Mukesh Sang Maximum for Shankar-Jaikishan

Mukesh (22 July 1923- 27 Aug 1976 ) sang around 1300 songs in films out of these he sang around 134 songs for Shankar-Jaikishan followed by kalyanji Anandji ie 99 songs. Out of 4 Filmfare awards, Mukesh won 3 awards for Shankar Jaikishan songs.
 He got his break as a playback singer for actor Motilal in 1945 with the film Pehli Nazar with music composed by Anil Biswas and lyrics written by Aah Sitapuri. The first song that he sang for a Hindi film was "Dil Jalta Hai To Jalne De".
In this Blog I have taken only those songs which he sang under the Music Direction of Shankar-Jaikishan. 
Mukesh created his own singing style with the help of music director Naushad Ali, who helped Mukesh to come out of his Saigal style and create his own style. Naushad gave him songs for the film Andaz. Initially Mukesh was the ghost voice of Dilip Kumar in this movie and Mohammed Rafi sang for Raj Kapoor. He delivered many Hits for Naushad in films like: Anokhi Ada (1948), Mela (1948), Andaz (1949).
Barsaat (1949) was the first film of Shankar-Jaikishan, Barsaat’s music was dominated by Lata Mangeshkar, Mukesh getting two duets with her. But their next venture, Awara (1951), had the title track which became a global sensation making Raj Kapoor-Nargis one of the most recognizable faces abroad, and India’s cultural ambassador.
In the same year, in a non-RK film Baadal, too, SJ created an outstanding solo, Main raahi mbhatakane wala hun, and an equally good duet with Lata Mangeshkar, Ae dil na mujhse chhupa.
SJ’s next film Aah (1953) didn’t fire up the box-office, but what great songs Mukesh sang! The two solos, Raat andheri door kinara, Chhoti si ye zindagani, and the two duets with Lata Mangeshkar, Jaane na jigar pahchaane nazar, Aa ja re ab mera dil pukara are among the most loved songs for Mukesh fans.
With Mukesh becoming identified as Raj Kapoor’s voice, in almost all the films of Raj Kapoor whether under RK banner or outside, if SJ were the music director Mukesh was almost invariably the voice for him. And every film had great songs remembered till today: Kanhaiya, Main Nashe Mein Hun (1959), Jis Desh Mein Ganga Bahti Hai (1960), Aashiq, Ek Dil Aur Sau Afsaane (1962), Sangam (1964), Teesri Kasam (1966), Around The World, Deewana (1967), Sapnon Ka Saudagar (1968) and Mera Naam Joker (1970).
SJ also used Mukesh as the voice for many heroes, such as Manoj Kumar (Hariyali Aur Rasta, 1962), Sunil Dutt (Ek Phool Aur Chaar Kaante, 1960) and Rajendra Kumar (Aas Ka Panchhi, Sasural, 1961).
Mukesh received his first Filmfare Award for the song Sab Kuch Seekha Humne" in the movie Anari (1959), Shankar-Jaikishan also received Award for Best Music direction. After this Mukesh received Award for Sabse Bada Naadan Wahi Hai" in Pehchaan (1970), "Jai Bolo Beimaan Ki" in Beimaan (1972) under the Music Direction of Shankar-Jaikishan. 

Song of Barsaat 1949

Song of Barsaat 1949

Song of Awara 1951

Song of Shri 420  1955

Song of Anari  1959

Song of Jis  Desh Mein Ganga Behti Hai (1960)

Song of Sangam (1964)

Song of Teesri Kasam(1966)

Song of Mera  Naam Joker (1970)

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The Deleted Scenes of Sholay

Sholay is more than just a film. It is one film nobody ever forgets.This legendary film came into being after a lot of cuts and chops and what stood in front us was a portion of a genius film. Say for example this scene where you can see Amitabh Bachchan and Dharmendrahaving food at a dhaba. This was kept aside from the final cut.

Here's one more deleted scene for you to check out...

