Sunday 9 May 2021

The Evolution of Mothers in Bollywood

 


'Mere Paas Maa Hai'- Recall this very popular dialogue of Shashi Kapoor from the 70s film 'Deewar' embodies the significant meaning of a mother’s existence in one’s life. If we look into the Bollywood films the portrayal of a mother has always been changing in every decade.

The God-fearing, homely moms of the 40s,  an idealistic mother, who tolerated misery. in the 50s and 60s, mothers laboring over a sewing machine in the 70s and 80s, friendly, witty, and modern in thinking of the 90s to the mother of films like English Vinglish, Mom, Secret Superstar, Vicky Donor.

In this blog, I look into the mothers of the 21st-century being portrayed in Bollywood films. The first significant role of a mother in my list is the role that shattered the stereotyped Maa role was in 'Kya Kehna' (2000). In this film, Preity Zinta plays a young unwed mother who takes on society to protect her unborn child.

Another unconventional mother role was that of Kirron Kher in 2008’s Dostana, who although with a heavy heart, was ready to accept her son’s boyfriend. Ratna Pathak Shah plays the new-age mother  is the best friend in films like Jaane Tu…Ya Jaane Na 

How can we forget Sridevi who played a role of a mother, who enrolls in an English-speaking course to stop her husband and daughter from mocking her lack of English skills[ and gains self-respect in the process in the 2012 film English Vinglish and also a mother who takes revenge of the rapists of her daughter in the 2017 film 'Mom' 

We will see more unconventional mothers in Bollywood films in the future. The challenge, however, is to present the new-age mom without eliminating the core attributes that define motherhood. 

Song of Kya Kehna 2000

Song of Dostana 2008

Song of English Vinglish 2012

Song of Mom 2017















Friday 7 May 2021

'Tere Mere Milan Ki Ye Raina'- The Song based on Rabindra Sangeet

 


This Classic song from the 1973 film Abhiman was written by Majrooh Sultanpuri and composed by S D Burman was influenced by the song 'Jodi Tare Nai Chini Go Sheki 'of Rabindra Tagore. Over the years, the original Song Jodi Tare Nai Chini Go Sheki has been performed by various artists – Kishore Kumar, Shaan, Anwesha, Shrabani Sen, Shreya Ghoshal, Hemant Kumar, and many more. While I was researching for this song, I found a very rare version sung by the great K L (Kundan Lal) Saigal.

This song appears when the movie reaches its climax when the couple Subir (Amitabh) and Uma (Jaya -Bhaduri) get separated, Uma has a miscarriage, and finally they, fortunately, reunite – what an emotional reunion celebrated with this beauty of a song “Tere Mere Milan Ki Yeh Raina” rendered in public by both.

Though this song was influenced by Rabindra Tagore, S D Burman gave his magical touch to the original tune made this song immortal. We must also appreciate Mazrooh Sultanpuri to give lyrics for the wonderful tune. He was awarded the Filmfare Award as Best Lyricist. S D Burman was awarded the Best Music Director.

If you listen to all the versions of 'Jodi Tare Nai' you will find how beautifully the Abhiman song was composed. The song starts with a hmmm. by Kishore Kumar, a divine hmmm unmatchable. The song is a duet of Kishore and Lata Mangeshkar, one of the immortal duets of both.

This tune was again used in the 1985 film Jhoothi's song set in Rupak Taal (that's the name for the beats on the Tabla). Bappi Lahiri has set his Chanda Dekhe Chanda from Jhoothi.

Song of Abhiman 1973

Jodi Tare Nai Chini Go Sheki by Kishore Kumar

Jodi Tare Nai Chini Go Sheki by Hemant Kumar

Jodi Tare Nai Chini Go Sheki by K L Saigal

Jodi Tare Nai Chini Go Sheki by Shaan

Song of Jhoothi 1985


















Wednesday 5 May 2021

Naushad- The Man Who Introduced Raaga Based Songs in Hindi Movies.

