This BLOG is about the Past of Hindi Films Specially Black and White Cinema We will refresh your memories by bringing out forgotten or unseen songs and clippings of film scenes We will try to give you as much information as we gather from our research.
This Blog was started as a one-man’s passion for film history but has now become an addiction for many music lovers who are equally passionate about Hindi films
Every distinguished creative artiste is born with one gift, but, Hemantda was born with several gifts. As a singer, he reigned supreme in Calcutta and Bombay. From "Naagin", "Jaal" to "Bees Saal Baad" and the '50s and '60s were decades that 'belonged' prominently to the unique talents of Hemant Kumar. He started in Bollywood as a singer, turned into a composer, and later a producer and director. His first Hindi film as a composer was the 1952 film "Anand Math". The music of Anand Math (1952) was a moderate success. Perhaps, the most notable song from this movie is 'Vande Mataram' sung by Lata Mangeshkar, which Hemanta set to a marching tune. Hemanta Kumar gained popularity in Mumbai as a playback singer. His songs play backed for Dev Anand under music director S D Burman in movies like Jaal ("Yeh raat, yeh chandni phir kahan ... "), House No. 44 ("Chup hai dharti, chup hai chand sitare... "), Solva Saal ("Hai apna dil to awara ..... "), Funtoosh ("Teri duniya mein jeene se ... "), and Baat ek raat ki ("Na tum hame jaano ..... "), became very popular. He became popular as a composer after the release of "Nagin" in 1954 which became a major success owing largely to its music. He received the prestigious Filmfare Best Music Director Award for this film in 1955.. his classic ‘been’ music in the song “Man Dole Mera Tan Dole" is now immortal.
In the late 1950s, Hemanta ventured into movie production under his own banner: Hemanta-Bela productions. The first movie under this banner was a Bengali film directed by Mrinal Sen, titled Neel Akasher Neechey (1959). Latter he made films in Hindi, his production company was renamed Geetanjali productions and it produced several Hindi movies such as Bees Saal Baad, Kohara, Biwi Aur Makaan, Faraar, Rahgir, and Khamoshi — all of which had music by Hemanta Da. Only Bees Saal Baad and Khamoshi were major commercial successes. 1962 was a special year for him, The music of Bees Saal Baad and Saheb Biwi aur Ghulam became very popular. Hemanta Da pulled out all stops for a score that ranks as one of the ten best ever composed for the Hindi cinema. Between them, Geeta Dutt and Asha Bhosle created a universe of pain and romance in Sahib Biwi Aur Ghulam. From Geeta Dutt's 'Na Jao Saiyyan..' to Asha'a 'Bhanwara Bada Naadan Hai..', each song stuns each note cuts deeply in Sahib Biwi Aur Ghulam.
Hemant Kumar was also remained connected with Bangla Films throughout his career, in fact, he was very busy there in the late 60s and 70s. He remained the foremost exponent of Rabindra Sangeet, film and non-film songs. His output continued to be popular for most of the decade. Some of them are Jodi jante chao tumi... (1972), Ek gochha rajanigandha , Aamay prasno kore nil dhrubatara..., Sedin tomay dekhechilam... (1974), Khirki theke singho duar... (Stree, 1971), Ke jane ko ghonta... ( Sonar Khancha, 1974), Jeona daraon bandhu... ( Phuleswari, 1975 ) and popularised Rabindra sangeet using them beautifully in films as per situations. A very popular and classic example is the song Chorono dhorite diyogo amare.. in Dadar Kirti(1980). In 1980, Hemanta had a heart attack that severely affected his vocal capabilities, especially his breath control. After that, he composed music for a handful of Bengali movies and one Bengali and one Hindi tele-series.In 1987, he was nominated for Padmabhushan which he refused politely.
In September 1989 he traveled to Dhaka, Bangladesh to receive the Michael Madhusudan Award, as well as to perform a concert. Immediately after returning from this trip he suffered another heart attack on 26 September and died at 11:15 pm in a nursing home in South Calcutta.
