Mukesh-who wanted to be like K L Saigal

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 Similar to the story of Eklavya, Mukesh initiated in music.He started learning music indirectly  from his sister’s Guruji . He would listen from the next room and keep practicing until the day.Those days K L Saigal was the star singer actor.Like every body
KL Saigal was Mukesh’s idol.He wanted to be like him. Mukesh had good looks and his nature was very industrious, thus trying his luck at acting was natural for him.It was the actor Motilal who was his relative attended the marriage of Mukesh's sister at Delhi where he heard Mukesh singing a song.He liked his singing and advised him to come to Bombay and try his luck in films.
After few months Mukesh saw an advertisement in a News Paper from Ranjit Movitone for requirement of Actor cum Singer.He applied for this and was called to Bombay for an interview.It was Chandulal Shah of Ranjit Movietone who selected him and gave him the job.
He got his first project as an actor-singer in a film named Nirdosh in 1941 which has his first song ‘Dil hi ho bujha hua to’.His second film was Adab Arz in 1943.He acted as a hero in the film Mashooka in 1953, opposite Suraiya. During these period he sang and acted in few films but his career was not rising.It was in 1945 when Moti Lal asked Anil Biswas to take Mukesh as his playback singer for the film Pehli Nazar.The song he sang for the film was "Dil Jalta Hai To Jalne De".This song became so popular which opened the door of success for Mukesh.
Mukesh was such a fan of singer K. L. Saigal that in his early years of playback singing he used to imitate his idol. In fact, it is said that when K. L. Saigal first heard the song "Dil Jalta Hai...", he remarked, "That's strange, I don't recall singing that song"
It was  music director Naushad Ali, who helped Mukesh to come out of his Saigal style and create his own style. Naushad gave him songs for the film Andaz. Initially Mukesh was the ghost voice of Dilip Kumar in this movie and Mohammed Rafi sang for Raj Kapoor. He delivered many Hits for Naushad in films like: Anokhi Ada (1948), Mela (1948), Andaz (1949). Other composers who used Mukesh voice for great Dilip Kumar in hit songs like "Jeevan Sapna toot gaya" were Anil Biswas in Anokha Pyar, Ye Mera Diwanapan hai, Shankar-Jaikishan in Yahudi and Suhana Safar and Dil Tadap Tadap ke, Salil Choudhary in Madhumati. However, later Dilip Kumar choose Rafi as his ghost voice and Mukesh became the ghost voice of Raj Kapoor. Mukesh recorded highest number of songs for Shankar Jaikishan ie 133 songs followed by kalyanji Anandji ie 99 songs. Out of 4 Filmfare awards, Mukesh won 3 awards for Shankar Jaikishan songs.