 


Naushad started as an independent music director from the 1940 film Prem Nagar. He made Hindi songs popular by mixing UP and Bihar folk music with Indian classical music.He first got noticed with A.R. Kardar's film Sharda (1942) wherein 13-year-old Suraiya debuted with the song "Panchhi Ja" for the playback for heroine Mehtab. It was Rattan (1944) that took Naushad right to the top 

 It was in 1946 he got superstar status with the two immortal songs from the film Anmol Ghadi.. In the same year, K L Saigal gave one of his immortal songs "Jab Dil Hi Toot Gaya" under his composition in Shahjehan (1946) in Raag Bhairavi. His favorite ragas were raga Pahadi, Aiman, Darbari, Kafi or Des along with Raga Bhairavi. He also composed songs in unconventional and difficult ragas such as Jaijaiwanti, Kedara, Brindabani Sarang, Bihag, Durga, Kirwani and Kalavati.  

In this blog, we take a journey of his raga-based songs in Bollywood.

In the 1944 film Rattan, he composed 10 songs and the music by Naushad was such a phenomenal hit that the company earned Rs 3 lakhs in royalties from Gramophone sales in the first year. You would be surprised to note that the producer Kardar spent 75,000 rupees on the production of this film. 

The Song based on Raga Pahadi

Song of Rattan 1944


Raga Bharavi
Song of Shahjahan 1946
Raga Kafi

Song of Shahjahan 1946

Raga Pahadi
Song of Anmol Ghadi 1946



His most durable composition Suhani raat dhal chuki was shaped in Pahadi and was from film Dulari made in 1949 that became legendary and is still considered an integral part of any singer’s repertoire in any musical gathering. 

Raga Pahadi

Song of Dulari 1949

Raga Pahadi
Song of Andaz 1949

Raga Jaijalvanti
Song of Andaz 1949



Raga Bhimpalasi
Song of  Babul 1950



His classical genius was the 1952 film Baiju Bawra in which he used the voices if the great Ustad Amir Khan and D V Palusjar. The climactic contest between Tansen and Baiju Bawra in the royal court of Mughal emperor Akbar demanded music of the highest finesse to exemplify the capabilities of these historical legends. Naushad introduced classical music with deft handling, making it melodious for mass appeal and yet retaining enough artistry as the situation demanded. 
There could not have been a better composer than Naushad Ali to make this film an unforgettable feature of Indian cinema. The music in “Baiju Bawra” is divine! It is, in fact, the soul of the film.
There are many moments in “Baiju Bawra” when the contribution of Naushad emerges the strongest point of the movie. Mohammad Rafi, lyricist Shakeel Badayuni and Naushad leave you in a trance with the all-time great number “Man tarpat hari darshan ko aaj”. Rafi had reportedly confessed to this being one of the toughest songs of his career as a demanding Naushad sought perfection from the legendary singer.
Raga Bharavi
Song of  “Baiju Bawra”  1952

Raga Darbari
Song of  “Baiju Bawra”  1952

Raga Malkauns
Song of  “Baiju Bawra”  1952


Raga Gara
Song of Mughal-e-Azam in 1960 





Raga Darbari Kanada
Song of Mere Mehboob 1963

Raga Kalavati
Song of Dil Diya Dard Liya in 1966 













Tuesday 4 May 2021

The Story Behind the Song 'Zindagi Kaisi Hai Paheli'

 


This beautiful song from Anand was sung by Manna De, composed by Salil Da, and written by Yogesh is now 50 years old. This song was included in the film to compensate Yogesh, the lyricist for a song he wrote earlier for this film but not recorded. The Director Hrishikesh Mukharjee thought of obliging Yogesh to write a Title song. 

It being the title song so Salil Da recorded this song in the voice of Manna Dey. When Rajesh Khanna, the hero of the film heard the recorded version of this song, he said that such a lovely composition should not be wasted on the title. He insisted the song be shot on him. It became the first solo song of Manna Dey for Rajesh Khanna. Interestingly all the other songs in this film were sung by Mukesh for Rajesh Khanna.

The song was shot in three hours and only two antaras were kept in the film. As per Yogesh, he wrote 5 antaras, and three antara were recorded but only two were shot. Manna De used to sing the third antara on many stage shows in those days.