With him, an era ended, but Hemant Kumar can never be forgotten. His music will live on for another 100 years. “Beqaraar Karke Humein Yun Na Jaaiye, Aap Ko Hamari Kasam, Laut Aiye"
Depression is alarmingly rising in the youth and adults in India making it a major cause of concern. Bad relationships, anxiety, and low self-worth; leading to suicide in many cases. In Bollywood, for the last few years, many actors have killed themself by this act. Yesterday Sushant Singh Rajput was found hanging at his Bandra apartment Its high time for Bollywood to stop trivializing suicide & make films to prevent suicides A short movie titled ‘The Suicide Company Pvt. Ltd,’ is based on an innovative subject to combat and address this concern. This subject, I think is considered taboo. Suicide and depression are rarely the themes of films in Bollywood. Last year I saw the above-mentioned film. This is a short film of 20 minutes, directed by Indian filmmaker Jehangir Irroni. It is produced by Shaleen V Vaid under the banner of Vistree. Featuring Bollywood stars Jay Bhanushali and actress Swara Bhaskar in the lead roles, the film’s theme is based on “Suicide and Depression” which is written by Pragnya Tripathi, also a Clinical Psychologist by profession like Jehangir Irroni. This film got an official entry at the prestigious Los Angeles Film Awards.has won awards and nominations internationally and nationally. The film won the Best Film in the Drama category award in Toronto at the "Alternative Film Festival (ALTFF)", Best Screenplay at Indian Film & Television Directors' Association Film awards (IFTDA SHORTIES), and an "Honourable Mention Award" at Asia South East-Short Film festival.
Jay Bhanushali is a journalist in this film, he is in severe depression, his girlfriend leaves him for his best friend. He tries numerous attempts at Suicide which fail. Until one day he finds the solution “THE SUICIDE COMPANY PVT. LTD.” A company that plans and helps people in committing suicide. He hires a Suicide Planner (Swara Bhaskar) from the company to help him die. A brilliantly directed film, Bollywood filmmakers should make films on this subject. Sushant Singh Rajput worked last in a film Chichore where he showed that suicide is not a solution, instead, we should fight and live.
Yesterday I watched the latest released "Gulabo Sitabo" on Prime Video. The film is based on the landlord and tenant relationship. On this subject, many memorable films were made earlier also. A very interesting film released in 1956 "New Delhi". Kishore Kumar plays a Punjabi boy. He comes from Jalandhar to Delhi but is unable to find a place to stay, as everywhere he goes people want to give room only to a person of their region. Desperate, Anand masquerades as a Tamilian, Anand Kumaraswamy, and finds a place to stay with a Tamilian family. In 1957, two films on this subject were released. Dev Anand and Nutan starrer Paying Guest and Dilip Kumar starrer Musafir. In Paying Guest Dev Anand looks for a house in the guise of an old man. Another Landlord-tenant story was Anari released in 1959. Here Raj Kapoor was the tenant and Lalita Pawar was the landlady. Here the relationship was of a mother and son. Quite a few Hindi movies have explored different shades of this relationship Here are a few of these films. Paying Guest(1957)
Ramesh (Dev Anand) keeps on getting evicted as a tenant due to failure to pay rent, then dons the guise of an old man to gain entry in a house as a tenant, He falls for the landlord's daughter Shanti (Nutan),Ramesh is unable to pay the house rent and Shanti gives him the money her father had given her for monthly expenditure. Biwi Aur Makan (1966)
It is one of the masterpieces of Hrishikesh Mukherjee and remade in different languages It centers around five young men, bosom buddies from their college days, The five friends, therefore, go out looking for other accommodation—and keep drawing a blank wherever they go. There seems to be no place available. one evening, Suresh comes bearing news. He has found a place. Three rooms, a rent of a mere Rs 100, no advance but the landlord Mr. Mishra, wants to rent his house only to married couples; no bachelor allowed. Frustrated at this, two of them disguise themselves as women and pose as wives for the other two males. They are able to secure accommodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters Woh Saat Din(1983)
It is Anil Kapoor's first hit film, in this film he is a tenant and the heroine Padmini Kolhapuri is the landlord's daughter. It is love at first sight for Maya as she falls for the naive, innocent Prem. However, Prem, aspiring to be a true musician, rejects Maya's advances. Furthermore, Prem is in love with Maya but believes that he isn't worthy of her. They declare their love for each other and plan to elope, but destiny has other plans in store for Maya and Prem. On the day of their elopement, the lovers are caught by Maya's parents. As a result, Prem and his sidekick are kicked out of the house Mohan Joshi Hazir Ho(1984)
The film is a comic satire on a judicial system, where cases drag on for decades. An elderly couple, Mohan Joshi (Bhisham Sahni) and his wife (Dina Pathak), sues their landlord (Amjad Khan) for not maintaining their 'collapsing' apartment building. For this, they hire two cunning lawyers Naseeruddin Shah and Satish Shah, the lawyers milk the old couple dry, while they become rich. Back home in the society, the old couple is ridiculed for fighting the landlord, but they fight on nevertheless. Saaransh(1984)
An old couple played by Anupam Kher and Rohini Hattangadi has no source of income, so they rent out a room of their Shivaji Park (Mumbai) apartment to a budding Bollywood actress, Sujata Suman (Soni Razdan).The latter's intimidation at the hands of an influential politician after she gets pregnant by his son compels her aged landlord/lady to step up and support her in whatever way they can. Kirayadar (1986)
Basu Chatterjee's Kirayadar chronicles the legal woes of a father-son duo forced to reside in a tiny room after the tenants refuse to vacate their flat in Mumbai. They file a complaint in the local court to arrange to evict the tenants, who have also sworn to fight this matter right to the very end. Watch as lawyers take over their respective lives, get their fees, and get adjournment after adjournment Mr. India(1987)
In this film, Sridevi is a journalist and rent a floor of Anil Kapoor's huge house overlooking the sea with the hope of peacefully filing her news reports.