The duo of Raj Kapoor and Mukesh had hell lots of songs among which the most remembered and played is ‘Awara Hoon’. This song has lived almost 65 years yet kids know this song and the song is so stuck in everyone’s mind. Other famous songs were Mera Joota hai Japani, Jeena yahan marna yahan, Dost dost na raha, Jaane kaha gaye vo din, Kisiki muskurahaton pe, Ichak Daana beechak Daana, Sajan re jhoot mat bolo, Ramaiya vastavaiya, Dum Dum Diga Diga, Vo subah kabhi to aayegi, Kehta hai Joker saara jamana, Begaani shaadi me Abdullah deewana.The first song Mukesh sang for Raj kapoor was ‘Zinda hoon is tarah’ in 1948 film Aag, the lifelong partnership started from this song.
Like Talat, Mukesh also had an inherent sadness in his voice. So songs like ‘Woh tere pyar ka gham’, ‘Saranga teri yaad mein’ or ‘Baharon ne mera chaman lootkar’ sounded even more soulful in his voice. But unlike Talat, he could even belt out light numbers with gay abandon. Songs like ‘Ruk jaa o jaanewali ruk jaa’, ‘Aasman pe hai khuda aur zameen pe hum’ or ‘Bina badra ke bijuriya kaise chamke’ confirmed this time and again.
Many critics derided him as an imperfect singer who had a nasal twang and who would often miss a note or a beat and many a time they had a valid point. His limited vocal range also made high-pitched songs difficult for him. Mukesh proved them wrong 
After Shankar Jaikishan Mukesh sang lot of songs for Kalyanji Anandji  "Naina hai jadoo bhare..." Bedard Zamana Kya Jane (1958) composed by Kalyanji alone as Kalyanji Virji Shah, and "Main hoon mast madari..." Madari (1959) as the first Kalyanji-Anandji-Mukesh combo, to "Chahe aaj mujhe napasand karo" Darinda/ 1977, the K-A, Mukesh combination gave numerous popular songs like "Chhalia mera naam...", "Mere toote hue dil se...", "Dum dum diga diga" Chalia(1959), "Mujhko iss raat ki tanhai mein..." Dil Bhi Tera Hum Bhi Tere(1960), "Hum chhod chale hain mehfil ko..." (Ji Chahta Hai), "Humne tumko pyar kiya hai jitna..." (Dulha Dulhan), "Chal mere dil lehraake chal..." Ishara and "Dheere se chalo..." Johar Mehmood in Goa,"Main to ek khwab hoon..." and "Chand si mehbooba ho..." Himalay Ki Godmein(1965), "Waqt kartaa jo wafaa..." Dil Ne Pukara,"Deewanon se yeh mat poocho..." Upkar, "Khush raho har khushi hai..." Suhaag Raat and "Humsafar ab yeh safar kat jaayega..." Juari, "Chandi ki deewaar..." and "Le chal le chal mere jeevan saathi..." Vishwas (1969), "Koi jab tumhara hriday tod de..." Purab Aur Paschim, "Darpan ko dekha..." Upaasna, "Jo tumko ho pasand..." Safar and "Mujhe nahin poochni tumse beeti baatein..." Anjaan Raahein (1970).
Mukesh died of a heart attack on 27 August 1976 in Detroit, Michigan, US, where he had gone to perform in a concert. That morning, he got up early and went to take a shower. He came out panting and complaining of chest pains. He was rushed to a hospital but was pronounced dead. The rest of the concert was completed by Lata Mangeshkar and surprisingly his son Nitin Mukesh . His body was flown to India by Lata Mangeshkar, where a grand funeral ceremony was held in the presence of several actors, with personalities of the Indian film industry and fans paying tribute. 
Mukesh had the voice that could paint a thousand shades of melancholy. The way he sang, with the perfect tone and diction, he was considered as second to none. The pain that he had in his voice could not be imitated by anyone else.

SONGS THAT WON HIM FILMFARE

• Sab Kuch Seekha Humne(Anari)
• Sabse Bada Naadan(Pehchan)
• Jai Bolo Beimaan Ki(Be-imaan)
• Kabhie kabhie mere dil me(Kabhie Kabhie)
• .SONG THAT WON HIM NATIONAL FILM AWARD
• Kai Baar Yuhi Dekha Hai(Rajnigandha)

Song from Pehli Nazar 1945

Song from Anokha Pyar, 1948

Song from Aag 1948

Song from Mela 1948

Song from Andaz 1949

Song from Awaara 1951

Song from Parvarish 1958

Song from Anari 1959

Song from Kala Aadmi, 1960

Song from Dil Bhi Tera Hum Bhi Tere(1960)

Song from Bandini, 1963

Song from Sangam (1964)

Song from Himalay Ki Godmein(1965)

Song from Teesri Kasam 1965

Song from Milan 1967

ong from Mera Naam Joker 1970

Song from Safar, 1970

Song from Kabhie Kabhie 1976

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Anand Bakshi - The Juggler of Words

