Wednesday, 13 January 2021

Shakti Samanta- The Maker of a Classic 'Amar Prem'

 


Shakti Samanta (13 January 1926 – 9 April 2009) gave us the great films such as Howrah Bridge, China Town, Kashmir Ki Kali, An Evening in Paris, Aradhana, Kati Patang, and Amar Prem. He directed 43 feature films, including 37 Hindi, and 6 Bengali films.

Amar Prem was his 3rd film with Rajesh Khanna. Initially, Rajkumar was the original choice to play the lead hero.  When  Rajesh Khanna heard it he went to Shakti Samantha's office and asked him how can he cast another actor in this film, this was because they had already given a classic hit like Aradhana 1969 and Kati Patang 1970 was almost ready for release and they both had bonded a good relationship between them.

Another interesting fact of this film is that the immortal song 'Chingari Koi Bhadke' was not shot on the Hooghly river with the Howrah Bridge on the background was shot in a studio in Mumbai. Shakti Samanta in an interview said that the entire film was shot in Bombay and its suburbs, in fact, he told that a great length of shooting happened in a village at Nala Supara, the suburb of BombayThe song was an additional song, it was added in the film when the film was complete.

The film's story is based on a Bengali short story Nishi Padma by Bibhutibhushan Bandopadhyay. , A Bengali film with the same name got released in 1970 starring Uttam Kumar and Sabitri Chatterjee.  Bengali writer-director Arvinda Mukherjee wasn't familiar with Hindi so he wrote the script of Amar Prem 1972 in English, writer Ramesh Pant then translated the whole script in Hindi.

Rajesh Khanna reportedly saw Nishipadma 24 times. He suggested changing the character's name from Ananta to Anand to draw a connection to his character in Hrishikesh Mukherjee's critically acclaimed Anand (1971).

One of the highlights of this film was its music composed by R D Burman, the soundtrack was melody-based, which gave Lata Mangeshkar her finest classical solo of the decade, Raina Beti Jaaye, set in an unusual blend of two Ragas, he had heard his father, music composer S. D. Burman sing, Bela Boye Jaye, which he said was on his mind while composing the song. Bakshi's lyrics, created a Meera bhajan-like idiom for the song, employing the Krishna-Radha motif.

Another memorable song 'Yeh Kya Hua Kaise Hua' by Kishore Kumar was a true copy of the Bengali version of Kishore from the film 'Rajkumari' This song was too composed by R D Burman earlier. Another song  "Bada Natkhat hai Re Krishna Kanhaiyya" sung by Lata Mangeshkar is another masterpiece from Burmans.It happened when Sachin Da heard the tune of this song, he asked Pancham  to redo the tune as per the situation of the song.Thus R.D. Burman made a tune in Raga Khamaj, which Lata Mangeshkar too sang with marked emotional clarity.

Rajesh Khanna's dialogue "Pushpa, I hate tears", which appeared five times in the film has become the most popular dialogue of Rajesh Khanna. He was nominated as the Best Actor for this film but couldn't get.Anand Bakshi, the lyricist and Kishore Kumar were also nominated for their respective fields.

Songs of Amar Prem

#TitleSinger(s)Duration
1"Doli Mein Bithai Ke"S. D. Burman5:43
2"Raina Beeti Jaye"Lata Mangeshkar5:20
3"Chingari Koi Bhadke"Kishore Kumar5:38
4"Kuchh Toh Log Kahenge"Kishore Kumar4:56
5"Yeh Kya Hua"Kishore Kumar4:33
6"Bada Natkhat Hai Yeh"Lata Mangeshkar4:53

 Though 1972 was a year of the big films PakeezahDushman and Beimaan, Amar Prem was eighth amongst Khanna's top releases in the year.The film became a classic and became the most memorable film of Shakti Samanta, R D Burman,Sharmila Tagore and Rajesh Khanna.