Only to realize the one and only condition she placed -- no kids -- popping out from every corner in abundance.
Hera Pheri (2000)
Landlord Paresh Rawal shares a comic camaraderie with his tenants, Akshay Kumar and Suniel Shetty. The troika's constant wrangling and wishful thinking is set aside after they receive a callfrom a kidnapper and a hilarious scheme to exploit a 'wrong number' is set in motion.
Yeh Teraa Ghar Yeh Meraa Ghar(2001)
The age-old tenant-landlord tussle is once again reiterated between Suniel Shetty and Mahima Chaudhary in this film. Sunil Shetty arranges the marriage of his two sisters. In debt, he goes to the city to ask the tenants to leave his house, as he intends to sell it and repay his debts. A Maharashtrian woman, her two daughters, Jyoti, Saraswati (Mahima Chaudhry), and one son, Chotu (Master Aditi) are living there. When Dayashankar asks them to vacate, they refuse. What results is Dayashankar's hilarious attempts to force them to vacate
Dear Zindagi (2016)
Alia Bhatt is a promising cinematographer who wishes to direct her own films. She lives in a rented apartment in Mumbai. Her life takes a downturn when Raghuvendra (Kunal Kapoor), a film producer for whom she breaks up with her childhood sweetheart, gets engaged to someone else. Her landlord turns her out of her apartment because the building association wants to rent apartments only to married couples. Her sudden expulsion from her apartment forces her to move back home in Goa and address her acute anxiety to an incredibly wise therapist.
This immortal song from Pakeezah(1972) was originally a solo sung by Lata Mangeshkar, intended for use as a dancing number, the fascinating solo version was cut from both the film and record released, later a romantic version, a duet was recorded. You may have noticed it or not, Rafi sab has sung but just a single line in it which is the Mukhda. Amazing how a single line sung by Rafi sab had made it an immortal Rafi song. This was the only song in this film having a male voice. All the other songs were female solo. The music of this film was given by Ghulam Mohammad. He composed a total of 15 songs for the film out of which only six were used. The remaining songs were released in 1977 in an album called "Pakeezah Rang Barang". This album was released exclusively by Saregama in 1977. This film took 16 years to complete. The mahurat of the film happened on July 16, 1956, and the film got released in Feb 1972. The music of the film was recorded by the end of 1959. Kamal Amrohi wanted this film to be a musical so 15 songs were recorded earlier. The shooting of the film was halted in 1964 due to mutual differences between lead heroine Meena Kumari and her director-husband Amrohi. In 1968, the composer of the film passed away. So, when the film was revived in 1969, Naushad was roped in to complete the background music for the film. Many exhibitors suggested Kamal Amrohi change the music according to the then-popular trend and style. To this Amrohi said that he would have readily done this if only Ghulam Mohammed was still alive but now he cannot betray a man, who gave him such melodious songs, after his death. So he kept his music intact but used fewer songs as planned to keep up with the fast-changing trend. In 1969 the shooting of the film resumed after a gap of five years. By this time Meena Kumari's health got deteriorated. She was suffering from Liver Cirrhosis. Few songs were yet to be picturized. Her condition became so bad that during the filming of the grueling emotional Mujraa “Teer-e Nazar,” Meena Kumari collapsed. Keeping in mind her medical condition, a body double was brought. Actress Padma Khanna played her body double in this song as she was an adept Kathak dancer which was an urgent requirement of the song. Meena Kumari personally trained her for the scene, and the song was filmed with the majority of the dancing done under a veil in order to hide her face. Similarly in this song too Padma Khanna acted as Meena Kumari. Her face was actually never shown in the song.