Over 3500 songs in  638 films in his career over five decades, he was the most vibrant lyricist that the industry has witnessed. The beauty of Bakshi’s mesmerising lyrics was that it retained its currency till he lived in the first decade of the new millennium.He was a master wordsmith.His contribution to the rhythmic songs of the golden era of Hindi cinema, which began in the 1950s and lasted till the mid-1970s will be noticed among the dozen odd top lyricists.
He 6.was born in Rawalpindi, now in Pakistan, on 21 July 1930 He  was fond of writing poetry since his youth, but he did this mostly as a private hobby. He worked in the Army for many years and simultaneously tried to market his songs in the Mumbai film world.Took voluntary discharge from the Army, E.M.E.  on 27-8-1956, at Lucknow.Arrived in Bombay to find work in films as a singer and or lyricist in Oct. 1956.
He got his break writing songs in a Brij Mohan film titled Bhalaa Aadmi (1958), acted by Bhagwan Dada. He wrote four songs in this film. His first song in this film was "Dharti Ke Laal Na Kar Itna Malaal" which was recorded on 9 Nov 1956.he first found success in 1962 with Mehendi Lagi Mere Haath, which was produced by (LimeLight), Music by Kalyanji & Anandji,  He got his real big breakthroughs in 1965 with Himalay Ki God Mein, and a huge breakthrough again in 1965 with the super-hit film Jab Jab Phool Khile, starring Shashi Kapoor;and in 1967 film Milan
He found great popularity with films like Amar Prem, Sholay, Amar Akbar Anthony, Ek Duuje Ke Liye and many more through the ’70s. He went on to work with renowned directors like Dev Anand,Raj Kapoor, Subhash Ghai and Yash Chopra and wrote the lyrics for Hare Rama Hare Krishna,Bobby, Taal, Yaadein and Dil Toh Paagal Hai among others. Mention must be made about Dilwale Dulhania Le Jayenge (DDLJ, 1995).
Sahir Ludhianvi taught him how to weave poetry into lyrics. He even introduced him to producers. Once he even asked Yashji (Chopra) to try him as a lyricist. But he wrote for Yashji’s Chandni (1989) only after Sahir saab passed away. 
He was associated with music composers such as Laxmikant-Pyarelal, R D Burman, Kalyanji Anandji, SD Burman, Anu Malik, Rajesh Roshan and Anand-Milind, and his songs have been sung by all the top singers as well as other singers such as Shamshad Begum, Ila Arun, Khursheed Bawra, Amirbai Karnataki, Sudha Malhotra and more. He is known to have worked with more than one generation of music composers.He wrote the first recorded songs of many first time male and female leads who went on to become stars, and also of singers such as Shailendra Singh, Kumar Sanu, Kavita Krishnamurthy etc
His jodi with Laxmikant Pyarelal was very popular They worked together in more than 220 films.First time he was associated with L P was in 1964 film Mr X In Bombay,the song Mere Mehboob Qyamat Hogi sung by Kishore kumar became very popular.The next film worked together was Lootera in 1965.

After  L P,the other composer was R D Burman with whom he did maximum films.Their first film was Teesra Kaun in 1965.
Anand Bakshi wrote for five decades, watching the windmill of time roll over and over. New actors replaced old ones, his close buddies like Kishore Kumar, Pancham and Laxmikant left for the heavens even as he watched helplessly. But Anand Bakshi’s gallery of fame kept gathering up successes like Hum, Darr, Lamhe, Mohra, DDLJ and Dil to Pagal Hai, as he kept adjusting his stance with the changing time.He stayed young and kept his screen heroes and heroines even younger. 
Late in his life, he suffered from heart and lung disease as a consequence of lifelong smoking. In March 2002, he caught a bacterial infection at Nanavati hospital during a minor heart surgery. He finally died of multiple organ failure on 30 March 2002, 8:00 PM at Mumbai's Nanavati Hospital, at the age of 72. The last released movie with lyrics by Anand Bakshi (after his death) was Mehbooba.

