Naushad (26 December 1919 – 5 May 2006 ) began his career in 1940 with Prem Nagar, but took off in 1944 with Ratan, where he created his own style. His greatest contribution was to bring Indian classical music into the film medium. Many of his compositions were inspired by ragas. His association with Mohammad Rafi had marked the most golden combination which galvanized the outstanding music composed during the golden age in Indian music, the 50s and 60s.
His composition in the film Dulari, 1947, for Mohammad Rafi titled “Suhani Raat Dhal Chuki” makes a music lover addicted and it has an appeal even after 60 years of its composition. This combination was at its peak in 1952 with the release of Baiju Bawra.
Naushad’s composition in Son of India, “dil torneewale”, a duet for Rafi and Lata, shows the effective use of instruments in that age when the recording was not developed to that extent. In Dilip Kumar’s Kohinoor, 1960, Rafi’s songs “Madhuban Mei Radhika Nachere”, “Do Sitaron Ka Zameen par hai Milan Aaj Ki Raat” marks Naushad’s control over bhajans and songs with chorus effects. In Rajender Kumar’s Mere Mehboob, 1963, Naushad had explained the transformation of nasams into ghazals. His songs “Mere Mehboob Tujhe meri Mohabbat ki Kasam”, “tumse izhaar-e-haal kar baithe”, “ai husn zara jag tujhe isq dikhaye” enchanted the listeners. Naushad’s compositions were as outstanding as Shakeel Badayani’s lyrics and Rafi’s golden voice.
Naushad had used folk songs to a great extent where the subjects in the films required them. For example, in the film, Ganga Jumna, 1961, his composition for Rafi including “nain lar jaihe” was created with Bhojpuri effect, and Rafi had succeeded in pronouncing it in the manner expected from him. Rafi’s songs in Rajender Kumar’s Palki, Ganwar, composed by Naushad were also outstanding.
It is tragic that the film industry, could not utilise Naushad’s talent in the 1970s and 80s,
He gave 35 silver jubilee hits, 12 golden jubilees and 3 diamond jubilee mega-successes. Naushad was conferred the Dadasaheb Phalke Award and the Padma Bhushan in 1982 and 1992 respectively for his contribution to the Bollywood film industry.
Some of the Immortal songs of Naushad and Rafi
Song from Dulari, 1947
Song from Deedar 1951
Song from Baiju Bawra 1952
Song from Uran Khatola 1955
Song of Kohinoor 1960
Song from Mughal-e-Azam 1960
Song from Gunga Jumna 1961
Song of Son of India 1962
Song from Mere Mehboob 1963
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