Song of Pakeezah 1972
Chalo Dildar Chalo - Lata Solo version not in the film
Released on 12th June 1970, Sawan Bhadon was the debut film of Rekha and Navin Nischal. It was also the debut film of the famous villain Ranjeet. Dancer Jayshree T also came into limelight with this film. The film was produced and directed by Mohan Segal. The film was a surprise hit. Sawan Bhadon celebrated a jubilee run in over 30 theaters across the country
It had a few catchy numbers like "Kaan Mein Jhumka, Chaal MeinThumka" was very popular among masses. The music was composed by Sonik Omi, not a big name in the music industry at that time, only Dil Ne Phir Yaad Kiya(1966) was their earlier film was noticeable.
Sawan Bhadon was a run-of-the-mill film. Sawan Bhadon is the tale of Vikram played by Navin Nischal, a wealthy guy who’s been living in Europe when he decides to return to India. He has a step-sister Dolly and step-mother Sulochana, who are very cunning and greedy and steal Vikram's money during his absence from India.
Vikram, on his way home, is blocked by some thugs, who are actually the men hired by Sulochana's brother to kill him. But a village girl Chanda(Rekha) and her friends help him.Both of them fall in love with each other and plan to marry with Chanda's family's consent. But Sulochana is against the marriage and tries to force Vikram to leave her, but Vikram does not obey her.
Vikram comes to know that behind his back, Sulochana has fraudulently acquired properties of the villagers and he decides to return them to their rightful owners. Sulochana decides to kill him with the help of Madan by planting a bomb in his car before he heads towards Bangalore. The car explodes as per her plan and everyone including Chanda believes that Vikram is dead. All enemies of Vikram celebrate his death but Vikram survives.
Vikram returns home but Sulochana does not believe that he is alive. She tries to prove by all means that he is not Vikram. But Vikram proves that he has escaped merely with some injuries.Sulochana decides to kill the Vikram look-alike by poisoning his milk but he survives again
In the end, she confesses that she saw him falling out and burning from the exploded car and had bashed his head. The Vikram look-alike then admits that he is not Vikram, but CID Inspector Vinod.
Chanda is very disappointed about Vinod acting as Vikram, but Vinod tells her Vikram is not dead really but survived with injuries. This film lifted the career of Jayshree T, who had 3 songs in the film. Ranjeet became a villain and of course Rekha and Navin Nischal.
If you enjoy lots of melodrama,energetic music and thrill, this is the film for you.
Tarzan is a fictional character created by the fictional writer Edgar Rice Burroughs in the novel "Tarzan of the Apes" published in 1914. The first Tarzan film was a silent film released in 1918, With the advent of talking pictures, a popular Tarzan movie franchise was developed. Starting with Tarzan the Ape Man in 1932 through twelve films until 1948, the franchise was anchored by former Olympic swimmer Johnny Weissmuller in the title role. In India, the first Tarzan film was TOOFANI TARZAN produced by Wadia Brothers in 1937It starred John Cawas as Tarzan. This film went on to become the studio’s biggest grosser. Wadia also made Tarzan an Indian man and never again was his Indian-ness challenged. He always sang and danced and spoke fluent Hindi before the interval.
The next Tarzan film was Zimbo released in 1958. Homi Wadia now created an Indian Tarzan, it was a remake of Toofani Tarzan This time the role was played by Azad, he made a much better Tarzan than Cawas. Perhaps, the reason behind choosing Azad to play Tarzan was his resemblance to Weissmuller. This film became a hit, Azad did many Tarzan films in the 60s. In fact, many Tarzan films were made in the 60s.
Zimbo was a 1958Hindi action-adventure film directed by Homi Wadia and produced by Basant Pictures. The film starred Azad, Krishna Kumari, Chitra, Achala Sachdev.
Professor Chakravarty and his wife Uma (Achala Sachdev) live with their four-year-old son in the jungle where he carries out experiments. He has discovered the formula to prevent aging. Adversity strikes when their house is attacked by lions, killing him, while his wife goes mad with grief. The professor's son goes missing in the melee. The story then follows the arrival of several people seventeen years later from the city. One of them is the Professor's brother who has traveled to the jungle with his daughter in search of the missing formula and to look for the professor's son. There are villains in the group of people, wanting the formula for their own purposes. Chakravarty's son Zimbo has been brought up by the apes and the story takes a turn when they try to relocate him with Dada (Pedro the Chimpanzee) to the city.