Song from Phool Bane Angaare (1963)

Song from Mr. X in Bombay (1964)

Song from Himalay Ki God Mein (1965)

Song from Jab Jab Phool Khile (1965)

Song from Milan (1966)

Song from Taqdeer (1967)

Song from Raja Aur Rank (1968)

Song from Aradhana (1969)

Song from Jeene Ki Raah (1969)

Song from Do Raaste (1970)

Song from Kati Patang (1971)

Song from Amar Prem (1972)

Song from Bobby (1973)

Song from Sholay (1975)

Song from Julie (1975)

Song from Ek Duuje Ke Liye (1981)

Song from Dilwale Dulhania Le Jayenge (1995)

Neeraj-The great Poet and Lyricist

Gopal Das Saxena"Neeraj "(4 January 1925 – 19 July 2018 )was introduced to the film industry by producer R. Chandra when he turned director with “Nayi Umar Ki Nayi Fasal”. The film was inspired by Neeraj’s poem “Karwaan Guzar Gaya Ghubar Dekhte Rahe”. After that he wrote songs for Cha Cha Cha which released earlier in 1964 with the songs SUBAH NA AAYI SHAM NA AAYI,Ek Chameli Ke Mandve Tale and Wo hum Na The Wo Tum Na
It was Dev Anand  who introduced him to S.D. Burman for “Prem Pujari”. Neeraj took a leave of six days from Dharam Samaj College in Aligarh where he was teaching Hindi and reached Bombay at the invitation of Anand. In an interview he said “He put me in luxurious hotel in Santa Cruz and paid me Rs.1000 even before signing me. Next day he took me to S.D. Burman, who showed apprehensions about a poet’s ability to write to tunes and a given situation. Dev Anand said that he should not worry. He should give the tune and if Neeraj failed he would remain his guest for six days and enjoy Bombay. Burman da gave me a tune and said the song should start with ‘Rangeela Re’ and it is about a girl who sees her beloved coming to a party with another girl. It should have elements of frustration in love, jealousy and satire. I worked the whole night and came up with “Rangeela Re Tere Rang Main Yun Ranga Hai Mera Mann, Chhaliya Re…” Next day he went to Dev Anand’s office and showed what he had written. After reading it, he embraced Neeraj and exclaimed how he could do it in one night. “He immediately took me to Burman da’s home and proudly presented me to him and said: See, I told you, Neeraj has done it. When Burman da listened to it he said ‘Dev you go, now we will sit together.’ After he left, Burman da admitted that he gave me this complex situation to make me give up.
After that S D Burman recommended him to Sharmeeli producer to sign him the lyricist for the film.When he was writing for Prem Pujari he was contacted by Raj kapoor to write a song for Mera Naam Joker.Neeraj wrote A e Bhai Zara Dekh Ke Chalo and even set it to a wonderful tune. "The song is a philosophy of life, which is a circus and we are all jokers,'' 
Neeraj worked with S D Burman in many films like Tere Mere Sapne and Gambler.
Gopaldas Neeraj called himself an unfortunate poet which led to his stopping himself from writing film songs and restricting himself to just writing and getting his poems published. The reason that he gave for this was that at least two or three prominent music directors of the Hindi Film Industry for whom he wrote very successful and popular songs, had expired. He mentioned the death of Jaikishan of the Music Duo Shankar-Jaikishan as well as of Sachin Dev Burman, for both of whom he had penned highly popular film songs. The deaths of these Music Directors when they, along with Gopaldas Neeraj were at the peak of their fame left him very dejected and he made a decision to quit the film industry.
His friendship with Dev Anand continued he wrote songs for the last film of Dev Anand "Charge sheet"
 Gopal Das Neeraj passed away on Thursday 19 th July 2018 evening at the AIIMS trauma centre, his family said. He was 93.
Neeraj used to say" People talk of my five years in film industry. They tend to forget my 65 years of contribution to literature".