Unreleased end of Sholay

Rajesh Khanna- Dev Anand was his Inspiration

Rajesh Khanna in an interview said that he was an ardent admirer of Dev Anand from his teens.When I joined films in 1967, I was highly inspired by his acting style. He was amongst the first to view Aradhana and compliment me genuinely. As I rose in stature as an actor in the early 70s, I received healthy and clean competition from Anand, who was still going strong with a super hit like Johny Mera Naam. 
He allowed Kishore Kumar to sing for me in Aradhana without a second thought. The songs of Aradhana made him the super star.
Rajesh Khanna was first taken by Chetan Anand in Aakhri Khat.It was during the muhurat he met ehis idol Dev Anand. Before that he used to come to see the shooting of Jewel Thief.

Rajesh Khanna, Yash Chopra's with Dev Anand

There were talks of Amit Khanna producing a film in which both were to have acted together. The film never went on floors. In fact, when Khanna’s films started flopping in the late 70s, Anand was the first to encourage him by saying, “Why are you losing confidence? You are a brilliant actor. Look at me and my ups and downs. You termed me the leap year hero. Have confidence in yourself and march forward keeping in mind that the coming days are yours.”

Song of Aradhana 1969

Des Pardes was the last hit of Navketan

Des Pardes  is a 1978 Hindi film, produced and directed by Dev Anand.It dealt with the subject of illegal immigration.  It was on a flight that Dev Anand struck upon the idea of making this film as he read a story on illegal immigrants. Issue-based stories always caught his imagination and here was a subject that begged attention. 
It was a burning issue during the 70s when youngsters, driven by an ambition to make money, took enormous risks at the behest of corrupt agents and explored a future in distant lands. United Kingdom.
 It was a pleasing debut by one of the most beautiful faces that Dev Anand introduced as a filmmaker with amazing vision. Dev Anand always claimed that she was special.
Tina Munim had approached Dev Anand as a 16-year-old, seeking an autograph, before she was picked to play the role of Gauri in “Des Pardes”. 
Dev Anand, at that time was producing 3 films (no other film maker attempted that) together each film was being directed individually by the three brothers. Janeman by Chetan Anand, Bullet by Vijay Anand & Des Pardes by Dev himself. Out of the three Des Pardes was Super Hit. As the years goes by, the film, Des Pardes becomes more fresher and more good, the film grows to become more new as the years goes. This film will always remain evergreen.
The highlight of the film was its music. 
Music composer Rajesh Roshan had just made his debut with Julie. Dev Saab signed him for Des Pardes and song writer Amit Khanna, they all created the big successful, hit music, the songs also had became very popular and memorable till now. Rajesh Roshan was nominated as the best music composer, by Filmfare. 
Dev Anand had insisted to music composer Rajesh Roshan to compose the song tu pee aur jee......in 3 antras, which was difficult and songs were not compose that way, it was something new, but Rajesh Roshan composed it successfuly with kishore Kumar's energetic singing. The other difficult song was Lata's aap kahe aur hum na aye aise baat nahin hai...many days Dev saab heard several tunes from Roshan, but he was not satisfied and rejected. Finaly one day Rajesh Roshan made Dev Saab hear Mehdi Hassan's song and Dev liked it very much and then the song was recorded. Des Pardes's music and songs are the best work of Amit Khanna and Rajesh Roshan. The best combination.
One of Des Pardes 's song Nazrana Bheja Kisi Ne Pyaar Ka' is inspired from Cliff Richard's 'The Young Ones
When this film was released in London many people thought that the pub shown in the film, is an real pub which is some where in East London. That pub was made in Mehboob studio in Bombay, under the supervision of art director T.K..Desai, who won the award of the best art director.
One interesting fact was that Dev Anad had fixed the date to release Des Pardes on the same day Satyam Shivam Sundaram, was to be released, Dev Anand wanted both films to be released toghether, but then Raj Kapoor, last moment, he decided to change the release date of his film.