In 1962 Navshakti films came out with the earlier title Toofani Tarzan with Azad playing the Tarzan role.
The story was different here theExplorers searching for a hidden treasure encounter the titular jungle man (Azad) who refuses to let them pass through his forest. When Tarzan falls in love with Sushma (Shanta Kumari), one of the travelers, the magician Samri, who is also a part of the group, creates a duplicate of the woman in an effort to overpower Tarzan.
By this time Azad has typecast the Tarzan or Zimbo. He was many offers to play this role in the forthcoming films. The next in line was TARZAN AUR JADUGAR released in 1963.
This film was produced by Nattu and directed by Radhakant The story of this film has another angle of a magician. Magic was a hot subject in the 60s This film had both the interesting subject of that era. In this film, Tarzan is referred to as the king of the beasts, who lives in the forest of fairies, and of an evil sorceress who wants to control it.
Khanna, his wife Kamla, and their little son Tony start out on a sea voyage only to face tragedy when the ship sinks, flinging each of the three onto different parts of massive jungle land. Khanna becomes a laborer for a contractor in the jungle. Kamla meets a lady magician named Rooplekha, who she grows to love as a daughter. And little Tony is rescued by a fairy from Paristan and placed in the loving hands of the animals of the jungle and grows up to be known as Tarzan (Azad).
Another Tarzan film released in 1963 was Tarzan Aur Gorilla, directed by Pyarelal for hind Films. The main lead remains the same Azad as Tarzan and Chitra, his love interest but in this film, the highlight was given to Pedro the Chimpanzee
In 1964 three Tarzan films were released and in all the three films Azad played the role of Tarzan. Director Radhakant once again comes with Azad as Tarzan in the 1964 film "Tarzan Aur Jalpari "
In this film, Tarzan is saved by a “Jalpari” played by Chitra. In the end, it is Tarzan’s turn to help the Jalpari who has become the victim of a notorious magician.
The second Tarzan film of 1964 was "Tarzan And Delilah" produced by Heera Sawant, A. Shamsheer, and directed by A Shamsheer with the same star cast, Azad as Tarzan and Chitra as Delilah.
Tarzan is in love with Princess Delilah, a captive of the evil queen Laila, who has her eyes on the beefy jungle hero. Sunanda and Fernades who was thrown from a vessel, land on an island inhabited by Tarzan (Azad). Tarzan and Zippy to free Delilah and the other lasses who are being held against their will behind the “magic door” belonging to Queen Laila.
TARZAN AND CAPTAIN KISHORE was the third Tarzan film of 1964 with similar leading pair. Azad and Chitra.
Three young boys become separated during a shipwreck. One grows up to be a jungle man named Tarzan, another becomes a ship’s captain named Kishore, while the third, William turns into a smuggler. The story is about stealing valuable scientific formulas.
In 1965 three Tarzan films were released, this time Dara Singh appeared as Tarzan with Mumtaz as his heroine in Tarzan comes to Delhi. This film was produced by Surinder Kapoor, the father of Anil Kapoor and Boney Kapoor. The film was an average in Bollywood but the audience liked Dara Singh as Tarzan.
This film was a remake of TARZAN’S NEW YORK ADVENTURE (1942). Rekha (Mumtaz), and her professor father go to a jungle with a guide Shekhar played by Sidhu, who steals a priceless necklace off of a tribal idol. The tribesmen blame the theft on the interlopers and threaten the life of the professor until it is returned. With Tarzan’s help, Rekha and her father search for the gem and it takes them from the wilderness to the big city of Delhi where the jungle man experiences a mighty big case of culture shock.
The second film was "Tarzan and Kingkong", in this film Tarzan is played by Randhawa, the younger brother of Dara Singh. Dara Singh appears in this film in a Guest appearance. The highlight of this film was the role of Kingkong played by himself.
This film was produced by A Jaiswal and directed by A Shamsheer, who earlier directed "Tarzan And Delilah" with Azad as Tarzan, now take Randhawa as Tarzan. A jungle queen (Bela Bose) captures the survivors of a plane crash, planning to sacrifice them to the goddess Bali. Tarzan (Randhawa) intervenes and in the process falls in love with Sharmila (Mumtaz), one of the stranded passengers.
The queen teams up with her commander, Romi (Shyam Kumar), and a strong-man named King Kong (King Kong), to destroy Tarzan and his lady love.