Song from Cha Cha Cha (1964)

Song from Nayi Umar Ki Nayi Fasal 1965

Song from Kanyadan (1969)

Song from Chanda aur Bijli (1969)

Song from Prem Pujari (1970)

Song from Prem Pujari (1970)

Song from Pehchan (1970)

Song from Sharmilee (1971)

Song from Tere Mere Sapne (1971)

Song from Mera Naam Joker (1970)

Song from Gambler (1971)

Song from Kal Aaj Aur Kal (1971)

Song from Chhupa Rustam (1973)

75 Years(19th July 1943) ago Dev Anand landed Bombay to become Hero in Bollywood

Dev Anand was only eighteen and half years old when he left from Lahore to Bombay to become an actor in Hindi films.He landed at Bombay Central station by frontier mail with 30 rupees in his pocket.In an interview he said that he came to Bombay either to become a journalist or an actor. 
He didn't get the role immediately,he did insignificant  roles in theatre He was noticed by a person who was in Prabhat studio who told Dev that Prabhat Studio is looking for a new hero in their upcoming film. Prabhat studio was in Pune. It was in 1945 he got the role in the film Hum Ek Hain which was made in 1946 but released in 1947 after independence. 
During his struggling days in Mumbai, Dev Anand worked as a clerk in an accountancy firm for a meager salary of Rs 85 to make ends meet. He also worked at the Military Censor Office and earned Rs. 160 before becoming an actor.In the struggling days once he had no money,he had to sell his stamp collection the only possession he had for meager 30 Rs  to a pavement dweller. 
After he got Hum Ek Hain a few other indifferent films ( Mohan and Aage Badho in 1947) followed and it was not until Ziddi in 1948 that he got success.A year later Dev Anand launched his production company Navketan the first film was Afsar directed by Chetan Anand which was average at Box Office and its second film Baazi (The Gamble), directed by newcomer Guru Dutt, became a huge success

Scene from Hum Ek Hain 1946 

from Hum Ek Hain 1946

Song from Aage Badho 1947

Song from Ziddi 1948 First Song of Kishore Kumar of Bollywood

Song from Ziddi 1948 The First Duet of Kishore and Lata

Rajesh Khanna-The heartthrob of the young generation of 1970s,

Rajesh Khanna (29 December 1942 – 18 July 2012) was the first Super Star of Bollywood.He was a craze among women.Women  would wait for hours to have a glimpse of him, marry his photographs and even name their sons after him.Sharmila Tagore said in interview to Indian Express, “Women came out in droves to see Kaka (Khanna). They would stand in queues outside the studios to catch a glimpse, they would marry his photographs,they would pull at his clothes. Delhi girls were crazier for him than Mumbai girls. He needed police protection when he was in public. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name.
 The hysteria he generated was unlike anything seen before and after. As hit followed hit, and women all over the country swooned over him, Rajesh Khanna admitted feeling “next to god”He was the Box Office Badshah at one point of time.He had 15 consecutive super hits between 1969 to 1971, which is still an unbroken record in Indian film history.His greatest acting glory could be marked in Hrishikesh Mukherjee’s “Anand”, in which Rajesh Khanna enacts the role of a cancer-patient who knows that his days are being numbered.
He shared a close relationship with R.D. Burman and Kishore Kumar. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make a number of popular films, including Kati Patang, Amar Prem, Shehzada, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Ashanti, Agar Tum Na Hote, Awaaz, Hum Dono and Alag Alag

He made his debut in 1966 with Aakhri Khat.but became Super Star only after the release of Aradhna in 1969.He received the Filmfare Best Actor Award three times and the BFJA Awards for Best Actor (Hindi) four times.He was also a Lok Sabha member of the Indian National Congress from New Delhi (Lok Sabha constituency) from 1992 to 1996
During his career, Khanna played the lead in 74 films that were shown in cinemas for more than 50 continuous weeks (Golden Jubilee Hits) which includes 48 films which ran for 75 weeks (Platinum Jubilee hits) and 22 films that were shown for more than 25(Silver Jubilee hits), but less than 50 weeks.

Khanna died on 18 July 2012, after a period of illness. Khanna has been posthumously awarded India's third highest civilian honour, Padma Bhushan.He has also been honored with a stamp and statue in his likeness, and a road being renamed after him.

Song from Aradhana 1969

Song from  Khamoshi 1969

Song from  Kati Patang (1970)

Song from  Andaz (1971)

Song from  Amar Prem (1972) 

Song from  Mere Jeevan Saathi (1972).

