Shankar Jaikishan-The Duo who molded the Musical Mood of Bollywood

Shankar Jaikishan the music synonym of Bollywood Music.They were the Super Star Music Director of golden Era of Bollywood.They molded the mood and musical mood of masses since the release of Barsat 1949.
Shankar,the more versatile of the two,was a prolific musician with mastery over many instruments,elder of the two was primarily responsible for making this great Jodi and also to build a  dedicated team of  Lyricist like Shailendra and Hasrat Jaipuri and musicians like Datta Ram and Sebastion.
Shankar was born on 5th Oct 1922.He started his career with a theater group run by Satyanarayan and Hemawati, before shifting to Prithvi Theatre where he played tabla and performed some minor roles in plays. It was at Prithvi theatre that he learnt to play and mastered several other instruments like Sitar, Accordion and Piano etc. Besides his work at Prithvi theatre, he also started working as an assistant to the leading composer duo of Husnlal Bhagatram and nurtured the ambition of becoming an independent music director.
He met Jaikishan at the office of a Gujrati director Chandravadan Bhatt who had promised Shankar a break as a Music Director when he produced a film.Both developed a liking for each other and it was he who then and there assured Jaikishan of the job of a Harmonium player at Prithvi theaters.While working in Prithvi Theaters, Shankar and Jaikishan used to compose tunes and were in touch with Raj Kapoor, who was working as an assistant to the famous director Kidar Sharma and was aspiring to be an actor/director. Thus, the three had met at Prithvi Theater.
Raj Kapoor made his debut as a director with the film Aag in 1948. Its music director Ram Ganguly was assisted by Shankar and Jaikishan. However, during the recording of a song for his new venture Barsaat, Raj Kapoor had some serious differences with Ram Ganguly and decided to assign its music to Shankar who insisted on taking Jaikishan as his partner. Thus came into existence the new pair of music directors named 'Shankar-Jaikishan' who composed the music for the film.
Their early works include Barsaat, Awaara, Badal, Poonam, Nagina, Aurat, Parbat, Kaali Ghataa, Aah, Patita, Shikast, Badshah, Mayur Pankh, Naya Ghar, Seema, Shree 420, Basant Bahar, Halaku, Rajhath, New Delhi, Kathputli, Anari, Chori Chori, Daag, Begunah, Yahudi, Main Nashe main hoon, Kanaiah, Boot Polish, Chhoti Behan, Sharaarat, Love Marriage,Jab Pyaar Kisi se hota hai,Asli Naqli and Ujala.
Shankar-Jaikishan were the pioneers in establishing the role of the orchestra in song compositions as a medium to express and enhance the meanings and feelings of songs rather than using it just as a `filler' as per the prevalent practice before their advent on the scene. They made use of the orchestra and musical instruments (often dozens or hundreds of them) in their songs which consisted of the following format: 
Shankar Jaikishan made a major contribution towards the development of jazz music in India and the new genre Indo jazz. Their 1968 album Raaga-Jazz style is the earliest Indo-jazz recording in India
After Jaikishan's death, Shankar carried on with the banner of Shankar-Jaikishan alone,His most-successful musical hit was Sanyasi in 1975 for which he scored all songs and the entire background score based upon SJ's favorite Raag Bhairavi to prove the point that SJ's Bhairavi was as much Shankar's as that of Jaikishan.
Shankar died on 26th April 1987. His death received nominal media coverage and his funeral was attended only by his family and some friends.
Some of My Favourite Songs of Shankar Jaikishan