Song of Des Pardes 1978

Song of Des Pardes 1978

Song of Des Pardes 1978

Song of Des Pardes 1978

Song of Des Pardes 1978

ROSHAN- The Composer who had the Heart of a Poet

Not all music directors are created equal. Some have a passion for instruments, others for the perfect pitch, yet others for rhythm. A few, like Roshan, also had their focus on the words that their music would carry to the ears of the listeners.
He worked with a dizzying number of poets throughout his career, having started with Kidar Sharma. This included the more prolific writers of the time, as well as the lesser-heard poets: Sahir, Majrooh, Shakeel, Shailendra, D N Madhok, Kavi Pradeep, Neeraj, Kaifi Azmi, Khumar Barabankwi, Bharat Vyas and many more.
It would be impossible to showcase all the songs Roshan composed which had poetry that made the listener go ‘aah!’.Here are few of my favourite such songs.

Song of Bawra Nai 1950

Song of Malhar1951

Chandni Chowk, 1954

Barsat ki Raat, 1960, 

Song of  Aati 1962

Song of  Taj Maal 1963

Song of Chitralekha 1964

Song of  Mamta 1966

Song of AnokhiRaat 1968

Songs of Talat Mahmood You would like to Listen Again and Again

Talat Mahmood , I adore his songs. I can listen to him over and over and over again without ever getting bored. But I love almost anyything Talat sang.In this blog I have taken those songs which are solo and sad songs.
His control, evocative voice, and pauses won him the admiration of fans across the Indian subcontinent.

Song of Aarzoo (1950)

Song of Madhosh 1951

Song of Daagh 1952

Song of Daagh 1952

Song of Sangdil 1952

Song of Footpath (1953)

Song of Taxi Driver (1954)

Song of Baradari (1955)

Song of Sone ki Chidiya, 1958)

Song of Jahanara 1964

Praveen Sultana - Humein Tum Se Pyar Kitna

Begum Parveen Sultana (born on 10th July 1950) is an Assamese Hindustani classical singer of the Patiala Gharana. She is among the foremost classical  vocalists in India and is known as Queen of Classical Vocal. Her father, late Ikramul Mazid was her first guru and he was very strict with her. She also received early training from her grandfather . She later went to Kolkata to learn to learn music under the guidance of late Pandit Chinmoy Lahiri and from 1973, she became a disciple of Ustad Dilshad Khan of the Patiala Gharana.

Sultana has sung for movies like Gadar, Kudrat, and Pakeezah. Recently, she sang the theme song of Vikram Bhatt’s latest opus 1920. She also sang Humein Tumse Pyaar Kitna - Kudrat .She was given the Filmfare Best Female Singer Award for this song.This song was also sung by Kishore Kumar in the same film.She is also the youngest recipient of Padma Shri Award by Govt of India.She was later awarded by Padma Bhushan in 2014.

Parween also lent her voice to several songs in films throughout the years.

• Pakeezah- Kaun gali gayo Shyam, Ban ban bole Koyaliya
• Do Boond Paani- Pital ki meri Gaagri
• Parwana- Piya ki gali
• Mukti Asm (Assamese)- Sakhiyoti Jhilmil Paakhi
• Sonma (Assamese)- Notun Tomaar Chorandhani
• Khoj- Ram kare mora Saiyaa ho aise
• Razia Sultan- Shubh Ghadi aayi re
• Ashray(the Shelter) - Shab-e-Intezaar mein kyu hai Gumsum Tamannaaye, Ae Mohabbat yu hi to tu Badnaam nahi, Dev puji puji Hindu muye
• Tohfa Mohabbat ka- Prem ka Granth Padhaau
• Shaadi kar lo- Na tum hato...na tum hate (Qawwali)
• Vijeta- Bichhurat mose Kanha
• Kalankini Kankabati (Bengali)- Bedechhi Beena gaan Shonaabo
• Sharda- Yeh Bahut Khushi ki Nishaani hai
• Kudrat- Humein tum se Pyaar Kitna
• Anmol- Koi ishq ka rog
• Gadar: Ek Prem Katha- Aan milo Sajna
• 1920- Vaada tum se hai Vaada