Song of Amar Prem 1972

Song of Amar Prem 1972

Song of Amar Prem 1972

Song of Amar Prem 1972

Song of Amar Prem 1972


Tuesday, 12 January 2021

Anarkali was a Musical Milestone for C Ramchandra

 


 C. Ramchandra's biggest success as a music composer was the 1953 movie Anarkali, though he had already tasted success with  Shehnai (1947), Sargam(1950), Samadhi(1950) and Albela(1951). The film was a Musical Hit and went on to celebrate Golden Jubilee. It was the highest-grossing film of 1953 and again ranks 2nd in the top 25 Best Musical Films of all times according to IMDb.

The Music direction of this film was given to the composer Vasant Prakash, who was the younger brother of famous composer Khemchan Prakash. He even composed a song “Aa jaane wafa aa” penned by Jan Nisar Akhtar and sung by Geeta Dutt. Basant Prakash had major health problems after having recorded this one song with Geeta Dutt. C. Ramchandra took over as the composer. The film had a total of 11 songs, with 10 composed by C Ramchandra and 1 by Basant Prakash.

This film was a musical hit. The first-ever 'Binaca Geetmala' Annual Program of 1953 - saw  "Ye Zindagi usiki hai" catapulted to  the No. 1 position. This song came in parts in the film. The first two stanzas were when the lovers happy in each others company. The 3 rd stanza - jo dil yahan na mil sake signalled their despair and separation, while the last 2 were of unrequited love when Anarkali was being cemented into a wall on all sides. Lata Mangeshkar gave her soul in singing this song.



Out of 11 songs, only one song was a duet "Jaag Dard-E-Ishq Jaag" sung by Lata Mangeshkar and Hemant Kumar.  Hemant Da had 2 solos in this film , recall the song "Zindagi Pyar Ki Do Char Ghadi Hoti Hai'.There were other beautiful songs too other than the above . 1. Aaja ab to aaja [Lata Mangeshkar- lyricist  Shaillendra]; 2. Mohabbat aisi dhadkan hai [Lata Mangeshkar] 3. Muzse mat puch mere ishq mein kya rakkha hai [Lata Mangeshkar] ; 4. Muhabbat mein aise kadam dagmagaye [Lata Mangeshkar] ; 5. Dua kar ghame dil khuda se dua kar [Lata Mangeshkar].

Track #SongSinger(s)LyricistMusic Composer
1"Aa Jaan e Wafaa"[3]Geeta DuttJan Nissar AkhtarVasant Prakash
2"Aaja Ab To Aaja"[3]Lata MangeshkarShailendraC. Ramchandra
3"Mujhse Mat Poochh"Lata MangeshkarRajendra KrishanC. Ramchandra
4"Dua Kar Gham-E-Dil"Lata MangeshkarShailendraC. Ramchandra
5"Jaag Dard-E-Ishq Jaag"[3]Lata Mangeshkar, Hemant KumarRajendra KrishanC. Ramchandra
6"Mohabbat Aisi Dhadkan Hai"[3]Lata MangeshkarHasrat JaipuriC. Ramchandra
7"Zindagi Pyar Ki Do Char Ghadi"[3]Hemant KumarRajendra KrishanC. Ramchandra
8"O Aasman Wale Shikwa Hai Zindagi Ka"Lata MangeshkarHasrat JaipuriC. Ramchandra
9"Yeh Zindagi Usiki Hai"[3]Lata MangeshkarRajendra KrishanC. Ramchandra
10"Ae Baad E Saba Zara Ahista Chal"Hemant Kumar
11"Mohabbat Mein Aise Kadam Dagamagae"Lata MangeshkarRajendra Krishan

Song of Anarkali 1953

Song of Anarkali 1953
Song of Anarkali 1953
Song of Anarkali 1953
Song of Anarkali 1953
Song of Anarkali 1953
Song of Anarkali 1953

Song of Anarkali 1953
Song of Anarkali 1953


















Monday, 11 January 2021

The Journey of Bollywood Through Film Posters

 


A Film Poster is not merely a collage of images or piece of information or any colourful design. It is the first information and a publicity tool that attracts cine-goer to watch the movie. Bollywood's film posters have a long and illustrious history, right from 7th July 1896, the first day of screening films in India till today.