According to Bimal Roy's daughter Rinki Bhattacharya, this melody was originally written for a film Anand Mahal which was delayed so Sali Da used this melody here in this movie. Salil Da in an interview once said that arrangement is not a part of Indian music. It is a western concept but he felt it is also essential for a film song else there would be nothing to hold the edifice. For my compositions, I normally use an Indian melody and flavor it with something western.

In this song too Salil created a unique concoction of eastern and East Europian melody.

Song of Anand 1971


Sunday 2 May 2021

50 Years of 'Haathi Mere Saathi'



 Haathi Mere Saathi was the highest-grossing Indian film of 1971. It was released on 1st May 1971 and became an instant hit all over India. It was not a children's film but became a craze among children. Children's cinema was a rarity in the 70's decade which was dominated by action dramas. But one big exception was "Haathi Mere Saathi"(1971), directed by M.A.Thirumugham which was inspired by his own Tamil hit, "Vettaikkaaran"(1964).

This was the first film of Salim Javed as an independent script & screenplay writer. it was the biggest hit in the career of Rajesh Khanna as a hero. This movie is about the relationship/bondage between man and animal. Elephants play an equally important role with Rajesh Khanna in the movie and the movie revolves around them. Tanuja playing the heroine also contributes.

In an interview, Tanuja said, "I showed them the film when Kajol was six and Tanishaa around three years old, and for two weeks Kajol did not speak to me!! "Mummy, you killed the elephant! Because of you, he had to die!" screamed Kajol! "And Tanishaa was annoyed too!" 

Another highlight of the film was its music by Laxmikant Pyarelal who have composed some great hits for this movie sung by Kishore Kumar. One song by Mohammad Rafi is a class.

 The film ranks as a classic because it is still unequaled as the complete family fare in its genre for kids of all ages!. If you have not seen this film, you must see this film with your children.

Songs

#TitleSinger(s)
1"Chal Chal Chal Mere Saathi"Kishore Kumar
2"Dhak Dhak Kaise Chalti Hai Gaadi"Lata Mangeshkar, Kishore Kumar
3"Duniya me rehna hai to kaam kar pyare"Kishore Kumar
4"Sunja Aa Thandi Hawa"Lata Mangeshkar, Kishore Kumar
5"Dilbar Jani Chali Hawa Mastani"Lata Mangeshkar, Kishore Kumar
6"Nafrat Ki Duniya Ko Chhod Ke"Mohammed Rafi






Songs of Haathi Mere Saathi' 1971

Friday 30 April 2021

50 Years of 'Andaz'

 


This Superhit film was released on 30th April 1971. It was the last movie of Shammi Kapoor as a romantic hero. It was the last movie of the great Shankar-Jaikishan duo. Soon after Jaikishan died of liver cirrhosis, he was only 42.It was the first movie of Ramesh Sippy as Director and also the first script of Salim Javed, 

The film is about a widower(Shammi Kapoor) who has a kid from his now-dead wife(Simi Grewal) and a young widow(Hema Malini) who has a young son from her now-dead lover(Rajesh Khanna) and how their lives meet and end up in romance.

This was the golden age of Rajesh Khanna, whatever the superstar touched it turned into gold. Here also in 15 minutes guest appearances stole the show. He appears on screen for only a few minutes with the famous Kishore Kumar yodel “Zindagi Ek Safar Hai Suhana” and a couple of other scenes.

The story is a formula-based one but the skilfully written screenplay is able to entertain the viewers throughout. This was the first signal of a great script and screenplay writer of Bollywood in making. Their first film as an independent screenplay writer was to release soon and to be the top-grossing film of 1971. 

It was the last movie of Shammi Kapoor as a romantic hero and his role demanded maturity not only on the face but also in performance. And Shammi Kapoor has done it perfectly. Nowhere is he over the top and portrayed the widower and an affectionate father on the screen with finesse, bringing all his experience as a hero over the previous 18 years into his performance

The film features "Zindagi Ek Safar Hai Suhana", one of the best known Bollywood yodels This song was nominated in the best singer category for Kishore Kumar. Hasrat Jaipuri was awarded the best lyricist for this song.

 This is an entertaining family drama If you have not seen it earlier, you must see it now. 