Song of Do Boond Pani 1971

Song of Pakeezah 1972

Song of Kudart 1981

Song of Razia Sultan 1983

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Guru Dutt-The Maker of Commercial Films with Artistic Flvour

Guru Dutt was a part of the exclusive school of Indian cinema -- the likes of Raj Kapoor, Mehboob Khan and Bimal Roy, which were always a healthy blend of artistic and commercial elements between mid '50s and '60s.
He is most famous for making brilliant lyrical and artistic films within the context of popular Indian cinema of the 1950s, and expanding its commercial conventions, starting with his 1957 masterpiece, Pyaasa. Several of his later works have a cult following. He was one of the pillars of the a Golden Era of Bollywood. 
Guru Dutt (9th July 1925) was born Vasanth Kumar Shivashankar Padukone in Bangalore to Shivashankar Rao Padukone and Vasanthi Padukone
Guru Dutt had a tough childhood with financial difficulties, and a strained relationship between his parents.He was a good student, but never went to college, partly because of financial troubles at home. Instead, he joined the performing arts troupe of Uday Shankar.
He joined his parents in Mumbai in 1944. Dutt's uncle found him a job under a three-year contract with the Prabhat Film Company in Pune the same year. It is here that Guru Dutt met two people who would remain his good friends -- actors Rehman and Dev Anand.y
Guru Dutt acted in a small role as Sri Krishna in Chand in 1944. In 1945, he acted as well as assisted director Vishram Bedekar in Lakhrani, and in 1946 he worked as an assistant director and choreographed dances for P.L. Santoshi's film, Hum Ek Hain.

Guru Dutt developed a flair for writing in English, and wrote short stories for The Illustrated Weekly of India, a local weekly English magazine.
It is during this time that he is supposed to have written the script for the almost autobiographical Pyaasa.
After Prabhat failed in 1947, Dutt moved to Bombay, where he worked with two leading directors of the time, with Amiya Chakravarty in Girl's School, and with Gyan Mukherjee in the Bombay Talkies film Sangram. Then, Dev Anand offered him a job as a director in his new company, Navketan, after the first movie had flopped.
Thus, Guru Dutt's first film, Navketan's Baazi, was released in 1951.

He made the quintessential 1950-'60s classics such as Kaagaz Ke Phool, Pyaasa, Sahib Biwi Aur Ghulam and Chaudhvi Ka Chaand.

His movies go full house when re-released; especially in Germany, France and Japan. Today, no world cinema class is complete without inclusion of Guru Dutt. Pyaasa was rated as one of the best 100 films of all time by the Time Magazine.

Dutt's Kaagaz Ke Phool (1959) was an intense disappointment. He had invested a great deal of love, money, and energy in this film, which was a self-absorbed tale of a famous director (played by Guru Dutt) who falls in love with an actress (played by Waheeda Rehman, Dutt's real-life love interest). Kaagaz Ke Phool failed at the box office and Dutt was devastated. Though he produced 2 films after that Chaudhvi Ka Chand and Sahib Bibi Aur Ghulam, both the films recovered his loses but he never recovered from his mental state.he was not on good terms with his wife, Geeta Dutt; Waheeda Rehman had distanced with him. There was sleeping trouble that had him taking sleeping aid, and he was drinking since 5 pm that evening. Suicide or a lethal dose -- it was a loss to Indian cinema industry? 

On October 10, 1964, Guru Dutt was found dead in his bed in his rented apartment at Pedder Road in Bombay. He is said to have been mixing alcohol and sleeping pills. His death may have been suicide, or just an accidental overdose.

Song of Jaal 1952

Song of Baazi 1951

Song of Aar Paar1954

Song of C I D 1956

Song of Pyaasa 1957

Song of Kagaz ke Phool 1958

Song of Chaudhvi Ka Chand 1960

Song of Sahib Biwi Aur Ghulam  1963