Song from Dushman 1972

Song from  Aap Ki Kasam (1974)

Song from Prem Nagar 1974

Song from Kudrat 1981

Song from Agar Tum Na Hote 1983

Roothhna-Manaana(Sulking and Cajoling) Songs of Bollywood Part 2

Part 2
Roothhna-Manaana(Sulking and Cajoling)  is a very common situation in Bollywood films. Many songs in this situation were picturized. sometime heroine sulks then hero tries to cajole her by singing song or the vice versa.In the part 1 such songs were selected in which Hero was Manaoing(cajoling) the heroine In this part Heroine is Manaoing the Hero.
The first song is from the film Bawre Nain 1950

Song from Bawre Nain 1950

Song from Baazi (1951)

Song from Aae Paar 1954

Song from Barkha (1959)

Song from Jis Desh Men Ganga Behti Hai (1961)

Song from Jab Pyar Kisi Se Hota Hai (1961)

Song from Junglee (1961)

Song from Sahib Bibi Aur Ghulam (1962)

Song from Mujhe Jeene Do (1963)

Song from Aarzoo 1965

Song from Mere Sanam (1965)

Roothhna-Manaana(Sulking and Cajoling) Songs of Bollywood Part 1

Part 1
Roothhna-Manaana(Sulking and Cajoling)  is a very common situation in Bollywood films. Many songs in this situation were picturized. sometime heroine sulks then hero tries to cajole her by singing song or the vice versa.There were many situations when some close relative gets sulk in that situation too songs were made.One of such song comes in my mind Dadi Amma Dadi Amma Man Jao  from Gharana (1961),Being a Dev Anand fan I can say that there are many such songs picturised on Dev Anand. In this Blog I have selected few such songs picturized either or hero-heroine or other characters.
The first song in my list is from the movie Aaram !951 starring Dev Anand and Madhubala

Song from Aaram 1951

The second song in my list is from (Kala Pani/1958) Accha ji main haari Maan Jao Na

Song from Kala Pani/1958)

Another Dev Anand song is from Paying Guest 1957 Maana janab ne pukara nahin 

Song from Paying Guest 1957

In continuation of Dev anand's songs another my favourite song was from Tere Ghar Ke Samne

Song from Tere Ghar Ke Samne 1963

Song from Taxi Driver (1954)

Song from Johnny Mera Naam, 1970

 Roothna Manaana is a necessary part of the romantic genre. After Dev Anand, Shammi Kapoor was another hero who gave us many such songs, and those who followed in their footsteps (Rajendra Kumar, Joy Mukherjee, Biswajeet...) all thrived on manao-fying their justifiably roothi heroines.

Song from Tumsa Nahin Dekha 1957

Song from Professor (1962)

Song from Rajkumar/1964) 

Song from Teesri Manzil 1966

Song from An Evening In Paris (1967)

Song from Need Hamari Khwab Tumhare (1966)

Song from Mere Humdum Mere Dost 1968

Song from Aas Ka Panchhi (1961)

Song from Sholay (1975)

Song from Sanam Teri Kasam (1982)

Song from Kabhi Haan Kabhi Naa (1994)