The third Tarzan film was "Tarzan and Circus" with Azad once again as Tarzan. This film was produced by S.J.Rajdeo and directed by Shiv Kumar with Chitra as the heroine.
IN this film we see a ringmaster of a circus who has lost his only son; Bimla, a love-hungry circus owner; and Keshav (Mohan Sherry), the wicked circus manager whose goal is to gain Bimla’s wealth and possess Malti’s youth. Malti is played by Chitra.
In 1966 three Tarzan films released. The first release was Tarzan Aur Herculis produced by Herculis and directed by Mahmood, not the comedian Mehmood. The other film was Tiger And Jadui Chirag and the third was Tarzan Ki Mehbooba
Azad once again appears as Tarzan, his life is in danger, both from monsters created by a magician who is searching the jungle for a buried treasure and by royals who have discovered that the jungle man is the lost heir to a kingdom they have overthrown
D R Films Tarzan Ki Mehbooba was directed by Ram Rasila. In this film, Tabassum was the heroine of Tarzan played once again by Azad.
Tarzan loves a jungle nymph named Nimoni (Tabassum), who is the daughter of a tribal chief, Tomoki. The tribe’s witch doctor, Limo, wishes for Nimoni to become his bride, and to help make that happen he murders Timoki and takes over as chief. He then sets out to destroy Tarzan’s peaceful rule of the jungle.
In 1968 another Tarzan film released, directed by Sushil Gupta with once again Azad as Tarzan in Tarzan In Fairyland
The star cast includes Azad, Indira, Shyam Kumar, Amar, Ram Kumar, Ram Mohan, Sheikh, The story about a professor and his daughter (Indira), who are in search for a treasure thought to belong to a civilization that was buried during an earthquake thousand of years before. They run afoul of a mad magician, who captures the group. Tarzan came to rescue them from the magician and help them to find the treasure.
In 1970, a new Indian Tarzan was introduced, this time the great wrestler Master Chandagiram( Hind Kesri 1962 and 1968). The film was produced by Radhakant, who earlier a Tarzan film in 1963.
Tarzan (Chandgi Ram) takes to task a band of gold smugglers while at the same time falling in love with the gang leader’s pretty daughter, Rama (Shabnam).
Slowly the attraction of Tarzan was fading new characters were emerging like Rambo or Rocky. It took 15 years for Tarzan to reappear in 1985 film TARZAN (aka: ADVENTURES OF TARZAN)
The film directed by B Subhash, starring Hemant Birje, Dalip Tahil, Kimi Katkar, and Om Shivpuri. The film was successful commercially. The film was much talked about in its time, mainly due to the steamy scenes between the lead actors and popular hit songs.
Like earlier films here also A small boy, lost in the jungle, becomes the ward of the jungle animals and grows up to become Tarzan (Hemant Birje). He was found by Dr. Sethi and his daughter, Ruby (Kimi Katkar) whom he saves. They fall in love.
Ruby's dad and D.K plan to capture Tarzan and take him to work for the Apollo Circus, owned by Krishnakant Verma. Tarzan is captured before Tarzan and Ruby's romance could take wing. Tarzan is chained and taken to the circus and made to spend the rest of his days performing various acts,
17 years later The sequel of the above movie named Tarzan Ki Beti was released in 2002. Tarzan was played by Hemant Birje. This movie was released in 2002 under the banner of Kusum Art International as a sequel of the Adventures of Tarzan.
The star cast includes Hemant Birje, Ritika Singh, Gouri Varma, Raza Murad, Dhananjay (Junior Dharmendra) which was a look-alike of Dharmendra. Hemant Nirje plays Tarzan and Ritika Singh plays his daughter.
Dhananjay Singh plays Arjun, he loves an orphan girl Kiran. When they are about to be married. Kiran knows from her mother that her father is Tarzan. Kiran also has a sister, Aarti who still lives in the jungle. Some hunters try to catch Arti in the jungle. A forest ranger helps Aarti to reunite with her family.
In 2004 a film was released Tarzan and Wonder Car starring Ajay Devgan. The film was not a Tarzan film but there was car named as Tarzan. Ajay Devgan plays Deven who was an Automobile engineer who possessed this car. He was killed by four of his friends to grab this car. Ultimately this car was purchased by Deven's son after many years. Deven's spirit possesses Taarzan and starts killing all the gentlemen responsible for the murder, including Inspector Sanjay Sharma. Since the car now belongs to Raj, he becomes a suspect in eyes of Inspector Khurana (Gulshan Grover)
