Friday 10 December 2021

Ashok Kumar - The most bankable star of the 40s

 


The first film of Ashok Kumar was Jeevan Naiya (1936), a Bombay Talkies production.  It was a sheer fluke that he became an actor. He didn't want to become an actor.  Those days, actors were really looked down upon. They were believed to come from the lowest strata of society. He came to Bombay to become a director. So he joined Bombay Talkies as a technician. he worked in the camera department. Later, he was made a lab assistant. He worked as Lab Assistant for 8 months, suddenly Himanshu Rai, the owner of Bombay Talkies made him the hero of the film Jeevan Naiya replacing the existing hero Najam-ul- Hussain.

Initially, he was not comfortable in acting but later gathered confidence in his second film  Achhut Kanya (1936), where he again paired with Devika Rani became a smash hit established him a great actor. After that, he was a permanent hero of all Bombay Talkies movies In 1943 he played the first anti-hero role in Indian cinema. The film Kismet(1943) was the first super duper hit of Indian cinema, It was the first film that collected more than a crore rupees at Box office. Post Kismet, Ashok Kumar became the most bankable star of the era, delivering a succession of box office successes with movies like Chal Chal Re Naujawan (1944), Shikari (1946), Sajan (1947), Mahal (1949), Sangram (1950) and Samadhi (1950).

, Ashok Kumar has ruled the silver screen and melted millions of hearts with his charismatic screen appearance and personality. He was the first superstar of Hindi cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor.

He produced several films for Bombay Talkies during the final years of the company including Ziddi (1948), which established the careers of Dev Anand and Pran, Later on, he quit the Bombay Talkies and started Filmistan Studio with Shashdhar Mukharjee, his desire to return to Bombay Talkies was always there." He re-bought Bombay Talkies in 1947. "Devika Rani had left by then. But the Talkies had fallen on bad days. The debts amounted to Rs 28 lakhs. We made movies like Majboor, Ziddi, Mahal, and Mashal to repay the debts."

With the advent of the 1950s, Ashok Kumar switched over to more mature roles, with the exception of the 1958 classic Howrah Bridge. Despite the arrival of a younger crop of stars like Dev Anand, Dilip Kumar, and Raj Kapoor, Ashok Kumar remained one of the stars of the era with hits like Afsana (1951), Nau Bahar (1952), Parineeta (1953), Bandish (1955) and EK Hi Raasta (1956). His most successful film of that era was Deedar (1951), in which he played second fiddle to Dilip Kumar.
Ashok Kumar played an important role in several landmark movies in the 1960s and 1970s, including Jewel Thief (1967), Aashirwad (1968) (for which he won a Filmfare Award as well as National Award in 1969), Purab aur Pashchim (1970), Pakeezah (1972), Mili (1975), Chhoti Si Baat (1975) and Khoobsurat (1980).
Ashok Kumar's last film role was in the 1997 movie Aankhon Mein Tum Ho.

. Altogether, he starred in over 275 films. He has done more than 30 Bengali dramas in Dhakuria.He was honored in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India and also received the Padma Bhushan in 1999 for his contributions to Indian cinema.
He died at the age of 90 in Mumbai on 10 December 2001 of heart failure at his residence in Chembur. The then Prime Minister Atal Bihari Vajpayee described him as "an inspiration... for many generations of aspiring actors.
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Songs from Ashok Kumar's Films
Koi Hamdam Na Raha from Jeewan Naiya 1936

Original Ek Chatur Naar from Jhula 1941

Song from Kismet 1943











Monday 6 December 2021

Wahan Kaun Hai Tera- A Complete Story in Few Lines

 


Recall this song from the 1966 film Guide, sung by S D Burman. This was a credit title song in the background as Dev Anand the hero of the film comes out from jail, the song starts right there. The 'Mukhda' starts on a wide shot of the main gate of the jail from inside...'Wahan kaun hai tera, musafir, jaayega kahan'

Vijay Anand, the ace director, and screenplay writer wanted to start the film with a situation and song that would make the audience curious and uneasy, eager to know the story.....He did this with the help of the great Lyricist Shailendra.

If we look into the song minutely we would find the genius of three great people, S D Burman, the composer, Shailendra, the Lyricist, and Vijay Anand, the director. S D Burman composed a tune (actually his old Bangla song, slightly altered) The song starts with a 'Sitaar' notes used in the introduction music..

The sense of freedom is depicted by a strange-looking shot of a tree seen upside down and a group of birds flying away.... The camera moves back to reveal that it was the reflection of the tree in a pool of water....

In the first stanza "Beet gaye din, pyar ke palchhin, sapna bani woh ratein".... "Bhool gaye woh, tu bhi bhulaa de, pyar ki woh mulaaqaatein..." We see Dev Anand walking with a bundle of his belongings slung over his shoulder...The bundle slips and opens.... A close shot of the things that have spilled out... a few photographs of Waheeda Rehman...

The genius of Vijay Anand can be seen in the last shot of the song, we see a sleeping Dev Anand and the shadow of the unknown man as if he is looking at Dev. When the song starts we see Dev Anand smartly dressed with puff hair and as the song ends, he is now lying among the ruins....covered in saffron
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Wednesday 17 November 2021

RUNA LAILA- Duma Dum Mast Kalandar

 


Her tryst with Indian films came about after a chance meeting with music director Jaidev in Delhi, at a party hosted by businessman and music connoisseur Ashok Khanna. He gave her a chance to sing at the inauguration of Doordarshan. For a few years, she used to sing in Doordarshan. She became famous among viewers by her song Damadam Mast Kalandar.