Milestone Songs of Roshan

Roshan Lal Nagrath (14 July 1917-16 November 1967) the father of the actor and film director Rakesh Roshan and music director Rajesh Roshan and paternal grandfather of Hritik Roshan came to Bombay in 1949, became assistant of music composer Khawaja Khurshid Anwar in the film Singaar. He struggled until meeting Kidar Sharma, who gave him the job of composing for his film Neki aur Badi (1949).which was a flop,Kidar Sharma gave him another film Bawre Nain,the music of this film became hit and it opened door of success to Roshan 
His biggest strength was that he was very comfortable in mixing the folk music with the complex classical tunes. He use to make a fusion of folk and classical music and that too with ease. This was the speciality which belonged to Roshan only. It was his approach which made his music stand out from the others. In the 60’s, Roshan gave hits like,Barsaat Ki Raat, which featured hits like 'Na To Karavan Ki Talaash Hai..' and 'Yeh Hai Ishq Ishq..', Aarti ('Ab Kya Misaal Doon..'), Devar ('Baharon Ne Mera Chaman Lootkar..'), Bheegi Raat ('Kahin To Milegi..', 'Dil Jo Na Kehsaka..'), Chitralekha ('Sansaar Se Bhaagte Phirte Ho..', 'Man Re Tu Kahe Na..'), Taj Mahal ('Jo Wada Kiya Who Nibhana Padega.', 'Paon Choo Lene Do..'), Bahu Begum ('Hum Intezaar Karenge..' and 'Pad Gaye Jhoole..'), Dooj Ka Chand ('Mehfil Se Uth Jaanewalon..'), Nai Umar Ki Nai Fasal ('Carvan Guzar Gaya..' and 'Dekhti Hi Raho Aaj Tum..' ), Dil Hi To Hai ('Nigahen Milane Ko Ji Chahata Hai..' and 'Laaga Chunri Me Daag..' ) and finally his swan song from Anokhi Raat ('Oh Re Taal Mile..' and 'Mere Beri Ke Ber..').
He did not achieve big commercial success as some of his peers, but for music lovers he was among the greatest, especially as regards his songs for the two titans Rafi and Lata Mangeshkar. His compositions were unmistakably identifiable with incredibly beautiful use of the flute and sarangi.
Roshan died at a young age of a sudden heart attack on November 16, 1967. The song Mehlon ka raja mila from Anokhi Raat, which was composed by him, was recorded posthumously. Here are my 15 favourite Roshan-Lata songs as my tribute to him on his Birth Anniversary.

Song from Bawre Nain 1950

Song from Malhar (1951)

Song from Anhonee 1952

Song from Anhonee 1952

Song from  Naubahaar. 1952

Song from Aji Bas Shukriya” (1958).

Song from Barsat Ki Raat” (1960)

Song from Aarti (1962)

Song from Taj Mahal” (1963) 

Song from Dil Hi to Hai 1963

Song from Chitralekha” (1964)

Song from Bheegi Raat” (1965)

Song from Mamta” (1966)

Song from Bahu Begum (1967)

Song from Anokhi Raat” (1968)

How Waheeda Rehman nearly walked out of CID because of a costume

We all know that CID released in 1956 was the first film of Waheeda Rehman. Though she was not the Heroine of that film but she played an important character.She  played Kamini, the good-hearted moll. Though she’s a bit raw with a singsong dialogue delivery, just a glimpse of that luminous face and the hand gestures that Zohra Sehgal made her perform for the Shamshad Begum classic Kahin pe nigahein let me tell that she was, indeed, destined for a memorable innings.
There were the moments during the shooting of CID she decided to move out of the film.The reason of quitting was the costume she had to wear in the song Kahin Pe Nigahen Kahin Per Nishana. She had to wear a long skirt with a long sleeved lace blouse for Kahin pe nigahein.. The problem was the blouse had no lining.. She had no intention of wearing a see-through blouse.She refused to wear that dress.Zohra Sehgal tried convincing her as did Bhanu Athaiya (then Bhanumati) who designed the costumes, but nobody could change Waheeda Rehman’s mind. RajKhosla  the director was most irritated 
Finally Khosla called Guru Dutt, who was writing Pyaasa with Abrar Alvi somewhere in Khandala, to intervene. Dutt returned to Bombay and came to see Waheeda Rehman in her make-up room, who was adamant. Athaiya informed it would take half a day to have the blouse altered and since Dev had to leave for Switzerland, the unit was in a fix. The solution came from Waheeda Rehman.who suggested that she wear a dupatta. And that’s what was decided. If you see the song, you’ll notice she is wearing a dupatta over the blouse,
Raj Khosla wasn’t too happy with Rehman’s work in CID and even told Dutt, “CID will be her last film.” Sure enough, he had to eat his words. Rehman narrates how after he saw the rushes of Pyaasa’s Jaane kya tune kahi, Khosla commented to Dutt, “How is it possible? She is so bad in my film and has done such a good job here.
After CID Raj Khosla took her in Solva Saal in 1958 here also some controversy took place between her and Raj Khosla.

Song from CID 1956