got a job under a three-year contract with the Prabhat Film Company in Pune when he was just nineteen years of age. Sanjeev Kumar also started his acting career as a stage actor, starting with IPTA in Bombay and later joining the Indian National Theatre. At the age of 22, he played an old man in a play, an adaptation of Arthur Miller's All My Sons. In the following year, in the play Damru directed by AK Hangal, he again played the role of a 60-year-old with six children.

Guru Dutt acted in a small role as Sri Krishna in Chand in 1944. In 1945, he acted as well as assisted director Vishram Bedekar in Lakhrani, and in 1946 he worked as an assistant director and choreographed dances for P.L. Santoshi's film, Hum Ek Hain.. Sanjeev Kumar made his film debut with a small role in Hum Hindustani in 1960.

Even though Guru Dutt and Sanjeev Kumar never worked together, they do share a curious link – K Asif’s Love And God. The film had a long and troubled production history with shooting starting in 1963 with Guru Dutt as Kais and Nimmi as Laila. However Guru Dutt's sudden death in 1964 left the film incomplete and it was shelved. Then, Asif recast Sanjeev Kumar as Kais and resumed production of the film in 1970. Unfortunately, the director K. Asif died on 9 March 1971 at the age of 48/49 and the film was once again left incomplete. Fifteen years later, Asif's senior widow Akhtar Asif decided to release the incomplete film with the help of producer-director-distributor K. C. Bokadia. In a few months, they managed to salvage some usable portions of the incomplete film from three different studios and pieced them together. This cut-paste incomplete version was finally released on 27 May 1986. By the time of the film's release, several of the film's cast members had died, including its leading actor Sanjeev Kumar, who died in 1985.

Guru Dutt in Love &  God
Sanjeev Kumar in Love &  God

Another similarity both had was their love life, both had a troubled love affair. Though Guru Dutt was married to Geeta Roy but fell in love with Waheeda Rehman. Sanjeev Kumar proposed to Hema Malini in 1973 and they remained in touch even after he suffered his first heart attack in 1976. Later an actress Sulakshana Pandit started liking him and proposed for marriage, but both of them remained unmarried. Kumar refused to marry her, as a result of which Sulakshana vowed to never marry anyone.

Their turbulent, tragic, and unlucky-in-love personas haunted the two stars throughout their life, one went in depression and comitted suicide and the other died of heart attack.

Songs of Guru Dutt
Song of Aar Paar 1954

Song of Mr & Mrs 55 1955

Song of Pyasa1957

Song of Kaagaz Ke Phool 1959

Song of Chaudhvin Ka Chand 1960


Songs of Sanjeev Kumar
Song of Anokhi Raat 1968

Song of Raja Aur Runk 1968

Song of Khilona 1970

Song of Seeta Aur Geeta 1972

Song of Manchali 1973

Song of Aandhi 1975