Song from Barsat 1949

Song from Awara 1951

Song from Daag 1952

Song from Aah 1953

Song from Patita 1953

Song from Seema 1955

Song from Shree 420  1955

Song from Chori Chori  1956

Song from Anari   1959

Song from Love Marriage 1959

Song from Jab Pyaar Kisi Se Hota Hai 1961

Song from Sasural 1961

Song from Junglee 1962

Song from Professor 1962

Song from Sangam 1964

Song from Aarzoo 1965

Song from Andaz 1971

Shakeel Badayuni - The Creator of Immortal Love,Romance and Dejection Songs

Shakeel was Naushad’s discovery; it was the composer who got the struggling poet a break in Kardar’s Dard, ending days of poverty for young Shakeel’s large family.He used his experiences of deprivation with painful intensity in his early lyrics.
He confined all his creativity to love, romance and dejection, resisting all temptation to write about social causes. 
Shakeel reached his zenith as lyricist in Mughal e Azam, with each song a lyrical cosmos in itself, the line ‘pyar kiya toh darna kya’ easily the most popular. Another great creation was penning a bhajan as authentic as ‘Man tarpat Hari darshan ko aaj’ from Baiju Bawra.
As the name suggest Shakeel Badayuni was born at Badayun U P on 3rd August 1916.When he joined Aligarh Muslim University in 1936, he started participating in inter-college, inter-university mushairas and won frequently. After completing his BA, he moved to Delhi as a supply officer, but continued participating in mushairas, earning fame nationwide. He was interested in to write songs for films so he moved to Bombay in 1944 where he was introduced in films as lyricist from the film Dard in 1947.
 The songs of Dard proved to be very successful, especially Uma Devi (Tun Tun)'s Afsana Likh Rahi Hoon. Only a few are so lucky that they attain success in their first film, but Shakeel deserved success which started with Dard and continued on over the years. He formed a lasting partnership with Naushad. Together, they would give many hits over the next 25-odd years.
 Among the scores they churned out together, are those of Deedar (1951), Baiju Bawra (1952), Mother India (1957), and Mughal-e-Azam (1960), that stand out. Other films they scored together include Dulari (1949), Shabab (1954), Ganga Jamuna (1961), and Mere Mehboob (1963). Although Shakeel Badayuni worked most extensively with Naushad, he also collaborated with Ravi and Hemant Kumar as well. His lyrics for the song Husnwale Tera Jawab Nahin and Ravi's music score both won Filmfare Awards for the hit film Gharana. His other notable film with Ravi is Chaudhvin Ka Chand (1960), while Sahib Bibi Aur Ghulam (1962) is his biggest hit with Hemant Kumar. The title song from Chaudhvin Ka Chand, rendered by Mohammed Rafi, won Badayuni the Filmfare Award for Best Lyricist in 1961.He received 3 Filmfare Awards in 1962 for the song husnwale tera jawab nahin in the film Gharana and in 1963 for the song kahin deep jale kahin dil in the film Bees Saal Baad
Shakeel also wrote a substantial chunk of his songs for music director Ravi Sharma. Prominent amongst those were Gharana (1961), Ghunghat,Grahasti (1963), Nartaki (1963), as well as Phool Aur Patthar and Do Badan.
Shakeel Badayuni succumbed to diabetes complications at the age of fifty-three, died on 20 April 1970, at Bombay Hospital.

Song from Dard 1947

Song from Dulari (1949)

Song from Babul (1950)

Song from Deedar (1951)

Song from Baiju Bawra (1952)

Song from Dil - E - Nadan (1953)

Song from Shabab (1954)

Song from Mother India (1957)

Song from Mughal-e-Azam (1960)

Song from Chaudhvin Ka Chand (1960)

Song from Ganga Jamuna (1961)

Song from Sahib  Gharana 1961

Song from Sahib Bibi Aur Ghulam (1962) 

Song from Bees Saal Baad 1962

Song from Mere Mehboob (1963).

Song from Leader (1964)

Song from Ram Aur Shyam (1967)

Anand Bakshi-The Lyricist who understood the pulse of Cinema lovers

Anand Bakshi was one of the most prominent and successful lyricists of Bollywood.He was not as great poet as Nirala, Sumitranandan Pant or Sahir.He plucked words from the common man's dictionary.His words were simple.He believed that simplicity is the key to reach to.the common man. He would dive into philosophy in the ‘antara’ only after he was sure he had connected with the audience in the ‘mukhra’.

 Anand Bakshi (Bakhshi Anand Prakash Vaid) was born in Rawalpindi, now in Pakistan, on 21 July 1930.He came to Bombay to make a name for himself in writing and singing, but ended up becoming more successful in writing lyrics. He got his break writing songs in a Brij Mohan's film titled Bhalaa Aadmi (1958), acted by Bhagwan Dada. He wrote four songs in this film. His first song in this film was "Dharti Ke Laal Na Kar Itna Malaal" .