Her name has been written on the Guinness World Records for recording 30 songs within 3 days. In 1982, she won Golden Disk Award as her album Superuna composed by Bappi Lahiri was sold over 1 lakh copies on the first day of its release.

She was born in East Pakistan, was educated in Pakistan, settled down in Bangladesh after the creation of the state in 1971, has worked in India and travels the world with her shows. Where does she really belong? 



 Her first recording was with Kalyanji-Anandji for the title song of Ek Se Badhkar Ek. She gained popularity in India with the songs O Mera Babu Chail Chabila and Dama Dam Mast Qalandar . After that, she sang two songs for Gharonda"Tumhe ho na ho" and "Do deewane shaher mein " composed by Jaidev.
She shares a close association with Bappi Lahiri too. In fact, Bappida recorded a pop album in her voice called Superuna in London. The singer remembers it all fondly. “We recorded at the Abbey Road Studios, made famous by The Beatles and I think we were the first people from the subcontinent to have done so. It was a spectacular experience. The songs are still popular and I perform them at my shows even now.” The songs were indeed so popular that Bappida used the hit single, De De Pyar De in the film Sharaabi (1984). 

Her name has been written on the Guinness World Records for recording 30 songs within 3 days. In 1982, she won Golden Disk Award as her album Superuna composed by Bappi Lahiri was sold over 1 lakh copies on the first day of its release.
Runa has also sung versions of Mehdi Hassan’s ghazals, which became quite famous. In October 2009, she released Kala Sha Kala, a collection of Punjabi wedding songs, in India. In 2012, Laila served as a judge on the show Sur Kshetra, an Indian television contest show for amateur singers. She described her relationship with fellow judge Asha Bhosle as that of sisters. In 2014, she collaborated with Sabina Yasmin on a song for a television play "Dalchhut Projapoti", the first time they worked on a song together

Her playback singing in films – The Rain (1976), Jadur Banshi (1977), Accident (1989), Ontore Ontore (1994), Tumi Ashbe Bole (2012), Devdas (2013) and Priya Tumi Shukhi Hou (2014) - earned her seven Bangladesh National Film Awards for Best Female Playback Singer.

Runa has sung in seventeen languages including her native BengaliHindiUrduPunjabiSindhiGujaratiPashtoBaluchiArabicPersianMalayNepaleseJapaneseItalianSpanishFrench and English.

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                  Original Full Sufi Song Damadam Mast Qalandar by Runa Laila



Duma Dum Mast Kalandar



Song of Ek Se Badkaar Ek 1976

Song of Yaadgaar (1984)

Mera Babu Chhail Chhabila Mai To Naachu Re


Ghazal  of Runa Laila

Superuna composed by Bappi Lahiri 











Saturday 6 November 2021

Sanjeev Kumar- The Actor of All Seasons

 



Sanjeev Kumar ( 9 July 1938 – 6 November 1985) started his acting career as a theatre actor He made his film debut with a small role in Hum Hindustani in 1960, got his first break in hindi film as hero in Nishan which was directed by Aspi Irani.released in 1965 He did stunt films like Husn Aur Ishq, Ali Baba and Forty Thieves, Nishan, Smuggler and Gunehagar, Raja Aur Runk.He  made his presence felt by his natural and down-to-earth performance as a doctor and as Sumita Sanyal’s lover in Ashirwaad. In 1968 he left footprints of his talent in 'Sangharsh' opposite Dilip Kumar. In 1969, Hrishikesh Mukherjee cast him in a strong supporting role as hero Dharmendra’s friend in Satyakam..In 1970, the movie Khilona brought Samjeev Kumar recognition. 

 Gulzar first spotted him; later he cast him in the roles of older men in Koshish (1973), Aandhi (1975) and Mausam (1975) He never minded playing small roles or playing older roles. He played older roles and always cared about the scope of the roles.Sanjeev Kumar was an actor for all seasons. Be it comedy or tragedy, he could do it effortlessly. Sanjeev Kumar was known for his iconic roles in the films like Sholay, Trishul, Shikar, Pati Patni Aur Woh etc



Sanjeev Kumar was nominated for 14 Filmfare Awards, thrice as Best Supporting Actor and the remaining as Best Actor. He won the awards twice as Best Actor and once as Best Supporting Actor.He got 2  National Awards from  the Govt.of India.

He  won the BFJA Awards for Best Actor (Hindi) for his exemplary portrayal of a deaf and mute person in Koshish, in which the female lead was played by Jaya Bhaduri, who acted as his deaf and mute wife and was herself nominated for Best Actor award by Filmfare for the same role.
Some of his important films are  Seeta Aur Geeta (1972), Manchali (1973) Aap Ki Kasam (1974), Aandhi (1975), Mausam (1975). Swarg Narak (1978) Biwi O Biwi (1981),Pati, Patni Aur WohAngoor (1982),Naya Din Naya Raat and Hero (1983).



His role as Mirza Sajjad Ali, a chess-obsessed Lucknowi (citizen of Lucknow), in Satyajit Ray's classic Shatranj Ke Khilari (1977) exemplified that aspect. Perhaps his best remembered roles were in the blockbuster films Sholay (1975) and Trishul (1978). His portrayal of the character Thakur, from Sholay, released in August 1975 was one of his stellar performances. In Naya Din Nayi Raat (1974) he played Nine Roles ,Beside hindi films he has done many regional films in different languages including MarathiPunjabiTamilTeluguSindhi and his mother tongue Gujarati.

Sanjeev Kumar lived life rough and had a strange premonition that he would die before he was 50, as no male member in his family had lived beyond 50. He was barely 46 when he died on November 6, 1985.

Song from Raja Aur Runk  1968

Song from Khilona 1970

Song of Manchali 1973



Song from Pati Patni Aur Woh

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