 Dadasaheb Phalke promoted his film Raja Harishchandra, the first Indian film, through his hand-painted film poster. Since then technology, techniques, ideas and designs have been changing for decades. Starting from 'Raja Harishchandra', the first Indian film, to till today, the posters of Bollywood films have come a long way from broad visible brush strokes with a striking array of colours and typography to modern-day digital prints on glossy sheets.

It included the title of the film and names of the director, producer, writer and the star cast but in Limca Book of Records, the first poster is mentioned of Baburao Painter’s hand-painted poster of his film Maya Bazaar, also known as Vatsala Haran (1923),

Initially, the film posters were text-based. This included the name of the film(title) in large and bold letters, the names of Hero, Heroine, Director, Producer, date of release and cinema hall. Later in 1924, the image of the hero or heroine appeared in posters. This was designed by Painter himself, depicted the heroic and noble side of Shivaji. 

With the rise and popularity of printing technology in the country, now film posters were being printed in large scale to be distributed all over the country. These posters were seen on the walls of important streets, barbershops, restaurants, near cinema halls.

There are many persons who have a hobby of collection of film posters. Now, these rare posters are being sold. I present here a journey of Bollywood film posters decade wise. These images are available through google.


 


Posters of 1930s
Chandidas 1934

 Amar Jyoti (1936)





1935 film Song of Life (Bhikharan, 1935


Duniya Na Mane (The Unexpected) (1937)

Baghban-1938

1940s Posters
Aurat 1940

Bandhan 1940

Nartaki_(1940)





Lagan (1941)

Khazanchi_1941_poster

Basant_(1942)

Kismet-1943

Tansen 1943




Rattan 1944

Anmol Ghadi 1946

Barsat 1949

1950s Posters
Samadhi 1950
Baazi_(1951)
Do_Bigha_Zamin 1953

Mother_India_poster

1960s Posters
Mughal e Azam 1960 poster
Guide 1965 Poster

1970s Posters
Johny_Mera_Naam_poster

Sholay-original-movie-poster

1980s Posters
Qurban 1980
Maine_Pyar_Kiya 1989

1990s Posters
Dilwale_Dulhania_Le_Jayenge 1995 poster

Hum_Aapke_Dil_Mein_Rehte_Hain 1999

2000s Posters
Lagaan 2001 poster

Dhoom 2 (2006)

Dabang 2010  poster

Dangal  2016 poster

































































Sunday, 10 January 2021

Story Behind the Song 'Jhooth Bole kauwa Kate'

 


This popular song of the 1973 film Bobby was sung by Lata Mangeshkar and Shailendra Singh. This was composed by Laxmikant Pyarelal. The song was in fact based on Bundelkhand folk song ' Mein Mayke Chali Jaongi'. These lines were suggested by Vithal Bhai Patel, the great Hindi poet to Raj Kapoor.

Raj Kapoor added Mukhra( 'Jhooth Bole Kauwa Kate') to these lines which he heard from Rajendra Kumar 8 years back in 1962 during the shooting of Sangam.

There was an incident at the time of the shooting of Sangam in Paris. After the shooting of previous day Raj Kapoor told Raj Kapoor that in the next day they will start shooting early so he takes care that he wakes him up early. 

The next day Rajendra Kumar got up and was ready for shooting, finds Raj Kapoor still sleeping, he went to his room and knocked Raj Kapoor's door. Raj Kapoor was annoyed by being disturbed. Rajendra Kumar on this said that he himself had asked him to get up in the time which Raj Kapoor said you are lying. Rajendra Kumar at that instance saw 2 crows sitting on the balcony of the room and suddenly said Jhooth Bolun to Kauwa Kate, Raj Kapoor remembered those words and used these words as Mukhra of the song. 

Vithalbhai Patel was credited for this song in this film but Anand Baxi who completed the song was not happy that he did not get credit for the song. In the film immediately the song finishes another song starts. This song was also written by Vithalbhai Patel.'Na Chahon Sona Chandi'

Song of Bobby 1973