After writing for a few movies from 1956 onwards, he first found success in 1962 with Mehendi Lagi Mere Haath, which was produced by (LimeLight), Music Kalyanji & Anandji, Music Pub-HMV/Saregama. Bakshi later made another mark for himself writing a quawwali for the 1962 film Kala Samundar, the song was "Meri Tasveer Lekar Kya Karoge Tm". He got his real big breakthroughs in 1965 with Himalay Ki God Mein, and a huge breakthrough again in 1965 with the super-hit film Jab Jab Phool Khile, starring Shashi Kapoor; and yet again in 1967 with the super-hit movie Milan(starring Sunil Dutt). These six hit films within a decade of his entry into films cemented his status as a lyrics writer of immense caliber.

He wrote more than 3500 songs in Hindi and Punjabi films.He worked with almost all the Music Directors of his time He wrote for more than 500 films out of which he worked with Laxmikant Pyarelal in 300 films and R D Burman in 100 films. However it was only with the blockbuster Milan (1967) that he was recognized as a lyricist par excellence, with tunes from the film being hummed all over the country.

His career kept at an all-time high until 30 March 2002, when he passed away in Bombay. He had been quite ill for a few months and had been undergoing treatment for cardiac-related problems. His death was a tragic loss to Bollywood Cinema,

He holds a record of 41 nominations for Best Lyricist in Filmfare Awards but won only three.He holds the record of getting nominated for consecutively 13 years from 1970 till 1982, resulting in 23 nominations 

Some of the Most Memorable Songs of Anand Bakshi

Song from Hariyali Aur Raasta  1962

Song from Jab Jab Phool Khile 1965

Song from Milan 1967

Song from Aradhana  1969

Song from Kati Patang  1971

Song from Hare Rama Hare Krishna 1971

Song from Amar Prem 1972

Song from Bobby 1973

Song from Sholay 1975

Song from Mehbooba 1976

Song from Karz 1980

Song from Ek Duuje Ke Liye 1981

Song from Dilwale Dulhania Le Jayenge 1995

Song from Pardes 1997

Song from Gadar: Ek Prem Katha 2001

Nasir Hussain-The King Of Musical Hits

Nasir Hussain (16 November 1926 – 13 March 2002) had a ear for good, popular music.He gave us many Musical Hits like Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne(1967), Pyar Ka Mausam (1969), Caravan (1971), Yaadon Ki Baraat (1973),  Hum Kisise Kum Naheen (1977). Qayamat Se Qayamat Tak (1988) and Jo Jeeta Wohi Sikander (1992).
He started his career as story writer in 1948. The famous films he wrote for Filmistan include Anarkali (1953), Munimji (1955), and Paying Guest (1957).

He directed his first film Tumsa Nahin Dekha in 1957 which established Shammi Kapoor as a successful Actor.
He was very fond of Dev Anand,he wanted Dev Anand to be Hero of Tumsa Nahin Dekha and Teesri Manzil but Dev Anand did not acept his offer,both the films went to Shammi Kapoor.

He also introduced Asha Parekh from Dil Deke Dekho( 1959).After that he had one of his longest associations was with leading lady Asha Parekh, from Dil Deke Dekho, through Jab Pyar Kisise Hota Hai, Phir Wohi Dil Laya Hoon, Teesri Manzil, Baharon Ke Sapne, Pyar Ka Mausam until Caravan. After a gap of 13 years, she did a cameo in his film Manzil Manzil (1984).

Rajendra Nath the comedian was a fixture in almost all of his early productions. He was in Dil Deke Dekho (1959), Jab Pyar Kisise Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), Zabardast (1985) and Zamaane Ko Dikhana Hai (1981).

R D Burman was another person who had a long association with him since Teesri Manzil  through Baharon Ke Sapne, Pyar Ka Mausam, Caravan, Yaadon Ki Baraat, Hum Kisise Kum Naheen, Zamane Ko Dikhana Hai, Manzil Manzil and Zabardast.
Another person was the lyricist Majroh Sultanpuri who was associated with him in 10 of his productions, apart from working with him in Paying Guest.
In the 80s he lost his magic touch,none of his films were clicking on the Box Office.In 1981 he made Zamane Ko Dikhana Hai but the film flopped, Undeterred, he directed his next film Manzil Manzil(1984) and brought back Asha for a small cameo in the mother role, but the film still flopped. As did his next film Zabardast (1985), which turned out to be his last directorial venture. He then handed the reins over to his son Mansoor Khan to direct Qayamat Se Qayamat Tak (1988), which starred his nephew Aamir Khan, which became a big hit. Since Nasir wrote the script, he won the Filmfare Best Screenplay Award. He would win the Filmfare Best Movie Award for producing Mansoor's directorial effort Jo Jeeta Wohi Sikandar (1992), which again starred his nephew Aamir Khan. The final film he wrote was Akele Hum Akele Tum (1995). He won a special Filmfare Award for his contribution to Hindi cinema in 1996.