#TitleSinger(s)
1"Re Mama Re Mama Re"Mohammed Rafi
2"Dil Use Do Jo Jaan De De"Mohammed Rafi, Asha Bhosle
3"Hai Na Bolo Bolo"Mohammed Rafi, Suman KalyanpurSushma Shrestha, Pratibha
4"Mujhe Pyas Aesi Pyas Lagi Hai"Asha Bhosle
5"Zindagi Ek Safar Hai Suhana"Kishore Kumar
6"Zindagi Ek Safar Hai Suhana (II)"Mohammed Rafi
7"Zindagi Ek Safar Hai Suhana (III)"Asha Bhosle

Song of Andaz 1971
Song of Andaz 1971

Song of Andaz 1971

Song of Andaz 1971

Song of Andaz 1971

Song of Andaz 1971

Song of Andaz 1971













Tuesday 27 April 2021

50 Years of 'Main Sunder Hoon'

 


The most underrated film of 1971 was among the Top 15 Hit films of that year. It was released on 23rd April 1971 starring Mehmood as the lead actor along with Leena Chandavarkar and Biswajeet.  It is a remake of the 1964 Tamil movie Server Sundaram. The role played by Nagesh in Tamil version was reprised by Mehmood in the Hindi version.

The movie is not only a good comedy but also is very emotional. The central character Sundar played by Mehmood is one of the highlights of the film. Mehmood played it very well. I think this is one of his best performances. Music was of Shankar Jaikishan, some of the songs are catchy, "Mujhko Thand Lag Rahi Hai" sung by Kishore Kumar & Asha Bhonsle and the other song "Naach Meri Jaan"with the same singers were very popular that time.

There are 7 songs in the film, one of these is a parody song. If you have not seen this movie earlier then you must see this film now, it is entertaining.

Song of Main Sunder Hoon' 1971

Song of Main Sunder Hoon' 1971

Song of Main Sunder Hoon' 1971

Song of Main Sunder Hoon' 1971

Song of Main Sunder Hoon' 1971

Song of Main Sunder Hoon' 1971














Monday 26 April 2021

Romeo & Juliet in Hindi Cinema

 


William Shakespeare's 1590s play Romeo and Juliet has been adapted to film many times in almost all the languages of the world. The first time it was adapted into a film was in 1911  It was directed by Barry O'Neil (USA). In India, it was in 1947 that Romeo & Juliet appeared on-screen by Nargis Art Concern directed by Akhtar Hussain, the roles played by Sapru and Nargis.

Almost after 30 years, it was adapted ( Maro Charitra ) in the Telugu language written and directed by K. Balachander. It stars Kamal Haasan and Saritha in the lead.The film dealt with a cross-cultural romance between a Tamil boy and a Telugu girl. Upon release, it was commercially successful and remains a cult classic. Three years later the Hindi version of  Maro Charitra as ,'Ek Duje Ke Liye'( 1981),   directed once again by K Balachandra was released. with Kamal Haasan reprising his role. the female lead, was, however, replaced by actress Rati Agnihotri. The Hindi remake became a success as well.



 Qayamat Se Qayamat Tak (1988); was the next Hindi film adapted on Romeo & Juliet a long-standing blood feud between two families is complicated when the son of one falls in love with the daughter of the other; directed by Mansoor Khan (India). The film was a super hit.



Saudagar (1991) was another successful film adapted from the great play by the producer-director Subhash Ghai. The role of Romeo & Juliet was played by Vivek Mushran and Manisha Koirala. The role of Mandhaari was somewhat similar to Friar Laurence of Romeo and Juliet



Goliyon Ki Raasleela Ram Leela (2013) is another super-hit adaptation of Romeo and Juliet , directed by Sanjay Leela Bhansali, it stars Deepika Padukone and Ranveer SinghBhansali called it a "desi adaptation" of William Shakespeare's tragedy Romeo and Juliet


Song of Romeo Juliet 1947   Audio only

Song of Ek Duje Ke Liye 1981

Song of Quamat Se Quamat Tak 1988

Song of Saudagar 1991

Song of Goliyon Ki Raasleela Ram Leela (2013)