 He was a big fan of Western music — be it the Beatles, Jose Feliciano, Abba, the Elvis Presley songs and these are all referenced in his films. I think this too contributed to his excellent working relationship with R D Burman.He died of a heart attack on March 13, 2002.He will be remembered for his musical hits.
Super Hit songs from Nasir Hussain Films

Song from Tumsa Nahin Dekha 1957

Song from Dil Deke Dekho 1959

Song from Jab Pyar Kisi Se Hota Hai 1961

Song from Phir Wohi Dil Laya Hoon 1963

Song from Baharon Ke Sapne 1967

Song from  Pyar Ka Mausam 1969

Song from Caravan 1971

Song from Yaadon Ki Baaraat 1973

Song from Hum Kisise Kum Naheen 1977

Zamane Ko Dikhana Hai

Song from Qayamat Se Qayamat Tak (1988) 

Song from Jo Jeeta Wohi Sikander (1992)

INDEEVAR- The Most Underrated Lyricist

Indeevar who wrote more than 1000 songs for Bollywood Films was not given his due he deserved.He had a wide range,penning emotionally uplifting songs, Indeevar also wrote peppy numbers including Nazia Hassan’s sung “Aap Jaisa Koi” and Feroz Khan’s Qurbani song “Laila O Laila”. 
Indeevar was born on 1st Jan in 1924 as Shyam Lal Babu Rai  and grew up to become a freedom fighter. He wrote under the pseudo name of Azad for which he was imprisoned by the British. He became a household name with the release of the song "Bade Armano Se Rakhha Hai Pehla Kadam"  from Malhar in 1949.

It was singer Mukesh who gave him the break as a lyricist from the film Malhar(1949) which was produced by him and composed by Roshan.He along with Music Director Kayanji Anandji gave many hit & memorable songs.

It was Indeevar with whose lyrics Laxmi-Pyare made their debut in ‘Parasmani’ I don’t have to quote the songs. They were so beautiful. In ‘Madari’ too the Lata song, ‘Pyar mera majboor pardesi piya’ was a big hit.. In ‘Dulha Dulhan’ Indeevar wrote that classic Mukesh number: ‘Jo pyar tu ne mujh ko diya hai’ and ‘Hum ne tum se pyar kiya hai jitna kaun kare ga itna’.

The songs of ‘Chotey Babu’, ‘Himalaya Ki God Mein’ and Saheli were also big hits. But Upkar came as a major hit in his career too. How can we forget, among other hits of the movie, that sad number by Manna Dey for Pran: ‘Kasme wade pyar wafa sab baaten hain baton se kya’

In ‘Poorab aur Pachchim’ too Indeevar created havoc with his lyrics, specially the song, ‘Koi jab tumhara hridaya tod de, ‘

He wrote for almost all the music directors of his time except S D burman.With the arrival of the disco beat and the Bhappi Lahiri wave, Indeevar put poetry on the backburner and stood up to the task of delivering mindless lyrics. There was a preset combination for all these Southern-style 'pots-n-pans' hits: Jeetendra, Sridevi, Jaya Pradha, Bhappi Lahiri and Indeevar. All the way from Himmatwalas' (1983) ‘Nainon Mein Sapna’ to Tohfa's nonsensical title song, Indeevar willfully accepted and adapted to the changing trends in film music.

Towards the end of his career, he notched up a few hits with actor-turned-filmmaker Rakesh Roshan such as Karan Arjun (1995) and Koyla (1997). But even as he was trying to redeem himself as a poet, Indeevar passed away on February 27, 1999, leaving behind his words :

Song from Malhar 1951

Song from Malhar 1951

Song from Baadbaan (1954)

Song from Parasmani (1963)

Song from Dulha Dulhan 1964

Song from Himalay Ki God Mein (1965)

Song from Saheli (1965)

Song from Upkar (1967)

Song from Dil Ne Pukara (1967)

Song from Saraswati Chandra (1968)

Song from Safar (1970)

Song from Johny Mera Naam (1970)

Song from Sachha Jhutha (1970)

Song from Purab Aur Pachhim (1971)

Song from Amanush (1975)

Song from Qurbani (1980)

Song from Jurm (1990)